Lupita Nyong’o To Star In ‘Born A Crime’ Based On Trevor Noah’s Memoir

Posted in Africa, Articles, Arts, Autobiography, Media Archive, South Africa on 2018-02-22 04:47Z by Steven

Lupita Nyong’o To Star In ‘Born A Crime’ Based On Trevor Noah’s Memoir

Deadline Hollywood
2018-02-21

Amanda N’Duka


REX/Shutterstock

EXCLUSIVE: Oscar winner Lupita Nyong’o, currently starring as Nakia in Disney/Marvel’s record-smashing, watershed hit Black Panther, has signed on to star in Born a Crime, the film adaptation of The Daily Show host Trevor Noah’s bestselling debut autobiography Born a Crime: Stories from a South African Childhood.

Nyong’o will play Noah’s mom, Patricia, who served as an important figure to her son in his formative years. She was shot in the head by his stepfather while returning from a church service in 2009, but survived.

Noah is producing the project through his Ark Angel Productions alongside Norman Aladjem, Derek Van Pelt and Sanaz Yamin of Mainstay Entertainment, and Nyong’o…

Read the entire article here.

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Combating the Myth of Racial Democracy in Brazil

Posted in Articles, Brazil, Caribbean/Latin America, History, Media Archive on 2018-02-22 02:28Z by Steven

Combating the Myth of Racial Democracy in Brazil

Primary Source: The Indiana University Undergraduate Journal of History
Volume IV: Issue I, Fall 2013
Page 17-22

Rebecca Pattillo

While Brazil and the United States share a history of slavery, the changes to race relations in Brazil following emancipation differ greatly from the African American experience in the United States. The United States continuously enacted discriminatory laws against people of color such as Black Codes and Jim Crow Laws. From this emerged a society with government-institutionalized racism. In contrast, Brazil did not experience the same type of institutionalized racism and did not have overtly racist discriminatory laws. This is not to say that Afro-Brazilians did not struggle for social and racial equality following emancipation; rather, Brazil saw substantial differences in their racial social hierarchy due to their unique reasons for emancipation. Out of this emerged the opinion that racial prejudice and stratification existed more along the lines of wealth and class as opposed to the color of one’s skin. Sociologist Antonio Sérgio Alfredo Guimarães wrote in his essay “The Misadventures of Nonracialism in Brazil” that “in Brazil racism developed in a different way, present in social practice – a racism of attitudes – but unrecognized by the legal system and denied by the  nonracialist discourse of nationality.”1 Hence, a myth of racial democracy and inclusion emerged regarding Afro-Brazilians. Namely, this myth propagates that racism and inequality were not as prevalent in Brazil as they were in the United States and that blacks experienced little to no racial oppression…

Read the entire article here.

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Learning to Transgress: Law 10.639 and Teacher-Training Classrooms in São Paulo, Brazil

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, History, Politics/Public Policy on 2018-02-22 02:01Z by Steven

Learning to Transgress: Law 10.639 and Teacher-Training Classrooms in São Paulo, Brazil

Transforming Anthropology
Volume 24, Issue 1, April 2016
Pages 70–79
DOI: 10.1111/traa.12058

Reighan Gillam, Assistant Professor of Anthropology
University of Southern California

Signed in 2003, Law 10.639 makes teaching Afro-Brazilian history and culture compulsory in primary school lessons. Training programs to educate teachers on this material have proliferated in the state of São Paulo and elsewhere in Brazil. This paper illuminates non-elite Brazilians’ lived, personal engagements with ideas of racial inequality by way of these training programs. Participants in these classrooms did not express direct rejection or acceptance of these ideas but rather relied on personal experiences to negotiate their conceptions of racial identity and racial inequality that deviate from traditional ideas of racial democracy. As Brazil takes further steps to consider race when facilitating access to resources and confronting racial inequality directly, it is imperative that the everyday iterations of this shift are understood.

As part of a series of training sessions1 to instruct teachers on how to integrate Afro-Brazilian history and culture into their curricula, trainer Flávia Gomes2 screened clips from the film Everyone’s Heroes (Heróis de Todo Mundo). This movie features prominent Afro-Brazilians and explains their role in national history. Flávia told the teachers that they could show this movie in their classrooms, or they could integrate the information from the movie into their lessons. Five female educators and I sat at our desks and quietly watched the clips that briefly recounted the lives and accomplishments of figures like Auta da Souza, an Afro-Brazilian writer, and Milton Santos, an Afro-Brazilian geographer. After showing the video, Flávia said a few words: “Violence is to whiten Black heroes. This silences the place of Blackness in the classroom. Machado de Assis, Lima Barreto. There is no way to silence this. (Não da para silenciar).” One of the participants raised her hand; Flávia called on her. She was a principal at an elementary school and participating in these classes to oversee the curricular changes at her school. Before saying anything, she began to sob, taking the entire class by surprise. “I feel so troubled because I didn’t know these people had been left out. I have heard of them but didn’t know they were Black. I liked reading the poems of Auta da Souza, but I always pictured her as White. The lack of information that we have…” Her comments trailed off as she wiped her tears. This response occurred toward the end of class, leaving Flávia with little time to initiate a conversation. Instead, she concluded class by adding a few words about using this video to educate children about the people presented in the movie before dismissing everyone for the day.

This scene played out in a teacher-training program in its first year in Flor do Campo, Brazil, in the state of São Paulo. These teacher-training programs resulted from the passage of Law 10.639, which made Afro-Brazilian history and culture compulsory material for all Brazilian public primary schools. Since its passage, teacher-training programs have proliferated throughout the country to provide teachers with classroom material about Afro-Brazilian history and culture to satisfy the legal mandate of Law 10.639. The teacher-training classrooms in which I participated were dynamic spaces of conversation, interaction, and engagement where Brazilians, like the principal above, could encounter new ways of thinking about race2 that run contrary to the common belief that racism cannot naturally exist in a mixed-race society. This article aims to examine changing understandings of race in Brazil, not as it transforms larger social and political structures, but as it is continuously reframed on the micro-social or everyday level. I argue that the critical practice of learning about and responding to subjugated knowledge and alternative experiences have the potential to transgress boundaries of belonging and recognition of racial difference in Brazil.

This article takes as a point of departure the issue of the personal in an era of changing conceptions of Brazilian race relations. This shift involves not only the macro changes of law and policy but also the personal, lived, everyday interactions of particular people as well. It uses the personal anecdotes, stories, and conversations of Brazilians offered during teacher-training sessions to examine how social change is a personal matter and how it plays out within everyday interactions. The “personal” broadly references the lived experiences of human beings. In several instances, the personal becomes the prism through which people perceive or react to macro-structural events and changing environments. I suggest that many Brazilians offer more personal responses to the shift from racial democracy based on their local and particular experiences as a way to account for the changes they are confronting in classroom education. While I would not say that these conversations were always successful at producing a shared understanding of the ways in which inequality can be tracked along racial lines, these teacher-training classrooms became sites and spaces of struggle over the limits and meanings of racial democracy and racial recognition, informed by the participants’ personal experiences of race that they frequently voiced….

Read the entire article here.

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Ancient DNA sheds light on what happened to the Taino, the native Caribbeans

Posted in Anthropology, Articles, Caribbean/Latin America, Health/Medicine/Genetics, Media Archive on 2018-02-20 04:22Z by Steven

Ancient DNA sheds light on what happened to the Taino, the native Caribbeans

Ars Technica
2018-02-19

Kiona N. Smith


Reconstruction of a Taino village in Cuba. Michal Zalewski

A new DNA study explores where the Taino came from and where they went.

The Caribbean was one of the last parts of the Americas to be settled by humans, although scientists don’t agree on when the first settlers arrived or where they came from. Some argue that people probably arrived from the Amazon Basin, where today’s Arawakan languages developed, while others suggest that the first people to settle the islands came from even farther west, in the Colombian Andes.

“The differences in opinion illustrate the difficulty of tracing population movements based on a patchy archaeological record,” wrote archaeologist Hannes Schroeder of the University of Copenhagen, Denmark, and his colleagues. Schroeder’s research team has a new study on the genetics of the long-lost Taino people, which gives some clear indications of their origin and where they went after European colonization…

Not vanished after all

The recent work also shows that the vanished people of the Caribbean didn’t actually disappear without a trace. Modern inhabitants of the Caribbean islands mostly have a mixture of African and European ancestry, but some have a little indigenous DNA as well. That’s not entirely surprising; Spanish colonists reportedly married Taino wives, and other records say that Taino and escaped African slaves also intermarried and formed communities. Some people have made an effort to revive Taino culture and identity in the last century and a half or so, but it has never been clear how genetically related modern Caribbean residents are to the presumably vanished tribes…

Read the entire article here.

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Frederick Douglass, Refugee

Posted in Articles, Biography, History, Media Archive, Politics/Public Policy, Slavery on 2018-02-20 03:42Z by Steven

Frederick Douglass, Refugee

The Atlantic
2017-02-07

David Blight, Class of 1954 Professor of American History; Professor of African-American and American Studies; Director, Gilder Lehrman Center
Yale University


J.C. Buttre / Wikimedia

Throughout modern history, the millions forced to flee as refugees and beg for asylum have felt Douglass’s agony, and thought his thoughts.

Frederick Douglass, author, orator, editor, and most important African American leader of the 19th century, was a dangerous illegal immigrant. Well, in 1838 he escaped a thoroughly legal system of enslavement to the tenuous condition of fugitive resident of a northern state that had outlawed slavery, but could only protect his “freedom” outside of the law.

Douglass’s life and work serve as a striking symbol of one of the first major refugee crises in our history. From the 1830s through the 1850s, the many thousands of runaway slaves, like Douglass, who escaped into the North, into Canada, or Mexico put enormous pressure on those places’ political systems. The presence and contested status of fugitive slaves polarized voters in elections; they were the primary subject of major legislation such as the Fugitive Slave Act of 1850 as well as Supreme Court decisions such as Dred Scott v. Sanford in 1857. They were at the heart of a politics of fear in the 1850s that led to disunion. Among the many legacies of Douglass’s life and writings alive today, one of the most potent is his role as an illegal migrant and very public abolitionist orator and journalist posing as a free black citizen in slaveholding America.

On February 1, 2017, President Donald J. Trump made some brief remarks on Black History Month. “Frederick Douglass,” he said, “is an example of somebody who’s done an amazing job, that is being recognized more and more, I notice.” That afternoon in one of the discussion sections of my lecture course at Yale on “The Civil War and Reconstruction Era,” my teaching fellow, Michael Hattem, reports that he read that quotation to the class. Students had just been assigned to read Douglass’s classic first autobiography, Narrative of the Life of Frederick Douglass. Michael says the class let out an audible collective groan, and one student declared: “My God, he doesn’t know who he was!”

…Born Frederick Augustus Washington Bailey, his father likely his owner and his mother, Harriet, likely the owner’s slave, Douglass lived twenty years in bondage on Maryland’s eastern shore and in Baltimore. At age 18 he organized an escape plot with a small “band of brothers” among the slaves on a farm near St. Michaels, Maryland. Foiled and betrayed, he and his comrades were arrested, put in chains and marched several miles to the jail in Easton, the Talbot County seat. As great luck, Douglass’s owner, Thomas Auld, sent his slave back to Baltimore rather than selling him into obscurity in the deep South. Two years later, in a cunning and brave plot hatched with a few friends and with his intrepid fiancée, Anna Murray, Douglass escaped from slavery by train, steamer, and ferryboat to New York City, disguised as a sailor. His story is one of great drama and risk in the face of what he called a sense of “hopelessness” and “loneliness.” But in recollecting these events Douglass left the world an illegal refugee-immigrant’s language of fear and courage. His greatest power always resided in the written and spoken word…

Read the entire article here.

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Incognegro: Renaissance #1

Posted in Articles, Books, Media Archive, Novels, Passing, United States on 2018-02-20 03:31Z by Steven

Incognegro: Renaissance #1

Dark Horse Comics
2018-02-07
32 pages
b&w, Miniseries
UPC: 7 61568 00235 5 00111

Writer: Mat Johnson
Artist: Warren Pleece
Editor: Karen Berger

After a black writer is found dead at a scandalous interracial party in 1920s New York, Harlem’s cub reporter Zane Pinchback is the only one determined to solve the murder. Zane must go ”incognegro” for the first time–using his light appearance to pass as a white man–to find the true killer, in this prequel miniseries to the critically acclaimed Vertigo graphic novel, now available in a special new 10th Anniversary Edition.

With a cryptic manuscript as his only clue, and a mysterious and beautiful woman as the murder’s only witness, Zane finds himself on the hunt through the dark and dangerous streets of ”roaring twenties” Harlem in search for justice.

A page-turning thriller of racial divide, Incognegro: Renaissance explores segregation, secrets, and self-image as our race-bending protagonist penetrates a world where he feels stranger than ever before.

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Incognegro: Renaissance Author Mat Johnson Talks About Living a Black Life With Skin That Can Look White

Posted in Articles, Arts, Interviews, Media Archive, Passing, United States on 2018-02-20 03:12Z by Steven

Incognegro: Renaissance Author Mat Johnson Talks About Living a Black Life With Skin That Can Look White

Comics
Gizmodo
2018-02-12

Charles Pulliam-Moore


Dark Horse

In Dark Horse’s Incognegro: Renaissance, Zane Pinchback—a young black journalist and New York transplant by way of Tupelo, Mississippi—finds himself smack dab in the middle of Harlem at the height of its Renaissance during the 1920s. Zane, like Incognegro: Renaissance creator Mat Johnson, is a black man with a light enough complexion that people are sometimes unsure or entirely unaware of his race.

To those who know him, Zane’s identity isn’t a question, but for many of the new people he encounters in New York—particularly the white ones—Zane is able to pass as white, and thus move through certain spaces that other black people can’t. Drawn by Warren Pleece, Incognegro: Renaissance opens on a very taboo and illegal book party in Harlem where black and white people co-mingle as the champagne flows freely.

When a black guest suddenly turns up dead of an apparent suicide, the authorities show up on the scene to shut the gathering down, but have zero interest in investigating whether the death may be a homicide because the man is black. Realizing that his ability to pass (and willingness to do work others won’t) might allow him to dig deeper into the potential crime, Zane sets out on a mission to uncover the truth.

When I spoke with Johnson recently about his inspiration for the new series, he explained that much of the core premise is based on his own experiences and a life-long love of Walter Francis White, the civil rights activist who was the head of the NAACP from 1931 to 1955. But what Johnson really wants readers to get out of the series, he said, was a better understanding of the fact that identity in all its forms is fluid…

Read the entire interview here.

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New gene variants reveal the evolution of human skin color

Posted in Africa, Articles, Health/Medicine/Genetics, Media Archive on 2018-02-20 00:53Z by Steven

New gene variants reveal the evolution of human skin color

Science
2017-11-12

Ann Gibbons, Contributing Correspondent


Researchers have identified genes that help create diverse skin tones, such as those seen in the Agaw (left) and Surma (right) peoples of Africa.
ALESSIA RANCIARO & DR. SIMON R. THOMPSON

Most people associate Africans with dark skin. But different groups of people in Africa have almost every skin color on the planet, from deepest black in the Dinka of South Sudan to beige in the San of South Africa. Now, researchers have discovered a handful of new gene variants responsible for this palette of tones.

The study, published online this week in Science, traces the evolution of these genes and how they traveled around the world. While the dark skin of some Pacific Islanders can be traced to Africa, gene variants from Eurasia also seem to have made their way back to Africa. And surprisingly, some of the mutations responsible for lighter skin in Europeans turn out to have an ancient African origin.

“This is really a landmark study of skin color diversity,” says geneticist Greg Barsh of the HudsonAlpha Institute for Biotechnology in Huntsville, Alabama.

Researchers agree that our early australopithecine ancestors in Africa probably had light skin beneath hairy pelts. “If you shave a chimpanzee, its skin is light,” says evolutionary geneticist Sarah Tishkoff of the University of Pennsylvania, the lead author of the new study. “If you have body hair, you don’t need dark skin to protect you from ultraviolet [UV] radiation.”

Until recently, researchers assumed that after human ancestors shed most body hair, sometime before 2 million years ago, they quickly evolved dark skin for protection from skin cancer and other harmful effects of UV radiation. Then, when humans migrated out of Africa and headed to the far north, they evolved lighter skin as an adaptation to limited sunlight. (Pale skin synthesizes more vitamin D when light is scarce.)…

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“Making the Beast with two Backs” – Interracial Relationships in Early Modern England

Posted in Articles, Literary/Artistic Criticism, Media Archive, United Kingdom on 2018-02-15 19:51Z by Steven

“Making the Beast with two Backs” – Interracial Relationships in Early Modern England

Literature Compass
Volume 12, Issue 1, January 2015
Pages 22–37
DOI: 10.1111/lic3.12200

Miranda Kaufmann, Senior Research Fellow
Institute of Commonwealth Studies, School of Advanced Study
University of London

Shakespeare’s tragedy of Othello and Desdemona has long attracted critics to consider the issues of interracial relationships and miscegenation in early modern England. More recently, other black characters have been found in Renaissance literature and an African presence in 16th and 17th century England has been demonstrated from archival sources. This article gives an overview of these developments and their implications for the study of interracial relationships in early modern literature. Evidence from the archives is brought to bear on different aspects of relationships both between black men and white women and between black women and white men. This new information about interracial marriages, as well as sexual intercourse or “fornication”, prostitution and the resulting mixed race children must be incorporated into the discussion of interracial relationships in Renaissance literature.

Read or purchase the article here.

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Kaufmann’s ‘Black Tudors’ to be ‘epic’ TV drama

Posted in Articles, Arts, History, Media Archive, United Kingdom on 2018-02-15 18:48Z by Steven

Kaufmann’s ‘Black Tudors’ to be ‘epic’ TV drama

The Bookseller: At the Heart of Publishing since 1858
2018-02-15

Benedicte Page

The production company behind the ITV series “Vera” and BBC1’s “Shetland” has acquired exclusive television rights to Black Tudors: The Untold Story by Miranda Kaufmann (Oneworld).

Kate Bartlett’s drama label, formerly known as ITV Studios, London Drama, and now rebranded as Silverprint Pictures, bought rights from Emily Hayward Whitlock at The Artists Partnership and Charlie Viney at The Viney Shaw Agency. Silverprint plans to develop stories from the book into “an epic and ambitious returning drama series.”…

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