Mixed Race Studies

APA Leaders 2016: Meet Avalon Igawa!

USC APASA (University of Southern California Asian Pacific American Student Assembly)
2016-03-10

Hi again! Hope everyone’s doing well with only one day left to get through before spring break! Anyways, as our headline says, our third APA Leader is Avalon Igawa! Avalon’s heavily involved in the APA community being the President of SCAPE and a CIRCLE coordinator. It’s hard to find someone with her passion and energetic personality! Read more about Avalon in our interview below:

Name: Avalon Igawa Major: Political Economy (Minor: Digital Studies) Year: Junior

What does being APA mean to you? I’ve been doing a lot of thinking about this question, and I realize that while it used to be really hard for me, it isn’t so much anymore. And I think that’s because I finally accepted that I don’t need a concrete answer and nobody else does either. It’s a beautiful identity because we can define it for ourselves and let it represent what we want. Wow, that sounded really cheesy, but I feel like it’s true! It took me a long time to accept that I could identify as Asian Pacific American and that I wasn’t erasing my mixed identity. I can be APA and I can be Irish American and I can be mixed. Because for me, being APA means that I can relate to the stories of other APAs and recognize the diversity of all the deep complex histories and narratives that have shaped so many of our experiences. Being APA represents hxstory and struggle, but most of all it represents community. And that’s what I love about it so much…

Read the entire interview here.

Shadow Child, A Novel

Grand Central Publishing (an imprint of Hachette Book Group)
2018-05-08
352 pages
6.4 x 1.2 x 9.4 inches
Hardcover ISBN: 978-1538711453

Rahna Reiko Rizzuto

For fans of Tayari Jones and Ruth Ozeki, from National Book Critics Circle Award finalist Rizzuto comes a haunting and suspenseful literary tale set in 1970s New York City and World War II-era Japan, about three strong women, the dangerous ties of family and identity, and the long shadow our histories can cast.

Twin sisters Hana and Kei grew up in a tiny Hawaiian town in the 1950s and 1960s, so close they shared the same nickname. Raised in dreamlike isolation by their loving but unstable mother, they were fatherless, mixed-race, and utterly inseparable, devoted to one another. But when their cherished threesome with Mama is broken, and then further shattered by a violent, nearly fatal betrayal that neither young woman can forgive, it seems their bond may be severed forever–until, six years later, Kei arrives on Hana’s lonely Manhattan doorstep with a secret that will change everything.

Told in interwoven narratives that glide seamlessly between the gritty streets of New York, the lush and dangerous landscape of Hawaii, and the horrors of the Japanese internment camps and the bombing of Hiroshima, Shadow Child is set against an epic sweep of history. Volcanos, tsunamis, abandonment, racism, and war form the urgent, unforgettable backdrop of this intimate, evocative, and deeply moving story of motherhood, sisterhood, and second chances.

Hachimura, Japan’s mixed-race basketball star who once ‘hid from the world’

Japan Today
2019-08-26

Natsuko Fukue

Japan’s Rui Hachimura is set to star at the basketball World Cup. Photo: AFP

TOKYO — Rui Hachimura says he gets his height from his Beninese father and his work ethic from his Japanese mother — a combination that has propelled him to basketball stardom.

The 21-year-old made history in June when he became the first Japanese to be selected in the first round of the NBA draft, picked up by the Washington Wizards.

And like tennis superstar Naomi Osaka, Hachimura’s fast-growing fame is raising the profile of biracial sportspeople in a homogeneous country where mixed-race children still face prejudice.

Hachimura, who is 203 cms tall, will lead Japan’s challenge at the basketball World Cup in China, which begins on Saturday. He is also poised to be a poster boy the hosts at the Tokyo 2020 Olympics. Big pressure for one so young.

As a child Hachimura stood out in Japan — and not just because of his height. “I inherited my body from my father and my diligence from my mother,” he said in a recent interview with the Mainichi Shimbun daily.

He now feels a sense of pride at being biracial but admits to feeling self-conscious about it when he was a child…

Read the entire article here.

Mom Was a Brown-Skinned Asian Migrant. She Was Also Racist. Now What?

Human Parts
2019-08-05

Kate Rigg, Actor, Writer, activist, futurist, culture vulture, Amerasian rebel

That’s her on the left. She loved sunglasses. And me. And whiteness. All photos taken/owned by the author.

The dirty little secret of my New American family

Both sides of my family, the white one but especially the Southeast Asian one, are going to freak when they see that title. However, since my mom went to the great Gucci outlet in the sky a few years ago, there is no one here to throw a massage sandal at my head and verbally assault me for an hour in response. And my dad barely does email, let alone read blogs, so let’s continue.

The title of my story is the great unspoken truth for many of us North Americans “of color.” I have heard my mom say, “Send them back!” in various political and casual conversations concerning various ethnic groups — including her own…

Read the entire article here.

Alternate lives: Korean orphans’ quests for answersAlternate lives: Korean orphans’ quests for answers

France 24
2019-08-23

Seoul (AFP)

On a summer’s day in 1985 a seven-year-old boy sat alone at a crowded bus station in Seoul, sobbing as he waited desperately for his mother to return.

Jo Youn-hwan was wearing a baseball uniform that his mother had bought him a few days before — the only gift she had ever given him.

She told him to wait for her before leaving him at the terminal. So he did, increasingly terrified as day turned to dusk.

“I’ll be a really good kid if only she chooses to return,” he promised himself, over and over again. “I’ll be a really, really good kid.”

She never did…

…International adoption from South Korea began after the Korean War as a way to remove mixed-race children, born to local mothers and American GI fathers, from a country that emphasized ethnic homogeneity.

More recently the main driver has been babies born to unmarried women, who still face ostracism in a patriarchal society, and according to historians, are often forced to give up their children.

Most children remain institutionalised till adulthood as many South Koreans are reluctant to adopt. The country has sent some 180,000 children overseas over the years, mostly to the US…

Read the entire article here.

The Gap Toothed Banister: A Tale of Anglo-India

Niyogi Books
2013-09-16
297 pages
5.5 x 0.6 x 8.5 inches
Paperback ISBN: 978-9381523711

Juliette Banerjee

The Gap-Toothed Banister – A Tale of Anglo-India is a close, compassionate look by Juliette Banerjee, an Anglo-Indian, at her community facing the challenges of change. It portrays with clarity the lives of Anglo-Indians in Calcutta during the 60s and 70s. In a shabby apartment block in Central Calcutta, four families, the Renshaws, the D’Cruzes, the Johnsons and the Vincents live in harmony. This smooth tempo changes forever one humid night when one of the families’ children are singled out, one lauded, the other randomly attacked. Tragedy and horror seem to haunt the apartment block. The next day a resident is raped by a servant. The social fabric has been rent in a way that tilts this world. It brings together all the other families of the ‘mansion’, as this block of flats is wryly nicknamed. The Gap-Toothed Banister is a love story, not in kindergarten hues but with softer colours of hope and faith. It is a story of a people more confused than disloyal, puzzled by a lack of appreciation for their myriad talent and fuelled by an anger at what is perceived as scornful rejection. The Gap-Toothed Banister will be of immense interest to all curious about the mores and magic of Anglo-India.

water/tongue

University of Chicago Press (Distributed for Omnidawn Publishing, Inc.)
April 2019
72 pages
4 halftones
6 x 9
Paperback ISBN: 9781632430656

mai c. doan

Grappling with the shock of her grandmother’s suicide, mai c. doan undertook a writing project that might give voice to her loss as well as to grapple with memory, and the challenge of articulation and of documentation, in all of their contradictions and (im)possibilities. In the poems that comprise water/tongue, doan conjures visceral and intuitive elements of experience to articulate the gendered and intergenerational effects of violence, colonialism, and American empire. Breaking the silence surrounding these experiences, doan conjures a host of voices dispersed across time and space to better understand the pain that haunted her family—made tragically manifest in her grandmother’s death. Looking not only to elements of Vietnamese history and culture, but to the experience of migration and racism in the United States, this book charts a path for both understanding and resistance. Indeed, doan does not merely wish to unearth the past, but also to change the future. If we want to do so, she shows, we must commune with the voices of sufferers both past and present. doan demonstrates how even the form of a work of poetry can act as a subversion of what a reader expects from the motion of the act of reading a line of type or a page of text. doan disarms and unsettles the ways a reader is led to levels of comprehension, and thus disrupts what “comprehension” might mean, as the reader follows the flow of a work, providing an opportunity to sense, and to confront hierarchies that structure ordinary reading and writing. doan brings a reader to conscious appraisal of the hierarchies that affect us, and how these hierarchies can constrain our insights and our mobility. water/tongue is a critical read for anyone interested in the long effects of gendered and cultural violence, and the power of speech to forge new and empowering directions.

Trying To Recognize People Like Me

The Margins
Asian American Writers’ Workshop
2017-06-16

Rowan Hisayo Buchanan

(from left to right) T Kira Madden, Rowan Hisayo Buchanan and Violet Kupersmith

Writers Rowan Hisayo Buchanan, Violet Kupersmith, and T Kira Madden speak to each other about mixed-race identities in life and literature

February 28 isn’t too cold. I hurry through sharp sunlight to a café in Lincoln Center. It is the official launch day of my novel, Harmless Like You, in the USA. I feel woozy and anxious. I’ve been avoiding bookshops, because I’m too scared to know if it’s in stock. I’m meeting two dear friends who are also writers. T Kira Madden is the Editor in Chief of No Tokens Journal, with her memoir forthcoming. Violet Kupersmith’s collection of stories The Frangipani Hotel was published by Speigel & Grau, and her novel is forthcoming. They are both dear friends of mine, and it has been too long since I’ve seen their faces. The other thing we have in common is that we are mixed-race. Specifically, we have one Asian parent and one white parent. I’ve been told that equals accessible exotic. I want to ask Violet and Kira how they deal with this and how it affects them as writers.

Rowan Hisayo Buchanan: I never know what to call myself. At readings, people laugh at me when I get introduced as British-Japanese-Chinese-American, like it’s a punchline. I think, hey it’s not a joke. But I laugh too because I’m nervous. In Japan, I called myself hafu which is the accepted word there. I know lots of Americans say hapa—but I’m nervous about my right to take something from Hawaiian Islander culture. I grew up saying halfie, which I worry is too cute—but it is at least mine. So these days, I go back to halfie.

Violet Kupersmith: I’m half-Vietnamese and half-white. My mother’s family came to America on a boat in the seventies. My father’s side is all mixed European potato genes. I remember being really excited when the term “hapa” first started getting circulated, because it was finally a real label I could apply to myself after growing up having to just check the “other” box on all my paperwork. But I still feel a little squirmy referring to myself as hapa out loud because, like you said, it’s from Hawaiian Islander culture.

T Kira Madden: I am Hawaiian so I’m used to “hapa! hapa haole!”…

Read the entire interview here.

Kamala Harris Has No Problem Being Black, But Why Doesn’t She Say Publicly She’s Part Asian?

Diverse: Issues In Higher Education
2019-06-30

Emil Guillermo

Kamala Harris likes to say she’s American. Of course. But she’s not generic. Her racial subtext is this: On her father’s side she’s half-Jamaican, and on her mother’s side she’s half-Asian Indian. Harris should say it proudly and often. Because there’s a lot of misunderstanding out there. Just ask Donald Trump Jr.

He never heard that she was half-Asian (Then again, he thought that meeting in Trump Tower was about Russian adoptions or something).

When it comes to Harris, I like pointing out her Asian side often because wouldn’t that be cool to have the first Asian American president of the United States be half-Black and a woman?

The 2020 Democratic presidential field is nothing but diverse, filled with a demography of riches. There’s men, women, young, old, gay, straight, from North, South, East, West, and Wester (Hawaii), Blacks, Latino and Asians, all of whom yearning for the chance to say they too “Habla Espanol.”

But of them all, I’d say Harris has emerged as diversity’s candidate. She’s what America’s becoming. She’s the face of the American future, mixed race, not just one thing. And definitely she’s not White, though she married one. Diversity!…

Read the entire article here.

Mixed Doesn’t Always Mean Part White: Uplifting Non-White Mixed Race Identities

The Body Is Not An Apology
2019-07-08

Lisa Hofmann-Kuroda
University of California, Berkeley

Growing up queer, mixed race, and Asian in the American South, my identity often felt like an absence of any identity at all. For a long time I existed in a kind of limbo state, not having a language to describe myself. Until my early twenties, I was unaware the word “mixed race” existed, much less as a term I had the option to identify with.

Because I neither knew nor saw any other mixed race children or people around me, for a long time my sense of self was only defined as a negation: I was certainly not white, and certainly not Japanese (at least by the standards of ethnic purity operative within my Japanese family and community). But as to what I was, actually, no one could really say.

So it was more than a breath of fresh air — more like a sense of psychic and spiritual relief — when I learned that such a thing as a mixed race identity existed, and that it was something I could identify as, with no other qualifications or explanations. When I finally encountered a community of other mixed race people during my twenties, I felt I was able to inhabit my body and experiences more fully and comfortably…

Read the entire article here.