Mixed Race Studies

Queering Mestizaje: Transculturation and Performance

University of Michigan Press
2006
256 pages
6 x 9. 29 illustrations
Cloth ISBN: 978-0-472-09955-9
Paper ISBN: 978-0-472-06955-2

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

• Winner of the Outstanding Book Award for 2008 from the Association for Theatre in Higher Education (ATHE)
• Co-winner of the 2007 Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies

Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje—the mixing of races, and specifically indigenous peoples, with European colonizers—and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites.

Arrizón offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria Anzaldúa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials—including examples from performance art, colonial literature, visual art, fashion, and consumer products—are discussed, and included in the book’s twenty-nine illustrations.

African Creeks: Estelvste and the Creek Nation

University of Oklahoma Press
2007
368 pages, 6″ x 9″
Illustrations: 15 color illustrations, 4 maps
Hardcover ISBN: 9780806138152

Gary Zellar, Assistant Professor of History
University of Saskatchewan

A narrative history of the African Creek community

Among the Creeks, they were known as Estelvste—black people—and they had lived among them since the days of the first Spanish entradas. They spoke the same language as the Creeks, ate the same foods, and shared kinship ties. Their only difference was the color of their skin.

This book tells how people of African heritage came to blend their lives with those of their Indian neighbors and essentially became Creek themselves. Taking in the full historical sweep of African Americans among the Creeks, from the sixteenth century through Oklahoma statehood, Gary Zellar unfolds a narrative history of the many contributions these people made to Creek history.

Drawing on a wealth of primary sources, Zellar reveals how African people functioned as warriors, interpreters, preachers, medicine men, and even slave labor, all of which allowed the tribe to withstand the shocks of Anglo-American expansion. He also tells how they provided leaders who helped the Creeks navigate the onslaught of allotment, tribal dissolution, and Oklahoma statehood.

In his compelling narrative, Zellar describes how African Creeks made a place for themselves in a tolerant Creek Nation in which they had access to land, resources, and political leverage—and how post–Civil War “reform” reduced them to the second-class citizenship of other African Americans. It is a stirring account that puts history in a new light as it adds to our understanding of the multi-ethnic nature of Indian societies.

Making Ethnic Choices: California’s Punjabi Mexican Americans

Temple University Press
May 1992
352 page
6×9
Paper EAN: 978-1-56639-202-0, ISBN: 1-56639-202-0
Cloth EAN: 978-0-87722-890-5, ISBN: 0-87722-890-6
Electronic Book: EAN: 978-1-43990-364-3

Karen Isaksen Leonard, Professor of Anthropology
University of California, Irvine

This is a study of the flexibility of ethnic identity. In the early twentieth century, men from India’s Punjab province came to California to work on the land. The new immigrants had few chances to marry. There were very few marriageable Indian women, and miscegenation laws and racial prejudice limited their ability to find white Americans. Discovering an unexpected compatibility, Punjabis married women of Mexican descent and these alliances inspired others as the men introduced their bachelor friends to the sisters and friends of their wives. These biethnic families developed an identity as “Hindus” but also as Americans. Karen Leonard has related theories linking state policies and ethnicity to those applied at the level of marriage and family life. Using written sources and numerous interviews, she invokes gender, generation, class, religion, language, and the dramatic political changes of the 1940s in South Asia and the United States to show how individual and group perceptions of ethnic identity have changed among Punjabi Mexican Americans in rural California.

Read chapter 1 here.

Table of Contents

• Preface
• Part I: Introduction
  • 1. Exploring Ethnicity
• Part II: The World of the Pioneers
  • 2. Contexts: California and the Punjab
  • 3. Early Days in the Imperial Valley
  • 4. Marriages and Children
  • 5. Male and Female Networks
  • 6. Conflict and Love in the Marriages
• Part III: The Construction of Ethnic Identity
  • 7. Childhood in Rural California
  • 8. The Second Generation Comes of Age
  • 9. Political Change and Ethnic Identity
  • 10. Encounters with the Other
  • 11. Contending Voices
• Appendixes
• Notes
• Bibliography
• Index

Fire and Desire: Mixed-Race Movies in the Silent Era

University of Chicago Press
February 2001
352 pages
36 halftones  6 x 9
Cloth ISBN: 9780226278742
Paper ISBN: 9780226278759

Jane M. Gaines, Professor of Film Studies
Columbia University School of the Arts

Winner of the Katherine Singer Kovacs Award

In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines’s highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda.

Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith’s racist epic The Birth of a Nation [(1915)] exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates [(1920)]. Beginning with What Happened in the Tunnel [(1903)], a movie that played with race and sex taboos by featuring the first interracial kiss in film [View the short film (00:01:02) by Thomas Edison from 1903-11-06 here.], Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Roberts’s portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.

Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of “race movies” itself.

Table of Contents

• List of Illustrations
• Acknowledgments
• Note on Film Dates
• Introduction – The “Race” in Race Movies
• 1. “Green Like Me”
• 2. Desiring Others
• 3. Race Movies: All-Black Everything
• 4. World-Improving Desires
• 5. Fire and Desire
• 6. The Body’s Story
• 7. Race/Riot/Cinema
• Conclusion – Mixed-Race Movies
• Notes
• Index

Coyote Nation: Sexuality, Race, and Conquest in Modernizing New Mexico, 1880-1920

University of Chicago Press
2005
224 pages
10 halftones  6 x 9
Cloth ISBN: 9780226532424
Paper ISBN: 9780226532431
E-book ISBN: 9780226532523

Pablo Mitchell, Eric and Jane Nord Associate Professor of History and Comparative American Studies
Oberlin College

With the arrival of the transcontinental railroad in the 1880s came the emergence of a modern and profoundly multicultural New Mexico. Native Americans, working-class Mexicans, elite Hispanos, and black and white newcomers all commingled and interacted in the territory in ways that had not been previously possible. But what did it mean to be white in this multiethnic milieu? And how did ideas of sexuality and racial supremacy shape ideas of citizenry and determine who would govern the region?

Coyote Nation considers these questions as it explores how New Mexicans evaluated and categorized racial identities through bodily practices. Where ethnic groups were numerous and—in the wake of miscegenation—often difficult to discern, the ways one dressed, bathed, spoke, gestured, or even stood were largely instrumental in conveying one’s race. Even such practices as cutting one’s hair, shopping, drinking alcohol, or embalming a deceased loved one could inextricably link a person to a very specific racial identity.

A fascinating history of an extraordinarily plural and polyglot region, Coyote Nation will be of value to historians of race and ethnicity in American culture.

Table of Contents

Preface: A Note on Coyotes
Acknowledgments
1. Introduction: Bodies on Borders
2. Compromising Positions: Racializing Bodies at Pueblo Indian Schools
3. Carnal Knowledge: Racializing Hispano Bodies in the Courts
4. Transits of Venus: Ceremonies and Contested Public Space
5. Strange Bedfellows: Anglos and Hispanos in the Reproduction of Whiteness
6. “Promiscuous Expectoration”: Medicine and the Naturalization of Whiteness
7. “Just Gauzy Enough”: Consumer Culture and the Shared White Body of Anglos and Hispanos
8. Conclusion: Birth of a Coyote Nation
Notes
Bibliography
Index

Blue Veins and Kinky Hair: Naming and Color Consciousness in African America

Praeger Publishers
2003-06-30
160 pages
Trim Size: 6 1/8 x 9 1/4
Hardcover ISBN: 978-0-89789-558-3
eBook ISBN: 978-0-313-05864-6

Obiagele Lake

The author explores how Africans in America internalized the negative images created of them by the European world, and how internalized racism has worked to fracture African American unity and thereby dilute inchoate efforts toward liberation. In the late 1960s, change began with the “Black Is Beautiful” slogan and new a consciousness, which went hand in hand with Black Power and pan-African movements. The author argues that for any people to succeed, they must first embrace their own identity, including physical characteristics. Naming, skin color, and hair have been topical issues in the African American community since the 18th century. These three areas are key to a sense of identity and self, and they were forcefully changed when Africans were taken out of Africa as slaves.

The author discusses how group and personal names, including racial epithets, have had far-reaching and deep-seated effects on African American self perception. Most of her attention, however, is focused on issues of physical appearance which reflect a greater or lesser degree of racial blending. She tells us about exclusive African American organizations such as The Blue Vein Society, in which membership was extended to African Americans whose skin color and hair texture tended toward those of European Americans, although wealthy dark-skinned people were also eligible. Much of the book details the lengths to which African American women have gone to lighten their complexions and straighten their hair. These endeavors started many years ago, and still continue, although today there is also a large number of women who are adamantly going natural. Her historical look at the cultural background to African American issues of hair and skin is the first monograph of its kind.

Table of Contents

• Preface
• Renaming African People
• Mulattoes and Color Consciousness in the United States
• Hair and Color Consciousness in African America
• Hair and Skin Color in Africa and the Africa and the African Diaspora
• The Delinking of African Hair
• Appendix A: Mixed Race Names
• Appendix B: Percentage Selecting Traits Across Race Labels
• Appendix C: Names Used by African Americans in U.S. History
• Appendix D: African American Orginizations Bearing the term “African”
• Appendix E: Original Version of “The Yellow Rose of Texas”
• Appendix F: Rendition of “The Yellow Rose of Texas”
• Appendix G: “Yellow Rose of Texas” Marching Song
• Appendix H: Brown Fellowship Society Members, 1790-1869
• Appendix I: Brown Fellowship Society Slave Owners
• Appendix J: Facts About Hairdressing Innovations
• References Cited
• Index

Gothic Passages: Racial Ambiguity and the American Gothic

University of Iowa Press
2003
186 pages
Cloth ISBN: 0-87745-824-3, 978-0-87745-824-1
eBook ISBN: 1-58729-420-6 978-1-58729-420-4

Justin Edwards, Professor of English
Bangor University, Bangor, Wales

This groundbreaking study analyzes the development of American gothic literature alongside nineteenth-century discourses of passing and racial ambiguity.

By bringing together these areas of analysis, Justin Edwards considers the following questions. How are the categories of “race” and the rhetoric of racial difference tied to the language of gothicism? What can these discursive ties tell us about a range of social boundaries—gender, sexuality, class, race, etc.—during the nineteenth century? What can the construction and destabilization of these social boundaries tell us about the development of the U.S. gothic?

The sources used to address these questions are diverse, often literary and historical, fluidly moving between “representation” and “reality.” Works of gothic literature by Edgar Allan Poe, Herman Melville, Frances Harper, and Charles Chesnutt, among others, are placed in the contexts of nineteenth-century racial “science” and contemporary discourses about the formation of identity. Edwards then examines how nineteenth-century writers gothicized biracial and passing figures in order to frame them within the rubric of a “demonization of difference.” By charting such depictions in literature and popular science, he focuses on an obsession in antebellum and postbellum America over the threat of collapsing racial identities—threats that resonated strongly with fears of the transgression of the boundaries of sexuality and the social anxiety concerning the instabilities of gender, class, ethnicity, and nationality.

Gothic Passages not only builds upon the work of Americanists who uncover an underlying racial element in U.S. gothic literature but also sheds new light on the pervasiveness of gothic discourse in nineteenth-century representations of passing from both sides of the color line. This fascinating book will be of interest to scholars of American literature, cultural studies, and African American studies.

Monstrous Intimacies: Making Post-Slavery Subjects

Duke University Press
August 2010
264 pages
21 illustrations
Cloth ISBN: 978-0-8223-4591-6
Paperback ISBN: 978-0-8223-4609-8

Christina Sharpe, Associate Professor of English and Director of American Studies
Tufts University

Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African Diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester and Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora and a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slave-holder, and vocal critic of miscegenation. Sharpe explores the South African-born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the Khoi San woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representations of slavery, display, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of the black and white silhouettes created by Kara Walker and the subtexts of the critiques leveled against the silhouettes and the artist.

Table of Contents

• Acknowledgments
• Introduction. Making Monstrous Intimacies: Surviving Slavery, Bearing Freedom
• 1. Gayl Jones’s Corregidora and Reading the “Days That Were Pages of Hysteria”
• 2. Bessie Head, Saartje Baartman, and Maru Redemption, Subjectification, and the Problem of Liberation
• 3. Isaac Julien’s The Attendant and the Sadomasochism of Everyday Black Life
• 4. Kara Walker’s Monstrous Intimacies
• Notes
• Bibliography
• Index

Walter White: The Dilemma of Black Identity in America

Ivan R. Dee
October 2008
224 pages
Electronic ISBN: 1-56663-815-1 / 978-1-56663-815-9
Cloth ISBN: 1-56663-766-X / 978-1-56663-766-4
Paper ISBN: 1-56663-865-8 / 978-1-56663-865-4

Thomas Dyja

The day Walter White was buried in 1955 the New York Times called him “the nearest approach to a national leader of American Negroes since Booker T. Washington.” For more than two decades, White, as secretary of the NAACP, was perhaps the nation’s most visible and most powerful African-American leader. He won passage of a federal anti-lynching law, hosted one of the premier salons of the Harlem Renaissance, created the legal strategy that led to Brown v. Board of Education, and initiated the campaign demanding that Hollywood give better roles to black actors. Driven by ambitions for himself and his people, he offered his entire life to the advancement of civil rights in America.

Table of Contents

• A World of His Own
• The Life Insurance Temperament
• Undercover Against Lynching
• At the Center of the Harlem Renaissance
• Conflict, Control, and the Making of Mr. NAACP
• Fighting on All Fronts
• “I am white and I am black”

Colonial Desire: Hybridity in Theory, Culture and Race, 2nd Edition

Routledge
1994-12-14
248 pages
Paperback ISBN: 978-0-415-31183-0

Robert J. C. Young, Silver Professor of English and Comparative Literature
New York University

As one of the most important books in post-colonial studies, this book argues that contemporary theories on post-colonialism and ethnicity are disturbingly close to the colonial discourse of the nineteenth century.

Rather than marking ourselves off from patterns of thought which characterized Victorian racial theory, we show remarkable complicity with historical ways of viewing ‘the other’, both sexually and racially. ‘Englishness’, Young suggests, has been less fixed and stable than uncertain, fissured with difference and a desire for otherness.

In this updated new edition, the author revisits the ideas set out in the book in light of recent developments in post-colonial theory, including projects influenced by his own work. With this fresh intervention, Robert Young is set once again to re-energize his field and open new channels of debate.