Mixed Race Studies

Staceyann Chin Worries About Money, and Selling Out

The New York Times
2016-01-14

Laura Collins-Hughes

The day she traded in her little two-door convertible for a crossover S.U.V. — “a mom car,” she calls it — the performance poet Staceyann Chin went home and cried. It wasn’t enough that pregnancy had forever altered her body. Now, as she saw it, motherhood was taking away her sex appeal, too.

“But those are the ways it changes your life,” said Ms. Chin, 43, who has a curly, deep-red mohawk, a Jamaican lilt to her speech and, at her throat, a pair of silver necklaces, one of which is emblazoned with a single word: BadAss.

“And then you meet a whole bunch of other people who think moms are sexy,” she added cheerfully over dinner on Lafayette Street before a performance of her latest solo show, “MotherStruck!,” at the Culture Project. “Very strange, but true. They’re everywhere.”

The play tells the story of Ms. Chin’s determined quest to have a child in the face of considerable obstacles, such as being a cash-strapped, single, lesbian artist-activist with paltry health insurance. (In vitro fertilization? Definitely not included.) When at last she does get pregnant, it’s a victory, but a fragile one. At 14 weeks, she begins to bleed. And bleed…

Read the entire article here.

The Complicated History of Nikki Haley

The New Yorker
2016-01-13

Jelani Cobb, Staff Writer; Professor of History
University of Connecticut

Like President Obama, South Carolina Governor Nikki Haley—who delivered last night’s Republican response to the State of the Union—has harnessed the rhetoric and symbolism of racial progress. Credit Photograph Courtesy C-SPAN

Set aside the feuding policy particulars and last night’s pairing of Barack Obama and Nikki Haley, in the State of the Union address and Republican response, becomes a far more compelling exercise. There was a particular symmetry to the speakers: two people of color with multiracial families, both of whom have deployed the rhetoric and symbolism of racial progress at key moments in their careers.

Last summer, Haley, the two-term governor of South Carolina, gained national attention for her decision to remove the Confederate flag from the grounds of the State Capitol, in Columbia, South Carolina. Coming days after the massacre of nine black churchgoers in Charleston, the move marked an audacious if symbolic reckoning with the racial ugliness of the past.

The decision did not obviously fit into Haley’s broader vision for South Carolina, which preceded the events at Emanuel A.M.E. by several years. To a greater extent than any of her gubernatorial peers, Haley has promulgated and benefitted from the idea of a “New South,” which has shaken the grip of dead tradition and can serve as a model for the rest of the country. (It’s worth noting that even the concept of a New South is dated. When the Atlanta newspaper publisher Henry Grady used the term in the post-Reconstruction era, he, too, was hoping to cast off a moribund past and self-defeating tradition. The novelty of the South is that there is now a history of its efforts to move beyond its history.)…

Read the entire article here.

Color Lines: Racial Passing in America

BackStory with the American History Guys (A program of the Virginia Foundation of the Humanities)
Charlottesville, Virginia
2016-01-15

M. H. Kimball portrait of Isaac White and Rosina Downs, two New Orleans slave children, c. 1863. (Library of Congress).

On this episode of BackStory, the Guys will consider how and why Americans throughout the centuries have crossed the lines of racial identity, and find out what the history of passing has to say about race, identity, and privilege in America. We’ll look at stories of African-Americans who passed as white to escape slavery or Jim Crow and find out how the “one-drop rule” enabled one blonde-haired, blue-eyed American to live a double life without ever arousing suspicion. We’ll also explore the story of an African-American musician who pioneered a genre of exotic music with a bejeweled turban and an invented biography, and examine the hidden costs of crossing over.

Guests Include:

• Carol Wilson, Washington College
• Annette Gordon-Reed, Harvard University
• Martha Sandweiss, Princeton University
• Johanna Lanner-Cusin, high school history teacher
• Eva Garroutte, Boston College
• Allyson Hobbs, Stanford University
• Vasanth Subramanian, business consultant
• R. J. Smith, former senior editor, Los Angeles Magazine
• Adrienne Hernandez, great niece of Korla Pandit
• Maya Hernandez, great niece of Korla Pandit

Segments

• The Spark of Recognition
  • Historian Carol Wilson tells the story of a New Orleans slave named Sally Miller, who sued for her freedom after a German woman became convinced that Sally was really a long-lost German girl named Salomé Müller.
• Double Image
  • Historian Martha Sandweiss explains how the one-drop rule enabled a blue-eyed, blonde-haired geologist named Clarence King to lead a second life as a Black Pullman porter, without ever drawing suspicion.
• “Code-Switching”
  • Listener Johanna Lanner-Cusin, who identifies as black, talks about people’s assumptions about her race, not having experiences similar to darker African Americans, and “qualifying her blackness.”
• Blood Brothers
  • Historian Annette Gordon-Reed illustrates the fluidity of race with the stories of two sons of Thomas Jefferson and his slave Sally Hemings, one of whom passed into white society while the other lived his life as an African-American.
• High Stakes
  • Sociologist Eva Garroutte tells the story of Sylvester Long, a multiracial man who rose to silent film stardom in the 1920s after adopting the persona of an “authentic” Native American—until it all came crashing down.
• Passing In, Passing Out
  • Brian Balogh talks with historian Allyson Hobbs about an enormous but overlooked cost of racial passing: leaving one’s family, community, and heritage behind.
• “Guess Your Ethnicity”
  • Listener Vasanth Subramanian wishes society allowed him to choose his identity. He talks in detail about the prejudices children of immigrants face.
• Drawing the Line
  • The Guys explain how American slavery practices created racial boundaries, and, at the same time, complicated them.
• Playing Indian
  • Producer Nina Earnest explores the boundary between passing and performance with the story of John Roland Redd, an African-American organist who donned a bejeweled turban and rewrote his life story to become “Godfather of Exotica” Korla Pandit.

CORRECTION: This show includes a story about Sylvester Long, a man of mixed descent who styled himself as a pure-blooded Native American named Chief Buffalo Child Long Lance. We refer to him as a movie star who published a famous autobiography. In fact, Long Lance published his autobiography first—the popularity of the book catapulted him into movie stardom.

Listen to the podcast (01:05:14) here. Download the podcast here.

#MemeOfTheWeek: The Racial Politics Of Nikki Haley

National Public Radio
2016-01-16

Sam Sanders, Reporter, Washington Desk

Gov. Nikki Haley, R-S.C. at Charleston, S.C., Republican presidential debate Thursday. Andrew Burton/Getty Images

Depending on whom you ask, South Carolina Gov. Nikki Haley’s State of the Union response this week was either going to save the modern Republican Party or kill conservatism.

This week, those differing responses evoked two different hashtags. Both, in some ways, were about Haley’s heritage, and they bring to light the tricky way she’ll have to navigate race should she take on a more prominent role in the 2016 election.

#DeportNikkiHaley

After Haley gave the Republican response to President Obama’s seventh and final State of the Union address this week, some conservatives were not impressed. Haley said in her speech that fixing immigration “means welcoming properly vetted legal immigrants, regardless of their race or religion. Just like we have for centuries.” She offered a tacit rebuke of Donald Trump when she said, “During anxious times, it can be tempting to follow the siren call of the angriest voices. We must resist that temptation.”

(She confirmed on NBC’s Today show the next day that she was, in fact, referring to Trump.).

The response to those lines, and other conciliatory notes in Haley’s speech, was swift. And some of it was brutal. Conservative firebrand Ann Coulter probably went the farthest, writing, “Donald Trump should deport Nikki Haley.”….

….In some ways, Haley seems to face the same conundrum former Louisiana Gov. and failed Republican presidential candidate Bobby Jindal did — not seeming “brown enough” for some voters of color, while being “too brown” for others. (We won’t bore you with the details, or subject you to some of the graphic tweets, but just take a look at the #JindalSoWhite hashtag to see what we’re talking about.)

Of course, Twitter is not exactly or entirely representative of the real world, and even thousands of tweets for or against Nikki Haley might not accurately depict actual support or disapproval of her…

Read the entire article here.

Bendición: The Complete Poetry of Tato Laviera

Arte Público Press
2014-11-30
346 pages
Paperback ISBN: 978-1-55885-800-8

Tato Laviera (1950-2013)

Introduction by: Laura Lomas
Preface by: Nicolás Kanellos

“i think in spanish / i write in english / i want to go back to puerto rico / but I wonder if my kink could live / in ponce, mayaguez and carolina.” Born in Puerto Rico but raised in New York City, Tato Laviera’s poetry reflects his bilingual, bicultural Nuyorican existence while celebrating the universality of the human condition and his European, indigenous and African roots.

Tato Laviera explores identity, community, urban life, oppression and much more in these multi-layered pieces that spanned his too-short life. Many deal with themes specific to the immigrant experience, such as the sense of alienation many feel when they are not accepted in their native or adopted land. In “nuyorican,” he writes about returning to his native island, only to be looked down upon for his way of speaking: “ahora regreso, con un corazón boricua, y tú / me desprecias, me miras mal, me atacas mi hablar.”

Music and dance, an integral part of Puerto Rican life, permeate Laviera’s verse and pay homage to the Caribbean’s African roots. “i hear merengue in french haiti / and in dominican blood, / and the guaracha in yoruba, / and the mambo sounds inside the plena.”

Including all of his previously published poems and some that have never been published, these are bold expressions of hybridity in which people of mixed races speak a combination of languages. He skillfully weaves English and Spanish, and frequently writes in Spanglish. The importance of language and its impact on his identity is evident in poems entitled “Español,” “Bilingue” and “Spanglish.” Known for his lively, energetic poetry readings, Bendición represents an internationally recognized poet’s life work and will serve to keep Tato Laviera’s words and the issues he wrote about alive long after his death.

Obama: A Nation Divided

Medium
2016-01-14

Delonte Harrod

I was at grad school during the time President Obama campaigned for and eventually was elected to the highest office in this country. I remember listening to people talk about the potential of him becoming president. Some of my white friends complained, and were genuinely confused, about some black people’s fidelity to a biracial man, who is part African, running for president. I remember sitting across a table listening to some of my black friends talk about how some of their relationships with their white friends had become strained because of Obama’s popularity and the possibility of him becoming president. The obvious is clear, for various reasons, some of their white friends did not like it — and they let their blacks friends know it.

I listened and thought…

Read the entire article here.

Remembering Julian Bond (1940-2015)

Politico
2015-12-29

Josh Zeitz

Getty

For many Americans, Julian Bond, who died in August at age 75, was quite literally the voice of the modern civil rights movement. In the early 1960s, when he served as communications director for the Student Non Violent Coordinating Committee (SNCC), and in later years, as a prominent author, university lecturer and narrator of the acclaimed PBS documentary Eyes on the Prize, he embodied the dignity and righteousness of the black freedom struggle. “Justice and equality was the mission that spanned his life,” President Obama said in the wake of his passing. “Julian Bond helped change this country for the better. And what better way to be remembered than that.”

The son of Horace Mann Bond, an acclaimed black educator who earned his Ph.D. at the University of Chicago, Julian grew up in middle-class comfort and respectability in southeast Pennsylvania, where his father served for more than a decade as president of Lincoln University, a historically black college. A virtual who’s-who of American intelligentsia passed through the door of his childhood home. As a young boy, he sat in Paul Robeson’s lap as the famed activist and baritone sang a Russian folk song for the family. He met W.E.B. DuBois and Albert Einstein. As an adult, he still recalled the excitement of a visit from Walter White, the executive secretary of the NAACP. “When he pulled up to our house, he was in a big, black shiny car escorted by two Pennsylvania state troopers on motorcycles with big leather boots,” Bond later told an interviewer, “I thought, boy, this is an important guy. This guy’s really something.”

Bond, who attended high school at an integrated Quaker institution in Bucks County, Pennsylvania, knew little of segregation growing up. He was only four or five years old the first time he learned there was “some category of people I belonged to,” as he recalled in an oral history many decades after the fact. Walking with his parents through the train station in Nashville, where they had arrived for a visit with extended family, “a policeman came up to my mother and said, ‘Niggers aren’t allowed here.’ She said, ‘Are you calling me a nigger?’ I don’t know if it was because she was very fair skinned and might have been white, although she didn’t appear white to me, or if it was her manner with the policeman. He was just taken aback. He didn’t say anything else, and we just kept on going.”…

Read the entire article here.

Meet The 63rd Black Woman In American History With A Physics Ph.D.

The Huffington Post
2015-06-24

Nico Pitney

Dr. Chanda Prescod-Weinstein is a 32-year-old theoretical astrophysicist. Her academic home is arguably the nation’s most elite physics department, at the Massachusetts Institute of Technology.

In one sense, she is among a dying breed. Prescod-Weinstein is a pen-and-paper theorist. “Basically I do calculus all day, on paper,” she told HuffPost. “I’m a little bit of a hold-out. There are things I could be doing by computer that I just like to do by hand.”

But she is also part of a vanguard, a small but growing number of African-American women with doctorates in physics.

Just 83 Black women have received a Ph.D. in physics-related fields in American history, according to a database maintained by physicists Dr. Jami Valentine and Jessica Tucker that was updated last week…

…I think making sure that I remain engaged with my Jewish identity, and particularly the rituals of lighting the Shabbat candles and so forth. I think understanding that all things can’t be sacrificed on the altar of academic career and physics has been really important, and understanding that that balance is not just for my own sake, but is in fact really in some sense in service of doing the physics. I can’t just sit around feeling angry about the number of Black women, or worrying a lot about dark matter. I also have to allow myself to do these other things…

Read the entire interview here.

Tío Tomás’s Cabin: Marco Rubio and White Cubanidad

Latino Rebels
2016-01-14

Jason Nichols, Lecturer in African American Studies
University of Maryland

Last semester I had a young man turn in an assignment in which students were instructed to write to a current presidential candidate. This particular student had been outspoken and one of the more socially aware and progressive students in the class. He has a leadership position in a Latino fraternity, and often attempted to find commonality between the plight of African Americans and people of Latino (Latinx) origin.

His paper was interesting to say the least. He directed his letter toward Marco Rubio and expressed disgust that Rubio could be the one to break the glass ceiling for Latinos in this country. He went as far as to refer to Rubio as a ‘sellout.” My comments to him may seem obvious to some, but fundamentally call into question the designation of “Latino” and whether brownness conflicts with whiteness. The young man who completed the assignment is of Brazilian descent, but identifies as strongly as Latino, which is evidence that Latinos are not bound by language. In addition, Latinos are of many different racial backgrounds, and many identify as multiracial. Many Latinos are politically astute, but are far from a political monolith unlike African Americans, who tend to vote as a solid bloc…

Read the entire article here.

Call For Papers: Encyclopedia of Racism in American Cinema

Salvador Jimenez Murguia, Ph.D., Associate Professor of Sociology
Akita International University, Akita City, Akita Prefecture, Japan
2016-01-11

The volume Encyclopedia of Racism in American Cinema, takes up the topic of racism in American Cinema from its early days of film production to the present. Covering over 400 entries that include films, producers, directors, actresses, actors, genres, and critical interpretations, the breadth and depth of this volume may generate some highly significant material for both academics, as well as general audiences. The first of its kind (indeed there are no other encyclopedias that cover this topic anywhere on the market), the Encyclopedia of Racism in American Cinema would be a timely pop cultural companion to the ever-growing field of critical race studies. Additionally, as Americans become more well versed in the complexities of race, navigating current events that conjure up a sense of importance with regard to racial formations, and the implications of racism in their daily lives, a volume such as this can only add to the understanding of how race and racism operate on screen and serve to inform, influence and reinforce notions of racial divisions off screen.

This volume is under contract with Rowman and Littlefield to be published in late 2017. In this way, I will be requiring very quick turn-arounds.

If you’re interested in contributing, please send me an email with the subject line “Racism in Film,” and I’ll forward the list of entries (it is not a comprehensive list and I’ll be open to further suggestions). Entries will be assigned on a first-come, first-serve basis.

Although I’m happy to receive brief curriculum vitaes, they are not required. I would like to cast the net wide in attracting authors from a variety of disciplines and professions. Advanced undergraduates, graduate students and junior faculty are particularly welcome to contribute.

Categories

• African-American Studies
• American
• Bibliography
• Cultural Studies
• Ethnicity and National Identity
• Film and Television
• Gender Studies and Sexuality
• Interdisciplinary
• Popular Culture

Salvador Jimenez Murguia, Ph.D.