Mixed Race Studies

Trayvon, Postblackness, and the Postrace Dilemma

boundary 2: an international journal of literature and culture
Volume 40, Number 3 (Fall 2013)
pages 139-161
DOI: 10.1215/01903659-2367072

Richard Purcell, Assistant Professor of English
Carnegie Mellon University, Pittsburgh, Pennsylvania

If President Barack Obama crystallizes the intersection of postrace and postblack idealism, nothing has exposed the fraught relationship between the two than the shooting death of seventeen-year-old Trayvon Martin on February 26, 2012. What Trayvon Martin’s death has brought to the fore is what contemporary intellectuals are attempting to think when they think postblackness and, for that matter, postrace. What way of understanding race knowledge in our present does postblackness offer us, especially in a postrace era? The answer: both blindness and insight. Through a meditation on the relationship between Trayvon Martin, postrace, and postblackness, this essay aims to demonstrate this blindness and insight. On the one hand, postblackness has the potential to provide a bulwark against the persistent biologisms in contemporary race thinking. Yet, it is also used in our postrace era as a term to indulge in a weaker mode of criticism: debunking—a critical posture that has allowed critics to ignore and even circulate more insidious forms of race thinking.

Read or purchase the article here.

New Book on Racial Identity by Dr. Yaba Blay to be Released on Black Friday with Launch Party at the Painted Bride

Drexel Now
Drexel University
2013-11-04

News Media Contact: Alex McKechnie, News Officer, University Communications
Phone: 215-895-2705; Mobile: 401-651-7550

On Black Friday, Nov. 29, a new book on racial identity by Drexel University’s Dr. Yaba Blay, one of today’s leading voices on colorism and global skin color politics, will be released from Blay’s recently launched independent press, Black Print Press.

To celebrate the release, a launch party will take place at The Painted Bride Art Center (230 Vine St.) on Nov. 29 from 6 p.m. – 9 p.m. A concurrent photography exhibition is currently on display at The Painted Bride through Dec. 21.

The book, entitled (1)ne Drop: Shifting the Lens on Race, seeks to challenge narrow perceptions of what Blackness is and what it looks like. By combining candid narratives and photos from 60 contributors hailing from 25 different countries, the book provides a living testimony to the diversity of Blackness. It is intended to spark dialogue about the intricacies and nuances of racial identity and the influence of skin color politics…

Read the entire press release here.

Diverse Neighborhood Has Mixed Enthusiasm About New York City Mayor’s Race

The New York Times
2013-11-03

Cara Buckley

The last presidential candidate Steve Waldman voted for was Hubert H. Humphrey. The last mayor he cast a ballot for was Edward I. Koch. And he’ll be darned if he is going to break his nonvoting streak by partaking in the mayoral election on Tuesday.

The Republican candidate, Joseph J. Lhota, reminds him too much of Rudolph W. Giuliani, of whom he takes a dim view. The Democratic candidate, Bill de Blasio, strikes him as likely to help people who abuse welfare. Mr. Waldman, a 65-year-old computer supplier, sees the city is on a reverse Robin Hood course — with parking fines, bridge tolls and assorted high taxes — and extracting more dollars from people like him…

…With New York City on the verge of electing a new mayor for the first time in 12 years, the people of Sheepshead Bay, with its mosaic of Russians, Irish, Italians and Jews, have views on the city’s prospects that are as diverse as their neighborhood. The community can at times seem ethnically segmented, but the four-decade-old El Greco serves as an enduring melting pot, and draws hordes of local residents by the boothful each weekend…

…Ms. McField, who works as an accountant for the Administration for Children’s Services, said she yearned for an end to the Police Department’s controversial stop-and-frisk tactics that Mr. de Blasio has vowed to change. Ms. McField said that many of her family members had been harassed by the police, including her husband, John McField, 36, a former corrections officer who recently returned from serving as an Army specialist in Afghanistan.

“Being black in New York, we see a lot of things that other people don’t see,” Ms. McField said as her family tucked into brunch. “It’s emotional for me,” she added, her eyes welling, “It’s targeting.”…

…Yet Luchia Larrazabal, a caregiver who was eating with her daughter, son-in-law and two grandchildren, said she pinned her hopes on Mr. de Blasio to help bridge one of the city’s enduring issues — racial schisms. After all, he is white, his wife is black and their two children are biracial.

“Because of the mixed race,” Ms. Larrazabal said, “I look forward to him uniting everyone.”

Read the entire article here.

Multiracial America Makes Census Boxes Obsolete

The Root
2013-11-04

Keli Goff

As the nation becomes more multiracial, some question whether the survey can accurately reflect the country’s true diversity.

Editor’s note: This is the first of three in a series.

(The Root) — In 30 years, America will look very different than it does now. According to analysis of census data, by 2043 white Americans will no longer be a majority. But an equally significant population milestone will arrive in 2020. That is the year in which the next census takes place, and it will be the first one tasked with successfully chronicling the most racially and culturally mixed population in American history.

Governing the nation at the very time the census is grappling with this issue is the country’s first biracial president. Though President Obama has said he identifies as black on the census, there is a growing population of people who may share a similar background but do not wish to identify as he has chosen to. Helping to ensure that these Americans are adequately and accurately counted through his administration’s efforts to perfect a modern census could end up being a significant part of the Obama legacy.

Multiracial Americans are the fastest growing demographic in the country, yet the U.S. Census Bureau has struggled with how to effectively capture the changing racial makeup of America. In his new book What Is Your Race: The Census and Our Flawed Efforts to Classify Americans, Kenneth Prewitt takes the census to task for its many shortcomings when it comes to painting an accurate portrait of America’s racial and cultural landscape. Prewitt, though, is not just any run-of-the-mill critic. He is a former director of the U.S. Census Bureau, where he served from 1998 to 2001.

In an interview with The Root, Prewitt explained that America is unique in its racial categorization and its reasons for categorizing. “We decided why we wanted racial statistics and the purpose of them, and then designed statistics to accomplish those purposes.”…

Read the entire article here.

Mirror, Mirror – Who Is that Woman on TV?

Inter Press Service News Agency
2013-10-21

Fabiana Frayssinet

RIO DE JANEIRO, Oct 21 2013 (IPS) – Carla Vilas Boas is of mixed-race descent – African, European and indigenous – like a majority of the population of Brazil. But she spends hours straightening her hair, trying to look more like the blond, blue-eyed women she sees in the mirror of television.

The 32-year-old domestic worker acknowledges that Brazil’s popular telenovelas have started to include characters like her – people from the country’s favelas or shantytowns, who work long workdays for low wages.

But among the actors and the models shown in ads, “there are only a few darker-skinned people among all the blue-eyed blonds. And you wonder: if I buy that shampoo and go to the hairdresser, can I look like that?” she remarked to IPS.

But her hair “never looks that way,” even with the new shampoo or the visit to the hairstylist, and Vilas Boas said that makes her feel “really bad.”

More than half of the women in this country of 200 million people – where over 50 percent of the population identified themselves as black or “mulatto” in the last census – do not identify with the images they see on TV.

Experts say that because of the prejudices reflected in the choice of actors and models, advertisers potentially lose a large segment of consumers…

Read the entire article here.

Written records agree with Melungeon DNA results

Jack Goins’ Melungeon and Appalachian Research
October 2013

William E. Cole
University of Tennessee

Joe Stevenson Looney
University of Tennessee

Written records agree with Core Melungeon DNA Results. The Core Melungeon DNA Project was formed with Family Tree DNA on July 25, 2005. The goal of the project was to determine the origin of the Melungeons and to find matches in the data base. Our project results were submitted to a peer review board and published April 24, 2012 in the Journal of Genetic Genealogy and published by Associated Press reporter Travis Loller in May 2012, the results of the first generation are offspring of Sub-Saharan African men and white women of Northern and central European origin. http://www.jogg.info/72/files/Estes.pdf.

The majority of the male core groups were haplogroup E1b1a Sub-Saharan African and the maternal mtDNA group was European. The first mixed generation was the children from Sub-Saharan African men and white women of Northern and central European origin, the exact date of this mixing is unknown. Some from this first mixed generation eventually intermarried with white settlers in colonial Virginia and took their names. Part of this tri-racial clan may have remained in Colonial Virginia and others migrated to North Carolina who would eventually become known as Melungeons (Calloway Collins told Will Allen Dromgoole the Collins and Gibsons, had stolen those names from white settlers in Virginia where they were living as Indians, before migrating to North Carolina”). Calloway Collins was a great grandson of Benjamin whose origin was African and we also know all Africans took English surnames, even the ones who became slaves…

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Review of Brazilian Telenovelas and the Myth of Racial Democracy by Samantha Nogueira Joyce

TriQuarterly: a journal of writing, art, and cultural inquiry from Northwestern University
Northwestern University, Chicago, Illinois
2013-10-01

Reighan Gillam, Postdoctoral Research Fellow
Department of Afroamerican and African Studies
University of Michigan

Telenovelas, or soap operas, are the main staple of television entertainment throughout Brazil and in many other Latin American countries. Unlike in the United States, where soap operas can run for decades, in Brazil telenovelas end after presenting their storyline over a six- to eight-month period. They are designed to attract men, women, and children as viewers and have dominated in television’s primetime slots for the last thirty years. Although the plotlines, characters, and settings are fleeting, telenovelas have remained Brazilians’ favorite form of primetime entertainment.

Often Latin American telenovelas have served as vehicles to introduce social issues by depicting a common problem, such as gender inequality or limited access for the disabled, in order to raise awareness and stimulate discussion. In Brazilian Telenovelas and the Myth of Racial Democracy, Samantha Nogueira Joyce takes one particular telenovela, Duas Caras (Two Faces), as her subject of study. Running for eight months in 2007–8, this telenovela deserves particular scrutiny because it was the first to include an Afro-Brazilian actor as the lead character and the first to make race relations and racism a constant theme. Joyce uses this telenovela as an opportunity to examine the role of television in contemporary currents of social change in Brazil. Through her analysis of Duas Caras, Joyce aims to demonstrate how “telenovelas are a powerful tool for introducing topics for debate and pro-social change, such as the instances where the dialogues openly challenge previously ingrained racist ideas in Brazilian society.”

The myth of racial democracy to which Joyce’s title refers is the Brazilian national narrative that defines the country’s citizens and identity as racially mixed. Put simply, it is generally thought that the Brazilian populace and culture emerged from a mixing of European, indigenous, and African people. Many believe that because there are no rigid racial lines that delineate black from white in Brazil, racism and racial discrimination do not exist there. In contrast to the “one-drop rule” of the United States, where “one drop of black blood” renders a person black, in Brazil, Joyce explains, “the racial blending has been validated not into a binary, but a ternary racial classification that differentiates the population into brancos (whites), pardos (multiracial individuals, also popularly known as mulatos), and pretos (blacks).”…

Read the entire review here.

Mixing Racial Messages

Hyperallergic: Sensitive to Art & its Discontents
2013-10-30

Ryan Wong

Starting with its title, the group exhibition War Baby/Love Child: Mixed Race Asian American Art  at Seattle’s Wing Luke museum asks a provocative question: how do those seen by Americans as products of either colonial domination or subversive desire move past those categories? How do they escape, as the curators put it, an “identity defined by their parentage,” “fixed in the status of infants or children”?

Paradoxically, War Baby/Love Child begins with that parentage in order to make room for the artist to grow past it. Organized by Laura Kina and Wei Ming Dariotis, it is the most significant exhibition on the subject since Kip Fulbeck’s groundbreaking Hapa Project, which began in 2002. In the decade since, we have seen America’s multiracial population grow a third, to 9 million, not to mention the election of our first mixed race President…

Read the entire article here.

African-Americans and Latinos: Conflict or Collaboration?

Ebony Magazine
2012-09-25

Eugene Holley, Jr.

As Latinos now outnumber African-Americans as this country’s largest minority, could there be a political, social and economic union with our brown brothers and sisters?

In celebration of Hispanic Heritage Month – which runs through October 15th – EBONY interviewed African-Americans and Hispanics about the challenges, complexities and collaborations between these two groups. 

“The Census suggested a competition,” says Miriam Jiménez Román, Executive Director of the AfroLatin@forum: a research and resource center focusing on Black Latinos and Latinas in the United States. “And it ignored a history of, not only just collaboration, but inclusion within the rubric of Blackness. We are not in competition with the African-American community. They have been at the vanguard, in terms of assuring civil rights in this country. And for that reason, all of the privileges that we have as Latinos in this country owe so much to the African-American struggle.”

The New York-born Puerto Rican, who also co-edited the book, The Afro-Latin@ Reader, also points out that there are many Hispanics of visible African descent. “Many African-Americans don’t realize that the majority of Black people in the Americas are in Latin America and the Caribbean,” she states. “Ninety five percent of all the enslaved Africans landed in those places. There are 150 million people of African descent in Latin America.”…

Read the entire article here.

Black History’s Missing Chapters: ‘The African Americans: Many Rivers to Cross,’ on PBS

The New York Times
2013-10-18
 
Felicia R. Lee

The television mini-series “Roots,” about the slave Kunta Kinte and his descendants, is a classic, inspired by real lives and real history. But it is a truism among historians that young people do not know enough about African-American contributions to history. Even a tiny slice of recent history — the civil rights movement — is not required teaching in most states, the Southern Poverty Law Center found in a recent assessment.

“It boils down to Rosa Parks, Martin Luther King and ‘I Have a Dream,’ ” Maureen Costello, director of the center’s Teaching Tolerance Project, said of the typical level of knowledge. Films and the occasional series on black history have helped fill in the gaps, creating a kind of “cultural accretion,” Ms. Costello added, but television in recent years has not consistently offered informative entertainment.

When “Roots” was broadcast in 1977, “the whole nation watched it because there were three networks vying for our attention,” Ms. Costello said. “As a culture, we’ve become so fragmented. I think more Americans can reasonably discuss the meth trade or the Mafia because of ‘Breaking Bad’ and ‘The Sopranos’ than they can African-American history.”

Into the breach has stepped Henry Louis Gates Jr., assisted by dozens of historians. His six-part series, “The African Americans: Many Rivers to Cross,” beginning on Tuesday on PBS, aims to chronicle 500 years of black history. The program starts with Juan Garrido, a free black man whose 1513 expedition with Spanish explorers in Florida made him the first known African to arrive in what is now the United States, and ends with Barack Obama in the White House in 2013, a time of complexity and contradictions for black Americans. In between, Professor Gates, director of the W. E. B. Du Bois Institute for African and African American Research at Harvard, draws on the latest scholarship to put flesh on characters like the resilient South Carolina slave girl Priscilla as well as her descendants…

Read the entire article here.