Playwright Adrienne Dawes imagines an dystopian future — with humor

Posted in Articles, Arts, Media Archive, United States on 2016-01-20 21:17Z by Steven

Playwright Adrienne Dawes imagines an dystopian future — with humor

Austin American-Statesman
Austin, Texas
2016-01-16

Jeanne Claire van Ryzin, Arts Critic


Adrienne Dawes (Laura Skelding)

Adrienne Dawes donned denim recently when she stopped by Salvage Vanguard Theater for a rehearsal of her latest play to debut at the indie East Austin venue.

“Denim Doves” opens this weekend.

The play has been several years in development, but that the dystopian future world Dawes and her collaborators imagined is populated with people wearing all denim — well, that detail was decided on from the beginning…

…Dawes, a native Austinite, spent three years training and performing with Chicago’s famed Second City comedy troupe after college in New York. Under her “Heckle Her” production company, Dawes devises sketch comedy shows like the upcoming “Love Me Tindr,” a musical spoof of the online dating app, which opens Valentine’s Day weekend in Salvage Vanguard’s studio theater.

Dawes’ trenchant and intense drama “Am I White”, which played at Salvage Vanguard in October 2014, netted the David Mark Cohen New Play Award from the Austin Critics Table Awards.

A sharp and gutsy look at racial identity, “Am I White” is based on the real-life story of convicted felon Leo Felton, a white supremacist who hid his own biracial identity while plotting to bomb public sites.

Lauded by local critics, “Am I White” is currently being considered for production by theater companies around the country.

Dawes, who is herself of mixed race, spent years working on “Am I White,” and an early workshop version attracted the attention of the incarcerated Felton, who emailed Dawes from prison. Though Dawes exchanged a few emails with Felton during the development of “Am I White,” she declined to continue communication with him after the play’s premiere.

“The play is my creation, not his story,” she says with finality…

Read the entire article here.

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The Audacity to be Black

Posted in Articles, Autobiography, Latino Studies, Media Archive, United States on 2016-01-19 21:35Z by Steven

The Audacity to be Black

The Chicago Maroon: The independent student newspaper of The University of Chicago since 1892.
2016-01-18

Vincente Perez

The word African American masks the political strife and oppression that comes with the word Black.

“Black is hurt.
Black is pain.
Black is strong.
Black is Love
Worked hard and long
Black is deserving
Black is unnerving
Because it is so Goddamn powerful
No matter what side of Blackness you represent
Remember
Always
Black is beautiful.”

—excerpted from B(lack)NESS & LATINI(dad)

I remember the first time I was teased for being Black. I was trying to fit in with the kids—all Mexican—so I wore my hair gelled down, but no amount of mousse or gel could hide my nappy curls. It was my turn to get roasted. They threw out the word Mayate (a slur for Black people) and laughed at how much product my hair required. I wasn’t “really” Mexican like they were. My father was Black and my mother Mexican, so I was something caught in between. “Mayate.” The word rang in my ears. For some reason, it hurt just like n***er did, but more than that, it threw me into a state of alienation. This word was flung at me from a language that shouldn’t be foreign to me, but is.

So where did I fit in? African American didn’t feel right. My mestizo family migrated to the U.S. in the 20th century and my mother didn’t meet my father until the 1990s. I’d never felt American. So what was I then? My mom told me: “You’re Black. There’s no need to be ashamed of it, it just is what it is.”…

Read the entire article here.

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National Museum of the American Indian Presents Unprecedented Retrospective “Kay WalkingStick: An American Artist”

Posted in Articles, Arts, Media Archive, Native Americans/First Nation, United States on 2016-01-19 20:50Z by Steven

National Museum of the American Indian Presents Unprecedented Retrospective “Kay WalkingStick: An American Artist”

Newsdesk: Newsroom of the Smithsonian
2015-10-29

SI-423A-2015

For nearly five decades, Kay WalkingStick (Cherokee, b. 1935) has charted an artistic career that is not bound by singular definition. While her early work with Native themes celebrate heroic American Indian leaders with stately, abstract compositions and her more recent heroically scaled paintings recast American landscapes as Native places, WalkingStick’s artistic persona originates from roots in the New York art world of the 1960s and 1970s and her immersion in considerations of abstraction, minimalism and feminist art. “Kay WalkingStick: An American Artist” is the first major retrospective of WalkingStick’s work, including more than 75 works that trace her dynamic career from the 1970s to the present.

The exhibition will be on view from Nov. 7 through Sept. 18, 2016, in the National Museum of the American Indian’s third-floor gallery. The American Federation of the Arts will tour the exhibition to the Dayton Art Institute in Dayton, Ohio (Feb. 9, 2017–May 7, 2017), Montclair Art Museum in Montclair, N.J. (Feb. 3, 2018–June 17, 2018) and two additional venues in 2017. “Kay WalkingStick: An American Artist” is co-curated by Kathleen Ash-Milby (Navajo), associate curator, and David Penney, associate director for museum scholarship. It features both well-known works, such as WalkingStick’s “Chief Joseph” series and hallmark diptychs, as well as never-before-seen works, richly illustrated sketchbooks from the artist’s personal collection and a gallery film featuring the artist discussing her work and process. A press preview will be held Monday, Nov. 2.

“For her entire career, Kay WalkingStick has been rewriting the narrative about Native peoples through her artwork, which has defied categorization,” said Kevin Gover (Pawnee), director of the National Museum of the American Indian. “These seeming contradictions and complexity are part of being an American Indian today, and what makes her an American artist. Our nation itself is built upon diversity of culture and expression. WalkingStick’s background and art reflect this same richness and diversity.”…

Read the entire press release here.

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Preview of DREAM OF THE WATER CHILDREN by Wendy Cheng

Posted in Articles, Asian Diaspora, Autobiography, Biography, Book/Video Reviews, Media Archive, United States on 2016-01-19 20:23Z by Steven

Preview of DREAM OF THE WATER CHILDREN by Wendy Cheng

2Leaf Press: A Small Press with Big Ideas!
New York, New York
2016-01-18

Wendy Cheng, Assistant Professor
School of Social Transformation Faculty
Arizona State University

A Black-Japanese Amerasian reflects on life in the present, with the traces of wars and their aftermaths.

In Dream of the Water Children, Fredrick Kakinami Cloyd delineates the ways imperialism and war are experienced across and between generations and leave lasting and often excruciating legacies in the mind, body, and relationships. The book is particularly good in detailing these costs as experienced by women and children, most vividly in cataloguing the life and emotions of Cloyd’s mother, and of Cloyd himself as a child and young man.

In incident after incident of military violence, sexual violence, social ostracism, intrafamilial cruelty, self-harm, and bullying, Cloyd shows how the social conditions created by war reverberate in our most intimate relationships. At the same time, Cloyd and his mother are never just victims: Cloyd’s spirited mother in particular defies stereotypes of Asian women and war brides as passive and silent. Throughout, Cloyd also traces moments of friendship and communal support among women and children of other mixed-race military families, as they navigated the conditions of multiple societies and cultural norms…

Read the entire preview here.

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Black like her: Is racial identity a state of mind?

Posted in Articles, Health/Medicine/Genetics, Identity Development/Psychology, Media Archive, Passing, United States on 2016-01-19 20:13Z by Steven

Black like her: Is racial identity a state of mind?

The Washington Post
2015-06-16

Amy Ellis Nutt, Reporter

While people continue to question the motivations behind former NAACP official Rachel Dolezal’s claiming she is black, scientists say identity, even racial identity, doesn’t arise from any single place in the brain.

Individuals contain different selves, often contradictory selves, according to neuroscientists. There is no clump of gray matter or nexus of electrical activity in the brain that we can point to and say, “this is me, this is where my self is located.” Instead, we are spread out over our brain, with different areas of cortex controlling different aspects of who we are, from what we see and hear to how we think and feel.

For instance, the medial prefrontal cortex, the part of the brain located just behind the forehead, is activated whenever we think about ourselves. But when we think about how someone else thinks about us — does my spouse think I’m pretty? — the medial prefrontal cortex disengages and the posterior part lights up. Culture and community, neuroscience tells us is, are important constituents of identity, which may explain why children understand social interactions before they even learn to talk. Identity, in other words, is complicated.

Carolyn Yoon, a cognitive psychologist at the University of Michigan’s Institute for Social Research, says she doesn’t “see what the big controversy is” regarding Dolezal’s claim to identify as a black person.

“That’s a reasonable view in my book,” Yoon said. “Identity is highly malleable and is a function of what she comes in contact with, what she spends her time doing, is interested in and motivated by. Over time that will change your brain.”…

…There is certainly historical precedence for passing as black. Effa Manley was born to Bertha Brooks, a white woman, in Philadelphia in 1900. Brooks was married to an African-American man and so Effa grew up with six biracial siblings. She, however, was the product of an affair her mother had with a white man. Although blonde-haired, hazel-eyed Effa believed she also was biracial until her teens when her mother told her the truth.

Nonetheless, Effa lived our her life as a black woman: she married an African American, lived in Harlem and became the well-known co-owner of a Negro League baseball team. She also belonged to the NAACP and the Urban League and was once profiled in Ebony magazine.

Whether it was her early life experiences, self-deception or mirror neurons — or all three — Effa Manley saw herself as a black woman, which is why she could muse to a reporter when she was in her 70s, “I’ve always wondered what it would be like to associate with white people.”…

Read the entire article here.

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Olbermann Ties Dolezal Race Manipulation to ‘Senseless’ Charleston Shooting

Posted in Articles, Media Archive, Passing, United States, Videos on 2016-01-19 18:57Z by Steven

Olbermann Ties Dolezal Race Manipulation to ‘Senseless’ Charleston Shooting

Breitbart News
2015-06-18

Trent Baker, Sports Reporter

On Thursday’s “Olbermann” on ESPN2, host Keith Olbermann opened his show with a monologue speaking about former Spokane NAACP head Rachel Dolezal, deceased American sports executive and the first woman inducted into the Baseball Hall of Fame Effa Manley, who was white and identified as black after being raised by her black step-father, and the shooting at the Emanuel African Methodist Episcopal Church, which he tied all of them together at the end.

“The Effa Manley story is not about passing, but both lives rise from curiosity and story telling when one remembers that biologists long ago concluded genetically there are no “races” just one species we call human beings. In the stories of both Rachel Dolezal and Effa Manley the importance and meaning we have given to skin pigmentation prove to be amazingly easy to manipulate, proved to be flexible, prove to be impermanent; prove to be remarkably inaccurate, all of which means the madness and nightmare and terrorism that unfolded last night at the church in South Carolina all of that was even more senseless.”…

Read the entire story and watch the video here.

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Queen of the Negro Leagues: Effa Manley and the Newark Eagles

Posted in Biography, Books, Media Archive, Monographs, United States, Women on 2016-01-19 16:25Z by Steven

Queen of the Negro Leagues: Effa Manley and the Newark Eagles

Scarecrow Press (an imprint of Rowman & Littlefield)
January 1998
298 pages
Paperback ISBN: 978-1-57886-001-2
eBook ISBN: 978-1-4617-0708-0

James Overmyer, Member
Negro Leagues Committee of the Society for American Baseball Research

The first woman inducted into the Baseball Hall of Fame, there was no one like Effa Manley in the sports world of the 1930s and 1940s. She was a sophisticated woman who owned a baseball team. She never shrank from going head to head with men, who dominated the ranks of sports executives and considered sports their exclusive domain. That her life story has remained unchronicled can only be attributed to one thing: her team, the Newark Eagles, belonged to the Negro Baseball League.

This book furthers a growing awareness of black baseball before integration and profiles many of the other highly-competitive owners in the Negro league. It also describes a thriving black community in Newark that took the Newark Eagles into their hearts, creating a fascinating relationship between a community and their sports team.

This book was the first to draw extensively on Eagle team records, left behind by Mrs. Manley when she left Newark in the 1950s, and rediscovered nearly intact thirty-five years later. The files are the most comprehensive source of information about the Newark Eagles. They reconstruct the relationship between the baseball team and the community to an extent never thought to be possible. Also included is material from Mrs. Manley’s scrapbook chronicling her days as a baseball owner and an active home front volunteer during World War II. Her scrapbook is now part of the collection of the National Baseball Hall of Fame.

This important work shines the spotlight on a previously unsung segment of baseball history.

Originally published in cloth as Effa Manley and the Newark Eagles, No. 1 in the American Sports History Series.

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When Ancestry Search Led To Escaped Slave: ‘All I Could Do Was Weep’

Posted in Articles, Audio, Autobiography, Biography, History, Interviews, Media Archive, Slavery, United States on 2016-01-19 02:13Z by Steven

When Ancestry Search Led To Escaped Slave: ‘All I Could Do Was Weep’

Fresh Air (From WHYY in Philadelphia)
National Public Radio
2016-01-18

Terry Gross, Host

When she was in fifth grade, Regina Mason received a school assignment that would change her life: to connect with her country of origin. That night, she went home and asked her mother where they were from.

“She told me about her grandfather who was a former slave,” Mason tells Fresh Air’s Terry Gross. “And that blew me away, because I’m thinking, ‘Slavery was like biblical times. It wasn’t just a few generations removed.’ ”

But for Mason, slavery was a few generations removed. She would later learn that her great-great-great-grandfather, a man named William Grimes, had been a runaway slave, and that he had authored what is now considered to be the first fugitive slave narrative.

“William Grimes’ narrative is precedent-setting,” Mason says. “[It] was published in 1825, and this was years before the abolitionist movement picked up slave narrative as a propaganda tool to end slavery. It sort of unwittingly paved the way for the American slave narrative to follow.”

Grimes’ original narrative tells the story of his 30 years spent in captivity, followed by his escape in 1814 from Savannah, Ga. He describes how his former owner discovered his whereabouts after the escape and forced him to give up his house in exchange for his freedom. (An updated version, published in 1855, includes a chapter about Grimes’ later life in poverty.)

Life of William Grimes, the Runaway Slave was again republished in 2008 by Oxford University Press. The latest edition was edited by Mason and William Andrews, a scholar of early African-American autobiography…

…Interview Highlights

On learning from her mother that her ancestors had been slaves

She talked about Grandpa Fuller, who was a mulatto slave. And I inquired about his parentage and she told me that his father, from what she knew, was a plantation owner, and his mother was an enslaved black woman. …

And I’m asking, “Well, that’s weird. Did his father own him?” … I mean, how do you explain … to children that slavery existed in freedom-loving America, No. 1; and No. 2, how do you explain to a child about an enslaved heritage shrouded in miscegenation? It’s not an easy thing to do…

Read the story highlights here. Listen to the interview (00:35:55) here. Download the interview here.

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Life of William Grimes, the Runaway Slave

Posted in Autobiography, Books, History, Media Archive, Monographs, Slavery, United States on 2016-01-19 02:02Z by Steven

Life of William Grimes, the Runaway Slave

Oxford University Press
2008-07-28
192 pages
21 illus.
5 1/2 X 8 1/4 inches
Hardcover ISBN: 9780195343311
Paperback ISBN: 9780195343328

William L. Andrews, E. Maynard Adams Professor of English; Senior Associate Dean for Fine Arts and Humanities
University of North Carolina, Chapel Hill

Regina E. Mason, Grimes’s great-great-great-granddaughter

  • The first fugitive slave narrative in American history
  • A candid, unfiltered, and fully authenticated account of both slavery and so-called freedom in the antebellum U.S. before the advent of the American antislavery movement
  • A unprecedented editorial partnership blending scholarship and family history to yield a unique modern edition of a neglected classic of antislavery literature
  • No other slave narrative has been recovered, researched, and annotated by a slave’s descendent until now

Life of William Grimes, the Runaway Slave is the first fugitive slave narrative in American history. Because Grimes wrote and published his narrative on his own, without deference to white editors, publishers, or sponsors, his Life has an immediacy, candor, and no-holds-barred realism unparalleled in the famous antebellum slave narratives of the period. This edition of Grimes’s autobiography represents a historic partnership between noted scholar of the African American slave narrative, William L. Andrews, and Regina Mason, Grimes’s great-great-great-granddaughter. Their extensive historical and genealogical research has produced an authoritative, copiously annotated text that features pages from an original Grimes family Bible, transcriptions of the 1824 correspondence that set the terms for the author’s self-purchase in Connecticut (nine years after his escape from Savannah, Georgia), and many other striking images that invoke the life and times of William Grimes.

Table of Contents

  • List of Illustrations
  • Preface
  • Acknowledgements
  • Introduction by William L. Andrews
  • Life of William Grimes, the Runaway Slave
  • Chronology: the life and times of William Grimes
  • Afterword by Regina E. Mason
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Ladies and Gentlemen, (Is This) The Next President of the United States(?)

Posted in Articles, Barack Obama, Interviews, Media Archive, Politics/Public Policy, United States on 2016-01-18 18:40Z by Steven

Ladies and Gentlemen, (Is This) The Next President of the United States(?)

Vibe Magazine
September 2007 (Volume 15, Number 9)
pages 172-181

Jeff Chang


Photographed by Terry Richardson on June 20, 2007 in Washington, D.C.

Can the freshman senator from Illinois stick to his ideals and still become the first man to rock Air Force Ones on Air Force One?  We’re entering the most hotly contested election of our lifetime. It s time to decide. Is Barack Obama our man?

On a Tuesday afternoon in May, the lines fora Barack Obama rally are as long as they would be for the rock concerts that are the normal fare here at the Electric Factory, a vast, converted warehouse in North Philadelphia. Even for this mixed city, the crowd is stunningly cosmopolitan. The orderly line includes a coed reading The Bookseller of Kabul, South Asian engineering majors from the New Jersey Institute of Technology, Arab-American law students from the University of Pennsylvania, veteran activists from the National Hip-Hop Political Convention in crisp suits, community organizers in ACORN T-shirts, youngwhitc, black, and Latino parents with kids in strollers, elderly people in wheelchairs, and everywhere, high schoolers —some sporting HOT CHICKS DIG OBAMA buttons, some from North Philly in their school uniforms, others from South Jersey in Abercrombie & Fitch, drawn like the faithful to Mecca.

They have all donated $25 to $50 — star prices for the B-Rock — to be, in Common’s words, ignited. Obama pitches himself as the candidate of change, and many here hope he can turn around a nation polarized by George W. Bush, war, the economy, race, religion, political parties, and even hip hop.

Beverly Washington from the Mount Olivet Tabernacle Baptist Church is wearing her red Sunday power worship suit and gripping her varnished brown cane. Four generations from her congregation have come on buses. The last time she felt this good about politics was two decades ago. “Jesse was real. But now Barack is coming,” she says. “He’s fresh, he’s new, he’s inspiring.”

Carmen Mitchell, 14, got her cousin Anthony Lewis, 17, to ask his mom to write them fake doctor’s notes that morning. They dressed in their summer-bright polos, grabbed their black D&G stunna shades, and skipped classes to catch a train from the boondocks of Conshohocken. Then they hiked two miles from 30th Street Station to be the first in line at their first political rally. They want the wars in Iraq and in their old West Philly neighborhood to end. “He makes us feel like he’s really talking to us,” Carmen says.

Obama arrives backstage, a retinue of Secret Service agents trailing behind. He introduces himself to the employees, looking them in their eyes. On the decks, King Britt cues Aretha Franklin’sThink,” and she wails, “Oh, freedom! Freedom!” Now it really is Obama time. This crowd of 3,000 isn’t the biggest he has seen — there were 12,000 in Oakland, 20,000 in Atlanta and Austin — but as he ascends to the stage, it is deafening. “Spring is here in America,” he says in his soothing baritone. “It’s time for us to renew the spirit of America, and that’s what this campaign is all about.”

When he first ran for state office in 1996, Obama continues, “People would say to me, ‘You seem like a nice guy.’” The crowd laughs. “‘You’ve got a fancy law degree. You could be making a lot of money. You’ve got a beautiful family. You’re a churchgoing man. Why would you want to go into something dirty and nasty like politics?’” Obama talks slowly, as if he’s unsure whether he’s really made up his mind, and when he has an opportunity to go hard, he often gets complicated instead. But while his voice is doing one thing, his body is doing another. He carries his slim 6′ 2″ frame with a hint of streetball swagger. And when he comes to a money line, he holds his position like he’s daring you to charge. His is the opposite of in-your-grill. Obama’s game is finesse.

“We feel as if we can’t make a difference, and so half of us don’t even vote,” Obama says, to swelling cheers. “This nation is founded on a different tradition.” he says, his voice rising, “a very simple idea that we all have mutual obligations toward each other, that we all rise and fall together, that we can value our individualism and our self-reliance, but ultimately we have to lift up this idea that we are connected. And if there are children in Philadelphia right now that are killing each other and shooting each other, and without an education and dropping out, that impacts all of us.

The crowd goes bananas.

When he’s done, he comes offstage to shake hands, followed by the men in headsets. A throng of bodies push toward the barriers. People hold up copies of his 2006 book, The Audacity of Hope (Crown). An elderly black woman fights back tears. Carmen and Anthony reach out to clasp his hand. Aretha sings, “You need me…and I need you.”…

…Obama’s “blackness” has also come into question. “Obama isn’t black,” Salon.com columnist Debra Dickerson wrote. “‘Black,’ in our political and social reality, means those descended from West African slaves.” The debate exposed fears that a discussion about race that expands to include immigrants of color and their descendants might thwart continuing attempts to address the terrible legacies of slavery. And could someone who grew up in Hawai’i and Indonesia really be “black?” Obama’s Southside-for-life wife, Michelle, plays this line for laughs on the campaign trail when she talks about her first impressions of him: “I kind of thought any black guy who was raised in Hawai’i had to be a little off!”

“We as a culture are still confused about race,” Obama says carefully. “There’s this assumption that there’s only one way of being black. That if you are not conforming to a certain pattern of behavior, that somehow you may not be authentic enough. And those of us in African-American culture know that there’s as much diversity in the African-American community as there is in any other community.”

Some took just one look at him to make up their minds. On May 4, CBSNews.com disabled all user comments on its articles about Obama because the Web site was receiving too many racist posts. That same month, he was granted full Secret Service protection, the earliest ever for a presidential candidate who had not previously served — for reasons which reportedly include racist emails sent to his office. Only Jesse Jackson Sr., during his 1984 and 1988 runs, required similar arrangements. “He is both black and black enough for whatever individual or individuals unnerved his handlers enough to seek Secret Service protection,” observed Miami Herald columnist Leonard Pitts Jr.: “That’s a truth that cuts the clutter.”

When asked what he thinks of the “Is he black enough?” discussion, Obama grins. Perhaps it’s that bit of Ali in him. “If you go to my barbershop, the Hyde Park Hair Salon, 53rd Street on the Southside, and you ask my guys in there, people don’t understand the question,” he says. “But it’s something I worked out a long time ago. I know who I am. My friends, my family, my constituency know who I am, and by the time this campaign is all over, America will know who I am.”…

Read the entire article here.

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