Mixed Race Studies

We Who Are Dark: The Philosophical Foundations of Black Solidarity

Harvard University Press
2005
336 pages
5-1/2 x 8-1/4 inches
Paperback ISBN: 9780674025714

Tommie Shelby, Professor of African and African American Studies and of Philosophy
Harvard University

2005 New York Magazine Best Academic Book

African American history resounds with calls for black unity. From abolitionist times through the Black Power movement, it was widely seen as a means of securing a full share of America’s promised freedom and equality. Yet today, many believe that black solidarity is unnecessary, irrational, rooted in the illusion of “racial” difference, at odds with the goal of integration, and incompatible with liberal ideals and American democracy. A response to such critics, We Who Are Dark provides the first extended philosophical defense of black political solidarity.

Tommie Shelby argues that we can reject a biological idea of race and agree with many criticisms of identity politics yet still view black political solidarity as a needed emancipatory tool. In developing his defense of black solidarity, he draws on the history of black political thought, focusing on the canonical figures of Martin R. Delany and W. E. B. Du Bois, and he urges us to rethink many traditional conceptions of what black unity should entail. In this way, he contributes significantly to the larger effort to re-envision black politics and to modernize the objectives and strategies of black freedom struggles for the post-civil rights era. His book articulates a new African American political philosophy–one that rests firmly on anti-essentialist foundations and, at the same time, urges a commitment to defeating racism, to eliminating racial inequality, and to improving the opportunities of those racialized as “black.”

Table of Contents

• Preface
• Introduction: Political Philosophy and the Black Experience
• 1. Two Conceptions of Black Nationalism
• 2. Class, Poverty, and Shame
• 3. Black Power Nationalism
• 4. Black Solidarity after Black Power
• 5. Race, Culture, and Politics
• 6. Social Identity and Group Solidarity
• Conclusion: The Political Morality of Black Solidarity
• Notes
• Index

Hawaiian Blood: Colonialism and the Politics of Sovereignty and Indigeneity

Duke University Press
2008
264 pages
5 photographs, 2 tables
Cloth ISBN: 978-0-8223-4058-4
Paperback ISBN: 978-0-8223-4058-4

J. Kēhaulani Kauanui, Associate Professor of Anthropology and American Studies
Wesleyan University

In the Hawaiian Homes Commission Act (HHCA) of 1921, the U.S. Congress defined “native Hawaiians” as those people “with at least one-half blood quantum of individuals inhabiting the Hawaiian Islands prior to 1778.” This “blood logic” has since become an entrenched part of the legal system in Hawai‘i. Hawaiian Blood is the first comprehensive history and analysis of this federal law that equates Hawaiian cultural identity with a quantifiable amount of blood. J. Kēhaulani Kauanui explains how blood quantum classification emerged as a way to undermine Native Hawaiian (Kanaka Maoli) sovereignty. Within the framework of the 50-percent rule, intermarriage “dilutes” the number of state-recognized Native Hawaiians. Thus, rather than support Native claims to the Hawaiian islands, blood quantum reduces Hawaiians to a racial minority, reinforcing a system of white racial privilege bound to property ownership.

Kauanui provides an impassioned assessment of how the arbitrary correlation of ancestry and race imposed by the U.S. government on the indigenous people of Hawai‘i has had far-reaching legal and cultural effects. With the HHCA, the federal government explicitly limited the number of Hawaiians included in land provisions, and it recast Hawaiians’ land claims in terms of colonial welfare rather than collective entitlement. Moreover, the exclusionary logic of blood quantum has profoundly affected cultural definitions of indigeneity by undermining more inclusive Kanaka Maoli notions of kinship and belonging. Kauanui also addresses the ongoing significance of the 50-percent rule: Its criteria underlie recent court decisions that have subverted the Hawaiian sovereignty movement and brought to the fore charged questions about who counts as Hawaiian.

Table of Contents

A Note to Readers
Acknowledgments
Introduction: Got Blood?

1. Racialized Beneficiaries and Genealogical Descendants
2. “Can you wonder that the Hawaiians did not get more?” Historical Context for the Hawaiian Homes Commission Act
3. Under the Guise of Hawaiian Rehabilitation
4. The Virile, Prolific, and Enterprising: Part-Hawaiians and the Problem with Rehabilitation
5. Limiting Hawaiians, Limiting the Bill: Rehabilitation Recoded
6. Sovereignty Struggles and the Legacy of the 50-Percent Rule

Notes
Bibliography
Index

Partly Colored: Asian Americans and Racial Anomaly in the Segregated South

New York University Press
2010-04-23
304 pages
13 illustrations
Cloth ISBN: 9780814791325
Paperback ISBN: 9780814791332

Leslie Bow, Professor of English and Asian American Studies
University of Wisconsin, Madison

Arkansas, 1943. The Deep South during the heart of Jim Crow-era segregation. A Japanese-American person boards a bus, and immediately is faced with a dilemma. Not white. Not black. Where to sit?

By elucidating the experience of interstitial ethnic groups such as Mexican, Asian, and Native Americans—groups that are held to be neither black nor white—Leslie Bow explores how the color line accommodated—or refused to accommodate—“other” ethnicities within a binary racial system. Analyzing pre- and post-1954 American literature, film, autobiography, government documents, ethnography, photographs, and popular culture, Bow investigates the ways in which racially “in-between” people and communities were brought to heel within the South’s prevailing cultural logic, while locating the interstitial as a site of cultural anxiety and negotiation.

Spanning the pre- to the post- segregation eras, Partly Colored traces the compelling history of “third race” individuals in the U.S. South, and in the process forces us to contend with the multiracial panorama that constitutes American culture and history.

Table of Contents

Acknowledgments
Introduction: Thinking Interstitially

1. Coloring between the Lines: Historiographies of Southern Anomaly
2. The Interstitial Indian: The Lumbee and Segregation’s Middle Caste
3. White Is and White Ain’t: Failed Approximation and Eruptions of Funk in Representations of the Chinese in the South
4. Anxieties of the ‘Partly Colored’
5. Productive Estrangement: Racial-Sexual Continuums in Asian American as Southern Literature
6. Transracial/Transgender: Analogies of Difference in Mai’s America

Afterword: Continuums, Mobility, Places on the Train
Notes
Works Cited
Index
About the Author

Read the introduction here.

Woman of Color, Daughter of Privilege: Amanda America Dickson, 1849–1893

University of Georgia Press
1996
248 pages
Illustrated
Trim size: 6 x 9
Paperback ISBN: 978-0-8203-1871-4

Kent Anderson Leslie

The true story of a slave who became the wealthiest black woman in the South

This fascinating story of Amanda America Dickson, born the privileged daughter of a white planter and an unconsenting slave in antebellum Georgia, shows how strong-willed individuals defied racial strictures for the sake of family. Kent Anderson Leslie uses the events of Dickson’s life to explore the forces driving southern race and gender relations from the days of King Cotton through the Civil War, Reconstruction, and New South eras.

Although legally a slave herself well into her adolescence, Dickson was much favored by her father and lived comfortably in his house, receiving a genteel upbringing and education. After her father died in 1885 Dickson inherited most of his half-million dollar estate, sparking off two years of legal battles with white relatives. When the Georgia Supreme Court upheld the will, Dickson became the largest landowner in Hancock County, Georgia, and the wealthiest black woman in the post-Civil War South.

Kent Anderson Leslie’s portrayal of Dickson is enhanced by a wealth of details about plantation life; the elaborate codes of behavior for men and women, blacks and whites in the South; and the equally complicated circumstances under which racial transgressions were sometimes ignored, tolerated, or even accepted.

Table of Contents

• Acknowledgments
• Introduction
• CHAPTER 1. Exceptions to the Rules
• CHAPTER 2. A Story
• CHAPTER 3. The Dickson Will
• CHAPTER 4. The Death of a Lady
• Appendixes
• Notes
• Bibliography
• Index

Searching for Mr. Chin: Constructions of Nation and the Chinese in West Indian Literature

Temple University Press
May 2010
192 pages
5.5×8.25
Cloth EAN: 978-1-43990-130-4; ISBN: 1-4399-0130-9
Electronic Book: EAN: 978-1-43990-132-8

Anne-Marie Lee-Loy, Assistant Professor of English
Ryerson University, Toronto, Canada

West Indian literary representations of local Chinese populations illuminate concepts of national belonging

What do twentieth-century fictional images of the Chinese reveal about the construction of nationhood in the former West Indian colonies? In her groundbreaking interdisciplinary work, Searching for Mr. Chin, Anne-Marie Lee-Loy seeks to map and understand a cultural process of identity formation: “Chineseness” in the West Indies. Reading behind the stereotypical image of the Chinese in the West Indies, she compares fictional representations of Chinese characters in Jamaica, Trinidad, and Guyana to reveal the social and racial hierarchies present in literature by popular authors such as V.S. Naipaul and Samuel Selvon, as well as lesser known writers and hard to access literary texts.

Using historical, discursive, and theoretical frameworks for her literary analysis, Lee-Loy shows how the unstable and ambiguous “belonging” afforded to this “middleman minority” speaks to the ways in which narrative boundaries of the nation are established. In addition to looking at how Chinese have been viewed as “others,” Lee-Loy examines self-representations of “Chineseness” and how they complicate national narratives of belonging.

Multifaceted Identity of Interethnic Young People: Chameleon Identities

Ashgate Publishing
May 2010
Illustrations: Includes 24 (including 5 tables) line drawings
234 x 156 mm
224 pages
Hardback
ISBN: 978-0-7546-7860-1
eBook ISBN: 978-0-7546-9691-9
BL Reference: 305.8’0083-dc22
 
Sultana Choudhry, Principal Lecturer in Psychology and Director of Child, Adolescent and Family Mental Health
London Metropolitan University, UK

The number of interethnic individuals is one of the most striking demographic changes in Britain over the last decade. Demonstrating both that identity is fluid and multifaceted rather than fixed, and that people of an interethnic background do not necessarily experience identity conflict as proposed by some social scientists, Multifaceted Identity of Inter-ethnic Young People explores the manner in which interethnic young people define their identities. In doing so, it also looks at their parents and their experiences as interethnic couples in society. Presenting rich new empirical information relating to young people of Black, White, Asian and Chinese interethnic backgrounds, this book also examines the impact that inter-religious relationships have upon young people’s sense of identity, whilst also discussing the implications of the election of America’s first interethnic president. As such, it will be of interest to social scientists working in the fields of race, ethnicity and identity.

Read the introduction here.

Table of Contents

Part 1: Placing Identity Theory and Research in Context
Introduction
Social science theories and research on identity
The science of ethnic and inter-ethnic identity

Part 2: The Research
How the research was carried out

Part 3: Voices – Non Inter-Ethnic and Inter-Ethnic
Non-inter ethnic parents and children
Inter-ethnic couples

Part 4: The Coming of the Chameleons
Who am I? Identities adopted
A chameleon identity
The fine art of choosing an identity
The impact of being inter-ethnic
Conclusions: the future is inter-ethnic

Appendices
References
Index

The Diversity Paradox: Immigration and the Color Line in Twenty-First Century America

Russell Sage Foundation
May 2010
240 pages
Hardcover ISBN: 978-0-87154-041-6

Jennifer Lee, Associate Professor of Sociology
University of California, Irvine

Frank D. Bean, Chancellor’s Professor of Sociology and Economics; Director of the Center for Research on Immigration, Population, and Public Policy
University of California, Irvine

African Americans grappled with Jim Crow segregation until it was legally overturned in the 1960s. In subsequent decades, the country witnessed a new wave of immigration from Asia and Latin America—forever changing the face of American society and making it more racially diverse than ever before. In The Diversity Paradox, authors Jennifer Lee and Frank Bean take these two poles of American collective identity—the legacy of slavery and immigration—and ask if today’s immigrants are destined to become racialized minorities akin to African Americans or if their incorporation into U.S. society will more closely resemble that of their European predecessors. They also tackle the vexing question of whether America’s new racial diversity is helping to erode the tenacious black/white color line.

The Diversity Paradox uses population-based analyses and in-depth interviews to examine patterns of intermarriage and multiracial identification among Asians, Latinos, and African Americans. Lee and Bean analyze where the color line—and the economic and social advantage it demarcates—is drawn today and on what side these new arrivals fall. They show that Asians and Latinos with mixed ancestry are not constrained by strict racial categories. Racial status often shifts according to situation. Individuals can choose to identify along ethnic lines or as white, and their decisions are rarely questioned by outsiders or institutions. These groups also intermarry at higher rates, which is viewed as part of the process of becoming “American” and a form of upward social mobility. African Americans, in contrast, intermarry at significantly lower rates than Asians and Latinos. Further, multiracial blacks often choose not to identify as such and are typically perceived as being black only—underscoring the stigma attached to being African American and the entrenchment of the “one-drop” rule. Asians and Latinos are successfully disengaging their national origins from the concept of race—like European immigrants before them—and these patterns are most evident in racially diverse parts of the country.

For the first time in 2000, the U.S. Census enabled multiracial Americans to identify themselves as belonging to more than one race. Eight years later, multiracial Barack Obama was elected as the 44th President of the United States. For many, these events give credibility to the claim that the death knell has been sounded for institutionalized racial exclusion. The Diversity Paradox is an extensive and eloquent examination of how contemporary immigration and the country’s new diversity are redefining the boundaries of race. The book also lays bare the powerful reality that as the old black/white color line fades a new one may well be emerging—with many African Americans still on the other side.

Not White Enough, Not Black Enough: Racial Identity in the South African Coloured Community

Ohio University Press/Swallow Press
2005
264 pages
5 1/2 x 8 1/2 in.
Paperback ISBN: 978-0-89680-244-5

Mohamed Adhikari, Lecturer of Historical Studies
University of Cape Town, South Africa

The concept of Colouredness—being neither white nor black—has been pivotal to the brand of racial thinking particular to South African society. The nature of Coloured identity and its heritage of oppression has always been a matter of intense political and ideological contestation.

Not White Enough, Not Black Enough: Racial Identity in the South African Coloured Community is the first systematic study of Coloured identity, its history, and its relevance to South African national life. Mohamed Adhikari engages with the debates and controversies thrown up by the identity’s troubled existence and challenges much of the conventional wisdom associated with it. A combination of wide-ranging thematic analyses and detailed case studies illustrates how Colouredness functioned as a social identity from the time of its emergence in the late nineteenth century through its adaptation to the postapartheid environment.

Adhikari demonstrates how the interplay of marginality, racial hierarchy, assimilationist aspirations, negative racial stereotyping, class divisions, and ideological conflicts helped mold people’s sense of Colouredness over the past century. Knowledge of this history, and of the social and political dynamic that informed the articulation of a separate Coloured identity, is vital to an understanding of present-day complexities in South Africa.

In Search of Nella Larsen: A Biography of the Color Line

Harvard University Press
May 2006
624 pages
6-3/8 x 9-1/4 inches
37 halftones
Hardcover ISBN: 9780674021808

George Hutchinson, Newton C. Farr Professor of American Culture
Cornell University

• 2006 Booklist Editor’s Choice
• 2006 Honorable Mention of the Professional/Scholarly Publishing Annual Award Competition, Biography & Autobiography
• Finalist, 2007 Independent Publisher Book Awards, Biography Category
• 2007 Christian Gauss Award for literary scholarship or criticism, Phi Beta Kappa Society
• Choice Magazine A Best Academic Book of the Year

Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere’s most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America’s racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations–only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the “mystery woman of the Harlem Renaissance,” George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities.

Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture’s fundamental rule: race trumps family.

Interzones: Black/White Sex Districts in Chicago and New York in the Early Twentieth Century

Columbia University Press
August 1997
248 pages
Paper ISBN: 978-0-231-10493-7
Cloth ISBN: 978-0-231-10492-0

Kevin Mumford, Professor of African-American History
University of Iowa

Interzones is an innovative account of how the color line was drawn—and how it was crossed—in twentieth-century American cities. Kevin Mumford chronicles the role of vice districts in New York and Chicago as crucibles for the shaping of racial categories and racial inequalities.

Focusing on Chicago’s South Side and Levee districts, and Greenwich Village and Harlem in New York at the height of the Progressive era, Mumford traces the connections between the Great Migration, the commercialization of leisure, and the politics of reform and urban renewal. Interzones is the first book to examine in depth the combined effects on American culture of two major transformations: the migration north of southern blacks and the emergence of a new public consumer culture.

Mumford writes an important chapter in Progressive-era history from the perspectives of its most marginalized and dispossessed citizens. Recreating the mixed-race underworlds of brothels and dance halls, and charting the history of a black-white sexual subculture, Mumford shows how fluid race relations were in these “interzones.” From Jack Johnson and the “white slavery” scare of the 1910’s to the growth of a vital gay subculture and the phenomenon of white slumming, he explores in provocative detail the connections between political reforms and public culture, racial prejudice and sexual taboo, the hardening of the color line and the geography of modern inner cities.

The complicated links between race and sex, and reform and reaction, are vividly displayed in Mumford’s look at a singular moment in the settling of American culture and society.