“The Lost Apostrophe”?: Race, the roots journey and the “Rose of Tralee” pageant

Posted in Anthropology, Articles, Communications/Media Studies, Media Archive on 2017-12-22 20:12Z by Steven

“The Lost Apostrophe”?: Race, the roots journey and the “Rose of Tralee” pageant

Irish Studies Review
Published online: 2017-12-06
17 pages
DOI: 10.1080/09670882.2017.1412099

Sinéad Moynihan, Senior Lecturer of English
University of Exeter, Exeter, United Kingdom

Building on recent scholarship on discourses of race in twentieth-century and contemporary Ireland, this article examines the racialised nature of the “roots journey”, in which subjects of Irish descent – typically white Irish Americans – travel back to Ireland to trace their roots. Outlining arguments that have emphasised both the reactionary and radical potential of the practices of genealogy and the search for roots, the article focuses on recent developments in the Rose of Tralee contest, an annual beauty pageant in which women of Irish descent compete for the title “Rose of Tralee”. Noting that three winners since 1998 (and several other competitors since 1994) have been of mixed race ancestry, and emphasising the subsequent roots journeys undertaken by two of these winners to the Philippines and India, respectively, the article questions whether these roots journey, taking non-white subjects of Irish descent out of Ireland rather than into it, may offer the potential of decoupling “Irishness” and “whiteness” in radical new ways.

Read or purchase the entire article here.

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Posthistorical fiction and postracial passing in James McBride’s The Good Lord Bird

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, Slavery, United States on 2017-12-22 19:54Z by Steven

Posthistorical fiction and postracial passing in James McBride’s The Good Lord Bird

Critique: Studies in Contemporary Fiction
Published online: 2017-12-15
9 pages
DOI: 10.1080/00111619.2017.1381068

Gerald David Naughton, Associate Professor of American Literature
Gulf University for Science & Technology (GUST), Kuwait

This article examines James McBride’s National Book Award–winning novel The Good Lord Bird (2013) as an example of both posthistorical fiction and postracial passing. These twin ambiguities, the article argues, structure McBride’s neo-slave narrative, pointing toward the inherent ironies of racial, gender, and historical construction, both in the era of the novel’s historical setting (the 1850s) and in the age of the novel’s critical reception (the twenty-first century). Ultimately, the essay suggests, McBride’s novel plays within these ironies, rather than attempting to unravel them. Identity and history in the text exist only as models of performativity, and constructs of essence or authenticity are eschewed.

Read or purchase the article here.

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uncovering the “privilege” of being a white passing person of colour

Posted in Articles, Autobiography, Passing, United Kingdom on 2017-12-22 19:42Z by Steven

uncovering the “privilege” of being a white passing person of colour

i-D
VICE
2016-02-02

Niloufar Haidari


Photography Khashayar Elyassi

Why we shouldn’t let white people police who gets to be “white”.

I am a ‘white-passing’ person of colour; a white-passing British-Iranian woman of colour to be exact. I am in no way ignorant as to the privilege this gives me in a still very much racialised world in which the after-effects of colonialism and imperialism are all too evident and dark skin is seen as anything from unattractive to a reason to kill. I am aware that in a culture in which fair skin is still valued higher than those of brown people whether in the fashion industry, on the internet or just at family gatherings, I am lucky. I am white-passing, and I have white-passing privilege. In short, this means that I am not necessarily immediately recognisable as a ‘brown person’, an ‘other’. Make-up companies cater to my concealer and lipstick needs, ‘flesh-coloured’ plasters and crayons are roughly the right shade. Due to the fact that I have spent my whole life living in the UK, I suffer from Vitamin D deficiency and am therefore more likely to be mistaken for Italian/Spanish rather than Middle Eastern for 9 months of the year. I would like to make it very clear that I am in no way trying to claim I suffer the same kind of discrimination based on skin that black or dark-skinned Asian women do; I don’t even suffer the same kind of discrimination as other Iranian women who are darker than I do.

But I do suffer discrimination. I am white-passing, not white. And interestingly, it often seems to be white people rather than other people of colour who are darker than me who are quick to announce my non-eligibility for discrimination and to tell me I’m white. I have experienced a long and varied history of this from both white friends and anonymous white strangers on the internet…

Read the entire article here.

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Feminism 101: What is White Passing Privilege?

Posted in Articles, Media Archive, Passing, United States on 2017-12-22 19:29Z by Steven

Feminism 101: What is White Passing Privilege?

FEM Magazine
University of California, Los Angeles
2017-12-16

Catherine Pham


Design by Jennifer Dodge

Racial passing is when someone’s features cause them to be mistaken for another racial or ethnic group. Depend on what race or ethnicity people pass as, they can experience different treatment which can be advantageous or detrimental. White passing privilege is the additional privilege some people of color (POC) are afforded when their features, such as skin color or hair texture, cause them to be mistaken as white. For instance, white passing Latinx people will most likely avoid being racially profiled, questioned about their citizenship or lack thereof, or doubted for their English-speaking skills or education status. Prominent actors of color like Rashida Jones, and Keanu Reeves tend to be white passing — because their white appearances allow them to get larger, more multidimensional roles rather than being typecast

Read the entire article here.

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Hispanic Identity Fades Across Generations as Immigrant Connections Fall Away

Posted in Articles, Census/Demographics, Latino Studies, Media Archive, Reports, United States on 2017-12-22 18:18Z by Steven

Hispanic Identity Fades Across Generations as Immigrant Connections Fall Away

Pew Research Center
Washington, D.C.
2017-12-20
34 pages

Mark Hugo Lopez, Director of Hispanic Research

Ana Gonzalez-Barrera, Senior Researcher

Gustavo López, Research Analyst

11% of American adults with Hispanic ancestry do not identify as Hispanic

More than 18% of Americans identify as Hispanic or Latino, the nation’s second largest racial or ethnic group. But two trends – a long-standing high intermarriage rate and a decade of declining Latin American immigration – are distancing some Americans with Hispanic ancestry from the life experiences of earlier generations, reducing the likelihood they call themselves Hispanic or Latino.

Among the estimated 42.7 million U.S. adults with Hispanic ancestry in 2015, nine-in-ten (89%), or about 37.8 million, self-identify as Hispanic or Latino. But another 5 million (11%) do not consider themselves Hispanic or Latino, according to Pew Research Center estimates. The closer they are to their immigrant roots, the more likely Americans with Hispanic ancestry are to identify as Hispanic. Nearly all immigrant adults from Latin America or Spain (97%) say they are Hispanic. Similarly, second-generation adults with Hispanic ancestry (the U.S.-born children of at least one immigrant parent) have nearly as high a Hispanic self-identification rate (92%), according to Pew Research Center estimates…

Read the entire report here.

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First Encounters: Chi-Chi Nwanoku and Keith Pascoe

Posted in Articles, Arts, Europe, Media Archive, United Kingdom on 2017-12-20 23:02Z by Steven

First Encounters: Chi-Chi Nwanoku and Keith Pascoe

The Irish Times
2017-05-03

Frances O’Rourke


Chi-Chi Nwanoku

‘Ireland brought us back together’

Chi-Chi Nwanoku is a double bassist and a founder member of the Orchestra of the Age of Enlightenment. The eldest of five children of a Nigerian father and an Irish mother, she pursued a career in music after injury ended a promising athletics career. She grew up in Kent and Berkshire and now lives in London

The first time I saw Keith was when we were college students in our early 20s. He seemed incredibly composed, confident, like a good fun guy – he had a mischievous twinkle in his eye which I liked. We weren’t in each other’s social circles but I registered Keith as a kindred spirit.

I’d only started playing the double bass when I was 18, after an athletics injury. When I came out of hospital, my A Levels music teacher said, you have music coursing through your veins – now that your sprinting career is over, if you pick an unpopular orchestral instrument, you could just possibly have a career. I’d played piano since I was seven but I’d never played in an orchestra before. A few years later I got into the Royal Academy of Music

…I had been in Ireland just once before when I’d taken my mother there in 1986. She hadn’t been back to Ireland in 36 years, didn’t know how she’d be received: she was born in Cappamore in Limerick, grew up in Thurles, but was kind of abandoned by her family after she met and married my father, an Igbo from east Nigeria, in London. We grew up with lots of wonderful stories and memories that she gave us but she had a very very tough time. In London in the 1950s, it was “no blacks, no Irish, no dogs” – it was as much as my parents could do to find a roof over their heads…

Read the entire article here.

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Brazilians defining themselves as black has grown 15%; while pretos and pardos are considered black, pretos are those defining themselves as simply black

Posted in Articles, Brazil, Caribbean/Latin America, Census/Demographics, Media Archive on 2017-12-20 22:41Z by Steven

Brazilians defining themselves as black has grown 15%; while pretos and pardos are considered black, pretos are those defining themselves as simply black

Black Women of Brazil
2017-12-12

Source: Jornal Floripa, Tudo que Preciso SaberNº de pessoas que se declara preta ou parda cresce 14,9%

Note from BW of Brazil: So what does today’s report really mean in plain English? It’s a topic that’s been discussed here since the debut of this blog back in 2011. Depending on how you look at it, Brazil could have as many 112.7 million black people, which would be 54.8% of the country’s total population of 205.5 million people. Or, looking at it from another perspective, the black population could be around 16.8 million people, which would represent about 8.2% of all Brazilians. Why such a huge discrepancy? Well, again, it depends on how you see it. To come to a figure of 112.7 million black people, one has to include the population of people who define themselves as “pardos”, loosely meaning ‘brown’ or ‘mixed’. At almost 96 million people, they make up about 46.7% of the Brazilian population. For decades, due to quality of life and socioeconomic statistics, black activists have defined the country’s população negra (black population) as the combination of self-declared pretos (blacks) and pardos. The question here would be, how many of those pardos have a phenotype that most would consider black? The world may never know.

The number of Brazilians who declare themselves pretos (blacks) has increased 14.9% to 16.825 million people between 2012 and 2016, according to the Brazilian Institute of Geography and Statistics (IBGE), which announced on Friday the “Características gerais dos moradores 2012-2016” (General characteristics of residents 2012 -2016), raised by the National Continuous Household Sample Survey (PNAD).

According to the survey, the number of Brazilians who declared themselves pardos (or were declared pardos by the resident interviewed) also grew between 2012 and 2016, by 6.6%, to 95.9 million people. This is the largest group, accounting for 46.7% of the population, a condition it assumed from 2015.

The number of Brazilians declaring themselves brancos (whites) in turn continued to shrink: they were 90.9 million in 2016, 1.8% less than in 2012. Of 46.6% of residents in the country in 2012, the declared white population accounted for 44.2% of the total in 2016. Those declared black were 8.2%.

According to Maria Lucia Vieira, research manager, the data indicate an increasing miscegenation in Brazil. There are basically three possible explanations, according to her: increased self-assertion of pretos e pardos (blacks and browns); marriage growth between races; higher fertility rate among pretos and pardos…

Read the entire article here.

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In an increasingly mixed-race America, who decides what we call ourselves?

Posted in Articles, Census/Demographics, Media Archive, Politics/Public Policy, Social Science, United Kingdom, United States on 2017-12-20 17:59Z by Steven

In an increasingly mixed-race America, who decides what we call ourselves?

The Philadelphia Inquirer
2017-12-18

Valerie Russ, Staff Writer


(Andy Stenning/Pool Photo via AP)
Prince Harry and his fiancee Meghan Markle speak with teachers at the Nottingham Academy Dec. 1.

Last week, the Meghan Markle controversy was her anticipated visit with Prince Harry to Queen Elizabeth’s estate at Sandringham for Christmas, an unprecedented invitation for an unmarried couple.

Before that, the debate was about Markle’s mixed-race identity: Do her African American mother and white father make her white, black, or biracial? After her engagement to Harry, some women celebrated the notion of a “black princess” — although she’ll actually be a duchess — while others argued she should be described as biracial, not black.

How to define, describe, and label mixed-race identity has been a brewing controversy in recent decades as the country becomes more racially diverse. Since the 2000 census, when Americans were first able to choose more than one race, the Census Bureau reported that people of color will be the majority in the nation by the 2040s and that more than half of American children will be part of a minority race or ethnic group by 2020. In fact, as of last year, the census said minority or ethnic-group children under the age of 1 are already in the majority.

The sociologist Herbert Gans blamed Census Bureau data for the increase in white nationalism and alt-right fear “that they are being threatened and overwhelmed by a growing tide of darker-skinned people.” He predicted that mixed-race Latinos and Asians will eventually identify themselves as white.

Camille Z. Charles, the director of the Center for Africana Studies at the University of Pennsylvania, is the daughter of an African American mother and a white father. Charles identifies as black. She is working on a book exploring the intra-racial diversity among black Americans who identify either as African American, mixed-race/biracial, or black immigrant, tentatively titled The New Black: Race-Conscious or Post-Racial?

Read the entire article here.

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Turner Prize Goes to Lubaina Himid, Whose Work Depicts African Diaspora

Posted in Articles, Arts, History, Media Archive, Slavery, United Kingdom on 2017-12-06 02:39Z by Steven

Turner Prize Goes to Lubaina Himid, Whose Work Depicts African Diaspora

The New York Times
2017-12-05

Anna Codrea-Rado


Lubaina Himid won Britain’s leading contemporary art prize for “her uncompromising tackling of issues” including colonial history and racism, the jury chairman said.
Credit Edmund Blok for Modern Art Oxford

The visual artist Lubaina Himid, best known for her paintings, installations and drawings depicting the African diaspora, won the Turner Prize on Tuesday night, making her the first nonwhite woman to be given the leading British contemporary art award…

…Alex Farquharson, Tate Britain’s director and the chairman of the Turner Prize jury, said in a statement that the jury “praised the artist for her uncompromising tackling of issues including colonial history and how racism persists today.” Ms. Himid won for three of her shows this year, in Oxford, Bristol and Nottingham, he said.

Among the selection of Ms. Himid’s work on display at the Turner Prize exhibition in Hull was a collection of English ceramics painted with images of black slaves.

Ms. Himid, 63, is the oldest recipient in the prize’s history; a rule change made her eligible. This year’s award was the first since 1991 that was open to artists over 50…

…This year’s shortlist was also noted for being one of the most diverse. All of the nominees have connections abroad, either by birth or through parentage. Ms. Nashashibi, 44, was born in London to a Palestinian father and an Irish mother; Ms. Büttner, 46, is German-born; Mr. Anderson is the son of Jamaican immigrants; and Ms. Himid was born in Tanzania…

Read the entire article here.

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My Mother Is White. I Am Not: On Being Biracial Without Identity Issues

Posted in Articles, Autobiography, Media Archive, United States on 2017-12-06 02:13Z by Steven

My Mother Is White. I Am Not: On Being Biracial Without Identity Issues

Very Smart Brothas
The Root
2017-12-05

Panama Jackson


Panama Jackson, 1 year old, with his dad (Panama Jackson)

Editor’s note: This piece speaks from the perspective of being biracial with black and white parents. I realize that other biracial ethnic mixes may or may not share any of these experiences.

A few weeks ago, I wrote a piece called “Black Folks Who, Though Invited, Probably Wouldn’t Come to the Cookout.” On this list I included the following people: Mariah Carey, Meghan Markle, Rashida Jones and Lenny Kravitz. Would they come? We many never know, but sure as shootin’ an early comment on Facebook pointed out, solely, that “Mariah Carey is biracial. I believe Megan Merkel [sic] is biracial as well …”

While I can’t speak for the commenter, my assumption is that their biracialness excludes them from the list with the lead of “Black Folks,” though I’m surprised he didn’t realize that Rashida and Lenny are also biracial in the way that Sean Fury can appreciate. Put a pin in this…

Self-identity is defined as the recognition of one’s potential and qualities as an individual, especially in relation to social context.

Self-identity.

Here is where I point out some facts about myself. I am mixed. I’m the product of a Caucasian woman from France and a black man from Alabama. I will tell you, without hesitation, that I am biracial.

What I will also tell you, without hesitation and with pride, is that I’m black. I identify as black. I was raised that way. I was raised in a household by my black father and black stepmother and my black sisters. My upbringing was full of blackness, not even intentionally but by virtue of who my parents are. My white mother obviously had a hand in raising me—we spent summers with her in Michigan—but largely, my foundation, self-esteem, pride and identity were crafted by my black parents….

Read the entire article here.

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