Mixed Race Studies

Black Talk, Blue Thoughts, and Walking the Color Line: Dispatches from a Black Journalista

Northeastern University Press (University Press of New England)
2011
304 pages
6 x 9 1/4″
Paperback ISBN: 978-1-55553-754-8
Ebook ISBN: 978-1-55553-766-1

Erin Aubry Kaplan

Forward by:

Michael Eric Dyson

This lively and thoughtful book explores what it means to be black in an allegedly postracial America

Los Angeles has had a ringside seat during the long last century of racial struggle in America. The bouts have been over money and jobs and police brutality, over politics and poetry and rap and basketball. Minimizing blackness itself has been touted as the logical and ideal solution to the struggle, but in Black Talk, Blue Thoughts, and Walking the Color Line Erin Aubry Kaplan begs to differ. With eloquence, wit, and high prose style she crafts a series of compelling arguments against black eclipse.

Here are thirty-three insightful and wide-ranging pieces of literary, cultural, political, and personal reporting on the contemporary black American experience. Drawn from the Los Angeles Times, LA Weekly, Salon.com, and elsewhere, this collection also features major new articles on President Barack Obama, black and Hispanic conflicts, and clinical depression. In each, Kaplan argues with meticulous observation, razor-sharp intelligence, and sparkling prose against the trend of black erasure, and for the expansion of horizons of the black American story.

Table of Contents (An asterisk (*) indicates previously unpublished works)

• Foreword – Michael Eric Dyson
• Acknowledgments
• Introduction
• GENERATION I
  • The Butt
  • Black Like I Thought I Was: Race, DNA, and the Man Who Knows Too Much
  • Fire and Ice: Making It Up
  • Blackness Itself
  • Down and Downer*
  • Blue Like Me: On Race and Depression
• STATE OF A NATION
  • Barack Obama: Mile Traveled, Miles to Go*
  • Losing New Orleans
  • Thoroughly Modern Mammy: Of Coons, Pickaninnies and Gold Dust Twins: Why Do Black Curios Stay Chic?
  • Behind the American-History Curtain: Washington, D.C., and the Lessons of Memory
  • They’re Going Crazy Out There
• STARRING:
  • The Accidental Populist: Magic Johnson Gives Some Back
  • The Empress’s New Clothes: Serena, to the Dismay of Many, Makes the Scene
  • Falling for Tiger Woods
  • Homeboys in Outer Space and Other Transgressions: TV in Black and White
  • White Man with Attitude: How Randy Newman Went from Pop Music’s Reigning Schlub to Movie-Music Royalty
• STOMPING GROUNDS
  • Welcome to Inglewood—Leave Your Aspirations Behind! Why Coming Home Has Been a Labor of Tough Love
  • Rags to Richard*
  • The Eastside Boys
  • The King of Compton: Mayor Omar Bradley and His Reign of Chaos
  • Wearing the Shirt*
  • Lost Soul: A Lament for Black Los Angeles
• MOTHERS AND FATHERS
  • The Last Campaign
  • Mother Roux
  • Mother, Unconceived
• TEACH ON THAT
  • Held Back: The State of Black Education
  • Man and Superwoman
  • The Glamorous Life*
  • The Boy of Summer
  • Unsocial Studies: The Real Lessons of Hamilton High
• POST SCRIPT
  • The Color of Love
  • Married People Live Longer than Single People

Black Like I Thought I Was: Race, DNA, and the Man Who Knows Too Much

October 2003

Wayne Joseph is a fifty-one-year-old high school principal in Chino whose family emigrated from the segregated parishes of Louisiana to central Los Angeles in the 1950s, as did mine. Like me, he is of Creole stock and is therefore on the lighter end of the black color spectrum, a common enough circumstance in the South that predates the multicultural movement by centuries. And like most other black folk, Joseph grew up with an unequivocal sense of his heritage and of himself; he tends toward black advocacy and has published thoughtful opinion pieces on racial issues in magazines like Newsweek. When Joseph decided on a whim to take a new ethnic DNA test he saw described on a 60 Minutes segment last year, it was only to indulge a casual curiosity about the exact percentage of his black blood; virtually all black Americans are mixed with something, he knew, but he figured it would be interesting to make himself a guinea pig for this new testing process, which is offered by a Florida-based company called DNA Print Genomics Inc. The experience would at least be fodder for another essay for Newsweek. He got his kit in the mail, swabbed his mouth per the instructions, and sent off the DNA samples for analysis.

Now, I have always believed that what is now widely considered one of slavery’s worst legacies—the Southern “one-drop” rule that indicted anyone with black blood as a nigger and cleaved American society into black and white with a single stroke—was also slavery’s only upside. Of course I deplore the motive behind the law, which was rooted not only in white paranoia about miscegenation, but in a more practical need to maintain social order by keeping privilege and property in the hands of whites. But by forcing blacks of all complexions and blood percentages into the same boat, the law ironically laid a foundation of black unity that remains in place today. It’s a foundation that allows us to talk abstractly about a ” black community” as concretely as we talk about a black community in Harlem or Chicago or L.A.’s South Central (a liberty that’s often abused or lazily applied in modern discussions of race). And it gives the lightest-skinned among us the assurance of identity that everybody needs to feel grounded and psychologically whole—even whites, whose public non-ethnicity is really ethnicity writ so large and influential it needs no name. Being black may still not be the most advantageous thing in the world, but being nothing or being neutral—the rallying cry of modern-day multiculturalists—has never made any emotional or real-world sense. Color marks you, but your membership in black society also gives you an indestructible house to live in and a bed to rest on. I can’t imagine growing up any other way.

Wayne Joseph can’t either. But when the results of his DNA test came back, he found himself staggered by the idea that though he still qualified as a person of color, it was not the color he was raised to think he was, one with a distinct culture and definitive place in the American struggle for social equality that he’d taken for granted. Here was the unexpected and rather unwelcome truth: Joseph was 57 percent Indo-European, 39 percent Native American, 4 percent East Asian—and 0 percent African. After a lifetime of assuming blackness, he was now being told that he lacked even a single drop of black blood to qualify. “My son was flabbergasted by the results,” says Joseph. “He said, Dad, you mean for fifty years you’ve been passing for black?'” Joseph admits that, strictly speaking, he has. But he’s not sure if he can or wants to do anything about that at this point. For all the lingering effects of institutional racism, he’s been perfectly content being a black man; it’s shaped his worldview and the course of his life in ways that cannot, and probably should not, be altered. Yet Joseph struggles to balance the intellectual dishonesty of saying he’s black with the unimpeachable honesty of a lifelong experience of being black. “What do I do with this information?” he says, sounding more than a little exasperated. “It was like finding out you’re adopted. I don’t want to be disingenuous with myself. But I can’t conceive of living any other way. It’s a question of what’s logical and what’s visceral.”

Race, of course, has always been a far more visceral matter than a logical one. We now know that there is no such thing as race, that humans are biologically one species; we know that an African is likely to have more in common genetically with a European thousands of miles away than with a neighboring African. Yet this knowledge has not deterred the racism many Europeans continue to harbor toward Africans, nor the wariness Africans harbor toward Europeans. Such feelings may never be deterred. And despite all the loud assertions to the contrary, race is still America’s bane, and its fascination; Philip Roth’s widely acclaimed novel set in the 1990s, The Human Stain, features a Faustian protagonist whose great moral failing is that he’s a black man who’s been passing most of his life for white (the book was made into a movie that was released in 2003).

Joseph recognizes this, and while he argues for a more rational and less emotional view of race for the sake of equity, he also recognizes that rationality is not the same thing as fact. As much as he might want to, he can’t simply refute his black past and declare himself white or Native American. He can acknowledge the truth but can’t quite apply it, which makes it pretty much useless to other, older members of his family. An aunt whom he told about the test results only said that she wasn’t surprised. “When I told my mother about the test, she said to me, Tm too old and too tired to be anything else,'” recalls Joseph. “It makes no difference to her. It’s an easy issue.”

After recovering from the initial shock, Joseph began questioning his mother about their lineage. He discovered that, unbeknownst to him, his grandparents had made a conscious decision back in Louisiana to not be white, claiming they didn’t want to side with a people who were known oppressors. Joseph says there was another, more practical consideration: some men in the family routinely courted black women, and they didn’t want the very public hassle such a pairing entailed in the South, which included everything from dirty looks to the ignominy of a couple having to separate on buses and streetcars and in restaurants per the Jim Crow laws. I know that the laws also pointedly separated mothers from sons, uncles from nephews, simply because one happened to be lighter than the other or have straighter hair. Determinations of race were entirely subjective and imposed from without, and the one-drop rule was enforced to such divisive and schizophrenic effects that Joseph’s family—and mine—fled Louisiana for the presumably less boundary-obsessed West. But we didn’t flee ourselves, and didn’t expect to; we simply set up a new home in Los Angeles. The South was wrong about to; we simply set up a new home in Los Angeles. The South was wrong about its policies but it was right about our color. It had to be.

Joseph remains tortured by the possibility that maybe nobody is right. The essay he thought the DNA test experience would prompt became a book that he’s already 150 pages into. He doesn’t seem to know how it’ll end. He’s in a kind of limbo that he doesn’t want and that I frankly wouldn’t wish on anyone; when I wonder aloud about taking the $600 DNA test myself, Joseph flatly advises against it. “You don’t want to know,” he says. “It’s like a genie coming out of a bottle. You can’t put it back in.” He has more empathy for the colorblind crowd than he had before, but isn’t inclined to believe that the Ward Connerlys and other professed racial conservatives of the world have the best interests of colored people at heart. “I see their point, but race does matter, especially with things like medical research and other social trends,” he says of Connerly’s Proposition 54, the much-derided state measure that sought to outlaw the collection of ethnic data. “Problems like that can’t just go away.” For the moment, Joseph is compelled to try to judge individually what he knows has always been judged broadly, to reconcile two famously opposed viewpoints of race not for the sake of political argument — he’s made those — but for his own peace of mind. He’s wrestling with a riddle that will likely outlive him, though he doesn’t worry that it will be passed on to the next generation—his ex-wife is black, enough to give his children the firm ethnic identity he had and that he embraced for most of his life. “The question ultimately is, are you who you say you are, or are you who you are genetically?” he muses. The logical — and visceral — answer is that it’s not black and white.

Passing for Black: The Life and Careers of Mae Street Kidd

University Press of Kentucky
1997
208 pages
On Demand paperback ISBN: 978-0-8131-0948-0

Wade Hall

In 1976, Kentucky state legislator Mae Street Kidd successfully sponsored a resolution ratifying the 13th, 14th, and 15th amendments to the U.S. Constitution. It was fitting that a black woman should initiate the state’s formal repudiation of slavery; that it was Mrs. Kidd was all the more appropriate. Born in Millersburg, Kentucky, in 1904 to a black mother and a white father, Kidd grew up to be a striking woman with fair skin and light hair. Sometimes accused of trying to pass for white in a segregated society, Kidd felt that she was doing the opposite—choosing to assert her black identity. Passing for Black is her story, in her own words, of how she lived in this racial limbo and the obstacles it presented. As a Kentucky woman of color during a pioneering period of minority and women’s rights, Kidd seized every opportunity to get ahead. She attended a black boarding academy after high school and went on to become a successful businesswoman in the insurance and cosmetic industries in a time when few women, black or white, were able to compete in a male-dominated society. She also served with the American Red Cross in England during World War II. It was not until she was in her sixties that she turned to politics, sitting for seventeen years in the Kentucky General Assembly—one of the few black women ever to do so—where she crusaded vigorously for housing rights. Her story—presented as oral history elicited and edited by Wade Hall—provides an important benchmark in African American and women’s studies and endures as a vital document in Kentucky history.

Strangers in Blood: Relocating Race in the Renaissance

University of Toronto Press
October 2010
272 pages
Cloth ISBN: 9781442641402
eBook ISBN: ISBN 9781442660083

Jean E. Feerick, Assistant Professor of English
Brown University

Strangers in Blood explores, in a range of early modern literature, the association between migration to foreign lands and the moral and physical degeneration of individuals. Arguing that, in early modern discourse, the concept of race was primarily linked with notions of bloodline, lineage, and genealogy rather than with skin colour and ethnicity, Jean E. Feerick establishes that the characterization of settler communities as subject to degenerative decline constituted a massive challenge to the fixed system of blood that had hitherto underpinned the English social hierarchy.

Considering contexts as diverse as Ireland, Virginia, and the West Indies, Strangers in Blood tracks the widespread cultural concern that moving out of England would adversely affect the temper and complexion of the displaced individual, changes that could be fought only through willed acts of self-discipline. In emphasizing the decline of blood as found at the centre of colonial narratives, Feerick illustrates the unwitting disassembling of one racial system and the creation of another.

Table of Contents

• Introduction: Bloodwork
• 1. Blemished Bloodlines and The Faerie Queene, Book 2
• 2. Uncouth Milk and the Irish Wet Nurse
• 3. Cymbeline and Virginia’s British Climate
• 4. Passion and Degeneracy in Tragicomic Island Plays
• 5. High Spirits, Nature’s Ranks, and Ligon’s Ladies
• Coda: Beyond the Renaissance

Passing Strange: Shakespeare, Race, and Contemporary America

Oxford University Press
April 2011
240 pages
Hardback ISBN13: 9780195385854; ISBN10: 0195385853

Ayanna Thompson, Professor of English
Arizona State University

Notions, constructions, and performances of race continue to define the contemporary American experience, including America’s relationship to Shakespeare. In Passing Strange, Ayanna Thompson explores the myriad ways U.S. culture draws on the works and the mythology of the Bard to redefine the boundaries of the color line.

Drawing on an extensive—frequently unconventional—range of examples, Thompson examines the contact zones between constructions of Shakespeare and constructions of race. Among the questions she addresses are: Do Shakespeare’s plays need to be edited, appropriated, updated, or rewritten to affirm racial equality and retain relevance? Can discussions of Shakespeare’s universalism tell us anything beneficial about race? What advantages, if any, can a knowledge of Shakespeare provide to disadvantaged people of color, including those in prison? Do the answers to these questions impact our understandings of authorship, authority, and authenticity? In investigating this under-explored territory, Passing Strange examines a wide variety of contemporary texts, including films, novels, theatrical productions, YouTube videos, performances, and arts education programs.

Scholars, teachers, and performers will find a wealth of insights into the staging and performance of familiar plays, but they will also encounter new ways of viewing Shakespeare and American racial identity, enriching their understanding of each.

Features

• Productively engages a topic of perennial debate: race and Shakespeare
• Offers first sustained examination of the relationship between contemporary American constructions of Shakespeare and race
• Explores the seldom considered ways Shakespeare has infiltrated American popular culture, from films like the screwball comedy Bringing Down the House to DIY performances on YouTube

Table of Contents

• Acknowledgments
• 1. Introduction: The Passing Strangeness of Shakespeare in America
• 2. Universalism: Two Films that Brush with the Bard, Suture and Bringing Down the House
• 3. Essentialism: Meditations Inspired by Farrukh Dondy’s novel Black Swan
• 4. Multiculturalism: The Classics, Casting, and Confusion
• 5. Original(ity): Othello and Blackface
• 6. Reform: Redefining Authenticity in Shakespeare Reform Programs
• 7. Archives: Classroom-Inspired Performance Videos on YouTube
• 8. Conclusion: Passing Race and Passing Shakespeare in Peter Sellars’s Othello
• Works Cited
• Index

The Complexion of Race: Categories of Difference in Eighteenth-Century British Culture

University of Pennsylvania Press
2000
384 pages
6 1/8 x 9 1/4
Cloth ISBN: 978-0-8122-3541-8
Paper ISBN: 978-0-8122-1722-3
Ebook ISBN: 978-0-8122-0014-0

Roxann Wheeler, Associate Professor of English
Ohio State University

In the 1723 Journal of a Voyage up the Gambia, an English narrator describes the native translators vital to the expedition’s success as being “Black as Coal.” Such a description of dark skin color was not unusual for eighteenth-century Britons—but neither was the statement that followed: “here, thro’ Custom, (being Christians) they account themselves White Men.” The Complexion of Race asks how such categories would have been possible, when and how such statements came to seem illogical, and how our understanding of the eighteenth century has been distorted by the imposition of nineteenth and twentieth century notions of race on an earlier period.

Wheeler traces the emergence of skin color as a predominant marker of identity in British thought and juxtaposes the Enlightenment’s scientific speculation on the biology of race with accounts in travel literature, fiction, and other documents that remain grounded in different models of human variety. As a consequence of a burgeoning empire in the second half of the eighteenth century, English writers were increasingly preoccupied with differentiating the British nation from its imperial outposts by naming traits that set off the rulers from the ruled; although race was one of these traits, it was by no means the distinguishing one. In the fiction of the time, non-European characters could still be “redeemed” by baptism or conversion and the British nation could embrace its mixed-race progeny. In Wheeler’s eighteenth century we see the coexistence of two systems of racialization and to detect a moment when an older order, based on the division between Christian and heathen, gives way to a new one based on the assertion of difference between black and white.

Table of Contents

• List of Illustrations
• Introduction. The Empire of Climate: Categories of Race in Eighteenth-Century Britain
• 1. Christians, Savages, and Slaves: From the Mediterranean to the Atlantic
• 2. Racializing Civility: Violence and Trade in Africa
• 3. Romanticizing Racial Difference: Benevolent Subordination and the Midcentury Novel
• 4. Consuming Englishness: On the Margins of Civil Society
• 5. The Politicization of Race: The Specter of the Colonies in Britain
• Epilogue. Theorizing Race and Racism in the Eighteenth Century
• Notes
• Index
• Acknowledgments

Born a Half-Caste

Aboriginal Studies Press
1990 (revised edition)
78 pages
210 x1 50mm, b/w illus
Paperback ISBN: 9780855751609

Margaret (Marnie) Kennedy (1919–1985)

Marnie Kennedy was born in 1919 ‘on the bank of Coppermine Creek’. Her story takes us from her birthplace in Western Queensland, to Palm Island where she grew up ‘under the Act’, and back to western Queensland where she spent all of her hard-working life on cattle stations. It is a story of quiet courage and determination, dedicated ‘to my mother, my children and grandchildren, and my people’.

Indifferent Inclusion: Aboriginal people and the Australian Nation

Aboriginal Studies Press
September 2011
288 pages
230 x 152mm; b/w Illustrations
Paperback ISBN: 9780855757793

Russell McGregor, Associate Professor of History
James Cook University, Townsville, Queensland, Australia

McGregor offers a holistic interpretation of the complex relationship between Indigenous and settler Australians during the middle four decades of the twentieth century. Combining the perspectives of political, social and cultural history in a coherent narrative, he provides a cogent analysis of how the relationship changed, and the impediments to change.

McGregor’s focus is on the quest for Aboriginal inclusion in the Australia nation; a task which dominated the Aboriginal agenda at the time. McGregor challenges existing scholarship and assumptions, particularly around assimilation. In doing so he provides an understanding of why assimilation once held the approval of many reformers, including Indigenous activists.

He reveals that the inclusion of Aboriginal people in the Australian nation was not a function of political lobbying and parliamentary decision making. Rather, it depended at least as much on Aboriginal people’s public profile, and the way their demonstrated abilities partially wore down the apathy and indifference of settler Australians.

Russell McGregor is Associate Professor of History at James Cook University in Townsville. He has published extensively on the history of settler Australian attitudes toward Aboriginal people, including the award-winning book Imagined Destinies. His other research interests are in Australian nationalism and environmental history.

Contents

• Illustrations
• Acknowledgments
• Preface
• Notes on Terminology
• Abbreviations and Acronyms
• Prologue: The Crimson Thread of Whiteness
• Chapter 1: Preserving the National Complexion
  • Managing miscegenation
  • Hiding heredity
  • Opponents
  • Continuities and discontinuities
• Chapter 2: Primitive Possibilities
  • Reappraising the primitive
  • Refiguring the federation
  • Humanitarians and activists
  • A new deal
• Chapter 3: Aboriginal Activists Demand Acceptance
  • Conditional citizenship
  • Virile, capable and black
  • Representation and rights
  • Citizen soldiers
• Chapter 4: Restricted Reconstruction
  • Postwar world order
  • Challenging white Australia
  • An anthropologist discovers citizenship
  • Appreciating the Aboriginal
• Chapter 5: To Live as We Do
  • Stranded individuals
  • Avoiding ‘Aborigines’
  • Mobilising civil society
  • Attenuated identities
• Chapter 6: Assimilation and Integration
  • Assimilation through tradition
  • An expedient slogan
  • Definitions and redefinitions
• Chapter 7: Enriching the Nation
  • Respect and redemption
  • Sporting heroes
  • Indigenous wisdom
  • Appreciation and appropriation
• Chapter 8: Fellow Australians
  • Voting rights
  • Drinking rites
  • Right wrongs, write yes
  • Special assistance or minority rights?
• Chapter 9: After the Referendum
  • Dream time in Canberra
  • Land rights
  • An Aboriginal nation
• Epilogue: Unfinished Business
• Notes
• Select Bibliography
• Index

Chapter 1: Preserving the National Complexion

After the First World War, Australians began to notice a new trend among the Aboriginal population. Within their own enclaves, people of mixed descent were reproducing faster than white Australians. Remarking on this trend, demographer Jens Lyng observed in 1927 that ‘the idea of the White Australia ideal eventually being shattered from within cannot be dismissed as altogether absurd’.1 Lyng’s wording was guarded, and there is no evidence to suggest that the Australian public was alarmed by half-caste reproduction rates or fearful that it posed a threat to the national ideal. Some administrators of Aboriginal affairs were alarmed and fearful, however — or at least their statements on the issue were alarmist and fear-provoking. Two administrators in particular — Western Australia’s Chief Protector of Aborigines (later Commissioner of Native Affairs), AO Neville, and the Northern Territory’s Chief Protector of Aborigines, Cecil Cook — elevated the ‘half-caste menace’ to their highest priority.

Neville’s and Cook’s solution to the half-caste problem was biological absorption, colloquially called ‘breeding out the colour’. This entailed directing persons of mixed descent into marital unions with white people, so that after several generations of interbreeding all outward signs of Aboriginal ancestry would disappear. It held an incongruent array of aims and means. Absorption promised to resolve the supposed problems resulting from racial intermixture by encouraging still more intermixing. It aimed to uphold the ideal of white Australia but flew in the face of popular notions of white Australia as a doctrine of racial purity. While racist in many ways, absorption simultaneously defied prevalent racist assumptions of hybrid inferiority. It parallelled eugenicism in certain respects, but also clashed with eugenic principles. It was inspired partly by humanitarian welfarism, but evinced profound disdain for the subjects of its welfare interventions.

Despite these myriad inspirations and aspirations, absorption’s primary objective was accurately stated in its colloquial designation. It aimed to ‘breed out the colour’ — to physically transform persons of Aboriginal ancestry into white Australians and thereby bleach out the as yet small coloured stain in the national fabric. Half-castes must become white since whiteness was the essential qualification for national membership. Breeding the colour out of persons of Aboriginal descent was equally a program of breeding them into the community of the nation. This chapter argues that biological absorption in the interwar years should be understood in the context of a strongly ethnic conception of Australian nationhood, whereby myths of blood kinship provided the core of national cohesion. It also argues that while absorption was a variant of assimilation, it was in crucial respects different to the social assimilation which some critics were beginning to advocate in the 1930s, and which came to the fore after the Second World War…

Read the entire chapter here.

When Half Is Whole: Multiethnic Asian American Identities

Stanford University Press
September 2012
248 pages
Cloth ISBN: 9780804775175
Paper ISBN: 9780804775182

Stephen Murphy-Shigematsu
Stanford University

“I listen and gather people’s stories. Then I write with the hope to communicate something to people, that they gain something of value by reading these stories. I tell myself that this is something that isn’t going to be done unless I do it, just because of who I am. It’s a way of making my mark, to leave something behind—not that I’m planning on going anywhere, right now.”

So begins Stephen Murphy-Shigematsu in this touching, introspective, and insightful exploration of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu has devoted his life to understanding himself as a product of his diverse roots. Across twelve chapters, his reflections are interspersed among profiles of others of biracial and mixed ethnicity and accounts of their journeys to answer a seemingly simple question: Who am I?

Here we meet Margo, the daughter of a Japanese woman and a black American serviceman, who found how others viewed and treated her, both in Japan and the United States, in conflict with her evolving understanding of herself. Born in Australia and raised in San Francisco, Wei Ming struggled with making sense of her Chinese and American heritage, which was further complicated when she began to realize she was bisexual. Rudy, the son of Mexican and Filipino parents, is a former gang member and hip hop artist who redirected his passion for performance into his current career as a professor of Asian Pacific American Studies. Other chapters address issues such as mixed race invisibility, being a transracial adoptee, hapa identity, beauty culture and authenticity testing, and more.

With its attention on people who have been regarded as “half” this or “half” that throughout their lives, these stories make vivid the process of becoming whole.

Contents

• Prologue
• 1. Flowers Amidst the Ashes
• 2. We Must Go On
• 3. For the Community
• 4. English, I Dont Know!
• 5. Bi Bi Girl
• 6. I Am Your Illusion, Your Reality Your Future
• 7. Grits and Sushi
• 8. I Cut across Borders as If They Have No Meaning
• 9. Victims No More
• 10. American Girl in Asia
• 11. Found in Translation
• Epilogue
• Notes
• Recommended Readings
• About the Author

The Browning of America and the Evasion of Social Justice

SUNY Press
October 2008
200 pages
Hardcover ISBN-13: 978-0-7914-7585-0
Paperback ISBN-13: 978-0-7914-7586-7

Ronald R. Sundstrom,Professor of Philosophy
University of San Francisco

Considers the effects of the browning of America on philosophical debates over race, racism, and social justice.

This book considers the challenge that the so-called browning of America poses for any discussion of the future of race and social justice. In the philosophy of race there has been little reflection about how the rapid increase in the Latino, Asian American, and mixed-race populations affects the historical demands for racial justice by Native Americans and African Americans. Ronald R. Sundstrom examines how recent demographic shifts bear upon central questions in race theory and social and political philosophy, including color blindness, interracial intimacy, and the future of race.

Sundstrom cautions that rather than getting caught up in romantic reveries about the browning of America, we should remain vigilant that longstanding claims for racial justice not be washed away.

Table of Contents

• Acknowledgments
• Introduction
• 1. Frederick Douglass’s Political Apostasy
• 2. Color Blindness and the Browning of America
• 3. The Black-White Binary as Racial Anxiety and Demand for Justice
• 4. Interracial Intimicies: Racism and the Political Romance of the Browning of America
• 5. Responsible Multiracial Politics
• Conclusion
• Notes
• Bibliography
• Index

Myths of Harmony: Race and Republicanism during the Age of Revolution, Colombia, 1795-1831

University of Pittsburgh Press
August 2007
216 pages
5 1/2 x 8 1/2
Paper ISBN: 9780822959656

Marixa Lasso, Associate Professor of History
Case Western Reserve University, Cleveland, Ohio

Myths of Harmony examines a foundational moment for Latin American racial constructs. While most contemporary scholarship has focused the explanation for racial tolerance in the colonial period, Marixa Lasso argues that the origins of modern race relations are to be found later, in the Age of Revolution. Lasso’s work brings much-needed attention to the important role of the anticolonial struggles in shaping the nature of contemporary race relations and racial identities in Latin America.

This book centers on a foundational moment for Latin American racial constructs. While most contemporary scholarship has focused the explanation for racial tolerance-or its lack-in the colonial period, Marixa Lasso argues that the key to understanding the origins of modern race relations are to be found later, in the Age of Revolution. Lasso rejects the common assumption that subalterns were passive and alienated from Creole-led patriot movements, and instead demonstrates that during Colombia’s revolution, free blacks and mulattos (pardos) actively joined and occasionally even led the cause to overthrow the Spanish colonial government. As part of their platform, patriots declared legal racial equality for all citizens, and promulgated an ideology of harmony and fraternity for Colombians of all colors. The fact that blacks were mentioned as equals in the discourse of the revolution and later served in republican government posts was a radical political departure. These factors were instrumental in constructing a powerful myth of racial equality-a myth that would fuel revolutionary activity throughout Latin America. Thus emerged a historical paradox central to Latin American nation-building: the coexistence of the principle of racial equality with actual racism at the very inception of the republic. Ironically, the discourse of equality meant that grievances of racial discrimination were construed as unpatriotic and divisive acts-in its most extreme form, blacks were accused of preparing a race war. Lasso’s work brings much-needed attention to the important role of the anticolonial struggles in shaping the nature of contemporary race relations and racial identities in Latin America.

View the digital edition here.