If you ask me what I am

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, United States on 2018-08-11 18:05Z by Steven

If you ask me what I am

The Daily Californian
Berkeley, California
2018-08-11

Jasmine Tatah, Senior Staff

jasmine-tatah-online

Mixed Feelings

I used to welcome personal questions about race and identity. Where is my family from? What’s my ethnic background? Where does my last name come from? However ambiguously or indirectly they were phrased, they all came across as equally amusing. If someone was curious about my heritage, that was fine with me. I considered the attention to be flattering.

There was one day in my senior year of high school when my biology teacher wanted to illustrate the scope of human genetic variation. She pulled up a National Geographic article on mixed-race Americans, scrolled through the various faces pictured and remarked, “Aren’t they beautiful?” The idea that mixed people were considered beautiful wasn’t new to me, but in that moment, her remark made me want to vomit. Was that all she had to say?

Moments like that made me question what others really thought about me. Could I ever be uncoupled from my racial identity? Could my internal connection to my roots ever be uncoupled from my external appearance? Was my race always the first thing people wondered about me and the primary way people identified me?…

Read the entire article here.

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‘Two or More’: Would you listen to a podcast about multiracial issues?

Posted in Articles, United States, Wanted/Research Requests/Call for Papers on 2018-08-10 03:12Z by Steven

‘Two or More’: Would you listen to a podcast about multiracial issues?

Lindsey Leake, Multimedia Journalist
American University, Washington, D.C.

2018-08-03

DJdohQxW4AAnf41.jpg

Hello! My name is Lindsey Leake (@NewsyLindsey) and I’m a graduate journalism student at American University in Washington, D.C. I’m considering launching a podcast called “Two or More,” focusing on issues that multiracial Americans and their families face as the country’s racial and ethnic makeup becomes increasingly diverse. Above all, I want to learn about and tell the stories of other multiracial individuals like myself.

The questions will help me understand my potential audience and gauge the interest level for “Two or More.” Thank you for taking a few minutes to assist with my research!

Please respond to the questionnaire here.

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An Artist’s Costumed Alter Egos Cross Racial Lines

Posted in Articles, Arts, Literary/Artistic Criticism, Media Archive, United States on 2018-08-10 02:41Z by Steven

An Artist’s Costumed Alter Egos Cross Racial Lines

The New Yorker
2018-07-17

Katie Ryder


“Synchronized,” 2018.Photographs by Genevieve Gaignard / Courtesy Shulamit Nazarian

Counterfeit Currency,” a show of self-portrait photography, installation, and collage by Genevieve Gaignard, at the FLAG Art Foundation, in Chelsea, opens with a large photo of the artist on a Florida beach at dusk. As in each of her pictures, Gaignard portrays a character of her own invention, here with long, blond hair and jet-black roots, outfitted in regional strip-mall kitsch. She is stretching a towel behind her, printed to resemble a huge hundred-dollar bill; concealing her torso is a trompe-l’oeil T-shirt showing a cartoon, bikini-clad body, whose peach-beige skin tone closely resembles that of her own.

Gaignard, a woman of mixed race (her father is black, her mother white), makes photographs that play with the outward signifiers and stereotypes of race, class, and femininity, combining and remixing them into sometimes exaggerated but steadily ambiguous costumes. From character to character, she undergoes significant but not quite Shermanian transformations, with no facial prosthetics and minimal makeup, and with each portrait hinging in part on Gaignard’s ability to cross legible boundaries…

Read the entire article here.

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Meet the woman who’s finally getting us talking about mixed race identity

Posted in Articles, Arts, Identity Development/Psychology, Media Archive, United Kingdom on 2018-08-10 02:16Z by Steven

Meet the woman who’s finally getting us talking about mixed race identity

METRO.co.uk
2018-01-31

Miranda Larbi, Senior lifestyle reporter

Mixed race identity is complicated, to say the least.

You’re neither one thing or the other while simultaneously being both. Try speaking about your identity (online at least) and you inevitably met with criticism – whether it’s from ‘colour-blind’ types dismissing the need to talk about race at all, or from people accusing you of choosing a side to identify more with.

According to National Statistics, mixed race people will be the largest minority group in the UK by 2020…and while it might still be in vogue to favour racially ambiguous beauty (literally in the case of Adua Aboa), very little attention is paid to the experience behind the curly hair and tanned skin.

Being mixed race is far more than simply being half black and white. It’s an identity that covers all fractions, and all kinds of mixes.

Which is why Susan Dale has set up the Haluhalo Project

Read the entire article here.

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Rebecca Hall To Make Directorial Debut With ‘Passing’; Tessa Thompson & Ruth Negga Star In Adaptation Of 1920s Novel

Posted in Articles, Arts, Passing, United States, Women on 2018-08-07 03:40Z by Steven

Rebecca Hall To Make Directorial Debut With ‘Passing’; Tessa Thompson & Ruth Negga Star In Adaptation Of 1920s Novel

Deadline Hollywood
2018-08-06

Amanda N’Duka

Rebecca Hall Tessa Thompson Ruth Negga
Shutterstock

EXCLUSIVE: Rebecca Hall has set up Passing, an adaptation based on Nella Larsen’s 1920s Harlem Renaissance novel that explores the practice of racial passing, a term used for a person classified as a member of one racial group who seeks to be accepted by a different racial group. Hall has penned the script and will direct in her feature helming debut, with Westworld star Tessa Thompson and Oscar nominee Ruth Negga attached to star in the film.

Margot Hand of Picture Films and Oren Moverman of Sight Unseen are producing, with Angela Robinson serving as executive producer.

First published in 1929, Passing follows the unexpected reunion of two high school friends, Clare Kendry (Negga) and Irene Redfield (Thompson), whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities…

Read the entire article here.

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‘There’s Enough Damsels in Distress’: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness

Posted in Articles, Arts, Literary/Artistic Criticism, Media Archive, United States on 2018-08-04 01:17Z by Steven

‘There’s Enough Damsels in Distress’: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness

artnet News
2018-08-03

Sarah Cascone, Associate Editor

Genevieve Gaignard, You’ve Wronged, Now Make it Right (2018). Photo courtesy of Shulamit Nazarian, Los Angeles/the FLAG Art Foundation, New York; ©Genevieve Gaignard.
Genevieve Gaignard, You’ve Wronged, Now Make it Right (2018). Photo courtesy of Shulamit Nazarian, Los Angeles/the FLAG Art Foundation, New York; ©Genevieve Gaignard.

In her first New York show, the artist creates unexpected characters that defy stereotypes.

Genevieve Gaignard’s work is deceptive—and that’s no accident. Her pleasingly arranged collages, heavily knick-knacked installations of cozy-looking domestic interiors, and well-lit, cheerfully colorful portrait photography draw the viewer in, belying her willingness to confront the sensitive issues of race, stereotypes, beauty standards, consumption, and identity.

Each photograph features Gaignard herself, transformed by wigs and costumes into a variety of characters. The artist is a fair-skinned mixed-race woman of color who can take on vastly disparate identities, casting herself one moment as a prim blonde housewife and the next as a young woman with hoop earrings and a shirt that reads “Hoodrat Thangs.”

“I’m trying to show that blackness comes in many different shades,” Gaignard explained to artnet News during a tour of her current exhibition, “Genevieve Gaignard: Counterfeit Currency,” her first in New York, at the FLAG Art Foundation

Read the entire article here.

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Thinking Relationally about Race, Blackness and Indigeneity in Australia: Reflecting upon ACRAWSA’s Symposium

Posted in Articles, Literary/Artistic Criticism, Media Archive, Oceania, Social Justice on 2018-08-04 00:59Z by Steven

Thinking Relationally about Race, Blackness and Indigeneity in Australia: Reflecting upon ACRAWSA’s Symposium

Australian Critical Race and Whiteness Studies Association
2018-07-18

Charlotte Sefton, Ph.D., Arab and Islamic Studies
University of Exeter

At the close of her paper, entitled ‘Navigating Power with Poetry on the Hazardous Drive toward Decolonisation’, Carolyn D’Cruz posed the vital question of whether, or not, the work of decolonisation can be pursued through engagement with nation-state level Politics. Her question recalled my recent viewing of Angela Davis and Gayatri Spivak in conversation at the Akademie der Künste on a panel entitled ‘Planetary Utopias – Hope, Desire Imaginaries in a Postcolonial World’. Aside from my general sense of wonder at seeing Davis and Spivak in conversation, one particular topic of their discussion had stuck with me; they too had disagreed on the place of the State in the futurity of justice. Whilst Davis had underscored that ‘the bourgeois nation-state, ensconced as it is in capitalism, would never be able to do the work of ensuring justice’; Spivak, in response, had questioned the real-world utility of refusing to engage it; asserting that our work is, instead, to ‘insert the subaltern into the circuit of citizenship’, that is into a structure that they could ‘work within’ as opposed to no structure at all. Whilst Davis conceded that we are tied to engaging the State for now; she maintained that a world free of violence and domination would not be able to retain ‘any aspect’ of the State as she understood it; Spivak maintained that the State must be seen through a more complexed lens, as both ‘poison and medicine’. AWCRAWSA’s latest symposium, ‘Thinking Relationally about Race, Blackness and Indigeneity in Australia’ provided important interventions to these broader debates in decolonial thought and practice…

…Opening the symposium, Irene Watson made central to her keynote ‘Thinking Relationally about Race, Blackness and Indigeneity in Australia’ this linkage between the State and survival. The survival of the Australian State requires that Indigenous people do not survive; thus it has always required genocide; it has always demanded the erasure of Aboriginal and Torres Strait Islander bodies, voices and experiences. The non-survival (the genocide) of Indigenous people is the only way the State survives. As Nikki Moodie would later assert in her paper ‘Decolonizing Race Theory: Place, Survivance & Sovereignity’, echoing Patrick Wolfe, the Settler-Colonial State as such can only function through a logic of elimination. The State’s white, colonial-modern and neoliberal logic of capital, property, individualism and ownership cannot make space for Indigenous peoples nor Indigenous ways of being; neither in the sense of relation to land nor of relation to each-other. As Irene Watson reminded us, despite the State’s professions to the contrary, there has been no decolonisation of Australia; not least because the ‘hierarchy of voice’ established by colonialism remains; thus the violent silencing and erasure of Indigenous peoples – and their calls for self-determination – also remains. Indeed, both the idea and formation of ‘the State’ is founded upon the structure of hierarchical leadership and, thus, the principle of the differentiated right to voice. For Angela Davis too (in the aforementioned panel discussion with Gayatri Spivak) the masculinist and individualist nature of leadership as epitomised in the workings of the State is a central obstacle to a politics of collectively, relationality and justice…

Read the entire article here.

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Two Berlin Filmmakers Reflect on Germany’s Racial Dynamics

Posted in Articles, Arts, Europe, Literary/Artistic Criticism on 2018-08-03 18:34Z by Steven

Two Berlin Filmmakers Reflect on Germany’s Racial Dynamics

Hyperallergic
2018-08-03

Adela Yawitz
Berlin, Germany


Natasha A. Kelly, Millis Erwachen/Milli’s Awakening (2018), video, b/w, sound, 45′, video still (courtesy Natasha A. Kelly)

In their films at the Berlin Biennial, Natasha A. Kelly and Mario Pfeifer address the growing divide in Germany between the politics of liberal inclusion and on-the-ground ignorance, racism, and suppression.

BERLIN — The 10th edition of the Berlin Biennale opened in June. Ambitious yet unpretentious, the exhibition features 46 artists across 5 venues. The Biennale’s curator, Gabi Ngcobo, and her team create a setting for perceiving and relating to the artworks on view with little layering of textual analysis and without tying them explicitly to the artists’ biographies. In fact, the Biennale omits general information regarding artists’ nationalities and dates of birth. This is refreshing, not because it implies that the artworks should stand on their own, but as a political signal against the convention of touting artists’ diversity as a symbol of the institution’s progressive politics or post-colonial criticality. At this Biennale, artists — and curators — of color are the majority, yet this alone is not its primary subject nor its intention…

…In Milli’s Awakening (2018), artist and academic activist Natasha A. Kelly weaves together portraits of eight Afro-German women of different generations. Their lives have all been touched by art, in one way or another, and many of them tell stories of structural barriers and marginalization in and out of the art world. Maciré, an activist from Bremen recounts how she understood in retrospect that her film, shown at the local museum, had been used to legitimate the exhibition as a whole by providing a non-white, critical perspective. She has since decided to invest in working for her own community, not for the white audiences of the Kunsthalle. Diana from Bavaria, who identifies as intersex, recalls taking refuge in photography to overcome her discomfort with her own body as a teenager. And the artist Maseho reads from her tongue-in-cheek guide for Black POCs traveling in Germany; she advises saving time by telling Germans you are from “USA” or “Afrika,” since other answers would devastate their view of the world…

Read the entire article here.

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Mexico’s overlooked black communities are given a voice in this social realist drama

Posted in Articles, Caribbean/Latin America, Media Archive, Mexico, Videos on 2018-08-03 01:45Z by Steven

Mexico’s overlooked black communities are given a voice in this social realist drama

Afropunk
2018-08-01

Eye Candy


LA NEGRADA trailer from TIRISIA CINE on Vimeo.

A project by Mexican filmmaker Jorge Pérez Solano, “La Negrada” is a social realist drama that examines an overlooked sector of Mexico’s populace, its Black people, which include descendants of enslaved people brought to Mexico, among others. According to Variety, this is the first fictional film about Afro-Mexicans.

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Critical Mixed Race in Global Perspective

Posted in Africa, Articles, Europe, Family/Parenting, Identity Development/Psychology, Media Archive, Oceania, Religion, Social Science, South Africa on 2018-08-03 01:27Z by Steven

Critical Mixed Race in Global Perspective

Journal of Intercultural Studies
Volume 38 (2018)
2018-08-01

Publication Cover

  • Introduction
    • Critical Mixed Race in Global Perspective: An Introduction / Erica Chito Childs
  • Hierarchies of Mixing: Navigations and Negotiations
    • An Unwanted Weed: Children of Cross-region Unions Confront Intergenerational Stigma of Caste, Ethnicity and Religion / Reena Kukreja
    • Mixed Race Families in South Africa: Naming and Claiming a Location / Heather M. Dalmage
    • Negotiating the (Non)Negotiable: Connecting ‘Mixed-Race’ Identities to ‘Mixed-Race’ Families / Mengxi Pang
    • Linguistic Cultural Capital among Descendants of Mixed Couples in Catalonia, Spain: Realities and Inequalities / Dan Rodríguez-García, Miguel Solana-Solana, Anna Ortiz-Guitart & Joanna L. Freedman
    • ‘There is Nothing Wrong with Being a Mulatto’: Structural Discrimination and Racialised Belonging in Denmark / Mira C. Skadegård & Iben Jensen
    • Exceptionalism with Non-Validation: The Social Inconsistencies of Being Mixed Race in Australia / Stephanie B. Guy
  • Mixed Matters Through a Wider Lens
    • Recognising Selves in Others: Situating Dougla Manoeuvrability as Shared Mixed-Race Ontology / Sue Ann Barratt & Aleah Ranjitsingh
    • What’s Love Got To Do With It? Emotional Authority and State Regulation of Interracial/national Couples in Ireland / Rebecca Chiyoko King-O’Riain
    • Re-viewing Race and Mixedness: Mixed Race in Asia and the Pacific / Zarine L. Rocha

Read or purchase this special issue here.

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