Mixed Race Studies

The Harlem Renaissance’s Hidden Figure

Ursinus College
English Summer Fellows Student Research
2017-07-21
23 pages

Jada A. Grice
Ursinus College, Collegeville, Pennsylvania

This project will seek to look at the Harlem Renaissance’s hidden figure, Jessie Fauset. Jessie Fauset was born to an A.M.E. minister and his wife as one of ten children in Camden County, New Jersey and raised in Philadelphia. From there she got her college degree and began teaching all over the country. She has written four novels, There is Confusion, Plum Bun, The Chinaberry Tree, and Comedy: American Style, all of which I have read this summer. Each novel focuses on the early twentieth century black family. I will be analyzing these novels under the four themes of passing, acceptance, romance, and Paris/escape. I will also be mapping the characters in the novel on a QGIS system in order to indicate where the majority of the novel takes place and to see if certain characters have more movement than others. I will finally map Jessie Fauset’s life in order to see if her life parallels with the lives of her characters. Mapping consists of a close reading of the novel, identifying locations in the book, creating an [Microsoft] Excel spreadsheet, and plotting the spreadsheet onto an online map on QGIS.

Read the entire paper here.

West Point Cadet, Simone Askew, Breaks a Racial and Gender Barrier

The New York Times
2017-08-14

Emily Cochrane

Simone Askew became the first African-American woman to hold the highest student position at the United States Military Academy at West Point. Credit Hilary Swift for The New York Times

WASHINGTON — As a 6-year-old child camping in the Virginia woods, Simone Askew marched for fun, wielding a plastic gun and leading her young sister and friends in formation. A few years later, the sight of Navy midshipmen striding across an Annapolis football field solidified her desire to be the person who led troops.

“What does it take,” she asked her mother at the football game, pointing to the cadets, “to lead that?”

On Monday, more than a decade after her pretend marches in the woods, Cadet Askew, now 20, led the freshmen Army cadets for 12 miles — the first African-American woman to hold the highest student position at the United States Military Academy. As the West Point corps of cadets first captain, the Northern Virginia resident will not only be at the forefront of every academy event, but she will set the class agenda and oversee the roughly 4,400 students…

…Cadet Askew’s mother, who works to develop affordable housing, is white and is divorced from Cadet Askew’s father, who is African-American. The mother is nervous about the pressure she knows her daughter will put on herself, aware of the spotlight she’s under at West Point.

“I look forward to the end of her term in this position where many say she was an amazing first captain, not just she was an amazing African-American female first captain,” she said…

Read the entire article here.

The Black Supremacist

The New York Times Magazine
2003-05-25

Paul Tough

Leo Felton walked out of prison on Jan. 28, 2001, looking like a man ready to take his place in American society. He had spent 11 years in the custody of the state, but now, at 30, he had served his time and seemed ready to settle down. He moved into the apartment that his wife, Lisa, had found for them in Ipswich, an old-fashioned New England town north of Boston. He got a decent job doing construction. It was a cold winter, but Lisa and Leo took walks in the woods together and rode their bicycles all over town.

Felton managed to stay free for only three months. He is back in prison now, beginning a 21-year sentence for crimes he committed after his release. The prosecutor in the case said in court that Felton was a racial terrorist, that he had been “plotting to use violent terrorist actions, like blowing up the U.S. Holocaust Museum in Washington, D.C., in the hope and belief that such actions would spark and ignite a racial war, a racial holy war, that would bring about this new, all-white nation.” In a letter that Felton wrote to the judge, after he was found guilty, he confirmed that his ultimate goal was to establish “a politically and territorially autonomous White nation somewhere in North America.” He wrote that given the way things had looked to him at the time he got out of prison, he wasn’t able to see any path that seemed like “an honorable alternative to armed revolt.”…

I recently went to visit Felton in prison in Massachusetts (the only time we met face to face over the course of several months of conversation by phone), and we talked for half an hour through an inch-thick slice of Plexiglas, each of us with a phone held up to an ear. Felton is a lean, tall, imposing man with tattoos up and down each arm and the word “skinhead” inked into his shaved scalp in inch-high Gothic letters. His gaze was intent, and his vivid, expressive face shifted rapidly from humor to anger and back again; his voice was loud and deep, and his speech carried within it all the contradictions of the jailhouse autodidact. He swore frequently, turning venomous when talking about the “maggots” guarding the maximum-security wing of the prison where he was being held. But when our conversation shifted to politics or books or an article he had enjoyed in the latest New Yorker, his vocabulary blossomed with words like “aegis” and “Weltanschauung” and references to Dostoevsky.

If you know Leo Felton’s story, it is difficult, when you first meet him, to concentrate on anything other than his appearance. It’s not just the tattoos. He has spent many years devoted to the idea of racial separation, to the belief that Americans should be divided by the color of their skin. But his own appearance is hard to define. His skin is olive-colored. His features are angular. It’s not hard to believe what he wrote in a letter to a racist friend just before he got out of prison, that he is “¼ English and ¾ Italian.”

But, in fact, he is the product of a short-lived and idealistic late-60’s marriage between a white former nun named Corinne Vincelette and a black architect named Calvin Felton. That is Leo Felton’s biological reality, despite his elaborate attempt, over the last decade, to rebel against it. It is a reality that he blames for many of the wrong turns that his life has taken, a reality that he successfully shielded from his brothers in the movement for years, a reality that only now, back in prison, is he trying to understand in a new way…

Read the entire article here.

Racism Comes Full Circle: America as the Harbinger of the Nazis’ Race Laws

Haaretz
2017-08-15

Oded Heilbronner, Lecturer in Cultural and Historical Studies
Hebrew University of Jerusalem; Shenkar College of Engineering and Design

Demonstrators carry confederate and Nazi flags during the Unite the Right free speech rally at Emancipation Park in Charlottesville, Virginia, USA on August 12, 2017. Emily Molli / NurPhoto

James Q. Whitman, Hitler’s American Model: The United States and the Making of Nazi Race Law (Princeton: Princeton University Press, 2017)

Nazi sentiment was very much influenced by the American experience including the Jim Crow legislation in the South, Yale’s James Q. Whitman says in new book

A recent study has joined the constant flow of research on the Third Reich, an original work that sheds more light on a subject we thought we knew everything about: Nazi racism. It’s a subject all the more current after the events in Charlottesville, Virginia, over the weekend.

Countless books have been written on the sources of Nazi racism. Some reconstruct 500 years of German history, since the days of Martin Luther, and find the source of the Nazis’ murderous worldview. Others see Nazi ideology as a historical accident whose roots are to be found only in the few years before the rise of the Third Reich.

Others invoke European contexts: the Eastern European or French anti-Semitism on the eve of the 20th century, and the Communist revolution, whose shock waves included murderous anti-Semitism in Europe. We also must not ignore the biographical-psychological studies that focus on the pathological anti-Semitism developed by the Nazis, with Hitler at their head.

The unique work of Prof. James Q. Whitman of Yale Law School, whose previous book explored the growing divide between criminal law and punishment in America compared to Europe, belongs to a long series of research noting the global contexts in which decisions are made and events occurred both regionally and domestically…

…Based on a long series of modern studies, Whitman says the Nuremberg Laws were crafted so as to create citizenship laws based on racial categories. The main motive for the legislation was to prevent mixed marriages, which would lead to the birth of mixed-race children and “racial pollution.” At the center of the debate that preceded the Nuremberg Laws was the aspiration to construct a legal code that would prevent such situations. American precedents, which were meant to make African-Americans, Chinese and Filipinos second-class citizens, provided inspiration for the Nazis…

Read the entire article here.

I’m a black student at the University of Virginia. What I found when I went back Sunday

The Charlotte Observer
Charlotte, North Carolina
2017-08-14

Brianna Hamblin, Special to the Observer editorial board

Brianna Hamblin

Brianna Hamblin, an intern at the Charlotte Observer this summer, is entering her senior year at the University of Virginia.

I am a student at the University of Virginia, getting ready to start my fourth year. When I looked up to see my city in the news Saturday morning, my heart dropped.

I was in line to check out of my hotel before catching a flight back to Virginia when I saw on CNN, “BREAKING NEWS: STATE OF EMERGENCY IN VA AND VIOLENT WHITE NATIONALIST PROTESTS.” The video showed a crowd of people coming from the left and right sides, meeting in the middle with punches. Men in black shirts carrying shields charged from the right. To the left a woman was punched. In the top corner of the TV Screen: Charlottesville, Virginia…

One person has been confirmed dead and 19 people injured after a car plowed into a crowd marching peacefully in downtown Charlottesville, Va.

This wasn’t happening in a poor foreign country. This wasn’t in a big city hundreds of miles away from my family and friends. This was happening down the street from my apartment.

I have been reporting and helping other reporters tell the story of the controversy surrounding the Robert E. Lee and “Stonewall” Jackson statues since summer of 2015. I’ve listened to every opinion on the subject, but after this weekend I believe that Americans have been shown their answer. We can no longer deny the symbol of white supremacy that the statues are for these men when they chant “Blood and Soil” – a Nazi Germany chant – and “Jews will not replace us.”

As an African American woman, I already know that I am everything they hate. I am light-skinned with German ancestry. I am an exact representation of the “white genocide” they fear. That did not stop me from driving back to Charlottesville Sunday night. I ignored family members and friends who told me not to go. I held my breath as I drove past the rotunda, trying to imagine what it looked like when hundreds of men with torches marched on it…

Read the entire article here.

Thomas and Sally

Marin Theater Company
Mill Valley, California
September 28-October 22 (2017) | World Premiere

By Thomas Bradshaw

An explosive world premiere by a 2017 PEN Award winner, Thomas and Sally gets up close and personal with founding father Thomas Jefferson and Sally Hemings, the enslaved woman who mothered six of his children. Playwright Thomas Bradshaw takes us behind the scenes—and into the beds—of American history with the Hemings-Jeffersons and the rock stars of the Revolution: Ben Franklin, John & Abigail Adams & the Marquis de Lafayette!

Mr. Bradshaw’s writing has been influenced by the research of many historical experts on the Jefferson and Hemings families, but the world of this play is completely his own:

“Thomas and Sally is a work of historical fiction. You may recognize many of the names in this play, but others are pure invention. History is highly malleable and subject to interpretation. This is my attempt to explore the essence of these characters and the world they lived in. This is a play, and I am playing with history. I hope you enjoy.”

Thomas Bradshaw’s plays have been produced at regional theaters in NYC as well as in Europe. He is currently working on commissions from the Goodman Theatre, Manhattan Theatre Club, and the Foundry Theatre, as well as developing a TV series for HARPO and HBO. He is the recipient of a 2009 Guggenheim Fellowship, the 2010 Prince Charitable Trust Prize, the 2012 Award from the Foundation for Contemporary Arts, and this year’s PEN award for an Emerging American playwright.

For more information, click here.

Living a white lie

Silver Chips Online: Montgomery Blair High School’s Online Student Newspaper
Silver Spring, Maryland
2009-02-23

Lily Alexander, Managing Features Editor, Print-Online Coordinator

Jim Queen, 70, now lives in San Francisco with his wife of 40 years. From 1954 to 1957, he attended Montgomery Blair High School, where he was forced to pass as a white student by hiding his far more complex and multiracial heritage.

In 1954, Jim Queen arrived at Montgomery Blair High School. The school was all white. He was not.

The janitors would come to watch him run. They knew – or at least sensed – he wasn’t who he said he was. As he raced around the quarter-mile track at old Blair High School, they would silently agree about what was never said aloud. And at a time when race relations in the United States were defined by divisions, from water fountains to hospitals, Jim Queen was an anomaly. The janitors suspected it. His parents knew it. And so did he.

The school system did not.

Three years before MCPS [(Montgomery County Public Schools)] officially opened its doors to integration, Jim Queen was a student with a mixed heritage – part white, part black, part Native American – studying at a school comprised entirely of white students. For over two years, Queen maintained this façade, keeping his racial background a secret from friends, teachers and classmates.

Now 70, Queen is far-removed from his time at Blair, but the experiences of his upbringing and childhood clouded by questions of racial identity and self-discovery have played a large role in small farm in shaping the man he has become…

…More recently, Queen launched the “One Race Movement.” This movement promotes the idea that we all belong to one race – the human race – and that the concept of multiple races is “a false social construct used historically to divide and exploit people,” rather than a scientifically-based idea. He developed this idea after rediscovering his own Wesort roots and learning about the Genome Project conducted by Craig Venter, which aimed to prove that all humans originally come from Africa. To convey his movement’s core message, Queen designed a symbol that now adorns clothing and posters, depicting the silhouettes of many different colored faces and the word “ONE” beneath it…

Read the entire article here.

The Great Gatsby, Race, and Passing

English 356: The “Great” American Novel: 1900-1965 (Prof. VZ)
College of Charleston, Charleston, South Carolina
2015-02-03

Christine McSwain

Like most people in the class, I’ve read The Great Gatsby several times, both for class and on my own.  Gatsby is one of those novels that doesn’t get old to me, and I think that’s due in part to the different ways each part of the novel can be interpreted, and how I notice something new each time I read it.  Not long after the Baz Luhrman adaptation of the novel came out, I saw a theory floating around that Jay Gatsby could be read as a black man passing as a white man, and I thought that theory was pretty interesting and did some more research on it.  I think reading the novel with that interpretation in mind brings a whole new narrative out.

The article I’m referencing was published in 2000, thirteen years before the newest adaptation starring Leonardo DiCaprio as Jay Gatsby was released.  Professor Carlyle V. Thompson argues that Gatsby was indeed black, specifically that “‘Fitzgerald characterizes Jay Gatsby as a pale black individual passing as white.’”  There are clues throughout the novel that allude to Gatsby’s race, including his name change from Gatz to Gatsby, much like freed slaves changed their names to give themselves a new beginning.  There are also mentions that Gatsby’s family is dead, which according to Thompson references that “‘those light-skinned black individuals who pass for white become symbolically dead to their families’”, suggesting that perhaps Jay Gatsby had done the same…

Read the entire article here.

Not There Yet

Fordham Law News: From New York City To You
2017-05-24

A conversation with six Fordham Law professors about civil rights.

While it has been more than 50 years since the last Civil Rights Act was passed, the United States still has work to do to fully realize the equality of all persons. To plot where we are on the long road of civil rights, Fordham Lawyer spoke with six professors: Elizabeth Cooper, Tanya Hernández, Leah Hill, Joseph Landau, Robin Lenhardt, and Kimani Paul-Emile.

…How does the United States measure up against Latin American countries with our same history of slavery and racial inequality?

Hernández: It’s somewhat of a mixed bag in Latin America. There are examples of very impoverished understandings of race—a sort of denial that there is any problem with racism because of the extant mythology across the region that perpetuates the idea that racial mixture equals racial harmony. At the same time, there’s a lot of social justice activism on the part of Afro-Latinos; in fact, they have garnered significant traction with political administrations that have been amenable to them. For example, in 2012 Brazil had a significant Supreme Federal Court ruling that held that race-based affirmative action was constitutional. Notably, the opinion was rooted in the idea that neutrality was not enough—that it was not enough for law to be neutral if they wanted to achieve equality. That’s pretty remarkable. It contrasts with what has been happening with the U.S. Supreme Court in this area. Since the Reagan years, there has been this shift to a jurisprudence that is all about color blindness: Equality is viewed as simply being neutral. The Court doesn’t look at the material effects of people having different starting points and, consequently, different needs. That particular comparison shows a kind of enlightenment in the Latin American sphere that we have not seen in a while in the United States.

About a year or so after this Federal Supreme Court decision, new legislation called the Law of Social Quotas was passed in Brazil. What this did was mandate that there be race-based affirmative action within all the public federal universities. What’s significant about this is that there are actual quotas—numbers that can be measured and monitored. Institutions can be held accountable. There’s none of this discomfort with the idea that having accountability means that you’re demeaning someone by only viewing them as being a race. Instead, it’s a notion that the numbers matter because the numbers inform the direct way to integrate an institution.

This type of attention to race stands in marked contrast to the United States, where the use of affirmative action is sometimes misdescribed as being the most radical. But what is often misunderstood is that the United States has forbidden quotas since 1978 with the Bakke case [Regents of the University of California v. Bakke]. Thus, we don’t have authorization to use direct numerical set-asides. We can have targets and wish lists, but there can be no hard number. Without a hard number, how do you hold the institution accountable?…

Read the entire article here.

Danzy Senna’s New People Explores Race, Love, and Gentrification

Elle
2017-08-03

Lisa Shea

The Caucasia author returns to her home ground: the personal and political dynamics of race.

In her latest novel, New People (Riverhead), Danzy Senna bores into the dynamics of race, identity, heritage, poverty, and privilege in contemporary America, exposing the pride and promises of change therein, as well as the pitfalls and pathologies. Agile and ambitious, the novel is also a wild-hearted romance about secrets and obsessions, a dramedy of manners about the educated black middle-class—the “talented tenth”—that is Senna’s authorial home ground. One critic, in reviewing Senna’s 2009 memoir, Where Did You Sleep Last Night?, about her writer parents’ marriage and divorce, and her father’s disappearance from her life, called her trenchant observations on America’s fixation with race “nod-inducingly brilliant.”

The female protagonist of New People, Maria, shares some of Senna’s biographical outlines: Maria refers to herself as a “quadroon” adopted and raised in Cambridge, Massachusetts, by a single mom, Gloria, who struggled for years but never was able to complete her dissertation at Harvard. Maria meets Khalil—who “grew up in a liberal, humanist, multiracial family, oblivious to his own blackness,” when they are students at Stanford—after he’d broken up with his white girlfriend. “Maria liked to joke that she was his transitional object,” Senna writes. “He was morphing into a race man before her very eyes.”

Now it is 1996, and they’re engaged and living together in a gentrifying Brooklyn neighborhood. “Interspersed among the old guard—the Jamaican ladies with their folding chairs, the churchy men in their brown polyester suits—are the ones who have just arrived. It is subtle, this shift, almost imperceptible. When Maria blurs her eyes right it doesn’t appear to be happening. They dance together at house parties in the dark. If I ruled the world they sing, their voices rising as one, Imagine that. I’d free all my sons.“…

Read the entire review here.