Louis Riel and the dispersion of the American Métis

Posted in Articles, Canada, History, Native Americans/First Nation on 2012-01-16 00:16Z by Steven

Louis Riel and the dispersion of the American Métis

Minnesota History Magazine
Volume 49, Issue 5 (1985)
Pages 179-190

Thomas Flanagan, Professor of Political Science
University of Calgary, Alberta

THE MÉTIS leader Louis Riel is perhaps best known to readers of Minnesota History in connection with the Red River insurrection of 1869-70. When Canada agreed to purchase Rupert’s Land, the immense fur trading preserve of the Hudson’s Bay Company, no one bothered to consult the mixed-blood inhabitants of the country. Riel led the métis who lived at the forks of the Red and Assiniboine rivers in a movement of resistance, insisting that Canada meet certain metis demands before taking possession of Rupert’s Land. The métis were clamoring for local self-government, recognition of their French language and Catholic religion, and protection of their traditional land holdings and other customary rights, such as free trade with the United States.

In one sense the metis resistance was a success. It forced the Canadian government into negotiations in which many of the métis demands were conceded and legally entrenched in the Manitoba Act which gave birth to the province of that name. Howvever, the victory was tainted by the debacle of Thomas Scott’s execution. Scott, an Ulster Orangeman who had also lived in Ontario, belonged to the small Canadian faction in Red River Settlement that tried to overthrow Riel s government. The métis imprisoned Scott for “counter-revolutionary” activities and, when he proved difficult to control in captivity’, executed him by firing squad on March 4, 1870. Riel wanted to make his provisional government respected, but this gratuitous act of brutality was a terrible mistake. It so inflamed opinion in Canada against Riel that he was forced to flee Manitoba when Canadian troops arrived in the new province in August, 1870.

Riel took refuge in St. Joseph, Dakota Territory. In fact, he spent about half his adult life in the United States. He was south of the Canadian border episodically in 1866-68 and 1870-75 and lived continuously in the United States from January, 1878, to June, 1884,
becoming an American citizen on March 16, 1883…

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Call at Rio fashion show for more black models

Posted in Articles, Arts, Brazil, Caribbean/Latin America, Media Archive, Politics/Public Policy, Social Science on 2012-01-15 21:41Z by Steven

Call at Rio fashion show for more black models

Agence France-Presse
2012-01-14

Only a handful of black models sashayed down the catwalk at this week’s Rio fashion show, sparking fresh calls for quotas to ensure greater diversity in a country where more than half of the population is of African ancestry.

Some 24 labels displayed their latest designs at the Rio de Janeiro winter 2012 fashion week, that ran from Wednesday to Saturday, and as in previous years the models were overwhelmingly white.

Yet Brazil, home to 190 million people, has the world’s second largest black population after Nigeria.

Organizers refused to address this perennial lack of racial diversity, although in the past they claimed that “there is no racial discrimination” in an industry known for its preference for eurocentric standards of beauty.

For the first time in June 2009, the Sao Paulo Fashion Week (SPFW)—Latin America’s premier fashion event—imposed quotas requiring at least 10 percent of the models to be black or indigenous…

…Luana Genot, one of the eight black models out of more 200 employed by the main Rio modeling agency, 40° Models, gave details of the hurdles blacks face.

“They call us only when the the theme of the show is linked to black culture,” said the 23-year-old who is also an advertising student at Rio Catholic University (PUC).

“I am often told: What am I going to do with your hair? And for make-up, I am always the last so as not to dirty the brush with overly dark tones,” she added.

Last June, during Black Consciousness Week, Genot organized a debate on “ethnic diversity in fashion” at PUC.

We are told that the winter collection is for whites in Europe or that black women’s butts are too big, their hips too wide. I am shocked to see that in Brazil, where more than half of the people are descendants of black slaves, there is so little space for us,” she added.

“Brazil’s population is very mixed and this must be reflected in fashion,” Genot said…

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Edward W. Blyden, W. E. B. Du Bois, and the ‘Color Complex’

Posted in Articles, Literary/Artistic Criticism, Media Archive on 2012-01-15 21:11Z by Steven

Edward W. Blyden, W. E. B. Du Bois, and the ‘Color Complex’

The Journal of Modern African Studies
Volume 30, Number 4 (December, 1992)
pages 669-684
DOI: 10.1017/S0022278X00011101

Michael J. C. Echeruo, William Safire Professor in Modern Letters
English Department
Syracuse University

This article is an attempt to present (and thereby to come to terms with) an important aspect of the meaning of race as it relates to the experience of black people, especially in America. It commences with Edward W. Blyden because his ‘color complex’ is of a kind that brings us back, not without much embarrassment, to the realisation that while colour may be a state of the mind, it is also and even primarily a matter of the body. Blyden is particularly appropriate as a starting point, for he is an epitome, in many ways, of the African experience in the later nineteenth century, linking (as he does) the multiple experiences of the Caribbean, the United States, and mainland Africa. He wrote at a time when the intellectual and other currents in ‘Negro’ America flowed easily to the new centres of influence in Liberia and colonial West Africa. He was thus the product of the history of Africanity in his period, and for a long time after.

Blyden was an outspoken interpreter of colour and race as they related to the identity and meaning of his Africanness. For him, the so-called ‘mulatto question’ (tragic, comic, queer) had been imported into Africanist discourse from the politics and power of European racism. For Blyden, blackness was never a metaphorical construct; it was an essential condition for his Africanness. So outspoken was he in this regard that not only was his political career in Liberia actually destroyed in consequence, but many of his biographers (Hollis R. Lynch remains an exception) have become apologetic on his behalf, as if he was, in some major sense, a rather misguided race jingoist. Indeed, Thomas Livingston has gone so far as to make Blyden a failed ethnocentrist, ‘a professional representative of a stigmatized group, and (quoting another writer) likens him to those leaders who ‘instead of leaning on their crutch… get to play golf with it, ceasing, in terms of social participation, to be representative of the people they represent’. His Blyden is, he says, a poor man’s Heinrich Heine: weak in arms…

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Mark Twain and Homer Plessy

Posted in Articles, History, Literary/Artistic Criticism, Media Archive, United States on 2012-01-15 03:13Z by Steven

Mark Twain and Homer Plessy

Representations
Number 24, Special Issue: America Reconstructed, 1840-1940 (Autumn, 1988)
pages 102-128

Eric J. Sundquist, Andrew W. Mellon Professor of the Humanities
Johns Hopkins University

The carnivalesque drama of doubling, twinship, and masquerade that constitutes Pudd’nhead Wilson and its freakishly extracted yet intimately conjoined story, “Those Extraordinary Twins,” is likely to remain misread and controversial in estimations of Mark Twain’s literary achievement as long as the work’s virtual mimicry of America’s late-nineteenth-century race crisis is left out of account. Readers have, of course, often found a key to the novel’s interpretation in the notorious “fiction of law and custom” that makes the “white” slave Roxy legally “black” by allowing one-sixteenth of her blood to “outvote” the rest (8-9). Like so many parodic moments in the book, however. Twain’s joke about voting speaks not simply to general anxieties about miscegenation but more particularly to the deliberate campaign to disfranchise blacks and strip them of legal protections that was underway by the early 1890s. Built of the brutal artifice of racial distinctions, both American law and American custom conspired to punish black men and women in the post-Reconstruction years, and Twain’s bitter failed fiction, verging on allegory but trapped in unfinished burlesque, has been thought to participate in the black nadir without artistically transcending it or, conversely, without reaching its broader historical implications.

As Hershel Parker and others have demonstrated in detail, Twain’s chaotic process of composition and his unconcerned interchange of various manuscript versions make it impossible to place much weight on authorial intention narrowly defined. Yet this hardly leads to the conclusion that Twain’s vision had no coherent meaning or that his own comic rationale, contained in the opening of “Those Extraordinary Twins,” reveals nothing of significance about the texts critique of contemporary race theory or Twain’s authorial involvement in that critique. Indeed, one might rather argue that the confusion and seeming flaws in the manuscript and the published text, while largely attributable to his haste to produce a book that would ameliorate his financial problems, are also a measure of the social and psychic turmoil that Twain, not least as a liberal Southerner living and working in the North, felt in the post-Reconstruction years. The key phenomena in late-nineteenth-century race relations have just as much place in determining the text’s range of implication, its meaning, as do such mechanical factors as compositional sequence and manuscript emendations. Preoccupied with relevant but improperly construed issues of aesthetic unity and verisimilitude, critics have typically missed the primary ways in which Pudd’nhead Wilson (1894) and its attached tale of the Italian Siamese twins involves itself in the…

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For Many Latinos, Racial Identity Is More Culture Than Color

Posted in Articles, Census/Demographics, Identity Development/Psychology, Latino Studies, Media Archive, Social Science, United States on 2012-01-14 04:49Z by Steven

For Many Latinos, Racial Identity Is More Culture Than Color

The New York Times
2012-01-13

Mireya Navarro

Every decade, the Census Bureau spends billions of dollars and deploys hundreds of thousands of workers to get an accurate portrait of the American population. Among the questions on the census form is one about race, with 15 choices, including “some other race.”

More than 18 million Latinos checked this “other” box in the 2010 census, up from 14.9 million in 2000. It was an indicator of the sharp disconnect between how Latinos view themselves and how the government wants to count them. Many Latinos argue that the country’s race categories—indeed, the government’s very conception of identity — do not fit them.

The main reason for the split is that the census categorizes people by race, which typically refers to a set of common physical traits. But Latinos, as a group in this country, tend to identify themselves more by their ethnicity, meaning a shared set of cultural traits, like language or customs…

…A majority of Latinos identify themselves as white. Among them is Fiordaliza A. Rodriguez, 40, a New York lawyer who says she considers herself white because “I am light-skinned” and that is how she is viewed in her native Dominican Republic.

But she says there is no question that she is seen as different from the white majority in this country. Ms. Rodriguez recalled an occasion in a courtroom when a white lawyer assumed she was the court interpreter. She surmised the confusion had to do with ethnic stereotyping, “no matter how well you’re dressed.”

Some of the latest research, however, shows that many Latinos—like Irish and Italian immigrants before them—drop the Latino label to call themselves simply “white.” A study published last year in the Journal of Labor Economics found that the parents of more than a quarter of third-generation children with Mexican ancestry do not identify their children as Latino on census forms.

Most of this ethnic attrition occurs among the offspring of parents or grandparents married to non-Mexicans, usually non-Hispanic whites. These Latinos tend to have high education, high earnings and high levels of English fluency. That means that many successful Latinos are no longer present in statistics tracking Latino economic and social progress across generations, hence many studies showing little or no progress for third-generation Mexican immigrants, said Stephen J. Trejo, an economist at the University of Texas at Austin and co-author of the study…

…On the other side of the spectrum are black Latinos, who say they feel the sting of racism much the same as other blacks. A sense of racial pride has been emerging among many black Latinos who are now coming together in conferences and organizations.

Miriam Jiménez Román, 60, a scholar on race and ethnicity in New York, says that issues like racial profiling of indigenous-looking and dark-skinned Latinos led her to appear in a 30-second public service announcement before the 2010 census encouraging Latinos of African descent to “check both: Latino and black.” “When you sit on the subway, you just see a black person, and that’s really what determines the treatment,” she said. The 2010 census showed 1.2 million Latinos who identified as black, or 2.5 percent of the Hispanic population…

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Jean Toomer: Fugitive

Posted in Articles, Biography, Literary/Artistic Criticism, Media Archive, United States on 2012-01-14 04:42Z by Steven

Jean Toomer: Fugitive

American Literature
Volume 47, Number 1 (March, 1975)
page 84-96

Charles Scruggs, Professor of English
University of Arizona

As a young boy, Jean Toomer attended a dinner party during which someone asked his famous grandfather, P. B. S. Pinchback, if he indeed had “colored” blood. The light-skinned former lieutenant governor of Louisiana answered enigmatically, “That is what I have claimed.” According to Toomer in his unpublished autobiography, Pinchback never cleared up the matter for his grandson. Toomer insisted that he never knew for sure whether or not he was part Negro.

If Toomer’s racial identity was a puzzle to himself, his attitudes toward himself as Negro have also puzzled his critics. Before the publication of Cane (1923), he seemed to advertise his dark blood. After 1923 he ambiguously referred to himself as “an American, simply an American”; and around 1930 he refused to be included in several Negro anthologies. In the same year he let it be known that he was actually “white,” blaming the confusion on Waldo Frank, who had given the impression in his introduction to Cane that Toomer was a Negro. What mystifies everyone, as Darwin Turner pointed out, is why in the summer of 1923 Toomer rejected “a racial identification which a few months earlier he had accepted as a matter of slight importance.”

Explanations have been offered for Toomer’s apparent apostasy…

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Jean Toomer and American Racial Discourse

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States on 2012-01-14 02:06Z by Steven

Jean Toomer and American Racial Discourse

Texas Studies in Literature and Language
Volume 35, Number 2, Anxieties of Identity in American Writing (Summer 1993)
pages 226-250

George Hutchinson, Booth Tarkington Professor of Literary Studies; Adjunct Professor of African American and African Diaspora Studies; Adjunct Professor of American Studies
Indiana University, Bloomington

The culture which will transcend, and thus unite, East and West, or the Earthlings and the Galactics, is not likely to be one which does equal justice to each, but one which looks back on both with the amused condescension typical of later generations looking back at their ancestors.

Knowledge of what cannot be said… signals the rock-bottom shape, the boundaries, of our situation in the world; it is the ethical, in the classical sense of the term.

An undated poem kept in a tin box that no one but the author ever saw in his lifetime bears haunting witness to the great lack of Jean Toomer’s existence:

Above my sleep
Tortured in deprival
Stripped of the warmth of a name
My life breaks madly. . . .
Breaks against world
Like a pale moth breaking
Against sun.

In their biography of the poet, The Lives of Jean Toomer, Cynthia Kerman and Richard Eldridge discuss the relationship of this poem to Toomer’s sense of lacking a permanent and certain name, deriving from the fact that his name had changed during his childhood and that different family members called him by different names. His grandfather, for example (the patriarch with whom he lived to young adulthood and who died, Toomer claimed, the day after he completed the first draft of “Kabnis”), would not acknowledge the name he had been given at birth. “Jean Toomer” itself is a later fabrication of the author…

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An Overview of the Event: Jean Toomer and Politics at the 2012 MLA

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States on 2012-01-13 04:07Z by Steven

An Overview of the Event: Jean Toomer and Politics at the 2012 MLA

Gino Michael Pellegrini: Education, Amalgamation, Race, Class & Solidarity
2012-01-12

Gino Pellegrini, Adjunct Assistant Professor of English
Pierce College, Woodland Hills, California

This is my general overview of the “Jean Toomer and Politics” special session roundtable at the 2012 MLA Annual Convention. First, I want to thank Professors Barbara Foley, Charles Scruggs, and Belinda Wheeler for their excellent presentations, and a special thanks to Professor George Hutchinson for starting the Q & A. I am very much looking forward to continuing this conversation!

In her presentation, Belinda Wheeler focused on the “documents” (census, marriage, and draft) that Byrd and Gates include in the second Norton Critical Edition of Cane to support their claim that Toomer was a Negro who passed as white. Wheeler discussed how the documents, when examined carefully and in aggregate, weaken their claim. The documents show (and this is a point that Barbara Foley also made) that Toomer sometimes identified as black and sometimes as white at different junctures in his life, and this assumes that it was Toomer who actually authored the documents. In countering their claim, Wheeler also drew upon interviews that she had conducted with Susan Sandberg, the daughter of Marjorie Content, Toomer’s second wife, as well as with Jill Quasha, a friend of Sandberg and Content who knew the family well and authored a book on Content’s photography. Toomer was married to Content from 1934 until his death in 1967, and Wheeler’s important bibliographic research sheds light on how Toomer, post-Cane, identified and lived. Her interviews suggest that Toomer did not waver from his basic position that he was an American, neither black nor white, and that he tried to live his life free from the influence of racial categories and standards…

Read the entire overview here.

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What Does the Brazilian Census Tell Us About Race?

Posted in Articles, Brazil, Caribbean/Latin America, Census/Demographics, Identity Development/Psychology, Media Archive, Social Science, United States on 2012-01-12 16:25Z by Steven

What Does the Brazilian Census Tell Us About Race?

Psychology Today
2011-12-06

Jefferson Fish, Ph.D.

Problems with Brazilian and U.S. census data on race.

In 2010 I posted a six-part series on the U. S. census and race (1, 2, 3, 4, 5, 6). In it I pointed out numerous changes in race categories and sub-categories over the 23 censuses, and multiple contradictions between scientific knowledge about human variation and the census race categories. I also offered a simple solution that would allow the government to collect the information it needs without contradicting science and offending or perplexing many citizens.

Because race is a cultural concept, beliefs about race vary dramatically from one culture to another. In this regard, America and Brazil are amazingly different in the categories they use. The United States has a small number of racial categories, based overwhelmingly on ancestry. Thus, it is possible for an American who “looks white” to “really be black” because he or she has “black blood.”

In contrast, Brazilians classify people according to what they look like, using a large number of different terms. For example, one study in the Brazilian northeast conducted by the Instituto Brasileiro de Geografia e Estatística (IBGE)—the entity responsible for the census—asked people what color (cor) they were, and received 134 different answers! (Other studies have found even larger numbers; and the results vary regionally, with much fewer categories used in the south of the country.) In many Brazilian families different racial terms are used to refer to different children, while such distinctions are not possible in the United States because all the children—no matter what they look like—have the same ancestry.

Thus, I was fascinated to read that “For the first time, non-white people make up the majority of Brazil’s population, according to preliminary results of the 2010 census.”…

Read the entire article here.

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It’s dual-race for 1 in 6 babies of mixed parentage

Posted in Articles, Asian Diaspora, Census/Demographics, New Media on 2012-01-12 02:08Z by Steven

It’s dual-race for 1 in 6 babies of mixed parentage

The Straits Times
Singapore
2012-01-11

Amanda Tan

One in six newborn babies of mixed parentage was registered as having a double-barrelled race last year after a new policy kicked in allowing parents to do so.

This full-year figure, released for the first time to The Straits Times, comes a year after the policy was implemented in January last year.

The Immigration and Checkpoints Authority (ICA) said 16 per cent of mixed-race babies born last year were recorded as being of dual race…

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