Mixed Race Studies

For decades they hid Jefferson’s relationship with her. Now Monticello is making room for Sally Hemings.

The Washington Post
2017-02-19

Krissah Thompson

By excavating and restoring areas where the slave community lived and worked, Monticello is trying to more fully integrate their stories at the historic plantation. A special focus will be placed on Sally Hemings, whose room in the house will soon be on display for the first time.

CHARLOTTESVILLE — The room where historians believe Sally Hemings slept was just steps away from Thomas Jefferson’s bedroom. But in 1941, the caretakers of Monticello turned it into a restroom.

The floor tiles and bathroom stalls covered over the story of the enslaved woman, who was owned by Jefferson and had a long-term relationship with him. Their involvement was a scandal during his life and was denied for decades by his descendants. But many historians now believe the third president of the United States was the father of her six children.

Time, and perhaps shame, erased all physical evidence of her presence at Jefferson’s home here, a building so famous that it is depicted on the back of the nickel.

Now the floor tiles have been pulled up and the room is under restoration — and Hemings’s life is poised to become a larger part of the story told at Monticello…

Read the entire article here.

Dispatch from the Floor of the Model Minority Factory

The Offing
2015-09-08

Lawrence-Minh Bùi Davis, Founder
The Asian American Literary Review

for Mimi

Hard work is a glue, and he worked longer hours than anybody I’d ever known, from doors opening to doors closing, 7 a.m. to 11 p.m. every summer day the Center was open, six and sometimes seven days a week, year after year after year. I liked him immediately. I used to call him the best boss I’d ever had. He was, for a long time. Frequently I’d close with him, and we’d sit around on top of those little kid-sized desks like two off-duty cops, exhausted and a little punchy, drinking cheap canned coffees he’d brought back from Taiwan for the staff. For reasons I wouldn’t figure out until much later, I saw in him someone I needed badly to be a good boss, a good person, someone I could be friends with, someone who could see a friend in me. I guess he saw a friend in me because I was always there, because he prized hard work over all else, because he prized my PhD-in-progress, and maybe too because he was lonely, even with his wife working beside him all those long hours. The immigrant work ethic fundamentally renders you lonely, even in the midst of fellow immigrants.

The work was private education, primarily prep classes for the Scholastic Aptitude Test, commonly known as the SAT, still the standard ticket for high school students of every race and region and class to gain access to American college education. The business was called Straight A Learning Center — owned and operated by Danny and his wife Ellen, who’d emigrated together from Taiwan in the early ‘90s. Straight A first opened its doors in 1998; I joined the Center in 2007, teaching a few classes that first summer, going full-time the next few summers, eventually going part-time bordering on full-time year-round.

Straight A came to offer a real future for me, money, security, and possibility of growth, as well as the opportunity to help young people from Asian American communities throughout Maryland’s Montgomery County and nearby northern Virginia. The Center promised a new kind of educational culture, and perhaps most importantly to me, because I’m Asian American myself, a way to support and give back to my communities.

But it all went wrong…

Read the entire article here.

30 Books #9: Colette Bancroft on Michael Tisserand’s ‘Krazy’

critical mass: The blog of the National Book Critics Circle Board of Directors
2017-02-23

Colette Bancroft

In the 30 Books in 30 Days series leading up to the March 16 announcement of the 2016 National Book Critics Circle award winners, NBCC board members review the thirty finalists. Today, NBCC board member Colette Bancroft offers an appreciation of biography finalist Michael Tisserand’s Krazy: George Herriman, a Life in Black and White (Harper Collins).

In a surreal desert landscape, a tiny white mouse throws a brick at the head of a black cat. On impact, the cat lifts lightly off the ground, hearts floating in the air above its lovestruck head.

That image, and the story it suggests, might sound slight. But it was the heart and soul of Krazy Kat, a tremendously influential comic strip that ran for more than 30 years at a time when newspaper comic strips were among the most popular American art forms.

Its creator is the subject of Michael Tisserand’s engaging, revealing biography, Krazy: George Herriman, a Life in Black and White…

…In exploring the artist’s life story, Tisserand reveals something that adds even more depth and complexity to the strip: Herriman came from a mixed-race New Orleans family that moved to California during his childhood and ever after passed as white…

Read the entire review here.

With role in ‘The King and I,’ a mixed-race actress tries to finds her way

The Star Tribune
2017-02-23

Rebecca Ritzel, Theater critic

Matthew Murphy Manna Nichols and Kavin Panmeechao in Rodgers & Hammerstein’s The King and I.

Manna Nichols was still a student at Oklahoma City University when she was cast by a major American theater in a major musical- theater role.

That was four years ago, at Washington’s Arena Stage, and Nichols was playing Eliza Doolittle opposite the great Canadian actor Benedict Campbell, son of former Guthrie Theatre artistic director Douglas Campbell.

As a mixed-race actor of Chinese, Caucasian and American Indian descent, Nichols was thrilled to land a role that would typically go to a white woman. For better or worse, she’s since become a go-to actor for Asian-specific roles. In 2013, she played Kim in a touring “Miss Saigon” that drew protests at Ordway Center, and last summer she took on the part of Liat in the Guthrie staging of Rodgers and Hammerstein’s “South Pacific.”

Next week, Nichols returns to the Twin Cities in another canonical Asian role: She’s Tuptim, the King of Siam’s reluctant junior wife in the Lincoln Center touring production of “The King and I.” Rodgers and Hammerstein’s 1951 musical about a spunky 19th-century English teacher who disrupts the Siamese court opens Tuesday at the Orpheum in Minneapolis.

Nichols talked about what she has faced when it comes to race and casting, why she tried out for this show, which won a 2015 Tony for best revival, and what was special about the Guthrie’s “South Pacific.”…

Read the entire interview here.

Rachel Dolezal: ‘I’m not going to stoop and apologise and grovel’

The Guardian
2017-02-25

Decca Aitkenhead

Two years ago, she was a respected black rights activist and teacher. Then she was exposed as a white woman who had deceived almost everyone she knew. Why did she do it?

Spokane is a modest town of wide streets and snow-capped horizons in Washington state, 90 miles from the Canadian border. Its population is 91% white, and voted heavily for Donald Trump. The lunchtime crowd in a downtown hotel bar is too absorbed in the ice hockey game on big screens to notice the woman who sidles into the lobby, and though curious to see what kind of attention she would attract, I feel relieved for her. Her great spiralled mane bounces as she approaches in a jade dress and heels, but only a fool would mistake the look for self-assurance.

Two years ago, life was going well for Dolezal. Branch president of the National Association for the Advancement of Colored People (NAACP) and chair of Spokane’s police ombudsman commission, she was well known and respected for her civil rights activism. Her Eastern Washington University students adored her; her 21-year-old son was about to intern for a diversity advocacy group in Washington DC; her younger son was doing well in high school. When a local TV news crew arrived one afternoon to interview her, Dolezal thought they were there to talk about hate crimes.

“Are you,” asked the reporter, “African American?” Like a cartoon, her features froze. “I don’t understand the question.” The reporter pressed, “Are your parents white?” Dolezal turned from the camera and fled…

…The 39-year-old says she can count the friends she has left in town on her fingers. “Right now the only place that I feel understood and completely accepted is with my kids and my sister.” She has written a memoir, titled In Full Color, but 30 publishing houses turned her down before she found one willing to print it. “The narrative was that I’d offended both communities in an unforgivable way, so anybody who gave me a dime would be contributing to wrong and oppression and bad things. To a liar and a fraud and a con.”….

Read the entire article here.

The film “A United Kingdom” reminds us of the progress made with interracial marriage

The State Press
Tempe, Arizona
2017-02-23

Guillermo Mijares, Political Reporter

Photo by Karen Ta | The State Press “People shouldn’t be uncomfortable seeing an interracial couple.” Illustration published on Thursday, Feb. 23, 2017.

I believe we are undoubtedly the most progressive generation so far. This past weekend I went to see a film that reminded me of that.

“A United Kingdom” reminds us that it wasn’t too long ago that skin color was a barrier to overcome for some couples. In fact, it wasn’t until the year 2000 when the state of Alabama finally changed its decision and lifted the ban on the right to an interracial marriage in the state.

Just 55 years ago, Arizona repealed its ban on interracial marriages. Many of our parents lived to witness this repeal, yet we tend to forget this unfortunate part of history.

This film reminds us that a visual image today of an interracial couple is almost entirely a non-issue, certainly among millennials. As a college student at ASU, I witness many interracial couples daily, which is something past generations could not witness.

Despite the flaws our world has when it comes to race relations, I believe people, especially younger people and students, are leading the way to a more accepting society…

…Though the film addressed a racial issue, it wouldn’t address why people were so uncomfortable seeing an interracial couple.

Author and Time magazine contributor Arica L. Coleman Ph.D, said that this has been an on-going problem with the film industry.

She said she gives credit to the industry for highlighting important and progressive moments in historical films, but she also finds a problem in those same films for not presenting the full picture to the public when it comes down to race.

“They are problematic — they sell an illusion — and a problem I have with the topic of interracial marriage is the whole notion of using interracial marriage as a sign of progress with race, but it also can be used as an eraser,” she said. “Also, just like most of the time with Hollywood, it’s almost always the black man with the exotic white woman, which continues to show that the lack for black women is still present.”…

Read the entire article here.

Angela Rye: I always knew I was black

Cable News Network (CNN)
2017-02-24

Angela T. Rye

Angela Rye is a CNN political commentator, NPR political analyst and CEO of IMPACT Strategies, a political advocacy firm in Washington. She is also a former Congressional Black Caucus executive director and general counsel. You can follow her on Twitter @angela_rye and on Instagram @angelarye. This is part of the “First time I realized I was black” series. The views expressed are her own.

(CNN)I never had a moment of realization about my blackness — I just was. Blackness was a central thread of my experience as a child and as an adolescent, as it is now that I’m an adult.

It seemed like my father knew everybody in Seattle, where I was raised. When he and I would walk down the street I remember people would regularly ask him how he was doing. He would respond without missing a beat: “You know, just out here fighting this racism, man.”

My mother worked really hard to ensure that I had black dolls (of all hues), black books by black authors, and my personal favorite: a poster from the 1975 Anheuser-Busch Great Kings and Queens of Africa collection (of course, she removed the beer logo). She would regularly have me name family members and friends who looked like each of the queens and kings on the poster…

…Indeed, with every instance of systemic oppression, black people have demonstrated an uncanny ability to succeed and excel — from Black Wall Street (a name given to a economically thriving black neighborhood in Tulsa, Oklahoma, during the early 1900s, which helped the black dollar circulate 36 to 100 times before leaving the community) to working diligently to elect the first black president. …

Read the entire article here.

How a man of mixed race helped create British Columbia

The Vancouver Courier
2017-02-14

Martha Perkins, Editor-in-Chief

Sir James Douglas, who became governor of Vancouver Island in 1851, was born in Guyana to a Creole mother and Scottish father.

To celebrate Black History Month we profile the Hudson Bay Company’s Sir James Douglas

In 1803 in what was then British Guyana, James Douglas was born. His father was a Scottish merchant and his mother was what they called “free coloured” — a Creole woman of mixed African and European heritage.

Unlike his younger sister, who was as dark skinned as their mother, Douglas appeared to be Caucasian. But his later actions, including marrying a woman of Cree ancestry, have led amateur historian (and former Vancouver mayor) Sam Sullivan to believe that when Douglas built Fort Victoria, his aim was to create an inclusive society where everyone had an opportunity to thrive…

Read the entire article here.

Investigating identity

Counseling Today: A Publication of the American Counseling Association
2016-11-21

Laurie Meyers, Senior Writer

“What are you?”

That is a question commonly asked of individuals who are multiracial. As a society, we have gotten used to checking off a metaphorical — and often literal — “box” when it comes to questions of race. We seem to expect everyone to “just pick one.”

But the population of the United States is becoming increasingly diverse, not just in terms of our nation’s racial makeup, but also in the growing number of people who identify themselves as belonging to two, three or more racial groups…

…Counselors who study multiracial issues and in some cases are multiracial themselves say that this finding of shifting racial identity is indicative of one of the core issues of being from multiple races — identity and belonging…

…ACA member Derrick Paladino, who is part Puerto Rican and part Italian American, grew up in a predominantly white neighborhood in Connecticut. When kids at school would question him about “what” he was, Paladino would simply say Italian because that seemed easier and perhaps safer.

Paladino, who also helped to develop the Competencies for Counseling the Multiracial Population, says he didn’t have a lot of contact with the Puerto Rican side of his extended family when he grew up, so he didn’t have much opportunity to explore the Latino part of his identity. When he ultimately decided to go to college at the University of Florida, Paladino says he was thrilled at the prospect of meeting other Latino students.

“I got my Latino Students Association card, and I was so excited,” Paladino recalls. “But I discovered that because I was not fluent or hadn’t had [what was considered] the full Latino experience, I didn’t fit in well.”…

Read the entire article here.

Race Beyond Appearance

The Daily Iowan
2017-02-27

Isaac Hamlet

Since 2000, the U.S. Census has allowed people to identify themselves under numerous ethnicities. When this practice was instituted, 6.8 million Americans identified as being of mixed race; in 2010, the number reached 9 million. That was a 32 percent increase, making it one of the fastest growing racial categories in the U.S.

“I was probably 5 years old,” my dad said. “Probably started going out to the cotton field with my grandmother, she would say, ‘Pick some,’ and I’d just put it in her cotton sack.”

My dad, Larry Hamlet, was born on March 22, 1954, in Itta Bena, Mississippi, and raised by grandparents Annie and LeRoy Hamlet. His parents separated when he was about a year old and shortly after, his mother, Joyce, died in childbirth with what would have been her third son.

He was born “Larry Smith” but took his grandparents’ last name because “the world doesn’t need another Smith family in it.”

In 1960, around the time he was 5, mixed-race marriages accounted for roughly 0.04 percent of marriages, according to the U.S. Census…

Read the entire article here.