Mixed Race Studies

‘Blasian Narratives’ struggles with the question: Black enough? Asian enough?

Kore Asian Media
2016-08-16

Tae Hong

“Blasian Narratives” performs inside Stanford Theatre. (Harrison Troung/Courtesy photo)

Teaching third graders in an underserved area of Brooklyn, Cenisa Gavin often looks out at her mostly black and Latino students and is reminded of the failings of her own teachers when it came to discussions about race and identity.

Gavin, 23, is black on her father’s side, and Korean Eskimo on her mother’s side. She has long, thick hair and, by her own description, slanted eyes. Growing up as a mixed-race child in Anchorage, Alaska, was one thing – she could never, for one, converse with her Korean great-grandmother because of a language barrier, and that was always the way it had been for her family – but coming across the term “Blasian” as a high schooler, and then joining a group of them to talk about her heritage as black and Asian on a theater stage at Spelman College years later, was another.

“I think my teachers did us a disservice by not discussing what it is to be colorblind, and how being colorful is greater than that,” Gavin said. When she told her students about her mixed race last year, she said, and when they saw her black father, the kids were surprised: “They said, ‘Ms. Gavin’s dad is black? You’re black?’”

This is one of the themes carried in the stories told by the seven-member group with which Gavin has now starred in a film project, “Blasian Narratives,” started by Cambodian American director Omnes “Canon” Senmos and looking toward release this fall…

Read the entire article here.

Celebrating Japan’s multicultural Olympians

The Japan Times
2016-08-17

Naomi Schanen, Staff Writer

Meet the athletes flying the flag and challenging traditional views of what it is to be Japanese

Japan and Brazil’s ties go back to the early 20th century, when the first Japanese immigrants arrived as farmers in the South American country. Brazil is home to the largest Japanese community outside Japan — 1.5 million of the country’s 205 million people identify themselves as Japanese-Brazilian, including a handful of members of the Brazilian Olympic team.

But although the host countries of the current and next Summer Olympics share cultural bonds, compared to Brazil, where nearly half of people consider themselves mixed-race, multiculturalism remains elusive in Japan, where ethnic homogeneity is often held up as something to be proud of.

Though Japan is home to the second-largest Brazilian community outside of Brazil, only 2 percent of the country’s population was born overseas. Compared to most other developed countries, immigration to Japan is negligible. However, despite having to deal with an aging, shrinking population, the majority of Japanese seem to prefer it this way. In a recent Yomiuri Shimbun poll, only 37 percent said they felt that more non-Japanese should be accepted to fill the gaps in the country’s labor market…

Read the entire article here.

Eyes Wide Cut: The American Origins of Korea’s Plastic Surgery Craze

The Wilson Quarterly
Fall 2015

Laura Kurek

South Korea’s obsession with cosmetic surgery can be traced back to an American doctor, raising uneasy questions about beauty standards.

At sixteen stories high, the doctor’s office looms over the neon-colored metropolis. Within the high-rise, consultation offices, operating rooms, and recovery suites occupy most floors. Additional floors house a dental clinic, a rooftop lounge, and apartments for long-term stays. This is Beauty Korea (BK), a one-stop, full-service plastic surgery facility in the heart of Seoul, South Korea.

South Korea has an obsession with plastic surgery. One in five South Korean women has undergone some type of cosmetic procedure, compared with one in twenty in the United States. With plastic surgery’s staggering rise in popularity, an attractive physical appearance is now the sine qua non for a successful career. Undergoing surgery to achieve an employable face in South Korea is just as commonplace as going to the gym in America.

The most popular surgery is Asian blepharoplasty, the process of changing the Asian eyelid, commonly referred to as the “monolid,” into a double eyelid. The second is rhinoplasty, or a nose job. The prevalence of these two procedures, especially the “double-eyelid” operation, has led to a delicate question: Are South Koreans are seeking to westernize their appearance? Cosmetic surgeons and scholars tread lightly around the issue. Some argue that Western culture — a broad and imperfect term — cannot claim “big eyes” as unique to its definition of beauty. Others note that only 50 percent of the Asian population is born with monolids. Some practitioners, including Dr. Hyuenong Park of OZ Cosmetic Clinic and Beverly Hills plastic surgeon Kenneth Steinsapir, deny altogether that double-eyelid surgery is intended to make its recipient appear more Western.

The story of an American surgeon in the postwar Korea of the 1950s, however, suggests otherwise…

Read the entire article here.

Mothers’ Darlings of the South Pacific: The Children of Indigenous Women and U.S. Servicemen, World War II

University Of Hawai’i Press
April 2016
424 pages
95 b&w illustrations
Cloth ISBN: 978-0-8248-5152-1

Edited by:

Judith A. Bennett, Professor of History
University of Otago, Dunedin, New Zealand

Angela Wanhalla, Associate Professor of History
University of Otago, Dunedin, New Zealand

Like a human tsunami, World War II brought two million American servicemen to the South Pacific where they left a human legacy of some thousands of children. Mothers’ Darlings of the South Pacific traces the intimate relationships that existed in the wartime South Pacific between U.S. servicemen and Indigenous women, and considers the fate of the resulting children. The American military command carefully managed intimate relationships in the Pacific Theater, applying U.S. immigration law based on race on Pacific peoples of color to prevent marriage “across the color line.” For Indigenous women and their American servicemen sweethearts, legal marriage was impossible, giving rise to a generation of children known as “G.I. Babies.” Among these Pacific war children, one thing common to almost all is the longing to know more about their American father. Mothers’ Darlings of the South Pacific traces these children’s stories of loss, emotion, longing, and identity, and of lives lived in the shadow of global war.

This book considers the way these relationships developed in the major U.S. bases of the South Pacific Command from Bora Bora in the east across to Solomon Islands in the west, and from the Gilbert Islands in the north to New Zealand, in the southernmost region of the Pacific. Some chapters consider in-depth case studies of the life trajectories of one or two people; others are more of a group portrait. Each discusses the context of the particular island societies and how this often determined the way such intimate relationships developed and were accommodated during the war years and beyond.

The writers interviewed many of the children of the Americans and some of the few surviving mothers as well as others who recalled the wartime presence in their islands. Oral histories reveal what the records of colonial governments and the military largely have ignored, providing a perspective on the effects of the U.S. occupation that until now has been disregarded by historians of the Pacific war. The richness of this book should appeal to those interested the Pacific, World War II, as well as intimacy, family, race relations, colonialism, identity, and the legal structures of U.S. immigration.

Faithfully Podcast 8: Asian Americans, Yellowface, and Pursuing Whiteness

Faithfully Magazine: At the Intersection of Race, Culture & Christianity
2016-05-28

Chinese/Filipino Author Bruce Reyes-Chow Shares Perspectives on Navigating Race

The Rev. Bruce Reyes-Chow joined the Faithfully Podcast crew recently to share his thoughts and observations on some issues Asian Americans face when it comes to experiences relating to race and culture.

Reyes-Chow hails from San Francisco, California, is a third-generation Chinese/Filipino, and a former pastor. Reyes-Chow, ordained in the Presbyterian Church (USA), served as Moderator for the denomination’s 2008 General Assembly, its highest elected office.

The married father of three teen girls has authored the books But I Don’t See You as Asian: Curating Conversations About Race, The Definitive-ish Guide for Using Social Media in the Church, and 40 Days, 40 Prayers, 40 Words: Lenten Reflections for Everyday Life, among others.

In his discussion with Faithfully Podacst hosts Nicola Menzie, Keisha Boston, and Vincent Funaro, Reyes-Chow comments on challenges some Asian Americans face when relating to the black-white binary paradigm inherent in conversations about racism in the United States…

Read the article here. Listen to the podcast here. Download the podcast here.

Japan’s Under-Researched Visible Minorities: Applying Critical Race Theory to Racialization Dynamics in a Non-White Society

Washington University Global Studies Law Review
Volume 14, Issue 4: Global Perspectives on Colorism (Symposium Edition) (2015)
pages 695-723

Debito Arudou

Critical Race Theory (CRT), an analytical framework grounded in American legal academia, uncovers power relationships between a racialized enfranchised majority and a disenfranchised minority. Although applied primarily to countries and societies with Caucasian majorities to analyze White Privilege this Article applies CRT to Japan, a non-White majority society. After discussing how scholarship on Japan has hitherto ignored a fundamental factor within racialization studies—the effects of skin color on the concept of “Japaneseness”—this Article examines an example of published research on the Post-WWII “konketsuji problem.” This research finds blind spots in the analysis, and re-examines it through CRT to uncover more nuanced power dynamics. This exercise attempts to illustrate the universality of nation-state racialization processes, and advocates the expansion of Whiteness Studies beyond Caucasian-majority societies into worldwide Colorism dynamics in general.

Read the entire article here.

Maria on Bhowani Junction

Archive to Blockbuster
2016-08-11

Maria Kaladeen, Associate Fellow at the Institute of Commonwealth Studies
University of London

The happiness I feel in encountering old movies about dual-heritage characters and communities is inevitably marred by the regurgitation of tired and offensive stereotypes about these individuals. The 1956 film Bhowani Junction, based on John Masters’ 1954 novel of the same title, is no exception. However the film is fascinating in spite of these stereotypes because it ultimately, and belatedly, makes a powerful statement about the rights of those of mixed heritage to self-identify…

Read the entire article here.

Who Gets To Be ‘Hapa’?

Code Switch: Race and Identity, Remixed
National Public Radio
2016-08-08

Akemi Johnson

Sunset in Waikiki: Tourists sipping mai tais crowded the beachside hotel bar. When the server spotted my friend and me, he seemed to relax. “Ah,” he said, smiling. “Two hapa girls.”

He asked if we were from Hawaii. We weren’t. We both have lived in Honolulu — my friend lives there now — but hail from California. It didn’t matter. In that moment, he recognized our mixed racial backgrounds and used “hapa” like a secret handshake, suggesting we were aligned with him: insiders and not tourists.

Like many multiracial Asian-Americans, I identify as hapa, a Hawaiian word for “part” that has spread beyond the islands to describe anyone who’s part Asian or Pacific Islander. When I first learned the term in college, wearing it felt thrilling in a tempered way, like trying on a beautiful gown I couldn’t afford. Hapa seemed like the identity of lucky mixed-race people far away, people who’d grown up in Hawaii as the norm, without “Chink” taunts, mangled name pronunciations, or questions about what they were…

Read the entire article here.

Black Lotus: A Woman’s Search for Racial Identity

Gallery Books (an Imprint of Simon & Schuster)
August 2016
368 pages
Hardcover ISBN: 9781451688467
eBook ISBN: 9781451688481

Sil Lai Abrams

The unique and beautifully written story of one multiracial woman’s journey of acceptance and identity that tackles the fraught topic of race in America.

Sil Lai Abrams always knew she was different, with darker skin and curlier hair than her siblings. But when the man who she thought was her dad told her the truth—that her father was actually black—her whole world was turned upside down.

Raised primarily in the Caucasian community of Winter Park, Florida, Abrams was forced to re-examine who she really was and struggle with her Caucasian, African American, and Chinese identities. In her remarkable memoir, she shares this journey and how it speaks to a larger question: Why does race matter?

Black Lotus is a story of acceptance and identity but it is also a dialogue on the complex topic of race in this country by an award-winning writer and inspirational speaker.

Half-Asian Tattooers Use Art To Confront Mixed Race Stereotypes

Konbini
2016-08-04

Morgan English

Five Asian-Canadian artists (some female, some genderqueer) have joined forces for a new exhibit that explores what it means to be half-Asian in the west.

Of the crew, four are also tattooers: Nomi Chi, Mandy Tsung, Shannon Elliott and Katie So. Their fifth, Lauren Ys, has made a name for herself in street art, among other things. Their tattoo work often serves as an outlet to push back on stereotypes, express individualism, and even heal the wounds of other people of colour…

Read the entire article here.