Mixed Race Studies

What are you?

#EmergingUS: Exploring race, immigration and the emerging American identity
2016-09-26

How do you describe yourself if you’re mixed?

“What are you?” is a common question posed to mixed race people, usually preceded by, “Where are you from, from?” In other words: I can’t tell what you are. In this #EmergingUS video, we explore the different modes in which multiracial people, an increasing group across the country, define and classify themselves…

Read the transcript here.

White House wants to add new racial category for Middle Eastern people

USA Today
2016-10-01

Gregory Korte, White House Reporter

WASHINGTON — The White House is putting forward a proposal to add a new racial category for people from the Middle East and North Africa under what would be the biggest realignment of federal racial definitions in decades.

If approved, the new designation could appear on census forms in 2020 and could have far-reaching implications for racial identity, anti-discrimination laws and health research.

Under current law, people from the Middle East are considered white, the legacy of century-old court rulings in which Syrian Americans argued that they should not be considered Asian — because that designation would deny them citizenship under the 1882 Chinese Exclusion Act. But scholars and community leaders say more and more people with their roots in the Middle East find themselves caught between white, black and Asian classifications that don’t fully reflect their identities…

Read the entire article here.

A space of their own?

Yale News
2016-09-21

Noah Kim, Staff Reporter

Multiracial students at Yale

Haleigh Larson ’18 spent her North Dakotan childhood in a community she characterizes as “almost completely Scandinavian.” She and her two siblings, the adopted children of white parents, are some of the few residents of color in the entire town.

When she came to Yale in the fall of 2014, Larson was, like all other students of color, assigned a peer liaison and invited to attend events at one of the campus’s cultural houses — in her case, the Afro-American Cultural Center. Never having socialized regularly with people of a similar racial background, Larson was initially eager to explore an aspect of her identity with which she was unfamiliar. But she found it difficult to fully engage with many of the other students and began to feel as if she were not a member of the African-American community at Yale.

“Many of the students there had come to the Af-Am House looking for a space to engage with others who had been raised in similar environments, while I came there trying to learn more about a side of my identity I wasn’t as immersed in,” Larson said. “As a result, there was a huge barrier between me and many of the other students. Besides the occasional email, I certainly didn’t feel like a member.”

Though Larson acknowledges the importance of Yale’s cultural houses for many students of color, she was disappointed with her experience trying to explore her identity within the campus’s existing cultural spaces.

Jessica Nelson ’18, a half-black, half-white student “tangibly involved but not extremely active” in the Af-Am House, experienced similar feelings of alienation upon visiting the center during her freshman year…

Read the entire article here.

Afro-Latinos Have a Well-Deserved Place at the New National Museum of African American History

Remezcla
2016-09-27

Yara Simón, Trending Editor

This weekend marked the opening of the National Museum of African American History and Culture. After Rep. John Lewis and others spent decades battling Congress for funding, the museum opened its doors on Sunday from 7 a.m. to midnight, according to the New York Times. It’s a celebration of the black community’s contributions to the United States, but it also highlights the injustices faced by an often marginalized group. More than anything, it’s crucial to our understanding of our national identity. The museum comes at a time when racist policing has taken center stage, and just months before the first black president of the United States steps down.

On Saturday, President Barack Obama helped inaugurate the museum. He stood in front of thousands and repeated Langston Hughes’ words, “I too, am America.” “African American history is not somehow separate than the American story,” he said according to the Washington Post. “It is not the underside of the American story. It is central to the American story.”

The 400,000 square-foot museum sits on the National Mall and features more than 36,000 artifacts that aim to explore all parts of blackness. While the intersection between black and Latino identities aren’t always acknowledged, it’s an important part of both groups. The National Museum of African American History and Culture doesn’t ignore the Afro-Latino experience. Check out a few ways they’re being included in African-American history below:…

Read the entire article here.

Brown Bodies, White Babies: The Politics of Cross-Racial Surrogacy

New York University Press
September 2016
320 pages
Cloth ISBN: 9781479808175
Paper ISBN: 9781479894864

Laura Harrison, Assistant Professor
Department of Gender and Women’s Studies
Minnesota State University, Mankato

Brown Bodies, White Babies focuses on the practice of cross-racial gestational surrogacy, in which a woman—through in-vitro fertilization using the sperm and egg of intended parents or donors – carries a pregnancy for intended parents of a different race. Focusing on the racial differences between parents and surrogates, this book is interested in how reproductive technologies intersect with race, particularly when brown bodies produce white babies. While the potential of reproductive technologies is far from pre-determined, the ways in which these technologies are currently deployed often serve the interests of dominant groups, through the creation of white, middle-class, heteronormative families.

Laura Harrison, providing an important understanding of the work of women of color as surrogates, connects this labor to the history of racialized reproduction in the United States.  Cross-racial surrogacy is one end of a continuum in which dominant groups rely on the reproductive potential of nonwhite women, whose own reproductive desires have been historically thwarted and even demonized.  Brown Bodies, White Babies provides am interdisciplinary analysis that includes legal cases of contested surrogacy, historical examples of surrogacy as a form of racialized reproductive labor, the role of genetics in the assisted reproduction industry, and the recent turn toward reproductive tourism.  Joining the ongoing feminist debates surrounding reproduction, motherhood, race, and the body, Brown Bodies, White Babies ultimately critiques the new potentials for parenthood that put the very contours of kinship into question.

Towne Street Theatre Announces Special Events During the Limited Engagement Run of PassingSOLO

BroadwayWorld.com
Los Angeles
2016-09-21

Towne Street Theatre, L.A.’s premiere African-American Theatre Company, is proud to announce that there will be a number of special events during the limited engagement run of “PassingSOLO.” The production, which runs for three weeks only from October 8 – 23 at the Stella Adler Theatre, will offer theatre-goers receptions, special presentations, and talkbacks.

Nancy Cheryll Davis’ acclaimed one-woman show is adapted from Nella Larsen’s 1927 novella and the Towne Street Theatre play “Passing.” “PassingSOLO” will be in L.A. for a limited engagement before she takes it to Germany this fall, where it will be presented at the University of Duisburg in Essen, Germany.

It’s the height of the 1920s Harlem Renaissance and like a moth to a flame, Irene Westover Redfield is drawn to childhood friend Clare Kendry Bellew, who’s suddenly reappeared in her life. Both share a secret. Their birth certificates read “Negro” but both can – and do – pass as white. In fact, Clare’s been married to a wealthy, white racist for twenty years. Now she’s sought out Irene as she flirts with her roots. A memory play, “PassingSOLO” explores the conflicting demands of race and friendship; the slippery line between trust and deception – always with the danger of discovery. Nancy Cheryll Davis portrays both Irene and Clare, as their renewed friendship exposes the price we pay in a society where freedom is bought with deceit. Check out this video on Youtube to learn more about PassingSOLO…

Read the entire article here.

A hidden bias against interracial couples

The Seattle Times
2016-09-23

Allison Skinner, Postdoctoral Researcher
Institute for Learning and Brain Sciences
University of Washington

Although most white Americans self-report little to no racial bias against black people, they tend to show robust implicit, or unconscious, biases.

NEXT year marks the 50th anniversary of the U.S. Supreme Court ruling that found laws banning interracial marriage to be unconstitutional. Although polls indicate that acceptance of interracial marriage has increased dramatically since then, incidents of prejudice and violence against interracial couples continue.

In April, a Mississippi landlord evicted a family after he found out the couple was interracial. Then in August, a man stabbed an interracial couple in Olympia after seeing them kiss in public.

As a social psychologist, I wondered if these types of incidents are aberrations or indications of a persistent underlying bias against interracial couples.

Read the entire article here.

Uchinanchu: The Art of Laura Kina

Kwan Fong Gallery of Art and Culture
California Lutheran University
120 Memorial Parkway
Thousand Oaks, California 91360
2016-05-23

On view: June 10–October 30, 2016
Artist’s Talk: Thursday, September 29, 2016 | 6 p.m. PDT

Image: Laura Kina, Hello Kitty, acrylic on canvas and denim, assorted fabrics, t-shirts from the artist’s daughter Midori Aronson, 57 x 56 inches, 2015.

Uchinanchu is the term for Okinawan immigrants and their descendants from the Japanese island living in Hawai’i. This exhibit presents patchwork and textile-based paintings by Laura Kina through moving autobiographical pieces that examine mixed race identities, indigenous communities, colonization, and globalized pop culture–all in the form of traditional craft practices. Images feature deconstructed articles of clothing, from fleeting moments and memories of specific events to time-honored symbols.

Kina explains,

“My artwork focuses on themes of distance, belonging and cultural reclamation… Taken together, the works are about islands of diaspora and explore themes of transnational family ties and heritage tourism, mixed-ness, ethnic pride and solidarity, military and colonial histories, and current geopolitical military/environment issues in Okinawa and Hawai’i.”

Kina is Vincent de Paul Professor of Art, Media, & Design at DePaul University in Chicago and co-founder of the biennial Critical Mixed Race Studies conference. She co-authored War Baby/Love Child: Mixed Race Asian American Art (University of Washington Press, 2013) and acts as reviews editor for Asian Diasporic Visual Cultures and the Americas. She is working on a forthcoming anthology Queering Contemporary Asian American Art. Her work has been widely exhibited in galleries and museums nationally and internationally, including in the Smithsonian National Museum of American History and the Japanese American National Museum.

For more information, click here.

Opinion: “White spaces” are everywhere – including ARC

The American River Current
Sacramento, California
2016-09-26

Shiavon Chatman

Imagine being alone in a place where there was no one who looked like you or understood your experiences.

Imagine having a conversation with someone who assumed the actions and behaviors of people who looked like you and made predictions about the way you conducted yourself.

Being a person of color in a predominantly “white space” is similar to this.

Author Toni Morrison addresses this very idea of oppression and loneliness that comes with being racially stereotyped in her first novel entitled “The Bluest Eye.”

In her novel, the main character Pecola is “(the) little black girl who want(s) to rise up out of her pit of her blackness and see the world with blue eyes.”

The idea of “colorblindness” doesn’t exist. No matter how progressive and accepting a person is, they will see color.

Recognizing color, or rather, race and ethnicity, is being consciously aware of the social injustices and stereotypes that people of color experience.

American River College [(ARC)] student Alyssa Senna said “I feel like there’s a stereotype for all people of color and that’s how white people see us.”…

…The stigma of being a person of color in predominantly white spaces has the same level of intensity for mixed people.

“I feel almost like an alien at times,” said ARC student, Sade Butler, “because I’m black, white, and Filipino and I’m of a medium complexion, (so) a lot of people don’t see me as a person of color.”

Mixed people typically experience more privilege, referred to as “passing”, than non-mixed people of color, except in predominantly “white spaces.”…

Read the entire article here.

Colin Kaepernick Had No Choice but to Kneel

TIME
2016-10-03

John McWhorter, Associate Professor of English and Comparative Literature
Columbia University, New York, New York

‘We must understand what Kaepernick is protesting’

The idea that Colin Kaepernick’s refusal to stand during the national anthem is unpatriotic fails doubly: first, in a mistaken notion of what real patriotism is, and second in missing a larger point.

For one, the idea that to not stand while the anthem is played signals a lack of allegiance to one’s nation is simplistic to the point of stretching plausibility, seemingly designed more as a way to hate on someone than to grapple with the complexities of the real world. Is patriotism a matter of either/or? Perhaps in terms of military service, although we find gray lines even there.

Elsewhere, however, critique and even scolding are fundamental facets of loving. What would be unpatriotic of Kaepernick, given his views, would be to refrain from sitting out the national anthem out of an unreflective sense of patriotism as an on/off switch. Kaepernick thinks his country is capable of changing and wants to help it do so…

Read the entire article here.