Racial Self-Categorization in Adolescence: Multiracial Development and Social Pathways

Posted in Articles, Identity Development/Psychology, Media Archive, Social Science, United States on 2010-07-26 22:41Z by Steven

Racial Self-Categorization in Adolescence: Multiracial Development and Social Pathways

Child Development
Volume 77, Number 5
, September/October 2006
Pages 1298–1308
DOI: 10.1111/j.1467-8624.2006.00935.x

Steven Hitlin, Assistant Professor of Sociology
University of Iowa

J. Scott Brown, Associate Professor of Gerontology, Scripps Research Fellow
Miami University, Oxford, Ohio

Glen H. Elder, Jr.
Carolina Population Center
University of North Carolina at Chapel Hill

Research on multiracial individuals is often cross-sectional, obscuring the fluid nature of multiracial selfcategorization across time. Pathways of racial self-identification are developed from a nationally representative sample of adolescents aged 14 – 18, measured again 5 years later. A significant proportion of multiracial adolescents change racial self-identification across time. Youth who ever report being multiracial are 4 times as likely to switch self-identification as to report consistent multiracial identities. Across this time, more multiracial adolescents either add a racial category (diversify) or subtract one (consolidate) than maintain consistent multiracial self-categorization. Exploratory multinomial analyses show few differences between these pathways on select psychological and social characteristics. Results lend quantitative support to qualitative studies  indicating the fluidity of racial self-categorization.

Read the entire article here.

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How Do Forced-Choice Dilemmas Affect Multiracial People? The Role of Identity Autonomy and Public Regard in Depressive Symptoms

Posted in Articles, Identity Development/Psychology, New Media on 2010-07-21 21:18Z by Steven

How Do Forced-Choice Dilemmas Affect Multiracial People? The Role of Identity Autonomy and Public Regard in Depressive Symptoms

Journal of Applied Social Psychology
Volume 40 Issue 7
Pages 1657 – 1677
Published Online: 2010-07-09
DOI: 10.1111/j.1559-1816.2010.00634.x

Diana T. Sanchez, Assistant Professor of Social Psychology
Rutgers University

The present study reports on correlational data gathered from an Internet survey to explore why forced-choice dilemma situations relate to depressive symptoms among multiracial people (N = 317). Specifically, a model was tested that explored the role of identity autonomy (the extent to which multiracial people feel they can racially identify however they desire) and public regard (the extent to which multiracial people think others value their multiracial identity). The results of the model suggest that forced-choice dilemmas predict greater depressive symptoms because forced-choice dilemmas may promote greater beliefs that their multiracial identity is devalued in society and more generally restrict identity autonomy. Implications are discussed in terms of multiracial health and public policies regarding assessments of racial identities.

Read or purchase the article here.

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Hybrid Navigator

Posted in Articles, Arts, Autobiography, Identity Development/Psychology, New Media, United Kingdom on 2010-07-19 20:05Z by Steven

Hybrid Navigator

Small Axe
Number 32 (Volume 14, Number 2), June 2010
pages 150-159
E-ISSN: 1534-6714
Print ISSN: 0799-0537

Satch Hoyt, Artist/Sculptor

I was born in London to an Afro-Jamaican father and a white English mother in the late 1950s. It was, to say the least, a lonely terra nova, a traumatic neocolonial, cross-cultural terrain, that I was extremely ill equipped to traverse. My unwed mother was ostracized at my birth by her working-class parents. My sister and I never met our grandparents—at their request. So from the outset my stage was lit in a racist hue. As the other’s other, I struggled with my identity, floating in a void of black, white, Jamaican, and Inglanisms. I never felt English—and never will. No one lives a raceless reality. The body and corporeal schema are in effect from birth. Hypo descent, light skinned, half-caste, mulatto, biracial, mixed race—call us what you will. As a hybrid one learns to navigate the marginal seas of difference, to remain intact while floating between the two poles. The biracial paradigm is always looming on a cryptic horizon. Growing up in West London’s Ladbrook Grove, the Jamaican and Trinidadian communities are where I found solace, listening to the narratives and the stories about back-ah-yard

Read or purchase the article here.

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Lost in the Middle: Growing up Across Racial & Cultural Divides

Posted in Articles, Identity Development/Psychology, Media Archive on 2010-07-16 02:42Z by Steven

Lost in the Middle: Growing up Across Racial & Cultural Divides

The Washington Post
1998-05-17

Malcolm Gladwell

His parents conqured racial difference with dignity and relative ease.  But race became a more complicated question for their son.

One summer Saturday, when I was growing up, my father piled my brothers and me into the family station wagon and took us to a barn raising. This was in rural southern Ontario, in the heart of Canada’s Old Order Mennonite country, where it was the custom when someone’s barn burned down for friends and neighbors to rebuild it. There were probably 200 people there that day. They came from the surrounding farms in black horse-drawn buggies, the women in gauzy caps and gingham dresses, the men in white shirts and black pants. The women set up long picnic tables outside, and piled them high with bread and luncheon meats and pickles, and pies for dessert. The men swarmed over the skeleton of the barn, those on the roof and on ladders against the walls hammering away in unison, everyone else forming a long human chain, passing plywood and roofing metal and nails hand to hand to hand from the bottom to the top. It was a marvel of improvisational coordination, a communitarian ballet of burly cleanshaven Mennonite farmers in straw hats and loose cotton shirts, and in the midst of it all, in happy and oblivious contrast to everything around him, was my father — slender, bearded and professorial, in the tie he rarely left the house without…

…Once my mother graduated, they began a period of frantic courtship. Two weeks later, my mother returned to Jamaica to teach again, and my father informed his parents that they intended to marry. It was a difficult moment. My paternal grandparents had grave objections to mixed marriages. They objected, citing New Testament verses to the effect that God had set boundaries for the habitation of nations. “It’s wrong for Graham to have a black child,” my grandmother told my mother. “It is wrong for you to have a white child.” It is easy, I think, with the benefit of hindsight, to conceive of my grandparents as bigoted or small-minded. But that was not it at all. They were simply expressing what my father, apparently, could not see, that his decision to marry my mother was a revolutionary act. When my father made it clear that he would not be moved, they acquiesced. His three sisters were my mother’s bridesmaids. Her wedding veil was my grandmother’s wedding veil…

…I am not like my parents. I do not have my father’s gift for overcoming social barriers, nor my mother’s gift for appreciating when differences are not relevant. I go back and forth now between my two sides. I never feel my whiteness more than when I’m around West Indians, and never feel my West Indianness more than when I’m with whites. And when I’m by myself, I can’t answer the question at all, so I just push it out of my mind. From time to time, I write about racial issues, and always stumble over personal pronouns. When do I use “we”? In a room full of people I do not know, I always search out the ones who fall into the middle, like me, out of some irrational idea that we belong together.

I worry sometimes that this is the wrong thing for the child of a mixed marriage to feel. My parents conquered difference, and we would all like to think that sort of accomplishment is something that could be passed down from generation to generation. That’s why we’re all, in theory, so excited by the idea of miscegenation — because if we mix the races, presumably, we create a new generation of people for whom existing racial categories do not exist. I don’t think it’s that easy, though. If you mix black and white, you don’t obliterate those categories; you merely create a third category, a category that demands, for its very existence, an even greater commitment to nuances of racial taxonomy. My mother never had to think about whether she was black. She was. I have to think about it, and turn the issue over in my mind, and gaze in the mirror and wonder, as I was so memorably asked, what I am…

Read the entire article here.

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Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8

Posted in Articles, Gay & Lesbian, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, United States, Women on 2010-07-14 18:28Z by Steven

Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8

Cultural Studies↔Critical Methodologies
Volume 10, Number 4 (August 2010)
pages 295-306

Deanna Shoemaker, Assistant Professor of Applied Communication (Performance Studies)
Monmouth University, West Long Branch, New Jersey

This essay analyzes the musical performances of Leslie Mah, biracial lead guitarist and backup vocalist for the legendary all-female, queercore punk band Tribe 8, whose members broke up in 2005 after fifteen years together. Inspired by the recent turn in performance studies toward studies of music as performance, this work employs multiple methods and objects to get at the complex totality of popular music’s performativity. Mah’s macha femme persona, playing style, and performance of identity as a lesbian woman of color within queercore punk music allow her to enter a carnivalesque realm of feminist menace, palpable rage, and unruly pleasure. Mah’s performance strategies and articulations of her queer and biracial identities in interviews are contextualized within feminist performance, riot grrrl, and punk music studies. Tribe 8’s lyrics, music, marketing, and band member personas provide cultural context for Mah’s distinctive performance of macha femme.

Read or purchase the article here.

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Blackberries and Redbones: Critical Articulations of Black Hair/ Body Politics in Africana Communities

Posted in Anthologies, Arts, Autobiography, Books, Gay & Lesbian, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Native Americans/First Nation, Poetry, Religion, Social Science, United States, Women on 2010-07-13 22:41Z by Steven

Blackberries and Redbones: Critical Articulations of Black Hair/ Body Politics in Africana Communities

Hampton Press
July 2010
484 pages
Paper ISBN: 978-1-57273-881-2
Cloth ISBN: 978-1-57273-880-5

Edited by

Regina E. Spellers, President and CEO
Eagles Soar Consulting, LLC

Kimberly R. Moffitt, Assistant Professor of American Studies
University of Maryland, Baltimore County

This book features engaging scholarly essays, poems and creative writings that all examine the meanings of the Black anatomy in our changing global world. The body, including its hair, is said to be read like a text where readers draw center interpretations based on signs, symbols, and culture. Each chapter in the volume interrogates that notion by addressing the question, “As a text, how are Black bodies and Black hair read and understood in life, art, popular culture, mass media, or cross-cultural interactions?” Utilizing a critical perspective, each contributor articulates how relationships between physical appearance, genetic structure, and political ideologies impact the creativity, expression, and everyday lived experiences of Blackness. In this interdisciplinary volume, discussions are made more complex and move beyond the “straight versus kinky hair” and “light skin versus dark skin” paradigm. Instead efforts are made to emphasize the material consequences associated with the ways in which the Black body is read and (mis)understood. The aptness of this work lies in its ability to provide a meaningful and creative space to analyze body politics—highlighting the complexities surrounding these issues within, between, and outside Africana communities. The book provides a unique opportunity to both celebrate and scrutinize the presentation of Blackness in everyday life, while also encouraging readers to forge ahead with a deeper understanding of these ever-important issues.

Table of Contents

  • Foreword, Haki R. Madhubuti
  • Introduction, Regina E. Spellers and Kimberly R. Moffitt
  • SECTION ONE: Hair/Body Politics as Expression of the Life Cycle
    • The Big Girl’s Chair: A Rhetorical Analysis of How Motions for Kids Markets Relaxers to African American Girls, Shauntae Brown White
    • Pretty Color ’n Good Hair: Creole Women of New Orleans and the Politics of Identity, Yaba Amgborale Blay
    • Invisible Dread: From Twisted: The Dreadlocks Chronicles, Bert Ashe
    • Social Constructions of a Black Woman’s Hair: Critical Reflections of a Graying Sistah, Brenda J. Allen
    • What it Feels Like for a (Black Gay HIV+) Boy, Chris Bell
  • SECTION TWO: Hair/Body as Power
    • Dominican Dance Floor, Kiini Ibura Salaam
    • Covering Up Fat Upper Arms, Mary L. O’Neal
    • Cimmarronas, Ciguapas, and Senoras: Hair, Beauty, and National Identity in the Dominican Republic, Ana-Maurine Lara
    • Of Wigs and Weaves, Locks and Fades: A Personal Political Hair Story, Neal A. Lester
    • “Scatter the Pigeons”: Baldness and the Performance of Hyper-Black Masculinity, E. Patrick Johnson
  • SECTION THREE: Hair/Body in Art and Popular Culture
    • From Air Jordan to Jumpman: The Black Male Body as Commodity, Ingrid Banks
    • Cool Pose on Wheels: An Exploration of the Disabled Black Male in Film, Kimberly R. Moffitt
    • Decoding the Meaning of Tattoos: Cluster Criticism and the Case of Tupac Shakur’s Body Art, Carlos D. Morrison, Josette R. Hutton, and Ulysses Williams, Jr.
    • Blacks in White Marble: Interracial Female Subjects in Mid-Nineteenth-Century Neoclassicism, Charmaine Nelson
    • Changing Hair/Changing Race: Black Authenticity, Colorblindness, and Hairy Post-ethnic Costumes in “Mixing Nia, Ralina L. Joseph
    • “I’m Real” (Black) When I Wanna Be: Examining J. Lo’s Racial ASSets, Sika Alaine Dagbovie and Zine Magubane
  • SECTION FOUR: Celebrations, Innovations, and Applications of Hair/Body Politics
  • SECTION FIVE: Contradictions, Complications, and Complexities of Hair/Body Politics
    • Divas to the Dance Floor Please!: A Neo-Black Feminist Readin(g) of Cool Pose, D. Nebi Hilliard
    • Coming Out Natural: Dreaded Desire, Sex Roles, and Cornrows, L. H. Stallings
    • I am More than a Victim”: The Slave Woman Stereotype in Antebellum Narratives by Black Men, Ellesia A. Blaque
    • Two Warring Ideals, One Dark Body: Hegemony, Duality, and Temporality of the Black Body in African-American Religion, Stephen C. Finley
    • The Snake that Bit Medusa: One (Phenotypically) White Woman’s Dreads, Kabira Z. Cadogan
  • Author Index
  • Subject Index
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Arts and Mixedness [eConference]

Posted in Arts, Identity Development/Psychology, Live Events, New Media, Politics/Public Policy, Social Science, United Kingdom on 2010-07-13 06:22Z by Steven

Arts and Mixedness [eConference]

Runnymede Trust
2010-07-09

Runnymede is currently hosting an online debate on mixed-race identity and the arts.

There is a comment from columnist and broadcaster Yasmin Alibhai-Brown: Mixed-Race Britain: Where Next?

Playwright and poet Sabrina Mahfouz also writes about her thoughts on mixed-race identity: A Reflection on Mixedness

There are also contributions from noted arts practitioners Patricia Cumper – director of the Talawa theatre company, Jane Earl – Director of the Rich Mix Arts Centre, and Jennifer Williams – Founding Director of the British American Arts Association in our live discussion thread.

They discussed issues of cultural representation in art, the role of funding bodies and policy, the need for specific ‘mixed’ representation and the benefits / dangers of defining mixedness, race or art. Read and contribute to the discussion thread live now.

Discussion thread started by Nina Kelly on 2010-07-09 at 09:43Z.

Nina KellyModerator
Posts: 4
Jul 09 2010, 10:43

Panellists Jane Earl, Patricia Cumper and Jennifer Williams will be discussing mixed-race identity and the arts below.
For their biographies please see the ‘panellist biographies’ option on your left hand side.

Last edit: Nina Kelly Jul 09 2010, 11:10

 
PatriciaPosts: 19
Jul 09 2010, 11:01

I’m on line.  Pat

 

 
KamaljeetPosts: 22
Jul 09 2010, 11:02

Good morning everyone. Welcome to our debate this morning. I guess the first issue to address is a broader one about the term mixed itself: Does the term mixed carry any coherent meaning when discussing Race?

 

 
JenniferPosts: 7
Jul 09 2010, 11:03

I am online Jennifer (WILLIAMS)

 

 
PatriciaPosts: 19
Jul 09 2010, 11:05

Like all general terms, mixedness is in danger of conflating a number of different social phenomena.  To be mixed race Black/white has a very specific meaning in many societies. Should mixedness be discussed and explored?  Absolutely.

 

 

Read the entire thread here.

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Mixed Race Britain: Where Next?

Posted in Articles, Census/Demographics, Identity Development/Psychology, New Media, Politics/Public Policy, Social Science, United Kingdom on 2010-07-13 05:49Z by Steven

Mixed Race Britain: Where Next?

Runnymede Trust
2010-07-09

Yasmin Alibhai-Brown, Independent Journalist

My two books on mixed race Britons, Colour of Love (1992) and Mixed Feelings (2001) were among the first non-academic explorations of racial mixing in Britain. In the nine years between the two publications, awareness had grown of the fast rising number of mixed heritage families in Britain (some going back three generations) but recognition of multiple identities was yet to come. Public policies, community politics and, arguably, mixed race people and couples themselves, still worked within established mono-racial categories. Black activists forcefully argued that mixed raced people could only be black because that is how society saw them. They, in fact, appropriated the old one drop rule applied during the days of slavery. It wasn’t right in the bad old days and certainly made no sense in the late 20th century. Now that mixed race Britons are set to overtake most other ‘ethnic minority’ groups, the hope must be that old classifications and disagreements will give way to the newer, more pertinent, voices of those who are themselves biracial or even tri-racial and we will find fresh language, modernised concepts and better understanding of human desire and multifarious identities. This hasn’t happened yet. We are in a lacuna at present- in the UK and the US too…

Read the entire article here.

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Hybridity in the Third Space: Rethinking Bi-cultural Politics in Aotearoa/New Zealand

Posted in Asian Diaspora, Identity Development/Psychology, Media Archive, Oceania, Papers/Presentations, Politics/Public Policy on 2010-07-09 21:33Z by Steven

Hybridity in the Third Space: Rethinking Bi-cultural Politics in Aotearoa/New Zealand

Paper Presented to Te Oru Rangahau Maori Research and Development Conference
1998-07-07 through 1998-07-09
Massey University
7 pages

Paul Meredith (Ngati Kaputuhi/Pakeha), Research Fellow
Te Matahauariki Institute
University of Waikato, New Zealand

This brief paper joins a growing call for a reconceptualisation of bicultural politics in Aotearoa/New Zealand that draws on an inclusionary and multifaceted identity politics. (Reilly 1996; McClean 1997; Spoonley 1997) The paper argues the need for this conceptualisation to take place in an alternative space that blurs the limitations of boundaries and engenders new possibilities.

In this paper I invoke Homi Bhabha’s notions of hybridity and the third space and offer some introductory comment as to what these concepts might mean for a project that seeks to redesign the laws and institutions for a bicultural Aotearoa/New Zealand.

Read the entire paper here.

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Claiming the (n)either/(n)or of ‘third space’: (re)presenting hybrid identity and the embodiment of mixed race

Posted in Articles, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Women on 2010-07-09 21:05Z by Steven

Claiming the (n)either/(n)or of ‘third space’: (re)presenting hybrid identity and the embodiment of mixed race

Journal of Intercultural Studies
Volume 25, Issue 1 (April 2004)
pages 75 – 85
DOI: 10.1080/07256860410001687036

Torika Bolatagici, Associate Lecturer
School of Communication & Creative Arts
Deakin University, Melbourne, Austrailia

As a multiracial artist, I am interested in how people of mixed race have been represented in popular culture and how mixed race image-makers can redress popular representation and facilitate a movement beyond the dichotomy, which seeks to reduce us to the sum of our parts. In the footsteps of Evelyn Alsultany I advocate the creation of a new cartography—a space that is inclusive and beyond existing notions of race. To this end I embarked on a project of exploration of the representation of multiracial identity, drawing from Homi K. Bhabha’s notion of Third Space.

Read or purchase the article here.

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