Mixed Race Studies

Invisible Darkness: Jean Toomer and Nella Larsen

University of Iowa Press
1993
255 pages, 10 photos
Paper 0-87745-437-X, 978-0-87745-437-3

Charles R. Larson, Professor of Literature
American University

Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers “disappeared” after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives.

In clear, jargon-free language, Larson demonstrates the opposing views that both writers had about their work vis-à-vis the incipient black arts movement; he traces each writer’s troubled childhood and describes the unresolved questions of race that haunted Toomer and Larsen all of their lives. Larson follows Toomer through the wreckage of his personal life as well as the troubled years of his increasingly quirky spiritual quest until his death in a nursing home in 1967. Using previously unpublished letters and documents, Larson establishes for the first time the details of Larsen’s life, illustrating that virtually every published fact about her life is incorrect.

With an innovative chronology that breaks the conventions of the traditional biographical form, Larson narrates what happened to both of these writers during their supposed years of withdrawal. He demonstrates that Nella Larsen never really gave up her fight for creative and personal fulfillment and that Jean Toomer’s connection to the Harlem Renaissance—and the black world—is at best a dubious one. This strong revisionist interpretation of two major writers will have a major impact on African American literary studies.

Jean Toomer’s Conflicted Racial Identity [Reader Responses]

The Chronicle of Higher Education
2011-03-06

Charles R. Larson, Professor of Literature
American University, Washington, D. C.

To the Editor:

Congratulations to Rudolph P. Byrd and Henry Louis Gates Jr. for concluding that Jean Toomer was a Negro who decided to pass for white—the same conclusion I made in my biography of Toomer, Invisible Darkness: Jean Toomer and Nella Larsen, published in 1993. Nothing like reinventing the wheel.

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Kimberly A. Barrett, Vice President for Student Affairs
University of Montevallo, Montevallo, Alabama

To the Editor:

Despite the interesting investigative work of its authors, the recent Chronicle article on Jean Toomer was troubling to me because it served as another apparent grain of truth that sustains two deeply entrenched stereotypes. One of these is the myth of the confused mulatto who is disabled by incessant struggles with his or her racial identity. The other is the “one-drop rule“—the idea that anyone with an identifiable black person in his or her lineage is assumed black. I think it’s time we acknowledge the reality of the existence of the well-adjusted multiethnic/biracial white person. As the self-identifying African-American mother of a young man who fit that description while growing up, I’d like to share part of our story in the spirit of balance.

“Your mom is black?” was a frequent refrain and innocent nod to the notion of the one-drop rule when my son’s acquaintances met me for the first time. I must admit that I, too, did not escape the influence of this perennial rule. On those dreamy weekend mornings when my husband and I lay awake pondering who our child would look like, I smugly argued that of course our child would be black because one parent was black. My husband, on the other hand, who is white (of Irish and Danish descent) and a card-carrying member of a Native American tribe, asked with dismay, “Where am I in this equation?”…

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Marcia Alesan Dawkins, Visiting Scholar
Brown University

To the Editor:

In their article on Jean Toomer, the authors Rudolph P. Byrd and Henry Louis Gates Jr. claim that Toomer suffered from a case of “conflicted racial identity” (“Jean Toomer’s Conflicted Racial Identity,” The Chronicle Review, February 11). Toomer, one of the first proponents of thinking about race in multiracial “American” terms, is now said to have been passing as white. The authors justify this assertion by presenting new evidence that Toomer identified himself differently based on location and situation.

It is true that Toomer most likely self-identified as “Negro” when he registered for the draft. It is also true that in Toomer’s era, and the eras in which his ancestors were identified, census takers were allowed to list racial designation as they perceived it. So, whether Toomer is listed as white or black on the census may say little about his own thoughts on racial identity. It may, however, say much about how he was perceived by the person taking the census and/or responding on his behalf. A similar case can be made for the marriage licenses. In the absence of a handwriting expert, eyewitness, or recorded conversation, it is not verifiable that Toomer self-identified as white or whether he was designated as white by the licensor.

Nevertheless, Byrd and Gates maintain that Toomer had to be passing—and therefore engaging in racial deception—because it is not documented that any of his “direct ancestors chose to live or self-identify as white.”

Flying in the face of decades’ worth of scholarship that builds on Toomer’s work, Byrd and Gates ignore Maria Root’s “Bill of Rights for People of Mixed Heritage.” In it, Root states that multiracial people may identify differently over time, may identify differently than their parents or siblings, and that doing so is totally acceptable. As my colleague Ulli K. Ryder of Brown University put it, “It feels like Byrd and Gates have made a conflict where, in fact, there isn’t one.”…

Read the entire responses here.

Daughter from Danang

2002
U.S.A.
81 Minutes

Directed by:

Gail Dolgin

Vicente Franco

A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war. To all outward appearances, Heidi [Bub] is the proverbial “all-American girl”, hailing from small town Pulaski, Tenn. But her birth name was Mai Thi Hiep. Born in Danang, Vietnam in 1968, she’s the mixed-race daughter of an American serviceman and a Vietnamese woman. Fearing for her daughter’s safety at the war’s end, Hiep’s mother sent her to the U.S. on “Operation Babylift”, a Ford administration plan to relocate orphans and mixed-race children to the U.S. for adoption before they fell victim to a frighteningly uncertain future in Vietnam after the Americans pulled out. Mother and daughter would know nothing about each other for 22 years.

Now, as if by a miracle, they are reunited in Danang. But what seems like the cue for a happy ending is anything but. Heidi and her Vietnamese relatives find themselves caught in a confusing clash of cultures and at the mercy of conflicting emotions that will change their lives forever. Through intimate and sometimes excruciating moments, Daughter from Danang profoundly shows how wide the chasms of cultural difference and how deep the wounds of war can run—even within one family.

Jean Toomer’s Conflicted Racial Identity

The Chronicle of Higher Education
2011-02-06

Rudolph P. Byrd, Goodrich C. White Professor of American Studies and African American Studies
Emory University

Henry Louis Gates, Jr., Alphonse Fletcher University Professor and Director, W. E. B. Du Bois Institute for African and African American Research
Harvard University

On August 4, 1922, about a year before he published his first book, Cane, Jean Toomer, age 27, wrote to his first love, a black teenager named Mae Wright, confessing his ambivalence about the dogged pursuit by African-Americans of Anglo-American cultural ideals: “We who have Negro blood in our veins, who are culturally and emotionally the most removed from Puritan tradition, are its most tenacious supporters.” That would be one of the last times he admitted his own Negro ancestry, either publicly or privately. Six years later, Georgia O’Keeffe—Toomer’s friend and later lover—wrote to her husband, Alfred Stieglitz, describing the way Toomer, then living in Chicago, was identifying himself: “It seems that in Chicago they do not know that he has Negro blood—he seems to claim French extraction.”

When we were working on a new Norton critical edition of Cane, a masterpiece of modernism composed of fiction, poetry, and drama, we confronted the question of Toomer’s race. Literary critics and biographers have long speculated about how he identified himself, but too often they have chosen not to conduct research into public documents about the topic. Was Toomer—a central figure in two faces of American modernism, the New Negro (or Harlem Renaissance) Movement and the Lost Generation—a Negro who, following the publication of Cane, passed for white?

Toomer is known for proclaiming a new, mixed racial identity, which he called “American.” In an era of de jure segregation, such a claim was defiantly transgressive. But he may have been far more conflicted about his identity than his noble attempt to question American received categories of “race” might suggest…

…In the course of the 25 years between his 1917 and 1942 draft registrations, it seems that Toomer was endlessly deconstructing his Negro ancestry. During his childhood and adolescence in Washington, as a member of the mulatto elite, he lived in both the white and the black worlds. At times he resided in white neighborhoods, but he was educated in all-black schools. Toomer would write that it was his experience in that special world, “midway between the white and Negro worlds,” that led him to develop his novel “racial position” as early as 1914, at the age of 20, when he defined himself as an “American, neither white nor black.”…

…Why is it so important, as we read Cane, to understand Toomer’s conflicts over his racial identity? What light does it shine on scholarship about his work, about African-American literature, and the way our society has dealt with race? The first reason is the simple, or rather complicated, fact that Toomer himself thought it was important. Important? Toomer obsessed over it, endlessly circling back upon it in the comfortable isolation of his upper-middle-class home in Bucks County, Pa...

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Multiracial: Border Crosser: Stephen Murphy-Shigematsu navigates nations, cultures and academia

Nichi Bei: A mixed plate of Japanses American News & Culture
2010-05-20

Akemi Johnson

Stephen Murphy-Shigematsu is looking again toward Japan.

A psychotherapist, writer and academic, Murphy-Shigematsu has lived in Palo Alto, Calif. the past eight years, teaching at Stanford University and running an independent multicultural consulting practice. Life in the Bay Area, he says, is easy for someone like him, the son of an Irish American man and Japanese woman. Conflict—tensions associated with being mixed race—is rare.

This wasn’t always the case. Early in his career, Murphy-Shigematsu, who was born in Tokyo in 1952 and raised in Massachusetts, faced questions about his legitimacy working in Asian American studies. In 1984 he began an internship at the National Asian American Psychology Training Center. One of the first people who welcomed him there said, “So, you’re interested in working with Asian Americans?”

“That really threw me,” Murphy-Shigematsu said. The other man saw him as an outsider to the workshop, whereas Murphy-Shigematsu viewed himself as an insider, a fellow Asian American.

Or there was the time in the late ’80s when Murphy-Shigematsu spoke to an Asian American studies class at San Francisco State University.

“Are you Asian?” the students asked.

“Why do you ask?” Murphy-Shigematsu replied.

“Because you don’t look Asian,” they said.

At academic conferences, Murphy-Shigematsu would stand out physically, and some people would regard him with an attitude of “Why are you here?”

An influential figure for Murphy-Shigematsu during that time was Lane Hirabayashi. Hirabayashi, a noted mixed-race Japanese American scholar, had advocated using the word “hapa,” and claiming the right to self-define, instead of being labeled by well-intentioned others. Impressed with this, Murphy-Shigematsu sought out Hirabayashi…

Read the entire article here.

Race, Sex and the Trials of a Young Explorer

The New York Times
2011-02-13

Richard Conniff

In 1859, Paul Du Chaillu, a young explorer of French origin and adopted American nationality, wandered out of the jungle after a four-year expedition in Gabon.  He brought with him complete specimens of 20 gorillas, an animal almost unknown outside West Africa.  The gorilla’s resemblance to humans astonished many people, especially after Darwin published “On the Origin of Species” later that year.  The politician Edwin M. Stanton was soon calling Abraham Lincoln “the original gorilla” and joking that Du Chaillu was a fool to have gone to Africa for what he could as easily have found in Springfield, Ill.

But the more common way to deal with our resemblance to monkeys and apes then was to fob it off onto other ethnic groups—typically black people, or sometimes the Irish.  A few white scientists even purported to find physiological evidence, in the configuration of the skull, for classifying other races as separate species, not quite as far removed as Caucasians from our primate cousins.  This undercurrent of scientific racism would play out to devastating effect in Du Chaillu’s own life.

When Du Chaillu arrived in London for the 1861 publication of his book, “Explorations and Adventures in Equatorial Africa,” he became the most celebrated figure of the season, and then, overnight, the most notorious.  He was, by all accounts, a charismatic presence, about 30 years old, with a thick moustache, a prominent brow, and bright, flashing eyes.  He also had a gift for colorful lectures about hunting fierce animals and befriending cannibals…

…But as I was researching my book “The Species Seekers,” I kept coming across hints of an uglier motive for the attack on Du Chaillu, based on race. A merchant in Gabon made the cryptic assertion that he possessed “from reliable sources, information the most exact as to [Du Chaillu’s] antecedents.”  Others whispered, as The New York Times reported, that “the suspicion of negro sympathies hangs around him in many ways.”  Du Chaillu presented himself as a white man, born in Louisiana, and an almost compulsive awareness of race runs through his book:  “’You are the first white man that settled among us, and we love you,’” a village chieftain declares at one point.  “To which all the people answered, ‘Yes, we love him! He is our white man, and we have no other white man.’”

But the truth seems to be that his mother was a woman of mixed race, possibly a slave, on the Indian Ocean island of Réunion, where his father had been a merchant and slaveholder.  Concealing this background, the historian Henry H. Bucher Jr. has written, was “an understandable choice during the heyday of scientific racism.” In fact, Du Chaillu’s expedition to Gabon had been sponsored by the Academy of Natural Sciences in Philadelphia, then the center of scientific racism. (Samuel G. Morton kept a vast collection of skulls there, “the American Golgotha,” for the purpose of racial comparisons.) The “mysterious and rapid” end to Du Chaillu’s close association with the Academy in 1860 may have resulted, says Bucher, from “a committee member’s discovery of his maternal ancestry.”

A letter sent to an English friend in the thick of the Du Chaillu controversy supports this theory.  George Ord, an officer of the academy, wrote that some of his learned colleagues had taken note when Du Chaillu was in Philadelphia of “the conformation of his head, and his features” and detected “evidence of a spurious origin.”  Ord added:  “If it be a fact that he is a mongrel, or a mustee, as the mixed races are termed in the West Indies, then we may account for his wondrous narratives; for I have observed that it is a characteristic of the negro race, and their admixtures, to be affected to habits of romance.”…

…Curiously, the same issues of The Athenaeum in which the attack on Du Chaillu was playing out also featured a running plagiarism fight about a stage melodrama called “The Octoroon.”  It told the story of a dazzling New Orleans beauty “educated in every refinement and luxury” who was “almost a perfect white, her mother being a quadroon.”  In all three contesting versions of this tale, an “underhanded Yankee overseer” seeks to possess the heroine on the slave market.  And in each case, a dashing sea captain foils the nefarious plot and carries the beauty off to freedom.  Audiences apparently felt comfortable taking the heroine’s side because she was seven-eighths white.  But what if the sexes had been reversed, with a white woman falling for a mixed-race man—a man like Du Chaillu, say?…

Read the entire article here.

Asian American Studies: Building Academic Bridges – Nitasha Sharma

The Department of African American Studies
Northwestern University, Evanston Illinois
October 2010

Ronald Roach

NITASHA TAMAR SHARMA Title: Assistant Professor of African-American and Asian American Studies, Northwestern University Education: Ph.D., Anthropology, University of alifornia at Santa Barbara; M.A., Anthropology, University of California at Santa Barbara; B.A., Anthropology, University of California at Santa Cruz Age: 35

With a dual appointment in the African-American Studies department and the Asian American studies program at Northwestern University, Dr. Nitasha Sharma is well positioned to produce scholarship that bridges the two disciplines. Sharma’s forthcoming book, based on her anthropology dissertation, Claiming Space, Making Race: South Asian American Hip Hop Artists, examines the influence that African-American-inspired hip hop culture has had on young musicians of South Asian descent, developing what some scholars see as fertile ground in ethnic studies—cross-cultural and comparative inquiry on U.S. racial and ethnic groups.

In her third year as an assistant professor at Northwestern, Sharma is regarded as a skillful and popular teacher. Her courses have included “The Racial and Gender Politics of Hip Hop”; “Race, Crime, and Punishment: The Border, Prisons, and Post-9/11 Detentions”; and “Cracking the Color Lines: Asian and Black Relations in the U.S.” Sharma has also done considerable work on mixed-race populations, including those in the U.S. and Trinidad. The African-American Studies department has awarded its Outstanding Teaching Award to Sharma in both her first and second years.

In addition, Sharma’s dual appointment has attracted the attention of Asian American studies scholars as well as Asian American student groups nationally and has resulted in numerous speaking engagements for the young professor. “(These individuals and organizations) really want to have the framework to understand the collaborations that my appointment symbolizes,” she says…

…“Nitasha is especially attractive in the way that she complicates our understanding of how race is constructed… And she is very good at demonstrating the impact of African-American culture and history on diverse populations around the globe,” Hine adds.

Sharma’s personal background may help explain her rise as a young scholar. She knew as a youngster growing up in Hawaii that she wanted to follow in the footsteps of her parents, both professors. Her father, a retired University of Hawaii history professor and Indian immigrant, and mother, a still-active University of Hawaii anthropologist in Asian studies and Brooklyn, N.Y., native of Russian Jewish descent, met and married in the United Kingdom and settled in Hawaii. “I wanted the life that my parents had. They had summers off and traveled around the world; they were frequently at home during the week days… The talk at the dinner table was largely about academic life and their work,” Sharma says…

Read the entire article here.

Kelly Jackson: Faculty spotlight

Arizona State University
College of Public Programs
2011-01-14

Dr. Kelly Jackson is an Assistant Professor in Social Work in the College of Public Programs.

Before coming to the College four years ago, she earned her Masters in Social Work from the University at Albany, and her PhD in Social Welfare from the University at Buffalo, State University of New York.

Kelly’s research focuses on the cultural identity development of persons of mixed racial and ethnic heritage. She is also interested in developing and evaluating strength-based interventions for at-risk multiracial and multicultural youth.

She says her work is very personal to her.  “As a social worker and a person of mixed race heritage, I am committed to expanding the current knowledge base of multiracial identity development by conducting and disseminating empirical research that utilizes ecological and strength-based conceptualizations of the multiracial experience.”…

Read the entire article here.

Multiple Passings and the Double Death of Langston Hughes

Biography
Volume 23, Number 4 (Fall 2000)
pages 670-693
E-ISSN: 1529-1456 Print ISSN: 0162-4962
DOI: 10.1353/bio.2000.0043

Juda Charles Bennett, Associate Professor of English
The College of New Jersey

Desire to us
Was like a double death,
Swift dying
Of our mingled breath,
Evaporation
Of an unknown strange perfume
Between us quickly
In a naked
Room.

Langston Hughes, “Desire”

At the very beginning of his career and throughout most of his forty years of writing, Langston Hughes repeatedly returned to the theme of racial passing, exploring the subject in two autobiographies, several poems and short stories, a brief scene in his first novel, and at least one play. More than those writers who could easily pass for white—Jean Toomer and Walter White—and more than those writers who have become central to the growing study of passing literature—Nella Larsen and William Faulkner—Langston Hughes examines this figure through all the major genres, and more importantly, with an incredible range and inventiveness. In surveying the work, however, it becomes apparent that Hughes began to abandon the theme of racial passing just as he was beginning to explore the interrelated themes of homosexuality and homophobia. As Hughes moves to this “new” material, he can be found structuring it, perhaps as many authors do, upon his early work, with the more familiar drama of racial passing informing his approach to homosexuality. Perhaps less obvious are the ways that the early representations of racial passing, including…

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Blacks and Native Americans have deep ties

Our Weekly: Our Truth, Our Voice
Los Angeles, California
2010-11-18

Manny Otiko, Our Weekly Contributor

November is Native Heritage month

There is an old joke in the Black community about women attributing long hair to having “Indian blood” in their family. But like all jokes, there is an element of truth in this statement. There are deep ties between Native Americans, America’s first residents, and Black Americans, America’s first sizable minority group.

Los Angeles resident Phil Wilkes Fixico claims both Native American and African American roots on both sides of his family. Fixico, a performance artist and activist for Black Indian culture, says that he first started exploring his genealogy, when he got into his 50s.

Fixico said he has been on an 11-year journey to identify with his Native American roots. This has included reaching out to relatives in Oklahoma, producing a DVD about the Black-Indian experience and doing presentations about Native American culture around Los Angeles…

…Fixico said that he grew up a troubled youth, who was in an out of the juvenile system. After a stint in a correctional institution, he finally turned his life around. He received help from people of all races to do this.

Fixico attributes much of his problems to an identity crisis caused by lack of knowledge about his history. At 52, he decided to start investigating his background. He knew his mother, who raised him alone, was of Creek, White and African descent, but he later learned that his biological father was also part Seminole.

Fixico discovered that his ancestors were Seminole Maroons, slaves who opted to escape captivity and form alliances with the Seminole Indians in Florida…

Read the entire article here.