Mixed Race Studies

Emma Dabiri on the Politics of Black Hair

Sotheby’s
African Modern & Contemporary Art
2019-09-03

Mariko Finch, Deputy Editor, Deputy Director
London, United Kingdom

Emma Dabiri is a broadcaster, author and academic who recently published Don’t Touch My Hair — a book that charts the shifting cultural status of black hair from pre-colonial Africa through to Western pop culture and beyond. Ahead of the Modern & Contemporary African Art sale in London on 15 October, in which a number of works depicting traditional African hair are offered, we sat down with her to discuss the history of hairstyles.

Mariko Finch: When did you decide that you wanted to turn your research into a book?

Emma Dabiri: In around 2016. The conversation about black hair had been happening for a while at that stage but I was finding it often quite repetitive. There is so much more to engage with through hair, so I wanted to do that research. There is so much more to engage with through hair; social history, philosophy, metaphysics, mathematical expression, coding, maps…

This topic has recently made it to the mainstream media; through Beyoncé and Solange Knowles, Kim Kardashian and the issue of cultural appropriation. It is very timely to have that debate anchored in something historical.

I felt somewhat exasperated by the way people’s frustrations around cultural appropriation by celebrities were being disregarded and dismissed as just something very superficial; as if those weren’t valid or legitimate concerns. I wanted to provide the historical context for why this anger exists. Let me show that it’s not just vacuous, or petty policing of culture. There are like very strong historical antecedents as to why these emotions run so high…

Read the entire interview here.

‘Aryan’ and ‘Octoroon’: Couples challenge racial labels to get married in Virginia

The Washington Post
2019-09-06

Rachel Weiner

Brandyn Churchill and Sophie Rogers are challenging a Virginia requrement to list race when applying for a marriage license. (Christophe Genty/Christophe Genty Photography)

When they applied for a marriage license in Rockbridge County, Va., Brandyn Churchill and Sophie Rogers were told they could not have one unless they each chose a race, from a list that included “Aryan” and “Octoroon.”

The Supreme Court struck down Virginia’s ban on interracial marriage over half a century ago. Yet the mechanism by which that prohibition was enforced remains on the books: a requirement that all would-be newlyweds identify by race. To fill out the form falsely is a felony.

So, weeks away from their planned Oct. 19 wedding at a barn in Fincastle, Va., the couple is challenging the law in Virginia federal court. Joined by two other engaged couples, they argue the law is a racist holdover that has no place in modern marriage.

The suit is part of both efforts to scrape away vestiges of segregation in Virginia and to move away from institutional categorization in both race and gender. The plaintiffs say people should be free in their personal lives to identify by race but shouldn’t be forced to, under the First, 13th and 14th amendments. But the lawsuit raises a more challenging question: Can the government address discrimination without labels created from it?…

…Kevin Maillard, a law professor at Syracuse University who has studied interracial marriage, said that while researchers might use the data, “I don’t know what the compelling reason that the state would have in retaining tracking of those categories would be.”

But he was skeptical of an effort to move away from race altogether.

“I think with the deep history of racial strife we have in the United States, these categories are going to remain incredibly important,” Maillard said. “My mother is racially mixed, but she considers herself a black person.”

Civil rights groups rely on government data to investigate inequality in schools and the criminal justice system and challenge voting restrictions.

“We need data on who people are to see if there are patterns,” said Myrna Pérez of the Brennan Center for Justice…

Read the entire article here.

Race, power and intimacy in the intersubjective field: the intersection of racialised cultural complexes and personal complexes

The Journal of Analytical Psychology
Volume 64, Issue3 (June 2019)
pages 367-385
DOI: 10.1111/1468-5922.12503

Ruth Calland, Jungian Psychotherapist
London, United Kingdom

This paper presents work with a biracial young woman, in the context of a predominantly white Jungian training organisation. The patient’s relational difficulties and her struggle to integrate different aspects of her personality are understood in terms of the overlapping influences of developmental trauma, transgenerational trauma relating to the legacy of slavery in the Caribbean, conflictual racial identities, internalised racism, and the British black/white racial cultural complex. The author presents her understanding of an unfolding dynamic in the analytic relationship in which the black slave/white master schema was apparently reversed between them, with the white analyst becoming subservient to the black patient. The paper tracks the process through which trust was built alongside the development of this joint defence against intimacy ‐ which eventually had to be relinquished by both partners in the dyad. A white on black ‘rescue fantasy’, identified by the patient as a self‐serving part of her father’s personality, is explored in relation to the analytic relationship and the training context.

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#ArtistatCB: Genevieve Gaignard on “Black is Beautiful”

Crystal Bridges Museum of Art
Bentonville, Arkansas
2019-03-13

Genevieve Gaignard

“I photograph myself to talk about how we navigate through the world and how others see us.”

Genevieve Gaignard is a Los Angeles-based artist whose work focuses on photographic self-portraiture, sculpture, and installation to explore race, femininity, class, and their various intersections. The daughter of a black father and white mother, Gaignard’s youth was marked by a strong sense of invisibility. Was her family white enough to be white? Black enough to be black? Gaignard interrogates notions of “passing” in an effort to address these questions…

Read the entire article here.

Mixed-race Matters: the Growing Multiracial Population and its Implications for Libraries

PIPEline: Addressing the intersections between Power, Identity, Privilege, and Equity within our library work
University of Michigan Library
Ann Arbor, Michigan
2019-06-05

Marna Clowney-Robinson, Access & Information Services Librarian

Karen Downing, Education Librarian

Darlene Nichols, Social Work Librarian

Helen Look, Collection Analyst

The expression of social and cultural identities matter to people in a myriad of ways—seeing one’s self-reflected on campuses, in schools and communities matters (Gaetano, 2015; Laffer, 2017; P., Mindy, 2019). This fact is important to libraries of all types as we think about library collections, services and staff. We know from research and from phenomena all around us that when people see themselves positively reflected in film, books, social media, news, music, theater, that those cultural memory institutions grow in their perceived relevance and significance to their communities (Downing, 2009; Tillson, 2011).

Take as an example, Marley Dias’ #1000blackgirlbooks movement. Marley was only ten years old when she launched her movement to donate books to girls of African descent that featured African American female protagonists because not one of her required school readings featured Black girls as main characters (Grassroots Community Foundation, 2019). The We Need More Diverse Books movement has raised awareness and in recent years the number of published diverse books has increased substantially. 28% of the children’s books published in 2018 had main characters who were Asian American, Black, Latinx, and American Indian/First Nation yet only 50% of the children’s books about African Americans are written by people of that background (Cooperative Children’s Book Center, 2019). The numbers for mixed race identities in children’s books are not tracked but they are presumably an even smaller percentage…

Read the entire article here.

Suffering Our Forefathers’ Sins: A Latino’s Reflection on White Supremacy

Mere Orthodoxy
2019-08-12

Nathan Luis Cartagena, Assistant Professor of Philosophy
Wheaton College, Wheaton, Illinois

Two Saturdays ago mi esposa and I mourned for those devastated by the El Paso shooting. For us, this hit home. We had lived in the Lone Star State for seven years, our daughter was born there, and we have strong relationships with Chicanos/as from la frontera—the Texas-Mexico borderlands.

As we mourned, I thought about white supremacy’s role in this shooting. I thought about the painful irony that white supremacy originates in Portugal and Spain, the lands from which the ancestors of most Latinos/as and its subsets—including Chicanas/os and Tejanos/as—hail. This includes my ancestors. I am, after all, a Cartagena.

Yet despite our origins, Latinos/as are not deemed true whites. We are a racialized other; even the lightest of us who pass or receive the status of honorary white know this comes at a price and is liable to be lost the moment someone suspects we’ve broken the norms of white solidarity. How did this happen? How did the Iberian Peninsula’s Latina/o children lose the status of white? Let me sketch an answer for you…

Read the entire article here.

Women in Philosophy: Cramblett, Race, Disability, and Liberatory Politics

Blog of the APA
The American Philosophical Association
2019-08-14

Desiree Valentine, Assistant Professor of Philosophy
Marquette University, Milwaukee, Wisconsin

In October of 2014, news outlets began reporting on a case of a lesbian couple suing a sperm bank for receiving the wrong donor’s sperm. As the lawsuit Cramblett v. Midwest Sperm Bank alleged, not only did the couple receive the wrong donor’s sperm, but they had specifically chosen a white donor with blonde hair and blue eyes and the sperm they received had been from a black donor. Both women were white. The couple gave birth to a black/mixed-race child in 2012 and claimed that their daughter’s race posed particular challenges for their family, from facing prejudice in their nearly all-white community to difficulties dealing with their daughter’s hair. The couple sued for “wrongful birth” and “breach of warranty,” citing emotional and economic difficulties.

Clearly, there are legal issues at stake—the particular sperm bank was negligent in their handling of the transaction. But the claim of ‘wrongful birth’ brings up myriad sociopolitical and ethical concerns as well. Effectively, the plaintiff was alleging that her daughter’s blackness generated emotional suffering and economic burdens for Cramblett, and moreover, that she should be compensated for ‘damages’.

Unsurprisingly, many commentators reacted with outrage, disbelief, and dismay—outrage that a mother would sue on account of having a non-white, but healthy child, disbelief that this claim could even be legally articulable, and dismay at the fact that one day this child would learn that her mother implicitly claimed that she should have never been born because she was black/mixed race.

While obviously problematic (the case was thrown out by an Illinois Circuit Court Judge in 2015), the fact that this case was legally and thus on some level, socially and culturally intelligible, sets the stage for an array of philosophical interventions. For my purposes here, I’ll focus primarily on the problems and possibilities of various conceptualizations of race and disability that are illuminated by a politically-aware and historically-situated reading of Cramblett…

Read the entire article here.

When W. E. B. Du Bois Made a Laughingstock of a White Supremacist

The New Yorker
2019-08-19

Ian Frazier, Staff Writer

In the Du Bois-Stoddard debate, one man was practically laughed off the stage. Illustration by Christian Northeast

Why the Jim Crow-era debate between the African-American leader and a ridiculous, Nazi-loving racist isn’t as famous as Lincoln-Douglas.

W. E. B. Du Bois, the twentieth century’s leading black intellectual, once lived at 3059 Villa Avenue, in the Bronx. He moved to a small rented house there with his wife, Nina Gomer Du Bois, and their daughter, Yolande, in about 1912. When I’m walking in that borough I sometimes stop by the site. It’s just off Jerome Avenue, not far from the Bedford Park subway station. The anchor business at that intersection seems to be the Osvaldo #5 Barber Shop, which flies pennants advertising services for sending money to Africa and to Bangladesh. All kinds of people pass by. You hear Spanish and Chinese and maybe Hausa spoken on the street. The first time I went to Du Bois’s old address, I wondered if I might find a plaque, but the house is gone, and 3059 Villa is now part of a fenced-in parking lot. Maple and locust trees shade the front stoops, and residents wait at eight-twenty on Tuesday mornings to move their cars for the street-sweeping truck. A fire hydrant drips, slowly enlarging a hole in the sidewalk. Even unmemorialized, 3059 Villa is a not-unpleasant spot from which to contemplate the great man’s life.

About a forty-minute walk away is the Bronx Zoo. In 1912, it was called the New York Zoological Park, and it was run by a patrician named Madison Grant from an old New York family. Though he and Du Bois lived and worked within a few miles of each other for decades, I don’t know if the two ever met. As much as anyone on the planet, Grant was Du Bois’s natural enemy. Grant favored a certain type of white man over all other kinds of humans, on a graded scale of disapproval, and he reserved his vilest ill wishes and contempt for blacks.

As Du Bois would have remembered, in 1906 the zoo put an African man named Ota Benga on display in the primate cages. Ota Benga belonged to a tribe of Pygmies whom the Belgians had slaughtered in the Congo. A traveller had brought him to New York and to the zoo, where huge crowds came to stare and jeer. A group of black Baptist ministers went to the mayor and demanded that the travesty be stopped. The mayor’s office referred them to Grant, who put them off. He later said that it was important for the zoo not to give even the appearance of having yielded to the ministers’ demand. Eventually, Ota Benga was moved to the Howard Colored Orphan Asylum, in Brooklyn, and he ended up in Virginia, where he shot himself…

…In March, 1929, the Chicago Forum Council, a cultural organization that included white and black members, announced the presentation of “One of the Greatest Debates Ever Held.” According to the Forum’s advertisement, the debate was to take place on Sunday, March 17th, at 3 p.m., in a large hall on South Wabash Avenue. The topic was “Shall the Negro Be Encouraged to Seek Cultural Equality?”

In smaller letters, the ad asked, “Has the Negro the Same Intellectual Possibilities As Other Races?” and below that the answer “Yes!” appeared with a photograph of Du Bois, who would be arguing the affirmative. Alongside the answer “No!” was a photograph of Lothrop Stoddard, a writer, who would argue the negative. In the picture, Stoddard projects a roguish, matinée-idol aura, with slicked-down hair and a black mustache. The ad identified him as a “versatile popularizer of certain theories on race problems” who had been “spreading alarm among white Nordics.”

The Forum Council did not oversell its claim. The Du Bois-Stoddard debate turned out to be a singular event, as important in its way as Lincoln-Douglas or Kennedy-Nixon. The reason more people don’t know about it may be its asymmetry. The other historic matchups featured rivals who disagreed politically but wouldn’t have disputed their opponent’s right to exist. Stoddard had written that “mulattoes” like Du Bois, who could not accept their inferior status, were the chief cause of racial unrest in the United States, and he looked forward to their dying out…

Read the entire article here.

The Tale of Hollywood’s Most Curious Career Imposter

Messy Nessy: Cabinet of Chic Curiosities
2019-07-11

Francky Knapp

Sex sells, and it sells even better with a dash of mystery. For every housewife in mid-century America, the enigmatic charm of Indian performer Korla Pandit was the ticket to getting weak in the knees before the kids came home from school. In the 15 minutes allotted to The Korla Pandit Program, the performer brought a scintillating new rhythm to suburbia’s ho-hum beat. Every week, he’d grace the small screen and play the sultry sounds of Miserlou with a coy smile, wearing a bejewelled turban, and flashing those soul-searching bedroom eyes. It was all part of his schtick, of course, and one of the most strangest in Hollywood history, given that Pandit wasn’t Indian, but African American. Today, the persona he created opens up a dialogue about race, fame, and surprising flexibility of truth…

Read the entire article here.

Hachimura, Japan’s mixed-race basketball star who once ‘hid from the world’

Japan Today
2019-08-26

Natsuko Fukue

Japan’s Rui Hachimura is set to star at the basketball World Cup. Photo: AFP

TOKYO — Rui Hachimura says he gets his height from his Beninese father and his work ethic from his Japanese mother — a combination that has propelled him to basketball stardom.

The 21-year-old made history in June when he became the first Japanese to be selected in the first round of the NBA draft, picked up by the Washington Wizards.

And like tennis superstar Naomi Osaka, Hachimura’s fast-growing fame is raising the profile of biracial sportspeople in a homogeneous country where mixed-race children still face prejudice.

Hachimura, who is 203 cms tall, will lead Japan’s challenge at the basketball World Cup in China, which begins on Saturday. He is also poised to be a poster boy the hosts at the Tokyo 2020 Olympics. Big pressure for one so young.

As a child Hachimura stood out in Japan — and not just because of his height. “I inherited my body from my father and my diligence from my mother,” he said in a recent interview with the Mainichi Shimbun daily.

He now feels a sense of pride at being biracial but admits to feeling self-conscious about it when he was a child…

Read the entire article here.