Mixed Race Studies

Language variation, audience design, and racial identity: an analysis of discourse in Danzy Senna’s “Caucasia”

Purdue University
2015
81 pages
ISBN: 9781339183824

Rachelle R. Henderson

Previous studies examining sociolinguistic language variation, race, and identity focus primarily on self-defining monoracial audiences. Additionally, previous studies examining mixed race identity in interracial literature use traditional literary or historical methodologies. The current study seeks to bridge a connection between sociolinguistics and literature. To date, there are few, if any, studies which apply sociolinguistic theories of language variation to discourse in interracial literature. The current research project is one such study, examining character dialogue of self-defining monoracial and black-white mixed race interlocutors in Danzy Senna’s contemporary interracial novel, Caucasia. The current research project asks two primary questions: 1) How is language variation is Caucasia (Senna, 1998) motivated by the race of both speaker and the audience and 2) How do mixed race and self-defining monoracial audiences evaluate language variation in Caucasia (Senna, 1998)? The overarching research objective is the exploration of mixed race identity.

The current thesis is composed of four chapters. Chapter 1 introduces the rationale behind the current project. Chapter 2 provides a background of the relevant literature, ad Chapter 3 analyzes data within the text through sociolinguistic methodology, and Chapter 4 offers a discussion of the analysis, in addition to a conclusion.

Purchase the Masters thesis here.

Eduardo Bonilla-Silva, “Why Can’t We Just Get Along?: Race Matters in the Colorblind Racial Movement”

Center for the Study of Race and Ethnicity in America (CSREA)
Center for the Study of Slavery and Justice
Brown University
2015-02-27 (Published on 2015-07-02)

Presents…

Eduardo Bonilla-Silva, Professor of Sociology
Duke University

“Race Today: A Symposium on Race in America” brought a group of the nation’s most respected intellectuals on race, racial theory and racial inequality together to consider the troubling state of black life in America today. What are the broader structural factors that shape race today? How do these factors work on the ground and institutionally and what are the consequences? What are the ideas about race, and racial identities that enable the normalcy of stark racial differences today? In particular, what role do key ideas such as “colorblindness” and “post race” play in shaping perception and outcomes? What can be done to challenge ideological and structural impediments to a racially egalitarian society?

Eduardo Bonilla-Silva is a Professor of Sociology at Duke University. Bonilla-Silva speaks widely on race and ethnic matters nation wide. He has published four books: White Supremacy and Racism in the Post-Civil Rights Era (co-winner of the 2002 Oliver Cox Award given by the American Sociological Association), Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States (2004 Choice Award; this book is now in a second [fourth] expanded and revised edition that was published in 2006), White Out: The Continuing Significance of Racism (with Ashley Doane), and (with Tukufu Zuberi) White Logic, White Methods: Racism and Social Science.

Unwed Mothers, Race, and Transgression in William Faulkner’s Novels

McKendree University Scholars Journal
Lebanon, Illinois
Issue 24, Winter 2015
16 pages

Mindy Allen

As a modernist writer, William Faulkner is conflicted with the autonomy he can allow for his female characters, particularly unmarried mothers. Ideology about women during the early twentieth century, including the debates of birth control and the loss of the Southern Belle,
influence the creation of Faulkner’s female characters. The purpose of this paper is to explore how Faulkner’s unmarried mothers transgress sexual boundaries imposed by patriarchal values in the novels As I Lay Dying, The Sound and the Fury, Light in August, Absalom! Absalom! and Go Down, Moses. Faulkner’s female characters can no longer strive towards the status of the Southern Belle as New South ideals emerge. Faulkner includes many unmarried mothers in his novels, as well as mixed race unmarried mothers. He leaves the impression that, through his novels, he attempts to make since of females transgressing sexual and racial boundaries.

Read the entire article here.

White Dads

Mixed Roots Stories
2015-12-16

Sarah Gladstone

Being brown and having a white dad means something, whether people want to acknowledge it or not. Right now, I’m working on an anthology project—“WHITE DADS: Stories and experiences told by people of color, fathered by white men.” I’ve been loving the ways people are taking this idea, supporting it, and helping it grow. Thing is, though, absolutely none of us have the same story to tell about what it’s like being brown, raised by a white guy in a society that ranks validity based on melanin and race. This is a part of my story and the story behind WHITE DADS.

Answers are never just black and white–but in the case of biracial identity, sometimes, that’s exactly what they are…

Read the entire article here.

John F. Kennedy, Barack Obama, and the Politics of Ethnic Incorporation and Avoidance

SUNY Press
March 2013
Harcover ISBN13: 978-1-4384-4559-5
Electronic ISBN13: 978-1-4384-4561-8

Robert C. Smith, Professor of Political Science
San Francisco State University

Fascinating look at the challenges faced by John F. Kennedy and Barack Obama in their quests to win the presidency.

Political analysts and journalists often draw analogies between John F. Kennedy, the first Catholic Irish president, and Barack Obama, the first African American president. Their election to the nation’s highest office was historic, but for reasons not fully appreciated. In John F. Kennedy, Barack Obama, and the Politics of Ethnic Incorporation and Avoidance, Robert C. Smith provides a fascinating comparison of the challenges both men faced in their bid for the presidency, while at the same time providing comparative histories of the Catholic Irish and African American struggles to overcome racial and religious subordination in America. Kennedy’s Catholicism was an explicit issue in the 1960 election, and once elected he was extremely careful to avoid appearing either “too Irish” or “too Catholic.” While Obama’s race was not an explicit issue in the 2008 election, he was just as careful to avoid appearing “too black.”  Paradoxically religion—thanks to rumors and lies about whether Obama was a Muslim—became a substitute for race, allowing Republican strategists to “otherize” Obama by raising the issue of religion in the context of national security and terrorism.

The Cry of Black Rage in African American Literature from Frederick Douglass to Richard Wright

Edwin Mellen Press
2013
176 pages
ISBN10: 0-7734-4077-1; ISBN13: 978-0-7734-4077-7

Steven Troy Moore, Assistant Professor of Language and Literature
Abilene Christian University, Abilene Texas

This book examines the contrasting experiences of black rage that is exhibited in the writings of male and female African American authors. It boldly captures the compelling theme of the white silence and the black rage that battled each other from the early days of slavery up to the pre-Civil Rights Movement. It exposes the birth of black rage and the African American experience through such writers as Frederick Douglass and Harriet Ann Jacobs. Next, it gives a painful glimpse into the complicated experience of the biracial in the post-Reconstruction era through the eyes of Charles Chesnutt and Nella Larsen. Finally, this study concludes with an astounding view of the modern state of black rage through the controversial writings of Richard Wright and Ann Petry. Currently, many studies present a one-dimensional analysis of black rage; however, this book provides a comprehensive examination of this phenomenon. From the viewpoint of African American authors, it traces the gender differences of black rage that span one hundred years and includes valuable insights from such brilliant scholars as bell hooks, Cornel West, Barbara Christian, Martha J. Cutter, Deborah E. McDowell, and James Baldwin.

Table of Contents

• Foreword by Maureen Honey
• Preface
• Acknowledgements
• “Get Over It”
• Chapter 1: Examining a Century of Silence and Rage in African American Literature, 1865-1946
  • Introduction
  • Literature Review
  • The Duality of Frederick Douglass and Harriet Ann Jacobs
  • The Biracial Worlds of Charles Chesnutt and Nella Larsen
  • Richard Wright’s Explosive Rage
• Chapter 2: Silent Trees: Personal Reflections on Silence and Rage
  • The Silence
  • Silence and Rage
  • Mark
  • Blackness: Silence and Identity
  • Words from bell hooks, Martin Luther King Jr., and Malcolm X
• Chapter 3: Witnessing the Birth of Black Rage in Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave (1845) and Harriet Ann Jacob’s Incidents in the Life of a Slave Girl (1861)
  • The Enduring Pain of Slavery
  • The Autobiographical Rage of Frederick Douglass
  • Impotent Rage
  • Black Female Rage in Jacob’s Incidents in the Life of a Slave Girl
  • The Slave Girl and the Sexual Predator
  • The Female Slave’s Alternative Retribution
  • Lasting Blow: The Lingering Influences of Slavery
• Chapter 4: The Phenomenon of Biracial Rage in Charles Chesnutt’s The House Behind the Cedars (1900) and Nella Larsen’s Quicksand (1928) and Passing (1929)
  • The Biracial Identity
  • The White Mask in The House Behind Cedars Chesnutt’s Biracial Female
  • Black Female Rage in Nella Larsen’s Quicksand A Place to Belong: Location and Helga’s Biracial Identity
  • The Biracial Female in Passing Differed Rage
• Chapter 5: Exploring the Explosive Urban Rage in Richard Wright’s Native Son (1940) and Ann Petry’s The Street (1946)
  • Brutal Clarity
  • “Like a Red-Hot Iron”: Bigger Thomas’s Burning Rage
  • The White Cat and the Black Rat
  • Native Son’s Perpetuating Rage
  • The Furious Hell of Ann Petry’s The Street
  • The White Heaven: Petry’s Contrasting Spaces
  • The White Ideal and the Black Other
  • Blackness and Claustrophobic Spaces
  • Explosive Black Female Rage
• Bibliography
• Index

Finding Samuel Lowe: China, Jamaica, Harlem

HarperCollins
2015-04-14
288 pages
Trimsize: 6 in (w) x 9 in (h) x 1.004 in (d)
Hardcover ISBN: 9780062331632; ISBN 10: 0062331639
eBook ISBN: 9780062331656; ISBN 10: 0062331655

Paula Williams Madison

Spanning four generations and moving between New York, Jamaica, and China, a powerful memoir that is a universal story of one woman’s search for her maternal grandfather and the key to her self-identity.

Thanks to her spiteful, jealous Jamaican mother, Nell Vera Lowe was cut off from her Chinese father, Samuel, when she was just a baby, after he announced he was taking a Chinese bride. By the time Nell was old enough to travel to her father’s shop in St. Anne’s Bay, he’d taken his family back to China, never learning what became of his eldest daughter. Bereft, Nell left Jamaica for New York to start a new life. But her Asian features set her apart from her Harlem neighbors and even her own children—a difference that contributed to her feeling of loneliness and loss which she instilled in her only daughter, Paula.

Years later, with a successful corporate career behind her and the arrival of her only grandchild raising questions about family and legacy, Paula decided to search for Samuel Lowe’s descendants in China. With the support of her brothers and the help of encouraging strangers, Paula eventually pieced together the full story of her grandfather’s life, following his story from China to Jamaica and back, and connecting with 300 surprised relatives who were overjoyed to meet her.

Finding Samuel Lowe is a remarkable journey about one woman’s path to self-discovery. It is a story about love and devotion that transcends time and race, and a beautiful reflection of the power of family and the interconnectedness of our world.

Finding Samuel Lowe includes a 16-page black-and-white photo insert and photos in the text.

Racial Ambiguity in Asian American Culture

Rutgers University Press
2015-05-12
256 pages
6 x 9
Cloth ISBN: 978-0-8135-7070-9
Paper ISBN: 978-0-8135-7069-3
Web PDF ISBN: 978-0-8135-7071-6
epub ISBN: 978-0-8135-7537-7

Jennifer Ann Ho, Associate Professor of English and Comparative Literature
University of North Carolina, Chapel Hill

The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American.

Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. For example, the book examines the racial ambiguity of Japanese American Nisei Yoshiko Nakamura deLeon, who during World War II underwent an abrupt transition from being an enemy alien to an assimilating American, via the Mixed Marriage Policy of 1942. It looks at the blogs of Korean, Taiwanese, and Vietnamese Americans who were adopted as children by white American families and have conflicted feelings about their “honorary white” status. And it discusses Tiger Woods, the most famous mixed-race Asian American, whose description of himself as “Cablinasian”—reflecting his background as Black, Asian, Caucasian, and Native American—perfectly captures the ambiguity of racial classifications.

Race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties. Jennifer Ho demonstrates in Racial Ambiguity in Asian American Culture that seeing race as ambiguous puts us one step closer to a potential antidote to racism.

Table Of Contents

• Acknowledgments
• Introduction: Ambiguous Americans: Race and the State of Asian America
• 1. From Enemy Alien to Assimilating American: Yoshiko deLeon and the Mixed-Marriage Policy of the Japanese American Incarceration
• 2. Anti-Sentimental Loss: Stories of Transracial/Transnational Asian American Adult Adoptees in the Blogosphere
• 3. Cablinasian Dreams, Amerasian Realities: Transcending Race in the Twenty-first Century and Other Myths Broken by Tiger Woods
• 4. Ambiguous Movements and Mobile Subjectivity: Passing in between Autobiography and Fiction with Paisley Rekdal and Ruth Ozeki
• 5. Transgressive Texts and Ambiguous Authors: Racial Ambiguity in Asian American Literature
• Coda: Ending with Origins: My Own Racial Ambiguity
• Notes
• Bibliography
• Index

The Cherokee Kid: Will Rogers, Tribal Identity, and the Making of an American Icon

University Press of Kansas
June 2015
400 pages
7 illustrations, 6 x 9
Cloth ISBN 978-0-7006-2100-2
Ebook ISBN 978-0-7006-2101-9

Amy M. Ware

Early in the twentieth century, the political humorist Will Rogers was arguably the most famous cowboy in America. And though most in his vast audience didn’t know it, he was also the most famous Indian of his time. Those who know of Rogers’s Cherokee heritage and upbringing tend to minimize its importance, or to imagine that Rogers himself did so—notwithstanding his avowal in interviews: “I’m a Cherokee and they’re the finest Indians in the World.” The truth is, throughout his adult life and his work the Oklahoma cowboy made much of his American Indian background. And in doing so, as Amy Ware suggests in this book, he made Cherokee artistry a fundamental part of American popular culture.

Rogers, whose father was a prominent and wealthy Cherokee politician and former Confederate slaveholder, was born into the Paint Clan in the town of Oolagah in 1879 and raised in the Cooweescoowee District of the Cherokee Nation. Ware maps out this milieu, illuminating the familial and social networks, as well as the Cherokee ranching practices, educational institutions, popular publications and heated political debates that so firmly grounded Rogers in the culture of the Cherokees. Through his early career, from Wild West and vaudeville performer to Ziegfeld Follies headliner in the late 1910s, she reveals how Rogers embodied the seemingly conflicting roles of cowboy and Indian, in effect enacting the blending of these identities in his art. Rogers’s work in the film industry also reflected complex notions of American Indian identity and history, as Ware demonstrates in her reading of the clearest examples, including Laughing Billy Hyde, in which Rogers, an Indian, portrayed a white prospector married to an Indian woman—who was played by a white actress.

In his work as a columnist for the New York Times, and in his radio performances, Ware continues to trace the Cherokee influence on Rogers’s material—and in turn its impact on his audiences. It is in these largely uncensored performances that we see another side of Rogers’ Cherokee persona—a tribal elitism that elevated the Cherokee above other Indian nations. Ware’s exploration of this distinction exposes still-common assumptions regarding Native authenticity in the history of American culture, even as her in-depth look at Will Rogers’s heritage and legacy reshapes our perspective on the Native presence in that history, and in the life and work of a true American icon.

Being Japanese American: A JA Sourcebook for Nikkei, Hapa . . . & Their Friends

Stone Bridge Press
2015-06-09
176 pages
7.50 x 9.25 inches
Trade Paper ISBN13: 9781611720228; ISBN10: 1611720222
Ebook ISBN13: 9781611725292; ISBN10: 1611725291

Gil Asakawa

A celebration of JA culture: facts, recipes, songs, words, and memories that every JA will want to share.

This entertaining compendium is a celebration of Japanese American history and heritage. While detailing favorite foods, customs, words, games, and holidays, it explores the painful history of immigration and WWII internment, with suggestions for connecting to your Japanese American community and passing on traditions across generations and into intermarried families. This revised edition has fresh interviews with Japanese Americans about their life experiences and explores contemporary Japanese pop culture like anime and J-pop, with information on traveling to visit your Japanese roots and lists of resources on the Web and social media.