Mixed Race Studies

Mandy Oxendine

University of Illinois Press
September 1997
136 pages
ISBN-10: 0252063473
ISBN-13: 9780252063473

Charles W. Chesnutt (1858-1932)

Foreword by

William L. Andrews, E. Maynard Adams Professor of English
University of North Carolina, Chapel Hill

In a novel rejected by a major publisher in the 19th century as too shocking for its time, writer Charles W. Chesnutt (1858-1932) challenges the notion that race, class, education, and gender must define one’s “rightful” place in society. Both a romance and a mystery, Mandy Oxendine tells the compelling story of two fair-skinned, racially mixed lovers who chose to live on opposite sides of the color line.

Foreword

Mandy Oxedine is Charles W. Chesnutt’s first novel, though it has had to wait one hundred years to find a publisher. The leading African American fiction writer at the turn of the century, Chesnutt apparently began Mandy Oxendine a few years after he made his initial literary success as a short story writer for the prestigious Atlantic Monthly. Failing to interest his publisher in Mandy Oxendine, Chesnutt decided to focus his energies on making a book of short fiction, an effort that was doubly rewarded in 1899 with the publication of The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line. Mandy Oxendine returned to its creator’s file of unpublished manuscripts; evidently Chesnutt never placed it in circulation again.

The effect of Mandy Oxendine on the long evolution of The House behind the Cedars (1900), Chesnutt s first published novel, was significant, for in both stories the central issue is the dilemmas a fair-skinned African American woman must confront in passing for white. When compared with Mandy Oxendine, The House behind the Cedars has reater narrative density and is more sure-handed in its development of secondary characters and plots. On the other hand, with regard to the depiction of the mixed-race woman, the central figure in both stories, the earlier unpublished novel is more resistant to popular notions of femininity and less willing to accommodate itself to the protocols of “tragic mulatta” fiction than is The House behind the Cedars. Perhaps the fate of Mandy Oxendine helped convince Chesnutt that to get his version of the novel of passing into print, he would have to tone down and conventionalize some of the qualities that make Mandy Oxendine remarkable. Certainly next to Rena Walden, the pathetic ingenue who plays the victimized heroine in The House behind the Cedars, Mandy Oxendine seems almost italicized by her bold self-assertiveness and her canny sense of how a woman of color must operate if she is to protect and advance her interests in the post-Reconstruction South. Through her plainspoken southern vernacular, Mandy Oxendine articulates a tough-minded assessment of her racial, gendered, and class-bound condition, which sheds a good deal of light on her creator’s firsthand experience of life along the color line in a region of North Carolina very much like Mandy’s own milieu.

Whether Chesnutt agrees with Mandy s solution to her situation or whether he favors the strategy espoused by her eventual husband, Tom Lowrey, is left deliberately vague in Mandy Oxendine. In the later published novels, Chesnutt usually states or strongly implies his moral perspective on social issues, but in Mandy Oxendine he seems more reticent, as though testing the waters. He may have been trying to determine for himself just how far a writer in his position should go in representing forthrightly and objectively the complex web of personal desire, racial obligation, and socioeconomic ambition that held the mixed-blood in social suspension in the post-Civil War South. Is Mandy Oxendine to be condemned for having spun her own web of deceit, or has she always been caught in a cage designed by the new southern social order to restrain those who might challenge its official deceptions about color and class? However a reader responds to these questions, one suspects that the social and gender issues that probably caused Mandy Oxendine to seem beyond the pale one hundred years ago are likely to make the novel of more than passing interest today, for Mandy Oxendine is a prototype of a new brand of African American literary realism in the early twentieth century.

Zoë, Or, The Quadroon’s Triumph: A Tale for the Times (Volume II)

Truman and Spofford (Cincinnati)
1855
323 pages

Mrs. Elizabeth D. Livermore

With Illustrations Henri Lovie, and Charles Bauerle

“God has bid away the human soul in the black man’s skin and his darker person, that in finding it, we may re-discover our alienated and forgotten nature; and rejoice more over the one that was lost, than the ninety and nine who went not astray.”—Belllows.

TABLE OF CONTENTS

CHAPTER I.— Santa Cruz
CHAP. II— Emancipation
CHAP.III— The Retrospect
CHAP. IV.— Zoë’s Greeting to the Tropics
CHAP. V.— Mingling op the Old and the New
CHAP. VI.— Young America expatiates
CHAP. VII.— Zoe opens her Mission
CHAP. VIII.— Young America is heretical on Art
CHAP. IX.— The Queens op the Queen City
CHAP. X.—Diamond cut Diamond
CHAP. XI—The Shipwreck
CHAP. XII.—”Books in Brooks.”
CHAP. XIII— Mrs. Pumpkin’s Tract for the Times
CHAP. XIV.— The Quarrel and its Denouement
CHAP. XV.— Young America makes a Declaration, not of Independence
CHAP. XVI.—The War-horse Eagle
CHAP. XVII—Home, with its Shadows
CHAP. XVIII.—The Wormwood and the Gall
CHAP. XIX.— The Hurricane
CHAP. XX.— Light after Darkness
CHAP. XXI.— A Voice from Amazona
CHAP. XXII.—The Church Recusant
CHAP. XXIII.— Letters and Reminiscences
CHAP. XXIV.—The Closing Triumph

We must now return to Santa Cruz and give a hasty sketch of the fortunes of George Carlan and his wife, during the twelve years absence of their daughter in Denmark.

It will be recollected that the former, in emerging from slavery, had placed before himself two objects for which to live and labor—wealth, and independence; or as it may be expressed in one phrase, independence through wealth. Towards these his aims were directed and his ambitious hopes constantly aspiring.

Sophia, on the contrary, affectionate and retiring, as she was, shared but in a slight degree her husband’s restless wishes; and if ever her thoughts were turned towards his favorite goal, and her imagination excited by his visions of distant good attained through these means, it was that he and her child, more than herself, might win the happiness which would accrue from their possession.

Mr. Carlan’s industry and enterprise had been crowned with success so far as to place them in comfortable circumstances.   Indeed, in comparison with most of his tribe, he was wealthy and was regarded with consideration by his own caste. But his affluence gave him no honorable position among the white Creoles of the island. To-be-sure, he had business relations with them, and the Danish officials treated him with a half friendly, half condescending familiarity, which was anything but agreeable. But by the English residents he was looked upon with distrust and aversion as an ambitious, discontented man, who was to be avoided and scorned on every possible occasion to prevent his impertinent encroachments upon their dignity and aristocratic rights. As these latter saw their power and influence decline in the island just in proportion to the losses and poverty incurred by their miserable management of their property, spendthrift habits, and ruinous absenteeism, so in the same ratio did they hate the Irish emigrants into whose hands their estates had fallen, or the colored people who, through their enterprise, were seizing upon their commerce and manufactures.

Had George Carlan, when he emerged from slavery, possessed a true idea of the value of freedom in its relations to the training and development of the human soul above all things else, he would have been saved much bitterness of feeling and many heartaches, and in the end have prospered much better also in his worldly affairs. For by this principle deeply-rooted and acting vitally upon his daily life, he would have gained a self-possession equal to every emergency, an insight into the laws of commercial intercourse, and proper appreciation of the forces of nature, and the due balance to be preserved between the consumption of the products in which he dealt and the law of their supply, quite indispensable to success in any business department. This, too, would have given him that patient reliance on Providence in untoward seasons, and that geniality and kindness of demeanor in his social and business relations, which are better than a capital of thousands to one who launches forth on the sea of commercial life. But these ideas he had had no opportunity of learning in slavery, and it was not to be expected that he would begin his career as a merchant under better auspices, in these respects, than multitudes, who commence life with none of his disadvantages. Still he had much skill, shrewdness, and industry, and for several years his success was without a drawback, and, as was remarked in the commencement of this story, he was enabled to surround himself and family with not only the comforts, but many of the luxuries of life…

Read Volume II here.

Zoë, Or, The Quadroon’s Triumph: A Tale for the Times (Volume I)

Truman and Spofford (Cincinnati)
1855
353 pages

Mrs. Elizabeth D. Livermore

With Illustrations Henri Lovie, and Charles Bauerle

“God has bid away the human soul in the black man’s skin and his darker person, that in finding it, we may re-discover our alienated and forgotten nature; and rejoice more over the one that was lost, than the ninety and nine who went not astray.”—Belllows.

TABLE OF CONTENTS

PREFACE
CHAPTER I.— The Sacrifice
CHAP. II.—The Voyage
CHAP. IH—New Scenes and Associations
CHAP. IV.— Questionings
CHAP. V.—Children at Home
CHAP. VI—The Teacher and Taught
CHAP. VII.—Bereavement
CHAP. VIII.—Lady versus Law
CHAP. IX.— Color can Feel
CHAP. X.—Anglo-Saxons do not know Everything
CHAP. XI—The Cloud hangs low
CHAP. XII.— Fresh Breezes From the West
CHAP. XIII.—A New Preacher in the Field
CHAP. XIV.—Spirit-Sister
CHAP. XV.—Pic-Nic —the Wandering Jew reappears
CHAPTER XVI.— Castle Building on the Prairies
CHAP. XVII—Chit-chat
CHAP. XVIII.— Spiritualism
CHAP. XIX.—Magnetism
CHAP. XX.—The Parley
CHAP. XXI.— Steel in the Ore
CHAP. XXII—Fire in the Flint
CHAP. XXIII—The Dedication

The story of Zoë Carlan, a young colored girl, of the little Danish island of Santa Cruz, is a pathetic illustration of the false position into which a refined and educated nature may be thrown, by the fierce prejudices of caste and color.

Her father, George Carlan, was a native of the island, and originally a slave. His ancestry on the father’s side for two generations had been whites, so that with his light complexion, he combined much of the energy and restiveness under despotic rule of the Anglo-Saxon race.

Slavery under the Danes had some mild and alleviating features. Schools were supported by government, in which the rudiments of knowledge were taught the slaves, with a view to their eventual freedom, and provisions were made, by which it could be purchased by those who would employ the requisite exertion.

George so diligently used these means, that at the age of twenty-eight, he stepped forth under the clear vault of Heaven, a free man. He could but imperfectly read and write and cast accounts; and he reasoned thus with himself. “Here I am, with none to rule over me but my God and my King.   Independence and influence I will have, but how to gain them is the question. I am too old to educate myself; but rich I may become, and rich I will be, will take my stand beside the haughty whites, and whatever consideration and power may be mine through wealth, I will attain.”

Through his industry and perseverance, he had become a successful merchant; and at the time when this story commences, he was living in the enjoyment of not only the comforts, but many of the luxuries of life. On attaining his freedom, he married a young colored woman, of much gentleness and native refinement of character, and one child, the little Zoë, was given them, to be the light of their home, and the object of all his aspiring hopes and desires.

But the free blacks and colored people (for that distinction is very carefully made in the islands), though experiencing much favor from the Danish government, and sometimes even preferred to the proud and discontented white colonists, when indulgences are to be awarded, have no position in society.   In the first place, the latter are, for the most part, the children of illicit connections, and where is the community where the odium of such sin falls not upon the weaker party and her innocent offspring. Then the people of color are a continual source of contention and trouble; they are restless, discontented, aspiring. For every step they advance higher than the full black, they cast behind them a glance of indifference or of scorn, while they are ever looking upward and striving to plant their feet side by side with the whites, if not in advance of them. This is met with unflinching opposition by the dominant race. In all spheres within their control, they omit not to give the most scathing demonstrations of their contempt. In social life they seldom meet, of course. It is, however, the custom for the Danish governor-general to hold levees, from time to time; and to these the chief mulattoes are invited as well as the whites. Gladly would the latter excuse themselves from the honor of attendance, knowing the odious companionship to which they will be subjected, but it is well understood that an invitation is equivalent to a command, and policy, perchance safety, forbids a refusal. There is by no means a very cordial  feeling between many of them and their rulers. The population is a mixed one. Many of the old and more wealthy families are of English descent. Their religion is only tolerated, the Lutheran being that of the State. Almost all offices are held by Danish officials, often unscrupulous and grasping, and the Creoles are made to feel in numberless ways, that they are but step-children to the mother-country, and that their interests are ever second to her own. Then, more than all other causes of jealousy is the slackening of their control over the blacks, by the measures of the home-government. They see in it their humiliation and ruin; and as prudence forbids a very open expression of their outraged feelings to their rulers, they display a temper all the more bitter towards the immediate cause of them…

Read Volume I here.  Read Volume II here.

The House Behind the Cedars

Houghton, Mifflin and Company
1900
294 pages

Electronic Edition
University of North Carolina, Chapel Hill
1997
Text scanned (OCR) by Jamie Vacca
Text encoded by Natalia Smith and Don Sechler
Filesize: ca. 600KB

Charles W. Chesnutt (1858-1932)

The electronic edition is a part of the UNC-CH database “A Digitized Library of Southern Literature, Beginnings to 1920.”

• Any hyphens occurring in line breaks have been removed, and the trailing part of a word has been joined to the preceding line.
• All quotation marks and ampersand have been transcribed as entity references.
• All double right and left quotation marks are encoded as ” and ” respectively.
• All single right and left quotation marks are encoded as ‘ and ‘ respectively.
• Indentation in lines has not been preserved.
• Running titles have not been preserved.
• Spell-check and verification made against printed text using Author/Editor (SoftQuad) and Microsoft Word spell checkers.

Summary by Mary Alice Kirkpatrick from 2004:

Perhaps the most influential African American writer of fiction at the turn of the twentieth century, Charles Waddell Chesnutt was born June 20, 1858 to Andrew Jackson Chesnutt and Anna Maria Sampson, free African Americans living in Cleveland, Ohio. He moved with his family to Fayetteville, North Carolina in 1866. He first worked as a schoolteacher in Charlotte and Fayetteville, but, having grown frustrated by the limited opportunities he encountered as a mixed-race individual living in the South, he moved permanenly to Cleveland in the early 1880s. Chesnutt later opened a successful stenography business in Cleveland, having passed the Ohio bar exam in 1887. Eager to focus on his writing full time, Chesnutt closed his stenography firm in late September 1899; however, lagging book sales forced him to reopen the business in 1901.

Chesnutt published the bulk of his writing between 1899 and 1905, including his five book-length works of fiction: two collections of short stories and three novels. Notably, he was the first African American writer whose texts were published predominantly by leading periodicals such as the Atlantic Monthly and The Outlook and major publishers, including Houghton Mifflin and Doubleday. The popular and critical success of his short stories in The Conjure Woman (March 1899) and The Wife of His Youth and Other Stories of the Color Line (fall 1899) set the stage for the 1900 publication of his first novel, The House Behind the Cedars. His second novel, The Marrow of Tradition, was published a year later in 1901. Neither The Marrow of Tradition nor Chesnutt’s final novel, The Colonel’s Dream (1905), sold well. Consequently, his later publications were reduced to only the occasional short story. In 1928, Charles Chesnutt was awarded the Springarn Medal by the National Association for the Advancement of Colored People in recognition of his literary achievements.

Following numerous revisions throughout the 1890s, The House Behind the Cedars, beginning in August 1900, was serialized in Self-Culture Magazine; Houghton Mifflin later published its book form in October 1900. The House Behind the Cedars, which Chesnutt originally titled “Rena Walden,” scrutinizes the problems afflicting those on both sides of the color line. Highlighting the fluidity of race, Chesnutt focuses on passing, a social practice in which light-skinned African Americans would present themselves as white. Opening in Patesville (Fayetteville), North Carolina, the novel focuses primarily on two siblings, John and Rena Walden, who are African Americans of mixed-race ancestry. Having changed his last name to Warwick and married a white southerner, John works as a prominent attorney in Clarence, South Carolina as a white man. Following his wife’s death, John returns to Patesville, hoping to convince his mother, Miss Molly, to allow his younger sister to return with him and care for his infant son. Allowed to accompany her brother, Rena—under the name Rowena Warwick—seamlessly enters the white social sphere and is soon engaged to the dashing young aristocrat, George Tryon. However, when the truth of her Rena’s racial identity is revealed accidentally, Tryon rejects his betrothed and she falls gravely ill. Rena recovers and goes on to work toward uplifting her race. Nevertheless, Rena’s life ends tragically. Clearly drawing from the “tragic mulatto” tradition, The House Behind the Cedars has been critiqued for its seeming sentimentality; however, Chesnutt’s novel complicates these conventions. His sympathetic portrayal of passing illuminates racism’s pernicious and oppressive effects for both blacks and whites.

Read the entire book here in HTML or XML/TEI format.

Symptomatic

Riverhead Books (an imprint of Penguin)
February 2005
224 pages
5.07 x 7.87in
Paperback ISBN: 9781594480676

Danzy Senna

A young woman moves to New York City for what promises to be a dream job. Displaced, she feels unsure of her fit in the world. Then comes a look of recognition, a gesture of friendship from an older woman named Greta who shares the same difficult-to-place color of skin. On common ground, a tenuous alliance grows between two women in racial limbo. So too, does the older woman’s unnerving obsession, leading to a collision of two lives spiraling out of control. A beautifully written novel, at once suspenseful, erotic, and tantalizingly clever, Symptomatic is a groundbreaking contribution to the literature of racial identity.

Neither Black nor White: The Saga of an American Family

The New World Africa Press
2006-03-03
252 pages
8.3 x 5.5 x 0.8 inches
ISBN-10: 0976876124; ISBN-13: 978-0976876120

Joseph E. Holloway, Professor of Pan African Studies
California State University, Northridge

Historical novel, which traces the history of the Hadnot family from Gloucester, England in 1585 to New Orleans and the birth of Lucille Catherine (Celia) Hughes Hadnot the matriarch of six families that traced their descent from her. It is the true story of a black family, who were never enslaved, but owners of slaves. A tale about a people from indentured servitude, slavery, the Colfax riots, segregation and Jim Crow to Civil Rights. It is the story of a people who did not regard themselves as “neither black nor white.” It is a story of a family—one black and the other white. Both related sharing a common ancestor by the named John Hadnot. This novel by Joseph Holloway is compelling reading that explores black culture, history, Jim Crow and issues of colorism.

The Works of Alice Dunbar-Nelson (Volume 1)

Oxford University Press
1988
480 pages
4-5/8 x 6-1/2
Hardback ISBN13: 978-0-19-505250-3; ISBN10: 0-19-505250-1

Alice Dunbar-Nelson (1875-1935)

Edited by Gloria Hull

Spanning the gamut of literary genres, from autobiographical short stories to poetry, journalism, and novelettes, this is a comprehensive collection of one of America’s most seminal women writers. A testament to the nineteenth century as birthplace for black woman writers, The Works of Alice Dunbar-Nelson offers insight into the themes of oppression and intolarance, often considered dangerous or ignored in the nineteenth century, but now pervade much writing today. Themes such as crossing racial boundaries, infused with Dunbar-Nelson’s autobiographical fervor.

Iola Leroy or Shadows Uplifted

1893
Philadelphia, Pennsylvania

The Project Gutenberg EBook
2004-05-14
#12352

Frances Ellen Watkins Harper (1825-1911)

Read the entire book here.

Oreo

Northeastern University Press (now University Press of New England)
2000 (Originially published in 1974.)
224 pages
6 x 9″

Fran Ross

Forward by Harryette Mullen

This uproariously funny satire about relations between African Americans and Jews is as fresh and outrageous today as when it was first published in 1974.

Born to a Jewish father and black mother who divorce before she is two, Oreo grows up in Philadelphia with her maternal grandparents while her mother tours with a theatrical troupe. Soon after puberty, Oreo heads for New York with a pack on her back to search for her father; but in the big city she discovers that there are dozens of Sam Schwartzes in the phone book, and Oreo’s mission turns into a wickedly humorous picaresque quest. The ambitious and playful narrative challenges accepted notions of race, ethnicity, culture, and even the novelistic form itself.

Cane

W. W. Norton & Company, Inc.
January 2011 (Originally published in 1923)
560 pages
5 × 8 in
Paperback ISBN: 978-0-393-93168-6

Jean Toomer (1894-1967)

Edited by:

Rudolph P. Byrd (1953-2011), Goodrich C. White Professor of American Studies and African American Studies
Emory University

Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director, W. E. B. Du Bois Institute for African and African American Research
Harvard University

A masterpiece of the Harlem Renaissance and a canonical work in both the American and the African American literary traditions, Cane is now available in a revised and expanded Norton Critical Edition.

Originally published in 1923, Jean Toomer’s Cane remains an innovative literary work—part drama, party poetry, part fiction. This revised Norton Critical Edition builds upon the First Edition (1988), which was edited by the late Darwin T. Turner, a pioneering scholar in the field of African American studies. The Second Edition begins with the editors’ introduction, a major work of scholarship that places Toomer within the context of American Modernism and the Harlem Renaissance. The introduction provides groundbreaking biographical information on Toomer and examines his complex, contradictory racial position as well as his own pioneering views on race. Illustrative materials include government documents containing contradictory information on Toomer’s race, several photographs of Toomer, and a map of Sparta, Georgia—the inspiration for the first and third parts of Cane. The edition reprints the 1923 foreword to Cane by Toomer’s friend Waldo Frank, which helped introduce Toomer to a small but influential readership. Revised and expanded explanatory annotations are also included.

“Backgrounds and Sources” collects a wealth of autobiographical writing that illuminates important phases in Jean Toomer’s intellectual life, including a central chapter from The Wayward and the Seeking and Toomer’s essay on teaching the philosophy of Russian psychologist and mystic Georges I. Gurdjieff, “Why I Entered the Gurdjieff Work.” The volume also reprints thirty of Toomer’s letters from 1919–30, the height of his literary career, to correspondents including Waldo Frank, Sherwood Anderson, Claude McKay, Horace Liveright, Georgia O’Keeffe, and James Weldon Johnson.

An unusually rich “Criticism” section demonstrates deep and abiding interest in Cane. Five contemporary reviews—including those by Robert Littell and W. E. B. Du Bois and Alain Locke—suggest its initial reception. From the wealth of scholarly commentary on Cane, the editors have chosen twenty-one major interpretations spanning eight decades including those by Langston Hughes, Robert Bone, Darwin T. Turner, Charles T. Davis, Alice Walker, Gayl Jones, Barbara Foley, Mark Whalan, and Nellie Y. McKay.

A Chronology, new to the Second Edition, and an updated Selected Bibliography are also included.