Mixed Race Studies

From Edward Brooke to Barack Obama African American Political Success, 1966-2008

University of Missouri Press
2012
272 pages
6.125 x 9.25
Hardcover ISBN: 978-0-8262-1977-0

Dennis Nordin

In 2008, American history was forever changed with the election of Barack Obama, the United States’ first African American president. However, Obama was far from the first African American to run for a public office or to face the complexities of race in a political campaign. For over a century, offices ranging from city mayor to state senator have been filled by African Americans, making race a factor in many elections. In From Edward Brooke to Barack Obama, Dennis S. Nordin navigates the history of biracial elections by examining the experiences of a variety of African American politicians from across the country, revealing how voters, both black and white, respond to the issue of race in an election.

The idea to compare the African American political experience across several levels of office first occurred to Nordin as he was researching Arthur W. Mitchell’s 1934 congressional campaign. The question of white voter support was of particular significance, as was whether the continuation of that support depended upon his avoiding minority issues in office. To begin answering these questions and others, Nordin compares the experiences of eleven African American politicians. Taken from across the country to ensure a wide sample and accurate depiction of the subject, the case studies examined include Tom Bradley, mayor of Los Angeles; David Dinkins, mayor of New York; Freeman Bosley Jr., mayor of St. Louis; Senator Edward Brooke of Massachusetts; Senator Carol Moseley-Braun of Illinois; Governor L. Douglas Wilder of Virginia; and Representative J. C. Watts Jr. of Oklahoma, among others. As Nordin analyzes these individuals and their contribution to the whole, he concludes that biracial elections in the United States have yet to progress beyond race.

From Edward Brooke to Barack Obama investigates the implications of race in politics, a highly relevant topic in today’s American society. It offers readers a chronological overview of the progress made over the last several decades as well as shows where there is room for growth in the political arena. By taking a pertinent topic for the era and placing it in the context of history, Nordin successfully chronicles the roles of race and race relations in American politics.

Tales of the Old Indian Territory and Essays on the Indian Condition

University of Nebraska Press
2012
680 pages
ISBN: 978-0-8032-3792-6

John Milton Oskison (1874-1947)

Edited and with an introduction by

Lionel Larré, Associate Professor of English
Université Michel de Montaigne Bordeaux 3

At the beginning of the twentieth century, Indian Territory, which would eventually become the state of Oklahoma, was a multicultural space in which various Native tribes, European Americans, and African Americans were equally engaged in struggles to carve out meaningful lives in a harsh landscape. John Milton Oskison, born in the territory to a Cherokee mother and an immigrant English father, was brought up engaging in his Cherokee heritage, including its oral traditions, and appreciating the utilitarian value of an American education.

Oskison left Indian Territory to attend college and went on to have a long career in New York City journalism, working for the New York Evening Post and Collier’s Magazine. He also wrote short stories and essays for newspapers and magazines, most of which were about contemporary life in Indian Territory and depicted a complex multicultural landscape of cowboys, farmers, outlaws, and families dealing with the consequences of multiple interacting cultures.

Though Oskison was a well-known and prolific Cherokee writer, journalist, and activist, few of his works are known today. This first comprehensive collection of Oskison’s unpublished autobiography, short stories, autobiographical essays, and essays about life in Indian Territory at the turn of the twentieth century fills a significant void in the literature and thought of a critical time and place in the history of the United States.

Read an excerpt here.

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction

University of Minnesota Press
July 2012
336 pages
9 b&w photos
5 1/2 x 8 1/2
paper ISBN: 978-0-8166-7099-4
cloth ISBN: 978-0-8166-7098-7

Diana Rebekkah Paulin, Associate Professor of English and American Studies
Trinity College, Hartford, Connecticut

Imperfect Unions examines the vital role that nineteenth- and twentieth-century dramatic and literary enactments played in the constitution and consolidation of race in the United States. Diana Rebekkah Paulin investigates how these representations produced, and were produced by, the black–white binary that informed them in a wide variety of texts written across the period between the Civil War and World War I—by Louisa May Alcott, Thomas Dixon, J. Rosamond Johnson, Charles Chesnutt, James Weldon Johnson, William Dean Howells, and many others.

Paulin’s “miscegenated reading practices” reframe the critical cultural roles that drama and fiction played during this significant half century. She demonstrates the challenges of crossing intellectual boundaries, echoing the crossings—of race, gender, nation, class, and hemisphere—that complicated the black–white divide at the turn of the twentieth century and continue to do so today.
 
Imperfect Unions reveals how our ongoing discussions about race are also dialogues about nation formation. As the United States attempted to legitimize its own global ascendancy, the goal of eliminating evidence of inferiority became paramount. At the same time, however, the foundation of the United States was linked to slavery that served as reminders of its “mongrel” origins.

Contents

• Introduction. Setting the Stage: The Black–White Binary in an Imperfect Union
• 1. Under the Covers of Forbidden Desire: Interracial Unions as Surrogates
• 2. Clear Definitions for an Anxious World: Late Nineteenth-Century Surrogacy
• 3. Staging the Unspoken Terror
• 4. The Remix: Afro-Indian Intimacies
• 5. The Futurity of Miscegenation
• Conclusion: The “Sex Factor”and Twenty-first Century Stagings of MiscegeNation
• Acknowledgments
• Notes
• Index

American Tapestry: The Story of the Black, White, and Multiracial Ancestors of Michelle Obama

HarperCollins
2012-06-19
400 pages
Trimsize: 6 x 9
Hardback ISBN: 9780061999864; ISBN10: 0061999865

Rachel L. Swarns, Correspondent
New York Times

A remarkable history of First Lady Michelle Obama’s mixed ancestry, American Tapestry by Rachel L. Swarns is nothing less than a breathtaking and expansive portrait of America itself. In this extraordinary feat of genealogical research—in the tradition of “The Hemmingses of Monticello and Slaves in the Family”—author Swarns, a respected Washington-based reporter for the New York Times, tells the fascinating and hitherto untold story of Ms. Obama’s black, white, and multiracial ancestors; a history that the First Lady herself did not know. At once epic, provocative, and inspiring, American Tapestry is more than a true family saga; it is an illuminating mirror in which we may all see ourselves.

Michelle Obama’s family saga is a remarkable, quintessentially American story—a journey from slavery to the White House in five generations. Yet, until now, little has been reported on the First Lady’s roots. Prodigiously researched, American Tapestry traces the complex and fascinating tale of Michelle Obama’s ancestors, a history that the First Lady did not even know herself. Rachel L. Swarns, a correspondent for the New York Times, brings into focus the First Lady’s black, white, and multiracial forebears, and reveals for the first time the identity of Mrs. Obama’s white great-great-great-grandfather—a man who remained hidden in her lineage for more than a century.

American Tapestry illuminates the lives of the ordinary people in Mrs. Obama’s family tree who fought for freedom in the Revolutionary and Civil Wars; who endured the agonies of slavery, the disappointment of Reconstruction, the displacement of the Great Migration, and the horrors of Jim Crow to build a better future for their children. Swarns even found a possible link to the Jewish Reform movement.

Though it is an intimate family history, American Tapestry is also the collective chronicle of our changing nation, a nation in which racial intermingling lingers in the bloodlines of countless citizens and slavery was the crucible through which many family lines—black, white, and Native American—were forged.

Epic in scope and beautifully rendered, this is a singularly inspiring story with resonance for us all.

Barack Obama: The Story

Simon & Schuster
June 2012
672 pages
Hardcover ISBN-10: 1439160406; ISBN-13: 9781439160404

David Maraniss

From one of our preeminent journalists and modern historians comes the epic story of Barack Obama and the world that created him.

In Barack Obama: The Story, David Maraniss has written a deeply reported generational biography teeming with fresh insights and revealing information, a masterly narrative drawn from hundreds of interviews, including with President Obama in the Oval Office, and a trove of letters, journals, diaries, and other documents.

The book unfolds in the small towns of Kansas and the remote villages of western Kenya, following the personal struggles of Obama’s white and black ancestors through the swirl of the twentieth century. It is a roots story on a global scale, a saga of constant movement, frustration and accomplishment, strong women and weak men, hopes lost and deferred, people leaving and being left. Disparate family threads converge in the climactic chapters as Obama reaches adulthood and travels from Honolulu to Los Angeles to New York to Chicago, trying to make sense of his past, establish his own identity, and prepare for his political future.

Barack Obama: The Story chronicles as never before the forces that shaped the first black president of the United States and explains why he thinks and acts as he does. Much like the author’s classic study of Bill Clinton, First in His Class, this promises to become a seminal book that will redefine a president.

Race Migrations: Latinos and the Cultural Transformation of Race

Stanford University Press
April 2012
268 pages
6 tables, 1 figure, 20 photographs
Cloth ISBN: 9780804777957
Paper ISBN: 9780804777964
E-book ISBN: 9780804782531

Wendy D. Roth, Associate Professor of Sociology
University of British Columbia, Canada

In this groundbreaking study of Puerto Rican and Dominican migration to the United States, Wendy D. Roth explores the influence of migration on changing cultural conceptions of race—for the newcomers, for their host society, and for those who remain in the countries left behind. Just as migrants can gain new language proficiencies, they can pick up new understandings of race. But adopting an American idea about race does not mean abandoning earlier ideas. New racial schemas transfer across borders and cultures spread between sending and host countries.

Behind many current debates on immigration is the question of how Latinos will integrate and where they fit into the U.S. racial structure. Race Migrations shows that these migrants increasingly see themselves as a Latino racial group. Although U.S. race relations are becoming more “Latin Americanized” by the presence of Latinos and their views about race, race in the home countries is also becoming more “Americanized” through the cultural influence of those who go abroad. Ultimately, Roth shows that several systems of racial classification and stratification co-exist in each place, in the minds of individuals and in their shared cultural understandings of “how race works.”

Contents

• List of Illustrations
• Acknowledgments
• 1. How Immigration Changes Concepts of Race [Read an excerpt here.]
• 2. Beyond the Continuum: Race in the Dominican Republic and Puerto Rico
• 3. Migrant Schemas: Race in the United States
• 4. Transnational Diffusion
• 5. Multiple Forms of Racial Stratification
• 6. Performing Race Strategically
• 7. Is Latino Becoming a Race?
• Cultural Change and Classifications
• Appendix: Notes on Methodology
• Notes
• Index

Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith

Duke University Press
2011
328 pages
58 illus., including 18 color plates
Paperback ISBN: 978-0-8223-4799-6
Cloth ISBN: 978-0-8223-4782-8

Cherise Smith, Assistant Professor of Art and Art History
Univerity of Texas, Austin

The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity through close readings of a significant performance, or series of performances, by each artist. She examines Piper’s public embodiment of the Mythic Being, a working-class black man, during the early 1970s; Antin’s full-time existence as the fictitious black ballerina Eleanora Antinova for several weeks in 1981; and Smith’s shifting among more than twenty characters of different ages and racial, ethnic, gender, and class backgrounds in Twilight: Los Angeles. She also considers Lee’s performances of membership in cultural groups—including swing dancers, hip-hop devotees, skateboarders, drag queens, and yuppies—in her Projects series (1997–2001). The author historicizes the politics of identity by exploring each performance in relation to the discourses prevalent in the United States at the time of its development. She is attentive to how the artists manipulated clothing, mannerisms, voice, and other signs to negotiate their assumed identities. Cherise Smith argues that by drawing on conventions such as passing, blackface, minstrelsy, cross-dressing, and drag, they highlighted the constructedness and fluidity of identity and identifications. Enacting Others provides a provocative account of how race informs contemporary art and feminist performance practices.

Race? Debunking a Scientific Myth

Texas A&M University Press
2011-09-01
256 pages
6 x 9
Photo. 9 line art. 6 tables. Index.
Cloth ISBN: 978-1-60344-425-5

Ian Tattersall, Curator Emeritus
American Museum of Natural History

Rob DeSalle, Curator of Entomology
American Museum of Natural History in the Sackler Institute for Comparative Genomics

Race has provided the rationale and excuse for some of the worst atrocities in human history. Yet, according to many biologists, physical anthropologists, and geneticists, there is no valid scientific justification for the concept of race.

To be more precise, although there is clearly some physical basis for the variations that underlie perceptions of race, clear boundaries among “races” remain highly elusive from a purely biological standpoint. Differences among human populations that people intuitively view as “racial” are not only superficial but are also of astonishingly recent origin.

In this intriguing and highly accessible book, physical anthropologist Ian Tattersall and geneticist Rob DeSalle, both senior scholars from the American Museum of Natural History, explain what human races actually are—and are not—and place them within the wider perspective of natural diversity. They explain that the relative isolation of local populations of the newly evolved human species during the last Ice Age—when Homo sapiens was spreading across the world from an African point of origin—has now begun to reverse itself, as differentiated human populations come back into contact and interbreed. Indeed, the authors suggest that all of the variety seen outside of Africa seems to have both accumulated and started reintegrating within only the last 50,000 or 60,000 years—the blink of an eye, from an evolutionary perspective.

The overarching message of Race? Debunking a Scientific Myth is that scientifically speaking, there is nothing special about racial variation within the human species. These distinctions result from the working of entirely mundane evolutionary processes, such as those encountered in other organisms.

Reframing Transracial Adoption: Adopted Koreans, White Parents, and the Politics of Kinship

Temple University Press
May 2012
230 pages
6 x 9
Paper ISBN: 978-1-43990-184-7
Cloth ISBN: 978-1-43990-183-0
eBook ISBN: 978-1-43990-185-4

Kristi Brian, Lecturer in Women’s and Gender Studies and Anthropology and Director of Diversity Education and Training
College of Charleston, Charleston, South Carolina

Until the late twentieth century, the majority of foreign-born children adopted in the United States came from Korea. In the absorbing book Reframing Transracial Adoption, Kristi Brian investigates the power dynamics at work between the white families, the Korean adoptees, and the unknown birth mothers. Brian conducts interviews with adult adopted Koreans, adoptive parents, and adoption agency facilitators in the United States to explore the conflicting interpretations of race, culture, multiculturalism, and family.

Brian argues for broad changes as she critiques the so-called “colorblind” adoption policy in the United States. Analyzing the process of kinship formation, the racial aspects of these adoptions, and the experience of adoptees, she reveals the stifling impact of dominant nuclear-family ideologies and the crowded intersections of competing racial discourses.

Brian finds a resolution in the efforts of adult adoptees to form coherent identities and launch powerful adoption reform movements.

Contents

• Preface: The Personal and the Political
• Acknowledgments
• 1. Adoption Matters: Beyond Catastrophe and Spectacle
• 2. Adoption Facilitators and the Marketing of Family Building: “Expert” Systems Meet Spurious Culture
• 3. Navigating Racism: Avoiding and Confronting “Difference” in Families
• 4. Navigating Kinship: Searching for Family beyond and within “the Doctrine of Genealogical Unity”
• 5. Strategic Interruptions versus Possessive Investment: Transnational Adoption in the Era of New Racism
• Notes
• References
• Index

Black Power, White Blood: The Life and Times of Johnny Spain (With a New Epilogue by the Author)

Temple University Press
December 1999
352 pages
5.5×8.25; 36 halftones
Paperback ISBN: 978-1-56639-750-6

Lori Andrews, Distinguished Professor of Law and Director of the Institute for Science, Law and Technology
IIT Chicago-Kent College of Law

A struggle to transcend race and find justice

Originally published in hardcover to much acclaim, this vividly written biographical drama will now be available in a paperback edition and includes a new epilogue by the author. Conceived within a clandestine relationship between a black man and a married white woman, Spain was born (as Larry Michael Armstrong) in Mississippi during the mid-1950s. Spain’s life story speaks to the destructive power of racial bias. Even if his mother’s husband were willing to accept the boy—which he was not—a mixed-race child inevitably would come to harm in that place and time.

At six years old, already the target of name-calling children and threatening adults, he could not attend school with his older brother. Only decades later would he be told why the Armstrongs sent him to live with a black family in Los Angeles. As Johnny came of age, he thought of himself as having been rejected by his white family as well as by his black peers. His erratic, destructive behavior put him on a collision course with the penal system; he was only seventeen when convicted of murder and sent to Soledad.

Drawn into the black power movement and the Black Panther Party by a fellow inmate, the charismatic George Jackson, Spain became a dynamic force for uniting prisoners once divided by racial hatred. He committed himself to the cause of prisoners’ rights, impressing inmates, prison officials, and politicians with his intelligence and passion. Nevertheless, among the San Quentin Six, only he was convicted of conspiracy after Jackson’s failed escape attempt.

Lori Andrews, a professor of law, vividly portrays the dehumanizing conditions in the prisons, the pervasive abuses in the criminal justice system, and the case for overturning Spain’s conspiracy conviction. Spain’s personal transformation is the heart of the book, but Andrews frames it within an indictment of intolerance and injustice that gives this individual’s story broad significance.