Chi-chi Nwanoku: ‘I want black musicians to walk on to the stage and know they belong’

Posted in Articles, Arts, Media Archive, United Kingdom on 2015-10-04 23:52Z by Steven

Chi-chi Nwanoku: ‘I want black musicians to walk on to the stage and know they belong’

The Guardian
2015-06-02

Chi-chi Nwanoku


Chi-chi Nwanoku: ‘I feel sure that bringing a group of people together to play incredible music is a creatively powerful and positive thing.’ Photograph: Christian Sinibaldi

For 30 years, double bassist Chi-chi Nwanoku has enjoyed a successful career and as a classical musician and never felt the colour of her skin has held her back. So why is she now embarking on and ambitious plan to form Europe’s first professional black orchestra? She explains all

Perhaps I was one of the lucky ones? I somehow slipped through the net. I’m a classical musician, an all too rare black face on concert platforms among what are usually all-white orchestras. My Nigerian father and Irish mother brought me up believing that I could do anything I wanted. They never doubted me for a second, and I was surrounded by people who supported and encouraged me.

We were the only black family at my primary and secondary schools, and I didn’t think at all about being the only black student at the Royal Academy of Music

Read the entire article here.

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NEW TO YOUTUBE | Chineke! – Europe’s First Black Orchestra Concert Debut [VIDEO]

Posted in Articles, Arts, Media Archive, United Kingdom, Videos on 2015-10-04 23:34Z by Steven

NEW TO YOUTUBE | Chineke! – Europe’s First Black Orchestra Concert Debut [VIDEO]

The Violin Channel
2015-09-15

Debut concert performance of the Chineke! Orchestra – Europe’s first professional orchestra made up entirely of musicians of colour.

The 60-piece ensemble, founded by British double bassist Chichi Nwanoku, was established with the objective of making a conscious effort to redress the racial balance in classical music.

Programme includes: Beethoven’s 7th Symphony, BrahmsVariations on a theme by Haydn’, Samuel Coleridge-Taylor’s ‘Ballade for Orchestra’ and Philip Herbert’s ‘Elegy’ [a memorial to Stephen Lawrence].

Recorded live at London’s Southbank Centre, 13th September 2015 – as part of the ‘Africa Utopia Festival’.

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Marisa Franco

Posted in Articles, Identity Development/Psychology, Interviews, Media Archive, United States on 2015-10-03 21:59Z by Steven

Marisa Franco

The Graduate School
University of Maryland
2015-05-21

“My graduate degree is shaping my life and career in a number of ways. The research skills I have gained at the University of Maryland have prepared me for a career in research in academia. An International Graduate Research Fellowship, in addition, gave me the opportunity to do research abroad, in Port-Au-Prince, Haiti, and to develop skills in cross cultural research and its communication.”

Marisa Franco earned her PhD in counseling psychology in May 2015. She holds an MS in psychology from UMD, and a BS in applied psychology from New York University, where she graduated magna cum laude.

Franco’s research focuses on “racial identity invalidation,” with particular emphasis on its psychological impact on Black/White mixed-race individuals.

For her innovative work, Franco received a number of Graduate School awards, including the ALL S.T.A.R award, granted to 16 campus graduate students with outstanding records as both researchers and graduate assistants, as well as the International Graduate Research Fellowship. Franco is the only student who has been awarded both a Flagship Fellowship, granted to ten outstanding incoming graduate students, and a McNair Graduate Fellowship, granted to five outstanding incoming graduate students who are alumni of Ronald E. McNair Postbaccalaureate Achievement Programs.

Franco also has received numerous external awards for her research, including the Michael Sullivan Diversity Award and the Association of Black Psychologists Graduate Research Award.

Franco hopes to become a professor in psychology.

Learn more about her in the interview below:…

Read the entire interview here.

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Impact of Identity Invalidation for Black Multiracial People: The Importance of Race of Perpetrator

Posted in Articles, Identity Development/Psychology, Media Archive on 2015-10-03 21:46Z by Steven

Impact of Identity Invalidation for Black Multiracial People: The Importance of Race of Perpetrator

Journal of Black Psychology
Published online before print: 2015-09-08
DOI: 10.1177/0095798415604796

Marisa G. Franco
University of Maryland

Stephen A. Franco
St. George’s University, St. George, Grenada, West Indies

Multiracial people report repeated experiences of racial identity invalidation, in which their racial identity is rejected by others. The current study examined whether the race of the perpetrator of these invalidating experiences matters in determining the impact of invalidation. A sample of 221 Black multiracial people was recruited to take an online survey investigating their experiences of identity invalidation, levels of cultural homelessness, and challenges with racial identity. Participants reported that Black people invalidated their racial identity the most, and they were most hurt by invalidation perpetrated by Black people. Finally, those whose experiences of identity invalidation were mostly perpetrated by Black people, as opposed to other racial groups, were more likely to exhibit racial homelessness and challenges with racial identity. Results highlight the importance of racial identity affirmation by the Black community for Black multiracial individuals.

Read or purchase the article here.

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Chris Harper Mercer: details emerge of Oregon college killer

Posted in Articles, Law, Media Archive, United States on 2015-10-03 21:34Z by Steven

Chris Harper Mercer: details emerge of Oregon college killer

The Guardian
2015-10-02

Ben Jacobs and Nicky Woolf


Chris Harper Mercer, the alleged gunman in the Oregon shootings. He had captioned this photo: ‘Me, holding a rifle.’ Photograph: Myspace

Umpqua college shooter, who was born in England according to media reports, had a varied online presence that indicated support for the IRA

The Umpqua shooter has been named as Chris Harper Mercer, a 26-year-old who lived with his mother at an apartment only a few miles from the college.

American media reports said he was born in England and moved to the US at a young age: his stepsister, Carmen Nesnick, told CBS Los Angeles that he travelled to the US as a young boy. Other accounts report that Nesnick specified that Harper-Mercer was born in England…

Read the entire article here.

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Jesse Williams: ‘Celebrity culture? I am not going to participate in that’

Posted in Articles, Arts, Biography, Media Archive, Social Justice, United States on 2015-10-03 03:15Z by Steven

Jesse Williams: ‘Celebrity culture? I am not going to participate in that’

The Guardian
2015-10-01

Jana Kasperkevic

The Grey’s Anatomy star is back on screen as TV pin-up Jackson Avery, but for the former teacher it’s his civil rights work he wants people to talk about

There is a heatwave making its way through Los Angeles. It’s the second week of September yet temperatures remain at 32C (89F). At 8am, most of the city is still asleep or just waking up, while surfers at Venice Beach have already spent hours searching for the perfect wave. About 5,000 of the city’s residents will wake up to no power as demand on the power grid has triggered blackouts.

On South La Brea Avenue, the street seems deserted except for Jesse Williams, who has seemingly appeared out of nowhere – with no car in sight or handlers in view as he casually strolls up the street. It’s a surprisingly low-key entrance into the world of a man millions of viewers watched when Grey’s Anatomy returned to ABC for its 12th season. On average, about 8.22 million viewers tuned in every Thursday night during its 11th season…

..Being biracial – his mom is white and his dad is black – Williams has been able to experience both sides of the spectrum. “I have access to rooms and information. I am white and I am also black. I am invisible man in a lot of these scenarios. I know how white people talk about black people. I know how black people talk about white folks. I know I am there and everyone speaks honestly around me,” he says.

“I remember a mom of a friend of mine in the suburbs made some comment about a black person and – I had to be 12, about 60 pounds – and I said something and she said: ‘Oh no, not you. You are not black. You are great.’ It was real. That fucking happened. And she meant it. And she meant it sincerely and sweetly. She was paying me a compliment.”…

Read the entire article here.

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Jesse Williams Discusses Biracial Privileges and Social Justice: ‘Black Americans Are Not Angry. They Are Hurting’

Posted in Articles, Arts, Biography, Media Archive, United States on 2015-10-03 02:58Z by Steven

Jesse Williams Discusses Biracial Privileges and Social Justice: ‘Black Americans Are Not Angry. They Are Hurting’

The Root
2015-10-02

Diana Ozemebhoya Eromosele

It has always been a pet peeve of mine when biracial people seem to ignore their white side and act as if the world perceives them as black through and through. I always felt that in their determination to identify solely and sternly as black, they were missing out on an opportunity to share some of the insight they may have about how white people feel and think about race relations. That they might be missing out on an opportunity to act as a conduit between both racial groups.

In an interview with The Guardian, Grey’s Anatomy star Jesse Williams does a fantastic job of articulating the privileges and insights that being biracial affords him, and how he uses that knowledge to inform his work as an activist in working-class black communities. Williams’ mom is white, and his dad is black.

“I have access to rooms and information. I am white and I am also black. I am invisible man in a lot of these scenarios,” Williams said, referring to the Ralph Ellison classic. “I know how white people talk about black people. I know how black people talk about white folks. I know I am there and everyone speaks honestly around me.”…

Read the entire article here.

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Controversial Hire Won’t Serve as Dartmouth’s Native American Program Director

Posted in Articles, Campus Life, Media Archive, Native Americans/First Nation, Passing, United Kingdom on 2015-10-02 17:05Z by Steven

Controversial Hire Won’t Serve as Dartmouth’s Native American Program Director

Valley News
White River Junction, Vermont
2015-10-02

Rob Wolfe, Valley News Staff Writer


Susan Taffe Reed stepped down as director of Dartmouth’s Native American Program. (Dartmouth College – Eli Burakian)

Hanover — Dartmouth College officials said Thursday that the school’s new Native American Program director has left that position in response to controversy over her representation of her ancestry and tribal affiliation.

“Susan Taffe Reed will no longer serve as the director of the Native American Program,” college spokeswoman Diana Lawrence said in an email Thursday. “Unfortunately, the distraction around her appointment prevents her from effectively serving in this role. It does not prevent her from contributing to Dartmouth in other ways, and we are currently exploring opportunities with her.”

She remains an employee of the college, according to Lawrence.

Taffe Reed, who says she is of Native American descent, is president of the Eastern Delaware Nations, a nonprofit group not recognized by federal or state authorities that says it represents Delawares who remained in their ancestral lands of Northeastern Pennsylvania — a claim that the federally recognized Delaware Tribe contests…

Read the entire article here.

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‘One Drop of Love’

Posted in Articles, Arts, Autobiography, Census/Demographics, History, Literary/Artistic Criticism, Media Archive, United States on 2015-10-02 13:31Z by Steven

‘One Drop of Love’

The Sophian: The Independent Newspaper of Smith College
Northampton, Massachusetts
2015-09-24

Eliza Going, Contributing Writer

Fanshen Cox DiGiovanni performed her well-known one-woman play challenging the construct of race, “One Drop of Love,” on Sept. 18 and 19 in the Hallie Flanagan Studio Theatre. In this show, she not only tells the story of her own experiences with race as a multicultural woman, but she also gives a taste of many different incidents experienced by people of varying ages, backgrounds and cultural identities through the ups and downs of their most intimate relationships.

The play is presented in two formats. In one, DiGiovanni plays a variety of different characters talking conversationally about their experience with race; in the other, she jumps through U.S. history as a census taker. A projector lights up a simple white screen with the year and race section of the corresponding census…

Tying the census into the play introduces a political component that connects the stories of racial injustice to a tangible account of the government’s inattention toward racial or cultural identity. Only in 2010 [2000] did it become possible to check more than one box on the census. “I’m glad she connected the personal and the political in this way because, to me, they’re inextricably linked, and one can’t talk about one without the other,” Elizabeth Haas ’17 said…

Read the entire review here.

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These are the beautiful, complex Blaxicans of Los Angeles

Posted in Articles, Arts, Latino Studies, Media Archive, United States on 2015-10-01 02:23Z by Steven

These are the beautiful, complex Blaxicans of Los Angeles

Fusion
2015-09-24

Jorge Rivas, National Affairs Correspondent

Back when Walter Thompson-Hernandez was in graduate school, his friends and family would give him blank stares as he explained what he was studying.

Finally, in an effort to make his work more accessible, he started an Instagram account dedicated to his research: @BlaxicansOfLA.

Thompson-Hernandez, who grew up in Los Angeles, identifies as Blaxican—his mother is Mexican, and his father is black.

“The term Blaxican is really is an example of the reinvention of language that exist in the U.S,” said Thompson-Hernandez, now a researcher at the University of Southern California who studies the impacts of interracial mixing between African Americans and Latinos in South Los Angeles

Read the entire article here.

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