Mixed Race Studies

Where Ethnicity Was Fluid

The New York Times
2012-12-29

Sam Roberts, Urban Affairs Correspondent

In “Bengali Harlem and the Lost Histories of South Asian America” (Harvard University Press, $35), Vivek Bald, who teaches writing and digital media at the Massachusetts Institute of Technology, has produced an engaging account of a largely untold wave of immigration: Muslims from British India who arrived in the late 19th and early 20th centuries…

…“Collectively they used Americans’ confusion over their ‘race’ to their advantage, developing a fluid and contextual approach to their identity,” he writes. “They were ‘white’ when they attempted to claim citizenship, ‘Hindoo’ when selling exotic goods, ‘black’ or ‘Porto Rican’ when disappearing into U.S. cities or actively attempting to evade the immigration authorities.”…

Read the entire review here.

Book Review: Exploring the Borderlands of Race, Nation, Sex and Gender

Discover Nikkei: Japanese Migrants and Their Descendants
2012-12-26

Nancy Matsumoto

Growing up in predominantly white Marin County, mixed-race yonsei Akemi Johnson hates her name and just wants to blend in. In college, though, her attitude changes. She studies race and ethnicity and travels to Japan. Though her stated purpose there is to study issues around the American bases in Okinawa, she later writes, ”My real motives were more personal and intertwined with the past, with traumas that had been born many years before.” She reflects on why her grandparents, who were imprisoned at the Tule Lake and Gila River concentration camps, never talked about those experiences. Eventually she returns to America satisfied that she has confronted her “fears of association, shame, really, of my Japanese ancestry—and won.”

Johnson’s story is just one of many that psychologist Stephen Murphy-Shigematsu tells in his latest book, When Half is Whole: Multiethnic Asian American Identities. Exploring the complex issue of identity among mixed-race Asians has been his life work. With subtleness and great empathy he guides us through what he calls “the borderlands” where transnational and multiethnic identities are formed, arguing that in an increasingly globalized world, identities are more flexible and inclusive, and can “challenge the meaning of national and racial categories and boundaries.”…

Read the entire review here.

Black Mom + Indian Dad = Search for Identity

Ebony Magazine
2012-12-17

Sharda Sekaran

Sharda Sekaran can’t deny her East Indian roots, but she can’t find them either

It was my senior year of college. I sat at the end of a long oval table in a meeting room in one of the academic buildings. Surrounding me on either side were professors from different departments. Some of them I’d taken classes from, but most I had not. They were interviewing me for a fellowship for which I’d been nominated. It was a very selective process, and only three other students from my school were up for it.

I’m generally okay speaking under pressure in front of a group, but I was absolutely terrified. The professors asked my about my identity—my understanding of who I am and where I came from. I felt paralyzed by fear, and stumbled like a desperate entertainer trying to keep the audience on her side.

I could see the crestfallen face of a religion professor whom I knew wanted to like me. She watched helplessly as I spewed out one badly composed thought after another. I knew what I was saying was complete junk. I tried to distract them with academic buzzwords: “dichotomy,” “paradox,” “equilibrium,” “organic…” Nothing. All I conveyed about my identity was that I had no clue about it.

It was my own fault. The fellowship was based on self-discovery through theme-related travel for a year. The subject was meant to be of personal significance, but maybe I’d taken it too far. My topic was the gaping hole of my family grief—a search for the missing half of my cultural ancestry.

My proposal was to examine my hybrid African-American/Indian identity by studying the impact of Bollywood on the Indian Diaspora (my personal connection being, my father’s from India and my mother is African-American). I’d go to countries with Creole Indian/African mixed populations to observe how popular cinema impacted people’s idea of what makes them “Indian.”

I thought it was a good idea for a project; so did a lot of others. Thus, I found myself at the end of that table of professors. But when the panel asked me questions about Indian culture, basic things that any person with an Indian family should know, I drew blanks.

I might have saved myself by admitting that I had no relationship with my Indian-born father. He abandoned our family when I was a toddler and left me without a dad or any ties to his family. All I inherited was an Indian name and physical features that could belong in South Asia. My family history had ambiguity, but also enough clues about my origins to constantly leave me answering questions and explaining a story that’s sensitive as a wound whenever I’m forced to recount it…

Read the entire article here.

Identity, dislocation and belonging: Chinese/European narratives of mixedness in Aotearoa/New Zealand

Identities: Global Studies in Culture and Power
Published online: 2012-12-14
DOI: 10.1080/1070289X.2012.752369

Zarine L. Rocha, Research Scholar
Department of Sociology
National University of Singapore

With over 10% of the population identifying with multiple ethnic groups, identities in New Zealand are increasingly complex. This article explores identifications of individuals of mixed Chinese and European descent: the ways in which personal location, classification and race influence feelings of belonging within and between multiple ethnic groups. The fluidity and diversity of the New Zealand context and the resulting positioning of ‘mixed race’ provide an interesting counterpoint to the comparatively well-studied American and British contexts. Drawing on 20 interviews with individuals of mixed descent, this research highlights how individual identity diverges from official classification and how this dissonance is understood through experiences of dislocation and belonging. ‘Mixedness’ is negotiated and enacted in many ways, as individuals find ways to belong in the face of wider dislocation, intertwining aspects of heritage, experience, community and nation.

Introduction

With over 10% of the New Zealand population identifying with more than one ethnic group (Statistics New Zealand 2006), identities in New Zealand are becoming increasingly complex. Following shifts in immigration policy, the population has become more diverse and understandings of ethnic identity and belonging have developed and changed. Similar changes have occurred in other multicultural societies around the world and as a result, the concepts of ‘mixed race’ and ‘mixed ethnicity’ are of increasing academic and political concern, particularly in the American and British contexts (see Ifekwunigwe 2004, Parker and Song 2001b).

The New Zealand population provides an illuminating case study in this field, highlighting the intersections and divergences between ethnic identifications and systems of ethnic and racial classification. The increasing prominence of ”mixed race’ identities challenges traditional racial categorisation, and changes in the American and British censuses in 2000/2001 allowed respondents to acknowledge ‘mixed race’ in official classification (Aspinall 2009. Perlmann and Waters 2002). New Zealand is important in comparison, as a context where multiple identities have been formally recognised for an extended period of time: both historically in categorisations of ‘half-castes‘ and more recently as multiple, self-ascribed identities in the census since 1991 (Callister and Kukutai 2009. Morning 2008). Despite the official recognition of multiplicity, social conceptions of racial singularity…

Read or purchase the article here.

The Mixed Race of India

Sacramento Daily Union
Volume 84, Number 71
1892-11-11
page 4, column 3
Source: California Digital Newspaper Collection

Eurasia has no boundaries. It lies, a varying social fact, all over India, thick in the great cities, thickest in Calcutta, where the conditions of climate and bread-wining are most suitable; where, moreover, Eurasian charities are most numerous. Wherever Europeans have come aud gone, these people have sprung up in weedy testimony of them—these people who do not go, who have received somewhat in the feeble inheritance of their blood that makes it possible for them to live and die in India. Nothing will ever exterminate Eurasia; it clings to the sun and the soil, and is marvelously propagative within its own borders. There is no remote chance of its ever being reabsorbed by either of its original elements; the prejudices of both Europeans and natives are tar too vigorous to permit of much intermarriage with a jat of people who are neither the one nor the other. Occasionally an up-country planter, predestined to a remote and “jungly” existence, comes down to Calcutta and draws his bride from the upper circles of Eurasia—this not so often now as formerly. Occasionally, too, a young shopman with the red of Scotland fresh in his cheeks is carried off by his landlady’s daughter; while Tommy Atkins fall a comparatively easy prey. The sight of a native with a half-caste wife is much rarer, for there Eurasian as well as native antipathy comes into operation. The whole conscious inclination of Eurasian life, in habits, tastes, religion, and, most of all in ambition, is toward the European and away from the native standards. —Popular Science Monthly.

The Chalk Circle: Intercultural Prizewinning Essays

Wyatt-MacKenzie Publishing
2012-05-15
220 pages
5 x 8
Paperback ISBN: 978-1-936214-71-6

Tara L. Masih, Writer & Editor

Award-winning editor Tara L. Masih put out a call in 2007 for Intercultural Essays dealing with the subjects of “culture, race, and a sense of place.” The prizewinners are gathered for the first time in a ground-breaking anthology that explores many facets of culture not previously found under one cover. The powerful, honest, thoughtful voices—Native American, African American, Asian, European, Jewish, White—speak daringly on topics not often discussed in the open, on subjects such as racism, anti-Semitism, war, self-identity, gender, societal expectations. Their words will entertain, illuminate, take you to distant lands, and spark important discussions about our humanity, our culture, and our place within society and the natural world.

• Winner of a 2012 Skipping Stones Honor Award
• A Featured NewPages.com New & Noteworthy Book, February 2012
• An Amazon Hot New Release, debuting at #2 on the essay bestseller list

Table of Contents

• Foreword by Tara L. Masih
• Introduction by David Mura
• THE CHALK CIRCLE: IDENTITY, HOME, AND BORDERLANDS
  • If Grandmother Had Married a Peasant Li Miao Lovett
  • Fragments: Finding Center Sarah J. Stoner
  • Giiwe: go home Christine Stark
• AS I AM: LETTERS OF IDENTITY
  • Bufferhood: An Autoethnography Emma Sartwell
  • Valentine and This Difficult World Tilia Klebenov Jacobs
• THE TONGUE OF WAR: A CLASH OF CULTURES
  • Reflecting on Dragons and Angels Shanti Elke Bannwart
  • Tongue-Tied Kelly Hayes-Raitt
  • Tightrope Across the Abyss Shanti Elke Bannwart
• THE TRAGEDY OF THE COLOR LINE
  • A Dash of Pepper in the Snow Samuel Autman
  • “Miss Otis Regrets” Mary Elizabeth Parker
  • Signatures Lyzette Wanzer
• EYEWITNESS: AS SEEN BY ANOTHER
  • Winter Seagull Toshi Washizu
  • Itam Jeff Fearnside
  • High Tech in Gaborone M. Garrett Bauman
  • Triptych: Paradise Gretchen Brown Wright
• THE OTHER
  • Assailing Otherness Katrina Grigg-Saito
  • Fried Locusts Kamela Jordan
  • Israel: Devour the Darling Plagues Bonnie J. Morris
• THE CULTURE OF SELF AND SPIRIT
  • Connections Betty Jo Goddard
  • Palo del Muerte Simmons B. Buntin
• QUESTIONS FOR DISCUSSION
  • Intercultural Considerations
  • Intercultural Connections
  • Quotation Exploration
• About the Editor, Tara L. Masih
• Acknowledgments
• About the Introduction Author, David Mura
• Index of Contributors

Hapa: One Step at a Time [KQED Upcoming Broadcasts]

KQED: Public Media for Northern California
KQED World (Comcast 190, Digital 9.3)
2013-01-21, 07:30 and 13:30 PST (Local Time)

Race remains a powerful symbol in the US; it still is a shorthand notation for most Americans. This program speaks to how individuals of Asian and Pacific Islander descent are embracing their ethnic experiences as a symbol of change in an ever-evolving multicultural society. It is a thought-provoking exploration of what it means to be a mixed-race American today. The program is a first-person treatment of the struggles people of diverse cultural backgrounds and perspectives face. “Hapa” comes from the Hawaiian phrase hapa haole, which means half white/foreigner. Once considered a derogatory term, Hapa has come to be accepted as a way to describe a person of partial Asian ancestry. By Japanese American Midori Sperandeo, who provides a personal narrative about her evolution from a novice runner into a national class marathoner andshares the parallel path of her personal growth in searching for her racial identity.

For more information, click here.

Do 2 Halves Really Make a Whole?

Center for Asian American Media
1993
30 minutes
VHS

Martha Chono-Helsley, Producer/Director

This video features the diverse viewpoints of people with multiracial Asian heritages. African and Japanese American poet and playwright Velina Hasu Houston lives an “amalgamated existence” and encourages others to take pride in all that they are. Performance artist Dan Kwong constantly struggles with two strong and often conflicting Asian heritages – Japanese and Chinese American. Chinese-Japanese-Chicana-Scots storyteller, actress and performance artist Brenda Wong Aoki uses her unique ethnic mix to intersect social circles.

Hapa: One Step at a Time

Center for Asian American Media
2001
26 minutes
DVD

Midori Sperandeo, Producer
KVIE-TV

According to 2000 Census statistics, nearly 7 million Americans identify themselves as multi-racial, or ‘hapa.’ This engaging first-person documentary is about marathon runner and TV producer Midori Sperandeo’s struggles to come to terms with her hapa identity. Comparing her personal path toward self-awareness as a hapa to the challenges she faces training for long-distance running, Hapa touches upon a national history of anti-miscegenation laws, increasing rates of interracial marriages and additional census data to provide a context with which to better understand this rapidly growing demographic group. Interviews with individuals from diverse backgrounds call attention to the pressure many feel to “choose” between cultural heritages; their anxieties of feeling like outsiders in their parents’ communities; and the unique ways in which the hapa community is enriching the cultural fabric of our society.

A Hapa Family in Chekhov’s Three Sisters

Asian American Literature: Discourses & Pedagogies
Volume 3 (2012), Special Issue: Mixed Heritage Asian American Literature
pages 130-146

Elizabeth Liang, Actress, Writer, Producer and co-host of “Hapa Happy Hour”

It is an act of courage or foolhardiness to produce theatre in the heart of the film world, depending on your point of view and how large the houses turn out to be. In the fall of 2005, I produced Three Sisters in a 60-seat theatre in Burbank, California (home of Disney and Warner Bros.). The odds were stacked even higher against the show’s success when I stipulated that the main characters, the upper-class and highly educated Russian Prozorov siblings, had to be played by hapa actors. This essay describes my attempt to interpret the play through a multi-ethnic lens while working with a monoracial director, and the challenges this posed, both on the stage and off.

Read the entire article here.