Mixed Race Studies

Interview with PhD Student Karla Lucht: Children’s Literature about Mixed-Race Asian Americans/Canadians

The Center for Children’s Books
Graduate School of Library and Information Science
University of Illinois at Urbana-Champaign
February 2013

Tad Andracki, CCB Outreach Coordinator

“Everyone deserves to see themselves represented in a book. And a good book at that.”

GSLIS doctoral student Karla Lucht visited the School of Library, Archival, and Information Studies at the University of British Columbia as part of the iSchool Doctoral Student Exchange Program in November 2012. The CCB decided to meet with Karla to discuss her trip and her research. Lucht describes her research as looking at the representations of mixed-race Asian Americans and Canadians in youth literature with a critical race theory lens.

Why do you see your research as important to the field of youth services and children’s literature? Why is it important?

To start with, there’s a gap in this research with lots of underrepresented groups, but with mixed-race people especially. Everyone deserves to see themselves represented in a book… and a good book at that. In the past, we’ve seen some books about mixed-race people, but a lot of them weren’t good. I’m trying to fill in those gaps.

What are some challenges you see in your particular field of research? What are some opportunities?

One primary challenge is just finding titles, especially using subject headings. The Library of Congress Subject Heading that’s closest to my work is Racially Mixed People–Fiction, which isn’t very descriptive. I’ve been sifting through books with that heading. I’m also trying other keywords—adoption, immigration, multiracial, multiethnic, multicultural–and then looking at the books to see if they have the content I’m interested in.

Another problem is that, especially in the late 1980s and the 90s, a lot of the YA books on this topic are a bit problematic and poorly written. You find books that really invest in Othering a character’s Asian side and putting whiteness on a pedestal. In those books, the character vists the Asian side of the family, and it’s always a big problem–the Asianness is “too weird” or something…

Read the entire interview here.

Japanese-Brazilian Music and Ethnic Identity in the Post-Dekasegi Era: A lecture by Shanna Lorenz

Barnard College, Columbia University
Sulzberger Parlor, 3rd Floor Barnard Hall
3009 Broadway, New York, New York
2013-02-28, 18:00 EST (Local Time)

Shanna Lorenz, Assistant Professor, Music; Advisory Committee, Latino/a and Latin American Studies
Occidental College, Los Angeles

This talk explores how circular migration between Brazil and Japan since 1990 has led Japanese-Brazilians to push back against the stereotypes that have circumscribed their participation in Brazilian society and, in some cases, to assert more forcefully their allegiance with the Brazilian nation. At the forefront of these social changes, musicians are using their art to redefine perceptions of the Nikkei community in Brazil, reshaping the musical resources and national mythologies of Japan and Brazil.

For more information, click here.

World Premier of Christmas in Hanoi

East West Players
120 Judge John Aiso Street
Los Angeles, California 90012
2013-02-07 through 2013-03-10

Tim Dang, Producing Artistict Director
Eddie Borey, Playwright
Jeff Liu, Director

East West Players Presents Christmas in Hanoi

A mixed-race family returns to Vietnam for the first time since the war. One year after the death of their strong-willed mother, siblings Winnie and Lou travel with their Irish Catholic father and Vietnamese grandfather to re-connect with their roots. Whether they embrace that past or reject it, they are haunted by their own family’s ghosts and by the phantoms of Vietnam’s long history.

Christmas in Hanoi is the Winner of the East West Players Face of the Future Playwriting Competition.

Featuring: Joseph Daugherty, Elyse Dinh, Michael Krawic, Elizabeth Liang, and Long Nguyen.

In association with Multiracial Americans of Southern California and Vietnamese American Arts & Letters Association.

For more information, click here.

A Little Too Much Is Enough

W. W. Norton & Company
November 1996
240 pages
5.4 × 8.1 in
Paperback ISBN: 978-0-393-31559-2

Kathleen Tyau

Filled with love and food, this story of the Hawaiian Wong family is an exuberant banquet of characters and stories.

Mahealani Wong was named for the full moon she was born under as her Chinese grandmother believed it would bring her good luck. She has a full helping of her fathers full Hawaiian lips and the rebellious heart of an American teenager. In this vibrant tale, Mahi tries to get more than the “little too much” that is enough for the loving and hard-to-let-go-of-one-another Wong family.

A Feather on the Breath of God: A Novel

Picador
2005 (Originally published in 1995)
192 pages
5 1/2 x 8 1/4 inches
Paperback ISBN: 9780312422738; ISBN10: 0312422733

Sigrid Nunez

A young woman looks back to the world of her immigrant parents: a Chinese-Panamanian father and a German mother. Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents’ stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet—these are the elements that shape the young woman’s imagination and her sexuality. It is a story about displacement and loss, and about the tangled nature of relationships between parents and children, between language and love.

The Dust of Life: America’s Children Abandoned in Vietnam

University of Washington Press
1999
160 pages
notes, glossary, bibliog., index
Paperback ISBN: 9780295978369

Robert S. McKelvey, M.D., Professor
Division of Child and Adolescent Psychiatry
Oregon Health & Science University

The Dust of Life is a collection of vivid and devastating oral histories of Vietnamese Amerasians. Abandoned during the war by their American fathers, discriminated against by the victorious Communists, and ignored for many years by the American government, they endured life in impoverished Vietnam. Their stories are sad, sometimes tragic, but they are also testimonials to the strength of human resiliency.

Robert S. McKelvey is a former marine who served in Vietnam in the late 1960s. Now a child psychiatrist, he returned to Vietnam in 1990 to begin the long series of interviews that resulted in this book. While allowing his subjects to speak for themselves, McKelvey has organized their narratives around themes common to their lives: early maternal loss, the experience of prejudice and discrimination, coping with adversity, dealing with shattered hopes for the future, and, for some, adapting to the alien environment of the United States.

While unique in many respects, the Vietnamese Amerasian story also illustrates themes that are tragically universal: neglect of the human by-products of war, the destructiveness of prejudice and racism, the pain of abandonment, and the horrors of life amidst extreme poverty, hostility, and neglect.

Ten Thousand Sorrows

Bantam Books
2000
240 pages
Paperback ISBN-10: 0553812645; ISBN-13: 978-0553812640

Elizabeth Kim

‘I don’t know how old I was when I watched my mother’s murder, nor do I know how old I am today.’

The illegitimate daughter of a peasant and an American GI, Elizabeth Kim spent her early years as a social outcast in her village in the Korean countryside. Ostracized by their family and neighbours, she and her mother were regularly pelted with stones on their way home from the rice fields. Yet there was a tranquil happiness in the intense bond between mother and daughter. Until the day that Elizabeth’s grandfather and uncle came to punish her mother from the dishonour she had brought on the family, and executed her in front of her daughter.

Elizabeth was dumped in an orphanage in Seoul. After some time, she was lucky enough to be adopted by an American couple. But when she arrived in America she found herself once again surrounded by fanaticism and prejudice.

Elizabeth’s mother had always told her that life was made up of ten thousand joys as well as ten thousand sorrows, and, supported by her loving daughter, and by a return to her Buddhist faith, she finally found a way to savour those joys, as well as the courage to exorcise the demons of her past.

Intersecting Circles: The Voices of Hapa Women in Poetry and Prose

Bamboo Ridge Press
1999
396 pages
Paperback ISBN-10: 0910043590; ISBN-13: 978-0910043595

Edited by:

Marie Hara

Nora Okja Keller

This book is out of print.

In this collection of poetry, prose, and personal essay, both new and well-known women authors of mixed race ancestry examine history, culture, and identity using insight from the female psyche. Featured are writings by Ai, Cristina Bacchilega, Kathy Dee Kaleokealoha Kaloloahilani Banggo, Mei-mei Berssenbrugge, Debra Kang Dean, Kiana Houghtailing Davenport, Jessica Hagedorn, Kimiko Hahn, Velina Hasu Houston, Cathy Kanoelani Ikeda, Carolyn Lei-lanilau, Susan Miho Nunes, Sigrid Nunez, Mindy Eun Soo Pennybacker, Michelle Cruz Skinner, Cathy Song, Adrien Tien, Kathleen Tyau, and twenty-five other writers.

Me: A Book of Remembrance

University Press of Mississippi
1997 (Originally published in 1915)
368 pages
Cloth ISBN: 0878059911 (9780878059911)
Paper ISBN: 087805992X (9780878059928)

Winnifred Eaton (1875-1954)

Afterword by:

Linda Trinh Moser, Professor of English
Missouri State University

A Chinese-Eurasian’s autobiographical novel tracing a woman’s dual quest for a writing career and romance

Ironically, Winnifred Eaton published most of her works under a Japanese-sounding name, Onoto Watanna, but she was of Chinese ancestry.

In Me: Book of Rembrance her narrator is called Nora Ascouth, but in the plot, as Nora journeys from her birthplace in Canada to the West Indies and to the United States, Eaton recounts her own early life and writing career. One of sixteen children, Nora leaves her destitute family in Quebec to earn a living. Only seventeen and with ten dollars in her pocket she sets sail for Jamaica and the chance to do newspaper work. Nora ends up in Chicago, moving from job to job, trying all along to sell stories she writes in her spare time. When she discovers that the man with whom she is in love is married, she moves to New York and gains achievement as a novelist. Against this nineteenth-century sensibility of Nora’s search for success and love, Eaton conveys the powerlessness of the typical young woman of the working class. Her autobiographical plotline discloses a remarkable secret, Eaton’s reticence about her own half-Chinese ancestry.

Despite the silence of the text, Me: A Book of Rembrance reveals turn-of-the-century views on race, gender, and class. In Jamaica Nora describes the racial inequities and disparities. Moreover, when she says, “I myself was dark and foreign-looking, but the blond type I adored,” she reveals the extent of her own internalized oppression. Although the author believes her own mixed ancestry precludes prejudice on her part, the text proves otherwise. Like other ethnic immigrants, Nora is indoctrinated into America’s Anglo preference.

Namako: Sea Cucumber

Coffee House Press
September 1998
256 pages
Paperback ISBN-10: 1566890756; ISBN-13: 978-1566890755

Linda Watanabe McFerrin

“McFerrin’s first novel paints a portrait of a truly multicultural family—a Scottish father, a half-British and half-Japanese mother, and four children… McFerrin’s writing is thoughtful and smooth as she captures ever-changing images of the world around Ellen and her family, successfully filtering those images through the eyes of her youthful characters”-Library Journal. McFerrin writes: “I came at last to namako, a word that in the Japanese combination of characters means both ‘sea cucumber’ and ‘raw child,’ a symbol for the simplicity and vulnerability that I feel is at the root of the Japanese and perhaps all psyches.” The end result is, according to Publishers Weekly, “a vivid, often humorous novel” that “offers a winning young heroine, a complex family and memorable vignettes of a year spent betwixt and between.”