Mixed Race Studies

Representing Mixed Race: Beyond “What are you?”

Talking Race: A Digital Dialog
2013-05-28

Laura Kina, Vincent DePaul Associate Professor of Art, Media and Design
DePaul University

My 2011-12 oil paintings Issei, Nisei, Sansei, Yonsei, and Gosei are on view in “Under My Skin: Artists Explore Race in the 21st Century” at the Wing Luke Museum of the Asian Pacific American Experience in Seattle May 10-November 17, 2013. The Japanese language titles mark the first, second, third, fourth, and fifth generations from my father’s lineage to live in the United States.

Issei is a ghostly indigo blue portrait of my great grandmother, who came in 1919 through the “picture bride” system of arranged marriage from Okinawa, Japan to the Big Island of Hawai’i to work on a sugar cane plantation in Pi’ihonua (near Hilo). Her image flickers in front of a row of female sugar cane workers dressed in protective work clothes made from repurposed kasuri kimono fabrics. Nisei features a similarly blue tinged portrait of my grandmother in front of a steamship, the Kamakura Maru, circa 1937-39 when she was sent back to Okinawa for high school. Sansei is a sepia toned image based on my mom and dad’s engagement photo from 1968. Next to their image is a colorful patchwork quilt made from vintage Aloha shirts. Yonsei features my own black and white wedding portrait rendered on top of an auspiciously celebratory red enameled background. I wore a white kimono and constructed Japanesque identity and my husband, who is Ashkenazi Jewish, looked like a young Sean Penn in his black tuxedo. Gosei is a portrait of our daughter Midori wearing a Hello Kitty t-shirt, the ubiquitous consumer sign of global Japaneseness. I painted her during the first weeks of September 2012. She is standing on the beach at once a little girl, my baby, and on the cusp of tweendom and about to enter her Hebrew school education. Midori’s expression and the formal composition directly reference the viewer back to Issei while the exaggerated blueness of her eyes and lightness of her skin signal her potential passing into whiteness…

…I identify as hapa (half Asian), yonsei (fourth generation), Uchinanchu (Okinawan diaspora), and more generally and politically as Japanese American, Asian American, and mixed race. I’m also white but in Chicago, where I live, I am usually read as “Latina” but I have yet to embrace a Hispanic identity (I do have a Mexican American stepdaughter though). I live in an urban South Asian/Orthodox Jewish immigrant community. I’m a convert to Judaism, but no one ever guesses I’m Jewish. I don’t look the part. I’m more likely to be mistaken as Indian, vaguely reminiscent of the Bollywood movie actress Preity Zinta. My father is Okinawan and grew up on a sugar cane plantation on the Big Island of Hawai’i and my mother is from Kingston, Washington, where her family ran a roadside motel near the Kingston ferryboat landing. Her mom was a seamstress from a Basque-Spanish agricultural family and she grew up speaking Spanish in Vallejo, California. Her father was French, English, Scotch-Irish, and Dutch heritage (aka “white”) and hailed from Wacko, Texas, by way of cotton fields in Tennessee. He was a descendent of James Knox Polk, the eleventh president of the United States, as well as Major General George Pickett, whose infamous charge was the last battle of Gettysburg. Sometimes I think it’s funny that I’m simultaneously eligible to claim membership as a Daughter of the American Revolution and to throw my lot in history as a descendent of a Japanese “picture bride.”…

Read the entire article here.

The Forgotten Amerasians

The New York Times
2013-05-27

Christopher M. Lapinig
Yale University

NEW HAVEN — THE Senate Judiciary Committee approved an immigration reform bill last week that would gradually make citizenship possible for as many as 11 million undocumented immigrants. The bill is widely described as sweeping in scope. In fact, it is not quite sweeping enough, as it leaves the plight of another group of would-be Americans unaddressed.

Take Pinky. In 1974, her father, Jimmy Edwards, was a 22-year-old sailor aboard a United States Navy ship visiting the Philippines, 9,000 miles away from his hometown, Kinston, N.C. He fell in love with a Filipina named Merlie Daet, who gave birth to their daughter, Pinky. Mr. Edwards had hoped to marry Merlie, but as a sailor, he could not marry a foreigner without his captain’s consent. The captain refused. Despite his best efforts over the years, Mr. Edwards was unable to find Pinky (or Merlie).

Until 2005, that is. USA Bound, a now defunct nonprofit organization that reconnected Filipino children with their American fathers, told Mr. Edwards that it had found Pinky. He flew to the Philippines, only to find her living in poverty in a cinder-block hut in the mountains with her husband and five children. Determined to give her a better life, he sought United States citizenship for her.

To his surprise, it was too late. Although by birthright, children born out of wedlock to an American father and a foreign mother are entitled to United States citizenship, they must file paternity certifications no later than their 18th birthday to get it. But since the military bases in the Philippines have been closed for over 20 years, virtually all Filipino “Amerasians” — a term coined by the author and activist Pearl S. Buck to describe children of American servicemen and Asian mothers — have passed that age…

…In a Catholic society that stigmatizes illegitimate children, Filipinos deploy an arsenal of slurs against Amerasians: iniwan ng barko (“left by the ship”) and babay sa daddy (“goodbye to Daddy”) among them. Black Amerasians are often called “charcoal,” or worse…

Read the entire article here.

“My dad is samurai”: Positioning of race and ethnicity surrounding a transnational Colombian Japanese high school student

Linguistics and Education
Available Online: 2013-05-22
DOI: 10.1016/j.linged.2013.03.002

Satoko Shao-Kobayashi
Chiba University, Japan

Highlights

• Racial hierarchies in different countries impact transnational students’ positioning in local contexts.
• Participants Other coethnics by using various labels to destigmatize their own minority positions.
• Racial mixedness is variously interpreted and represented in the identity negotiation.
• Social stratification of dominance and subordination is reenacted through Othering of coethnics.

From sociocultural, interactional and critical perspectives, this study investigates the practices and ideologies of racial and ethnic identities and relationships surrounding Jun, a Colombian Japanese high school student, within a transnational Japanese student community at Pearl High School (pseudonym) in California. In particular, the analysis focuses on how Jun’s racial and ethnic positioning is interpreted and represented by others and himself through examining their labeling and categorization practices. I utilized the analysis of two-year ethnography, in-depth discourse analysis of narratives and conversations and mental map analysis. The study shows how Jun and other participants interactionally negotiated their racial and ethnic identities and relationships by strategically positioning each other in an attempt to survive in the environment where they were marginalized. The study illuminates the dynamics and politics of inter-/intraracial and ethnic relations and identities as well as the circulation of a persisting Whiteness ideology in a global context.

Read or purchase the article here.

Halving the Bones: A film by Ruth Ozeki

Women Make Movies
1995
70 minutes
Color/BW, DVD

Ruth Ozeki, Filmmaker, Novelist, and Zen Buddhist Priest

Skeletons in the closet? Halving the Bones delivers a surprising twist to this tale. This cleverly-constructed film tells the story of Ruth, a half-Japanese filmmaker living in New York, who has inherited a can of bones that she keeps on a shelf in her closet. The bones are half of the remains of her dead Japanese grandmother, which she is supposed to deliver to her estranged mother. A narrative and visual web of family stories, home movies and documentary footage, Halving the Bones provides a spirited exploration of the meaning of family, history and memory, cultural identity and what it means to have been named after Babe Ruth!

AWARDS, FESTIVALS, & SCREENINGS

• Sundance Film Festival
• International Documentary Association Award Nomination
• Sydney & Melbourne Film Festivals
• Margaret Mead Film Festival
• San Francisco Asian American Film Festival
• Montreal World Film Festival

South Korea’s multiculturalism

Al Jazeera
The Stream
2013-05-21

How is the nation dealing with its growing diversity?

A multi-cultural, multi-ethnic society is an emerging reality that is leading to a lot of racial and social discord in South Korea. Faced with an aging population and an influx of migrant wives, many are clinging to their “one-blood” ethnically homogenous national identity. Today the government is scrambling to focus a sound multicultural vision for the country. How are South Koreans adapting to their rapidly changing population?

In this episode of The Stream, we speak to:

Cindy Lou Howe, Director
“Even the Rivers”

Gregory Diggs-Yang, President,
The Mack Foundation

Also on Google Hangout: Yoo Eun Lee, Sajin Kwok, and Sarah Shaw.

Read the story and watch the video here.

LAAPFF 2013: Mix-cultural Asians Find Their Roots

8Asians
2013-05-20

Shako Liu

One common theme that has been echoing in some of the documentaries presented in Los Angeles Asian Pacific Film Festival is that mix-raced Asians either in the states or in an Asian country, or Asian immigrants are trying to find out who they are and what country they represent. The identity searching is a ever-green theme in the Asian American community which has 60 percent first-generation immigrants and the largest percentage of interracial marriage.

In the documentary Hafu, it explored the life of mix-raced Japanese in Japan. The film showed that about 2 million foreigners were living in Japan in 2010, constituting around 30,000 international marriages. Children from these marriages are called Hafu, a Japanese word evolved from the English word “half,” indicating half Japanese and half foreigner.

Japan strictly upholds the ideology of “one nation, one culture, one race.” It outcasts the mix-raced Japanese, who grew up there and speak the language perfectly. The film has profiled different mix-raced Japanese from all kinds of racial combination, background, age and both genders. It provides a deep and well-rounded view about the struggle they have and the questions they raise about their country and themselves. All of their stories are revolving around one question–“Who am I?”…

Read the entire article here.

Yokohama Yankee: My Family’s Five Generations as Outsiders in Japan [Presentation]

German Institute for Japanese Studies (Deutsches Institut für Japanstudien)
Jochi Kioizaka Bldg. 2F
7-1 Kioicho
Chiyoda-ku, Tokyo 102-0094, Japan
Wednesday, 2013-06-12, 18:30 JST (Local Time)

Leslie Helm, Seattle Business Magazine

The DIJ Social Science Study Group is a forum for young scholars and Ph.D. candidates in the Social Sciences. Presentations on a scholar’s research project are about 45 minutes, followed by about 45 minutes of Q&A. The DIJ Social Science Study Group usually meets once a month, on a Wednesday from 6:30 to 8:00 p.m.

Leslie Helm’s decision to adopt Japanese children launches him on a personal journey through his family’s 140 years in Japan, beginning with his German great-grandfather, who worked as a military adviser in 1870, married a Japanese woman and started a stevedoring and forwarding business in Yokohama. The family operates a successful business across two world wars by having sons take German, Japanese and U.S. citizenship, and transferring management among the sons as Japan shifts its alliances from the U.S. and Britain to Germany and Italy. While the business survives, the family suffers from its mixed-race identity and the inability to ever truly establish a sense of belonging in Japan. The book draws a contrast between the Helm family, and the family of Leslie’s mother, Barbara Schinzinger, whose father, Robert Schinzinger, taught German in Japan for sixty years but always maintained a strong identity as a German national with a duty to teach the Japanese about “the true Germany.”

In this presentation I am presenting my recently published book on this topic. My family history and our story of a multinational, biracial merchant family serves as historical document, shedding light on the political, economic, cultural, and racial interactions and tensions between Japan and the United States for more than a century and a half, right up to the present day.

For more information, click here. View the program here.

DePaul Art Minute – War Baby/Love Child exhibition

DePaul Newsroom
DePaul Art Museum
2013-05-16

DePaul University Associate Professor Laura Kina discusses how art featured in the “War Baby/Love Child” exhibit helps to tell the story of mixed race Asian Americans and the complexities of their mixed-heritage identities, in the third installment of the DePaul Art Minute, which provides a forum for DePaul professors to relate their expertise to artwork at the DePaul Art Museum.

Local Artists Collaborate on Asian Heritage Art Exhibits at DePaul

Vocalo Morning Amp
Vocalo 90.7 FM
Chicago, Illinois
2013-05-16

Brian Babylon and Molly Adams, Hosts

The exhibit War Baby/Love Child at the DePaul Art Museum highlights the work of mixed race artists who share Asian heritage in their identities. Curator Laura Kina and artist Mequitta Ahuja joined AMp hosts Brian Babylon and Molly Adams in the studio this morning and discussed their personal family lineage, the stereotype stamped on mixed children whose roots came from Asian countries where the United States was involved in, and how kinship is formed among “war babies” through artistic expression and exhibits.

Download the story here.

Half/Full

UC Irvine Law Review
University of California, Irvine Law School
Volume 3, Forthcoming
Online: 2013-04-07
pages 101-125

Nancy Leong, Associate Professor of Law
University of Denver, Sturm College of Law

Research suggests that multiracial identity is uniquely malleable, and I will focus here on the significance of that malleability for mixed-Asian individuals. At various times, mixed-Asian individuals may present themselves as “half” Asian; other times, they may present themselves as “full” Asian, “full” White, or, in some instances, fully ambiguous. Mixed-Asian racial identity negotiation, I will argue, often presents considerable challenges for mixed-Asian individuals. And mixed-Asian individuals are often targets of what I have elsewhere called “racial capitalism” by White individuals and predominantly White institutions. Still, I conclude that the malleability of mixed-Asian racial identity provides unique opportunities for destabilizing existing views about racial identity, reinvigorating stale conversations about race, and ultimately facilitating progress toward a racially egalitarian society.

Contents

• Introduction
• I. Mixed-Asian Identity
  • A. Sociology
  • B. Legal Discourse
• II. Using Mixed-Asian Identity
  • A. Commodification
  • B. Exploitation
  • C. Entrepreneurship
• III. Harms
  • A. Intrinsic Harms of Commodification
  • B. Harms to Individual Mixed-Asians
  • C. Harms to Society
• IV. Half Full

INTRODUCTION

About one out of six new marriages in America takes place between two people of different races—an all-time high. And Asian Americans are ahead of the curve: about one in three Asian Americans marries someone of a different race. Such relationships precipitate what commentators have described as an “interracial baby boom.”

Research suggests that multiracial identity is uniquely malleable, and I will focus here on the significance of that malleability for mixed-Asian individuals. At various times, mixed-Asian individuals may present themselves as “half” Asian; other times, they may present themselves as “full” Asian, “full” White, or, in some instances, fully ambiguous. Mixed-Asian racial identity negotiation, I will argue, often presents considerable challenges for mixed-Asian individuals. And mixed-Asian individuals are often targets of what I have elsewhere called “racial capitalism” by White individuals and predominantly White institutions—that is, these individuals and institutions derive value from mixed-Asian racial identity. Still, I conclude that the malleability of mixed-Asian racial identity provides unique opportunities for destabilizing existing views about racial identity, reinvigorating stale conversations about race, and ultimately facilitating progress toward a racially egalitarian society.

In Part I, the Essay examines the social scientific literature regarding mixed-Asian racial identity. As the result of a wide range of factors, including phenotypic characteristics, life experiences, and family dynamics, mixed-Asian individuals often view their racial identity differently from members of any of the traditional socially ascribed racial categories. In particular, mixed-Asian identity is often more fluid and dynamic, shifting from one context to the next. Such fluidity and dynamism is facilitated by a social view of mixed-Asian individuals as occupying a unique racial space. Part I also briefly notes the relative dearth of legal discourse relating to mixed-Asians.

Part II explores the way mixed-Asian racial fluidity is used, manipulated, exploited, and leveraged. Mixed-Asian individuals often engage in what scholars have described as “identity performance” or “identity work,” so as to present themselves in the manner most favorable in a particular social or employment context. For example, mixed-Asian individuals may be able to present themselves in a way that is more palatable to employers by displaying greater assimilation into dominant White norms of behavior and self-presentation. But mixed-Asian racial identity is also exploited by White individuals and predominantly White individuals. For example, an employer might count a mixed-Asian person for purposes of its diversity numbers even if that person does not personally consider herself a minority, or might incorporate photos of a mixed-Asian person on its website or in its promotional literature in order to advertise its nominal commitment to diversity without engaging harder questions of structural disadvantage and remediation.

Part III examines some of the negative implications of such uses of mixed-Asian identity, which harm both mixed-Asian individuals and society at large. For example, mixed-Asian individuals suffer identity demands that harm the integrity of their racial identity and submerge their own complex processes of identity negotiation. More broadly, exploitation of mixed-Asian racial identity by White individuals and predominantly White institutions often essentializes mixed-Asian individuals, impoverishes our discourse around race, fosters racial resentment by inhibiting the reparative work essential to improved racial relations, and detracts from more meaningful antidiscrimination goals.

Despite the many negative implications of manipulating mixed-Asian identity in the ways I have described, the Essay concludes in Part IV by suggesting that the fluidity and malleability of mixed-Asian identity also has the potential to serve as a powerful tool for racial reform. Mixed-Asian racial malleability has the potential to destabilize entrenched beliefs about race, to lay bare hidden demands of racial identity performance, and to engender a dramatic improvement in our conversations and policies regarding race.

Read the entire article here.