Mixed Race Studies

Meet April Baskin, the Multiracial Face of Reform Judaism

Forward
2015-11-28

Allison Kaplan Sommer (Haaretz)

Image: Haaretz

See also: “Black and Jewish: New Reform Leader Works to Bring Marginalized Groups Into the Tribe” on 2015-11-25 from Haaretz.

To meet April Baskin is to see the change in American Jewry personified. A tall, confident, 32-year-old with an impressive mane of curly hair and a wide smile, the self-described “multiracial Jewish woman of color” is the newest executive in the Reform Jewry movement.

Her offbeat job title—vice president for audacious hospitality—incorporates the catchphrase that the Union for Reform Judaism has embraced as its central mission. It is meant both to include aggressively welcoming newcomers into its institutions, along with widening its tent by inviting groups that have traditionally felt marginalized from mainstream Jewish institutional life – this includes interfaith couples and families, as well as adults who grew up in interfaith homes, LGBT Jews, Jews with disabilities, unaffiliated Jews and multiracial Jews like herself. “The Jewish community has been by and large marginalizing these groups and put them on the back burner if they have even been on the stove at all,” she says.

Her job is to put these groups front and center. Baskin sums up the philosophy with which she is approaching her admittedly “enormous portfolio”: “It is the belief that we will be a stronger Jewish community when we welcome and incorporate the diversity that is the reality and future of Jewish life.” Since unaffiliated Generation X and millennials are another important target for her outreach work, her young age is an advantage, rather than an obstacle.

…It is language, however, that Baskin’s family hasn’t really been able to avoid. She was raised in a Jewish home by her Ashkenazi mother and African-American father. Early on, they regularly received questions about “what” she was, and thus sought out the expertise of a psychology professor, who recommended they tell Baskin she was “multiracial and Jewish.” The couple raised April and her brother in Sacramento, California “enmeshed in Jewish life” complete with a close-knit Reform congregation and Reform Jewish summer camp…

Read the entire article here.

Blaxican: The Revolutionary Identity of Black Mexicans

teleSUR
2015-07-29

“The Afro-Latino term felt like home. There was finally a term that described what all of this was. It was a group of people who felt like I was feeling. I was finally able to identify with a group of people and it was a relief.”

Walter Thompson-Hernandez shares with teleSUR English the often-forgotten faces and stories of Black Mexicans, or Blaxicans, in the United States.

Walter Thompson-Hernandez often sees a reflection of himself in the stories his camera captures. Boldly staring into the lens of his camera, Black Mexican, or Blaxican, men and women slowly unveil a bit of themselves to him.

“I ethnically identify as Afro-Mexican. Racially, I embrace my Blackness as here in LA that is typically how I am read and what my experience is,” reads one of the photo stories now available on Instagram gallery known as “Blaxicans of Los Angeles.”

“The identity of Afro-Mexican acknowledges my African roots as well as the land we live on, though claimed by America, belongs historically to indigenous Mexican peoples.”

As the child of an African-American father and a non-black Mexican mother, the stories resonate with Thompson-Hernandez who started the Instagram page as an academic research project for the University of South Carolina, but found himself personally drawn to the project to understand the complexities of race and ethnicity in a country that often sees both as one and the same thing…

Read the entire article here.

Afro-Latinas Work for Cultural Survival

teleSUR
2015-03-20

Mai’a Williams
Quito, Ecuador

In recent years, there has been a resurgence of Afro-Latino youth in the U.S. rooting themselves, their families and their communities in their African heritages as a way to create cultures of resistance to the dominant narratives of colonization and white supremacy.

These movements have been for the most part led by Afro-Latina women who live within the intersections of oppression, gender, class, race, and immigration. They take inspiration from the past, as well as the future. And they work to co-create cultures that can fight against the overwhelming tide of erasure of their own African diasporic existences.The work of embracing Afro-Latino identity is a work for cultural survival and connection.

The U.S. Census Bureau reported that in 2010, 2.5 percent of the 54 million Latinos living in the United States co-identified as black. Many Latinos say that number is a significant undercount. Nicholas Jones, chief of the Bureau’s Racial Statistics Branch said, “I believe that what we’re hearing from the Afro-Latino community is that they do not believe that those numbers accurately illustrate the Afro-Latino community presence in the United States, and that’s the dialogue that we’re having.”

In the same census, over half of Latinos also identified themselves as white and 36 percent marked themselves as “some other race.”…

Read the entire article here.

The Possible South: Documentary Film and the Limitations of Biraciality

University Press of Mississippi
2015-11-09
288 pages
6 x 9 inches
38 b&w illustrations, bibliography, index
Hardcover ISBN: 9781496804082

R. Bruce Brasell
Birmingham, Alabama

Using cultural theory, author R. Bruce Brasell investigates issues surrounding the discursive presentation of the American South as biracial and explores its manifestation in documentary films, including such works as Tell about the South, bro•ken/ground, and Family Name. After considering the emergence of the region’s biraciality through a consideration of the concepts of racial citizenry and racial performativity, Brasell examines two problems associated with this framework. First, the framework assumes racial purity, and, second, it assumes that two races exist. In other words, biraciality enacts two denials, first, the existence of miscegenation in the region and, second, the existence of other races and ethnicities.

Brasell considers bodily miscegenation, discussing the racial closet and the southeastern expatriate road film. Then he examines cultural miscegenation through the lens of racial poaching and 1970s southeastern documentaries that use redemptive ethnography. In the subsequent chapters, using specific documentary films, he considers the racial in-betweenness of Spanish-speaking ethnicities (Mosquitoes and High Water, Living in America, and Nuestra Communidad), probes issues related to the process of racial negotiation experienced by Asian Americans as they seek a racial position beyond the black and white binary (Mississippi Triangle), and engages the problem of racial legitimacy confronted by federally non-recognized Native groups as they attempt the same feat (Real Indian).

Love and hate: interracial couples speak out about the racism they’ve faced

The Guardian
2015-11-26

Nell Frizzell

‘I asked them to share any negative comments they’d overheard about themselves.’ All photographs by Donna Pinckley

A couple stand by a flower bed. Her arm is wrapped about his waist like a rose climbing a tree. He rests his cheek on the top of her head. They stare down the lens, their bodies pressed together from thigh to neck in the late afternoon sun. “They are disgusting”, reads a handwritten caption below the image – as jarring as a rock to a toe.

This shot is one of US photographer Donna Pinckley’s ongoing series Sticks and Stones, which pairs interracial couples with the abuse they’ve received, sometimes directly, sometimes overheard. A southern girl at heart (she tells me that she could never move further north than Little Rock, Arkansas, where she lives), Pinckley works in black and white and the couples she depicts include a wide range of ethnicities and sexualities…

Read the entire article and view the photographs here.

In the Creole Twilight: Poems and Songs from Louisiana Folklore

Louisiana State University Press
September 2015
88 pages
6.00 x 9.00 inches
30 halftones
Hardcover ISBN: 9780807161548

Joshua Clegg Caffery, Visiting Professor in Folklore
Indiana University, Bloomington

Many recurring motifs found in south Louisiana’s culture spring from the state’s rich folklore. Influenced by settlers of European and African heritage, celebrated customs like the Courir de Mardi Gras and fabled creatures like the Loup-Garou are outgrowths of the region’s distinctive oral traditions. Joshua Clegg Caffery’s In the Creole Twilight draws from this vibrant and diverse legacy to create an accessible reimagining of traditional storytelling and song.

A scholar and Grammy-nominated musician, Caffery borrows from the syllabic structures, rhyme schemes, narratives, and settings that characterize Louisiana songs and tales to create new verse that is both well-researched and refreshingly inventive. Paired with original pen-and-ink illustrations as well as notes that clarify the origins of characters and themes, Caffery’s compositions provide a link to the old worlds of southern Louisiana while constructing an entirely new one.

Identity Does Not Define Experiences

The Oberlin Review
Oberlin, Ohio
2015-04-24

Taiyo Scanlon-Kimura, College senior

To the Editors:

My name is Taiyo Scanlon-Kimura. I take he, him and his. I am a mixed-race Japanese American. I am cisgender and heterosexual; I am from Ohio and a strictly middle-class background. (I received a federal Pell Grant one year and not others because my family is right on the cusp of certain federal guidelines.) My father is an immigrant with no college degree, while my mother has a Master’s degree. (You might be surprised at who makes more money.) I am the oldest and only son of four children. I am graduating in May and have gained tremendously from my Oberlin education.

This introduction is meant to highlight both my social privileges and challenges. (These are in fact relative terms, which means some elements of my identity have simultaneously advantaged me and been used to discriminate against me.) Asian Americans (particularly Midwestern ones and Ohio students in general) make up a fraction of Oberlin’s student body, while students of Chinese, Japanese, Korean and Indian descents are disproportionately represented, relative to their national populations, in American college campuses. In this country, people generally refer to me as part Asian, whereas in Japan I am overwhelmingly thought of as White. I will graduate from Oberlin with roughly $35,000 in loans (higher than the national average), yet statistics indicate I am better positioned to find a good job and start a family than my peers on this campus who come from low-income backgrounds.

There are many layers to my life story. I straddle the boundary between majority and minority, sometimes enjoying the benefits of one while enduring the hardships of the other…

Read the entire letter here.

The quadroon concubines of New Orleans on Wanton Weekends

Jude Knight
2015-10-25

Jude Knight

In New Orleans at the end of the 18th Century, a wealthy white man would generally live on his plantation with his wife and children, but he would also have a townhouse in New Orleans where his other family lived: his quadroon mistress and the children he had made with her.

To the men and women involved, these marriages de la main gauche (left-handed marriages) were honourable arrangements. The women were faithful to their protectors, and the men were expected to provide for their children. It was what a gentleman did…

Read the entire article here.

Pop Culture Happy Hour: A Conversation With Trevor Noah

Monkey See: Pop-Culture News And Analysis From NPR
National Public Radio
2015-11-27

Linda Holmes, Host
Monkey See Blog

Linda Holmes and Trevor Noah talk during NPR’s Weekend In Washington event on October 31. (Paul Morigi/AP Images for NPR)

It’s Thanksgiving week, and Team PCHH [Pop Culture Happy Hour] is enjoying some downtime, which makes it a perfect moment to bring you a special show. On Oct. 31 — a few hours before our live show with Fred Armisen — I sat down for a chat here in Washington with Trevor Noah, who was then about a month into his gig as the host of The Daily Show.

(I should also add that he had his appendix out four days later, so who knows? Maybe this was the very last interview for which his appendix was present.)

Noah has a really interesting story, not only because he’s been famous for longer than a lot of Americans realized when he took over for Jon Stewart, but also because in that time, he’s had a lot of chances to reflect for a guy who’s only 31…

Read the introduction here. Listen to the story here (00:55:42). Download the story here.

Incognegro, A Graphic Mystery

Vertigo
2008
136 pages
Hardcover ISBN-13: 978-140121097

Mat Johnson, Author

Warren Pleece, Artist

Mat Johnson, winner of the prestigious Hurston-Wright Legacy Award for fiction, constructs a fearless graphic novel that is both a page-turning mystery and a disturbing exploration of race and self-image in America, masterfully illustrated with rich period detail by Warren Pleece (The Invisibles, Hellblazer). In the early 20th century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities. They were African-American men who, due to their light skin color, could pass for white. They called this dangerous assignment going “incognegro.” Zane Pinchback, a reporter for the New York-based New Holland Herald, is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. With a lynch mob already swarming, Zane must stay “incognegro” long enough to uncover the truth behind the murder in order to save his brother — and himself.