Mixed Race Studies

Misty Copeland Opens Up About ‘Lack of Diversity’ in Ballet World

Variety
2016-04-09

Misty Copeland spoke from the heart at Variety’s third annual Power of Women New York event about her journey “from living in a motel to dancing on the stage of the Metropolitan Opera House.”

Thomas Jefferson Dreams of Sally Hemings: A Novel

Viking Books
2016-04-05
624 pages
Hardcover ISBN: 9780525429968
Ebook ISBN: 9780698410336

Stephen O’Connor

A debut novel about Thomas Jefferson and Sally Hemings, in whose story the conflict between the American ideal of equality and the realities of slavery and racism played out in the most tragic of terms.

Novels such as Toni Morrison’s Beloved, The Known World by Edward P. Jones, James McBride’s The Good Lord Bird and Cloudsplitter by Russell Banks are a part of a long tradition of American fiction that plumbs the moral and human costs of history in ways that nonfiction simply can’t. Now Stephen O’Connor joins this company with a profoundly original exploration of the many ways that the institution of slavery warped the human soul, as seen through the story of Thomas Jefferson and Sally Hemings. O’Connor’s protagonists are rendered via scrupulously researched scenes of their lives in Paris and at Monticello that alternate with a harrowing memoir written by Hemings after Jefferson’s death, as well as with dreamlike sequences in which Jefferson watches a movie about his life, Hemings fabricates an “invention” that becomes the whole world, and they run into each other “after an unimaginable length of time” on the New York City subway. O’Connor is unsparing in his rendition of the hypocrisy of the Founding Father and slaveholder who wrote “all men are created equal,” while enabling Hemings to tell her story in a way history has not allowed her to. His important and beautifully written novel is a deep moral reckoning, a story about the search for justice, freedom and an ideal world—and about the survival of hope even in the midst of catastrophe.

Jussie Smollett Talks About Growing Up in a Biracial Home and Pranking His ‘Empire’ Costars

ABC News
2016-04-08

Angela Williams, Entertainment TV Producer

There is lots of great music, loads of drama and plenty of surprises packed into each episode of Fox’s “Empire.” And much of it is centered around break-out star Jussie Smollett who plays singer/musician Jamal Lyon, son of fictitious music moguls Cookie and Luscious Lyon (played by Taraji P. Henson and Terrance Howard). It’s the role that has thrust Smollett into the spotlight – something he’s still wrapping his head around.

“I was sitting in a restaurant yesterday and I was just in a lunch meeting and then I look and there’s paparazzi out there taking pictures. And I’m like, ‘That’s so weird. It’s not normal,’” Smollett told ABC News. “At first you’re looking around, and you’re like, ‘Is One Direction here? Where’s Michael B. Jordan?’ And then you realize that they’re there for you. And I’m like, ‘There’s gotta be something better to do than follow me around,’” joked Smollett.

Smollett’s character is struggling to gain his father’s approval.

“And because he’s gay, Luscious, played by the great Terrance Howard, is not very supportive,” said Smollett. “He’s not happy. He’s not going on any marches with his son, let’s just say that. He ain’t gone be there.”

A gay, black man living in the world of hip-hop is a role rarely seen on prime-time television. But Smollett said he feels no added pressure on how he portrays the character…

…Smollett’s confidence likely stems from his upbringing. He grew up in a tight-knit family with a diverse background — his mother is African American and his father is Russian-Polish — and he’s one of six siblings.

“We’re a very close family, a functioning family, instead of dysfunctional – unlike the Lyons,” Smollett said. “No one’s ever loved me in spite of who I am. They’ve always loved me because of who I am.”…

Read the entire article here.

Allyson Hobbs discusses A Chosen Exile: A History of Racial Passing in American Life

Harvard Book Store
1256 Massachusetts Avenue
Cambridge, Massachusetts 02138
Monday, 2016-04-11, 19:00 EDT (Local Time)

Harvard Book Store and Mass Humanities welcome Assistant Professor of History at Stanford University Allyson Hobbs discusses the paperback release of her book A Chosen Exile: A History of Racial Passing in American Life.

About A Chosen Exile

Countless African Americans have passed as white, leaving behind families and friends, roots and communities. It was, as Allyson Hobbs writes, a chosen exile. This history of passing explores the possibilities, challenges, and losses that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions.

For more information, click here.

Toward building a conceptual framework on intermarriage

Ethnicities
Volume 16, Number 4, August 2016
pages 497-520
DOI: 10.1177/1468796816638402

Sayaka Osanami Törngren
Malmö University, Sweden; Sophia University, Japan

Nahikari Irastorza, Marie Curie Research Fellow
Malmö Institute for Studies of Migration, Diversity, and Welfare
Malmö University, Sweden

Miri Song, Professor of Sociology
University of Kent, Canterbury, Kent, United Kingdom

Increasing migration worldwide and the cultural diversity generated as a consequence of international migration has facilitated the unions of people from different countries, religions, races, and ethnicities. Such unions are often celebrated as a sign of integration; however, at the same time as they challenge people’s idea of us and them, intermarriages in fact still remain controversial, and even to some extent, taboo in many societies. Research and theorizing on intermarriage is conducted predominantly in the English-speaking North American and British contexts. This special issue includes empirical studies from not only the English-speaking countries such as the U.S., Canada, and the UK, but also from Japan, Sweden, Belgium, France, and Spain and demonstrate the increasingly diverse directions taken in the study of intermarriage in regards to the patterns, experiences, and social implications of intermarriages. Moreover, the articles address the assumed link between intermarriage and “integration.”

Read or purchase the article here.

How To Identify With Your People When Your People Won’t Let You

Swirl Nation Blog
2016-03-30

Amal Gonzalez

This is very hard for me to write because I don’t know how to begin.

I’ve written about being racially ambiguous. Growing up in a predominantly white environment without real examples of people who are mixed-raced in the media made me “other”, but definitely not white, or at least not 100% white. I’ve written about my parents both being mixed-race, but because of the one-drop-rule, they were black and never were allowed, or even compelled to identify as anything other than black. My dad definitely “looks” like he has African blood flowing through his veins – full lips, coarse, kinky hair, and a slightly broader nose. My mother, on the other hand, has been identified as Latina, Middle Eastern, Mediterranean, and Jewish. She has naturally soft hair, an angular nose, fairer skin, not pale. However, my mother grew up with 6 black sisters in a white rural town in California. Everyone knew her family and she was reminded she was black every day.

So you can only imagine, when it came to raising me and my sisters, we were told about our white relatives. We were told about our family members we will probably never meet because they decided to “pass” during a time when being white was truly a privilege. BUT we never identified with being white or bi-racial. It was always people around me that pointed out my differences, the “other”. It was society that pointed out that I didn’t necessarily fit in one category based on my physical appearance…

Read the entire article here.

Meet Yosif Stalin, The Soviet-Born Black American From Kremlin, Virginia

Radio Free Europe/Radio Liberty
2016-04-08

Carl Schrek

KREMLIN, Virginia — Yosif Stalin stood before his Kremlin home on a windswept afternoon this spring, his weathered hands gripping his walker. “I still own it,” he said of the white, two-story house off a lonely country road.

It’s no coincidence that this octogenarian was named after one of the 20th century’s bloodiest dictators, but it’s just half of his name. His full name is Yosif Stalin Kim Roane, and he was the first child of African-American parents ever born in the Soviet Union.

“Didn’t nobody pay that no mind,” Roane said of his notorious namesake in a recent interview with RFE/RL. “They mostly called me Joe.”

Roane, 84, is among the few living offspring of African-Americans who traveled to the Soviet Union in the 1920s and 1930s to seek a better life in the nascent communist state.

Most of these voyagers were driven by political convictions or economic hardship amid the Great Depression and pernicious racism in the United States, including the segregationist Jim Crow laws of the American South.

That Roane was born in an empire run from the Kremlin and grew up in this tiny Virginia hamlet of the same name is a coincidence that inspired the title of a recent documentary, Kremlin To Kremlin, aimed at preserving the record of his family’s remarkable journey for future generations…

Read the entire article here.

Hapas Soon to Be the Majority in the Japanese American Community

AsAmNews: Where the conversation about Asian America Begins
2016-04-16

Louis Chan, AsAmNews National Correspondent

The future is now in the Japanese American community.

By 2020, just four years away, demographers says the majority of Japanese Americans will be multiracial/multiethnic.

A new exhibition now at the Japanese American Museum of San Jose in California runs through the end of the year. It is curated by Fred Liang and Cindy Nakashima who also co-curated an earlier version of the exhibition in 2013 at the Japanese American National Museum in Los Angeles.

“My parents married in 1965, when it was still illegal in sixteen states, but they married in Ohio, where there were no anti-miscegenation laws,” Nakashima told AsAmNews. My dad is a Nisei, my mom is a White Anglo Saxon Protestant (WASP). They met in graduate school.”

The interracial marriage rate in the Japanese American community is estimated at 66 percent. It wasn’t until the Supreme Court ruled in 1967, (Loving v. Virginia) that anti-miscegenation laws are unconstitutional, each state had control over who could and could not get legally married…

Read the entire article here.

Sanctioning Matrimony: Interethnic Marriage in the Arizona Borderlands

University of Arizona Press
2016-03-31
256 pages
6.00 x 9.00
Cloth ISBN: 978-0-8165-3237-7

Sal Acosta, Assistant Professor of History
Fordham University

A new look at race and ethnicity in the borderlands

Marriage, divorce, birth, baptism, and census records are the essential records of a community. Through them we see who marries, who divorces, and how many children are born. Sal Acosdta has studied a broad base of these vital records to produce the largest quantitative study of intermarriage of any group in the West. Sanctioning Matrimony examines intermarriage in the Tucson area between 1860 and 1930. Unlike previous studies on intermarriage, this book examines not only intermarriages of Mexicans with whites but also their unions with blacks and Chinese.

Following the Treaty of Mesilla (1853), interethnic relationships played a significant part in the Southwest. Acosta provides previously unseen archival research on the scope and tenor of interracial marriages in Arizona. Contending that scholarship on intermarriage has focused on the upper classes, Acosta takes us into the world of the working and lower classes and illuminates how church and state shaped the behavior of participants in interracial unions.

Marriage practices in Tucson reveal that Mexican women were pivotal in shaping family and social life between 1854 and 1930. Virtually all intermarriages before 1900 were, according to Acosta, between Mexican women and white men, or between Mexican women and blacks or Chinese until the 1920s, illustrating the importance of these women during the transformation of Tucson from a Mexican pueblo to an American town.

Acosta’s deep analysis of vital records, census data, and miscegenation laws in Arizona demonstrates how interethnic relationships benefited from and extended the racial fluidity of the Arizona borderlands.

A Contested Art: Modernism and Mestizaje in New Mexico

University of Oklahoma Press
2015
304 pages
6.125″ x 9.25″
Hardcover ISBN: 9780806148649

Stephanie Lewthwaite, Lecturer in American History, Faculty of Arts
University of Nottingham

When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past.

In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange.

A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art.

Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University