Mixed Race Studies

Scree: The Collected Earlier Poems, 1962–1991

Talonbooks
2015
640 pages
6 W x 9 H inches
Hardcover ISBN 13: 9780889229471; ISBN 10: 0889229473

Fred Wah

Edited and Introduction by:

Jeff Derksen, Associate Professor of English
Simon Fraser University, Burnaby, British Columbia, Canada

Fred Wah’s career has spanned six decades and a range of formal styles and preoccupations. Scree collects Wah’s concrete and sound poetry of the 1960s, his landscape-centric work of the 1970s, and his ethnicity-oriented poems of the 1980s. Fred was a founding member of the avant-garde TISH group, which helped turn Canadian poetry, in the West in particular, to a focus on language. He has said that his “writing has been sustained, primarily, by two interests: racial hybridity and the local.”

Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains:

Lardeau (1965)
Mountain (1967)
Among (1972)
Tree (1972)
Earth (1974)
Pictograms from the Interior of B.C. (1975)
Loki Is Buried at Smoky Creek (1980)
Owner’s Manual (1981)
Breathin’ My Name with a Sigh (1981)
Grasp the Sparrow’s Tail (1982)
Waiting for Saskatchewan (1985)
Rooftops (1988)
So Far (1991)

The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently “teachable” volume. The book includes full-colour facsimiles of two early books, Earth and Tree, reproduced to show the “hands-on” object-based aspect of chapbook publishing.

The Adoption Papers

Bloodaxe Books
1991
64 pages
21.6 x 13.9 x 0.5 cm
Paperback ISBN: 978-1852241568

Jackie Kay, Professor of Creative Writing
Newcastle University

North End Love Songs

J. Gordon Shillingford Publishing
2012-03-20
108 pages
Paperback ISBN: 978-1-897289-76-1

Katherena Vermette

Winner of the 2013 Governor General’s Award for Poetry.

A self-described “tuff grrl with two ffs” there is no doubt that after poet Katherena Vermette’s first collection of poetry, North End Love Songs, she will also be known as one “tuff” poet. Chronicling several short lived affairs that follow the break-up of a long term relationship, North End Love Songs recounts a quest for love in all wrong places. In it poet Katherena Vermette pulls out all the stops with gritty stripped down lyrics about the kind of love doesn’t always talk nice, sometimes drinks way too much, smokes when it shouldn’t and winds up in bed with people it barely knows or trusts.

But North End Love Songs is more than just a poetic road trip to the wrong side of love. Described by critics as having “a complicated sense of beauty,” there is undeniable eloquence at work in Katherena Vermette’s poetry. These poems go way deeper than the usual explorations of loss and self discovery, grappling with the destructive social and cultural constructs that often keep women on the hunt for solace and stability outside of themselves instead of finding strength within.

Katherena Vermette is well known in Winnipeg for her spoken word and poetry performances. Her poems often feel like songs, sometimes country in tone, and sometimes dark, urban, and alternative. In North End Love Songs readers will find a fierce honesty, and resonant clarity that is unique to this fresh, new voice.

Katherena Vermette is a Métis writer of poetry and fiction. Her work has appeared in several literary magazines and compilations, including the upcoming Manitoapow—Aboriginal Literary History of Manitoba (Highwater Press 2012). Vermette was the 2010-2011 Blogger in Residence for thewriterscollective.org and recently begun graduate work in the prestigious Master of Fine Arts Creative Writing program at the University of British Columbia. A member of the Aboriginal Writers Collective of Manitoba since 2004, Vermette lives, works and plays in Winnipeg, Manitoba.

Fast Talking PI

Arc Publications
July 2012
80 pages
216 x 138 mm (paperback), 223 x 145 mm (hardback)
Paperback ISBN: 978-1904614-35-7
Hardback ISBN: 978-1904614-77-7

Selina Tusitala Marsh, Senior Lecturer of English Drama and Writing Studies
University of Auckland, Auckland, New Zealand

Fast Talking PI (pronounced pee-eye) reflects the poet’s focus on issues affecting Pacific communities in New Zealand, and indigenous peoples around the world including the challenges and triumphs of being afakasi [mixed race]. The book is structured in three sections, Tusitala (personal), Talkback (political and historical) and Fast Talking PIs (dialogue). She writes as a calabash breaker, smashing stereotypes and challenging historic injustices; also exploring the idea of the calabash as the honoured vessel for identity and story. Her aesthetics and indigenous politics meld marvellously together.

List of Contents

• TUSITALA
  • Googling Tusitala
  • Not Another Nafanua Poem
  • Afakasi
  • Calabash Breakers
  • Hone Said
  • Things on Thursdays
  • Song for Terry
  • Langston’s Mother
  • Cardboard Crowns
  • The Sum of Mum
  • Wild Horses
  • Three to Four
  • Le Amataga
  • The Beginning
  • Spare the Rod
  • A Samoan Star-chant for Matariki
  • Circle of Stones
• TALKBACK
  • Guys like Gauguin
  • Nails for Sex
  • Mutiny on Pitcairn
  • Two Nudes on a Tahitian Beach, 1894
  • Venus in Transit
  • Realpolitik
  • Contact 101
  • Has the whole tribe come out from England?
  • What’s Sarong With This?
  • The Curator
  • Hawai’i: Prelude to a Journey
  • Touring Hawaii and Its People
  • Alice’s Billboard
• FAST TALKING PIS
  • Fast Talkin’ PI
  • Acronym
  • Outcast
• Acknowledgements
• Notes
• Biographical Note

The Undertaker’s Daughter

University of Pittsburgh Press
October 2011
104 pages
6 x 9
ISBN: 9780822962007

Toi Derricotte, Professor of English
University of Pittsburgh, Pittsburgh, Pennsylvania

View the Table of Contents here. Read a selection from the book here.

Captivity

University of Pittsburgh Press
November 1989
88 pages
5 1/2 x 8 1/2
ISBN: 9780822954224

Toi Derricotte, Professor of English
University of Pittsburgh, Pittsburgh, Pennsylvania

What are the forces that cause us to strike out and harm each other? Captivity explores the way in which the individual is held hostage by society; how the forces of racism, sexism, and classism frequently express themselves as violence within the family. The book also explores a deeper captivity, like the Jews in Egypt yearning for the Promised Land, the soul trapped in exile from God.

View the table of contents here.

Two Worlds Walking: Short Stories, Essays, and Poetry by Writers of Mixed Heritages

New Rivers Press
January 1996
256 pages
ISBN-13: 978-0898231496

Edited by Diane Glaney & C. W. Truesdale

In this landmark collection, 42 writers — including Diane Glancy, Siv Cedering, and Lewis Turco — go beyond a simple idea of diversity to explore what it means to “walk in two worlds.” While many of the poems, short stories, essays, and memoirs in this anthology explore the tensions of being “mixed blood,” all of the pieces offer a surprising and resilient perspective on what it means to be “American” today.

From Behind the Counter: Poems From a Rural Jamaican Experience

Ian Randle Publishers
2000-09-05
216 pages
5.5 x 0.5 x 8.5 inches
Paperback ISBN: 978-9768123879

Easton Lee

Photographs by Owen Minott

Easton Lee was born to a Chinese father and a Jamaican mother of mixed racial heritage in the 1930s at Wait-a-bit, Trelawny, Jamaica. The family lived in several villages and towns as his parents ‘moved shop’ in search of a livelihood. Life was different then – no television, no telephones, inadequate road systems, no radio. The life of rural communities revolved and evolved around the church, the school and the village shop. The majority of these shops were owned and operated by Chinese families. Lee recalls that many evenings during his elementary schooldays were spent under the counter of his parents’ shop so he could be near to his mother as she attended to customers and helped him with homework. Customers, unaware of his presence, often discussed the village happenings and their private business in the most intimate details, giving him insight and information not otherwise available. His mother who was born at the turn of the century, fed him with stories and legends she had gleaned from her older relatives. An avid reader and a great storyteller, she often entertained her children and their friends with fascinating tales she had read or had heard in her childhood. His attention later turned to his Chinese heritage with his father and other Chinese relatives providing the link to that source. He found to his amazement that those teachings were not all that different from those of other sources, and in some instances were identical. This lively interest in and knowledge of Jamaican folklore which began in his schooldays was broadened and enhanced when, in adulthood, he went to work with Jamaica Social Welfare Commission, now the Social Development Commission, in a job which took him to every corner of the country.

Skin, Inc.: Identity Repair Poems

Graywolf Press
2010-08-31
192 pages
Trim Size: 6 x 9
Hardcover ISBN: 978-1-55597-567-8
Paperback ISBN: 978-1-55597-650-7

Thomas Sayers Ellis, co-Founder
The Dark Room Collective, Cambridge, Massachusetts

The ambitious, combative, and spot-on new poetry book by Thomas Sayers Ellis, author of the award-winning The Maverick Room

Skin, Inc. is Thomas Sayers Ellis’s big, ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes—along the way adding race fearlessness to past and present literary styles and themes, and perform-a-forming tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. Part manifesto, part identity repair kit, part plea for poetic wholeness, this collection worries and self-defends, eulogizes and casts a vote, raises a fist and, often, an intimidating song. One sequence is written as a sonic/visual diagram of pronouns and vowels; another quotes from editors’ rejections of his own poetry included in the book; another poem, “Race Change Operation,” begins: “When I awake I will be white, the color of law.” Skin, Inc. is the latest work by one of the most audacious and provocative poets now writing.

Praise Song for the Day: A Poem for Barack Obama’s Presidential Inauguration

Graywolf Press
2009-02-06
28 pages
Trim Size: 4 5/8 x 6 1/2
ISBN: 978-1-55597-545-6

Elizabeth Alexander

Available in an elegant chapbook, Elizabeth Alexander’s historic poem, read at the 2009 inauguration of President Barack Obama

On January 20, 2009, Elizabeth Alexander served as the fourth-ever inaugural poet and a central participant in one of the most closely watched inaugurations in American history. Selected by Barack Obama, Alexander composed and delivered her original poem “Praise Song for the Day” to an audience of millions, and now the poem can be read and savored for posterity. Printed on heavy, uncoated stock and bound with French flaps and a silver foil stamp, this collectible chapbook is a cherished reminder of this monumental presidential event.