Mixed Race Studies

Unwed Mothers, Race, and Transgression in William Faulkner’s Novels

McKendree University Scholars Journal
Lebanon, Illinois
Issue 24, Winter 2015
16 pages

Mindy Allen

As a modernist writer, William Faulkner is conflicted with the autonomy he can allow for his female characters, particularly unmarried mothers. Ideology about women during the early twentieth century, including the debates of birth control and the loss of the Southern Belle,
influence the creation of Faulkner’s female characters. The purpose of this paper is to explore how Faulkner’s unmarried mothers transgress sexual boundaries imposed by patriarchal values in the novels As I Lay Dying, The Sound and the Fury, Light in August, Absalom! Absalom! and Go Down, Moses. Faulkner’s female characters can no longer strive towards the status of the Southern Belle as New South ideals emerge. Faulkner includes many unmarried mothers in his novels, as well as mixed race unmarried mothers. He leaves the impression that, through his novels, he attempts to make since of females transgressing sexual and racial boundaries.

Read the entire article here.

White Dads

Mixed Roots Stories
2015-12-16

Sarah Gladstone

Being brown and having a white dad means something, whether people want to acknowledge it or not. Right now, I’m working on an anthology project—“WHITE DADS: Stories and experiences told by people of color, fathered by white men.” I’ve been loving the ways people are taking this idea, supporting it, and helping it grow. Thing is, though, absolutely none of us have the same story to tell about what it’s like being brown, raised by a white guy in a society that ranks validity based on melanin and race. This is a part of my story and the story behind WHITE DADS.

Answers are never just black and white–but in the case of biracial identity, sometimes, that’s exactly what they are…

Read the entire article here.

J.R. Reynolds: Say it loud: He’s black and I’m proud

Battle Creek Enquirer
Battle Creek, Michigan
2015-12-07

J.R. Reynolds, Community Columnist

J.R. Reynolds

Until my 2-year-old son is old enough to self-identify racially, I’ve declared him black. I’m raising him African American. Socially and legally. This, despite him being half white. Why? It’s in his best interest. But it’s not without serious, sometimes deadly challenges.

Being black in America has a bad rap. This, according to media, history books, government policy and even statistics. We’re the collective punching bag of mainstream society.

It’s open season on black youth. It’s OK to shoot first and ask questions later. We’re guilty until proven innocent. We’re viewed as a physical threat if we raise our voices in anger. Or throw up our hands to surrender. There’s more…

…So why would a black father like me enthusiastically claim “African American” for his toddler —a moniker that’s historically stigmatized by so many? After all, my son’s mom is white so alternatives exist. Among them: “biracial,” “multiracial” and “other.”…

Read the entire article here.

They Called Me ‘Coffee with Milk’ as a Kid

Zócalo Public Square
2015-11-19

Maya Soetoro-Ng (Photo by Kenna Reed)

Peace Educator Maya Soetoro-Ng Wants America to Make Room for Complexity

Maya Soetoro-Ng is the director of community outreach and global learning for the Matsunaga Institute for Peace and Conflict Resolution at the University of Hawaii at Manoa. For many years, she taught high school classes in social studies and English and undergraduate and graduate courses in multicultural education, social studies methods, and peace education. She is also the half-sister of President Barack Obama. Before participating in a discussion on what Hawaii can teach America about race, she talked about sharing the Nuyorican poets with her students, her pet peeve, and the hardest part of peace to practice…

Read the interview here.

When Louisiana Creoles Arrived in Texas, Were They Black or White?

Zócalo Public Square
2015-12-15

Tyina Steptoe, Assistant Professor of History
University of Arizona

Tyina Steptoe’s book, Houston Bound: Culture and Color in a Jim Crow City, was published by the University of California Press in 2015.

Mixed-Race Migrants Came to Houston for Jobs and Ended Up Challenging Definitions of Race

Actor Taye Diggs recently raised eyebrows by declaring that he hopes his young son—who has a white mother of Portuguese descent—identifies as “mixed” instead of black. Diggs, who is African-American, also included President Barack Obama in his statement. “Everybody refers to him as the first black president. I’m not saying it’s wrong. I’m just saying that it’s interesting. It would be great if it didn’t matter and that people could call him mixed. We’re still choosing to make that decision, and that’s when I think you get into some dangerous waters.”

So, who is “black” in America? To answer this question, I think it helps to look at the history of Houston, the city where I grew up and a place that has grappled with the black-white color line in a different way than we’ve conventionally come to understand race in America. A sizable population of people in Houston through the 20th century has identified as “Creole”—and many never really identified as black or white.

The Creoles who came to live in Houston were descendants of a free, mixed-race population that appeared in colonial Louisiana in the 18th century. The first generation typically had French or Spanish fathers and African mothers. Coerced sexual relationships, complex negotiations, and outright rape led to the creation of this population. Some white men freed their mixed-race offspring, who became known as gens de couleur libre (free people of color). Free people of color formed a separate racial group in colonial Louisiana. Since they were free, they were not lumped into the same category as black slaves. But they also did not have the same legal status as white people. Free people of color, then, were neither white nor black. Following the end of slavery in 1865, they called themselves Creoles of color, a name that future generations continued to use to identify themselves as a group…

Read the entire article here.

Old Dixie Highway renamed President Barack Obama Highway in Florida city

The Washington Post
2015-12-19

Elahe Izadi, Reporter

Workers install a new sign in Riviera Beach, Fla., on Thursday. (City of Riviera Beach)

Old Dixie Highway is no more in Riviera Beach, Fla. Instead, motorists are driving on President Barack Obama Highway.

Riviera Beach officials renamed the portion of the highway in their city limits, and the new sign carrying the name of the nation’s first black president went up Thursday. Old Dixie, officials said, paid homage to an era that glorified slavery.

The name was “symbolic of racism, symbolic of the Klan, symbolic of cross burnings, and today we are stepping up to a new day, a new era,” Riviera Beach Mayor Thomas Masters told WPTV on Thursday.

The street itself carried a painful history for some. Dora Johnson, 77, told the television station that she once witnessed a cross-burning on Old Dixie Highway. Johnson will be given the old sign that has been removed, Masters told the Palm Beach Post.

The city council’s August vote to rename Old Dixie came at a time when many communities in the South were reconsidering Confederate flags and monuments. A national debate over such symbols began anew following the June shooting of nine parishioners by a white gunman inside a historic black church in South Carolina…

Read the entire article here.

Forward Passes

The New York Review of Books
2015-12-17

Darryl Pinckney

Loving Day by Mat Johnson; Spiegel and Grau, 287 pp., $26.00

The importing of human beings into the US from Africa to be sold as slaves was outlawed in 1808, after which the slave markets of the southern states traded in black people born in America. The rules of New World slavery decreed that a person’s status was derived from that of the mother, not the father. A slave owner’s children by an enslaved woman were, firstly, assets. Neither Frederick Douglass nor Booker T. Washington considered himself mixed-race, because of the one-drop rule that determined how much black blood made a person black. They loathed the thought of their slave-owning white fathers. Douglass never saw his mother’s face in the daylight, because she was always going to or coming back from the fields in the dark.

What outraged white southerners about Uncle Tom’s Cabin was not only that Harriet Beecher Stowe asserted that black people were better Christians than white people; she was also frank about the immorality of the white man’s relations with the black women in his power. But Stowe had as much trouble as Lincoln in imagining the social destiny of mixed-race people who were pink enough in fact to pass for white (a problem central to Mat Johnson’s brilliantly satirical new novel Loving Day)…

Read the entire review here.

Bombay To Brooklyn: New York’s Indian Jews Strive To Preserve Heritage

News India Times
New York, New York
2015-12-14

Ela Dutt, Managing Editor

Siona Benjamin. Photo by Sami studio

Siona Benjamin, a greater New York City artist, hangs her “very typical” Indian Jewish Mezuzah, a prayer scroll in an engraved casing, on her door to remind her of her cultural roots. “Every time I walk through my main door, it reminds me of my Indian Jewish background,” especially so during Hanukkah, the Jewish Festival of Lights that began Dec. 6 and stretches over 8 days.

Originally from Bombay, Benjamin’s art is a blend of her background growing up in a Hindu and Muslim society, educated in Catholic and Zoroastrian schools, raised Jewish and now living in America. She is among the barely 100 or so Bene Israelis left in the Tri-state area, and the 350 or so around the U.S. according to Rabbi Romiel Daniel, rabbi and president of the Rego Park Jewish Center who since 1995, has tried to keep his flock together and raise awareness among the second and third generation Bene Israeli youth.

Some of the history of this small and unique community is captured in the exhibit “Baghdadis & the Bene Israel in Bollywood & Beyond” that opened in early November at the Center for Jewish History in New York City and will be on till April 1. Presented by the American Sephardi Federation, most of the items at the exhibit come from the Joyce and Kenneth Robbins collection, and highlight how Indian Jews, women in particular, were leaders in Bollywood and beyond at a time when custom and tradition kept many other Indian women out of Bollywood.

In exploring the largely forgotten history of the Bene Israel of India, the exhibition showcases the careers of Pramila (Esther Victoria Abraham), (Florence Ezekiel) Nadira, Sulochana (Ruby Myers), Abraham and Rachel Sofaer, Ezra Mir, RJ Minney, and Joseph David Penkar, each of whom played multiple roles in front of and behind-the-scenes in Bollywood…

Read the entire article here.

History Matters: Nanticoke tribe seeks to sustain its identity

Delaware Public Media: Delaware’s source for NPR News
WDDE 91.1, Dover
WMPH 91.7, Wilmington
2015-06-26

Anne Hoffman, Youth Producer and General Assignment Reporter

History Matters examines the Nanticoke Tribe of Delaware’s fight to maintain its identity.

They’re called Delaware’s Forgotten Folks.

In the second part of a two-part History Matters – produced in conjunction with the Delaware Historical Society, we continue our in-depth look at the Nanticoke Tribe.

“My name is William Daisey. And my Native American name is Thunder Eagle. And I’m chief of the Nanticoke Indian Tribe of Delaware.”

Chief Daisey was born in 1931 in Millsboro. Back then, he says, transportation was just “Model T’s” and “horse and buggies.” So the farming town in Southern Delaware where he grew up felt a million miles away from bustling Wilmington or even Dover.

“We were taught how to hunt, fish make bow and arrows, rabbit traps. We were taught which berries to pick, which fruit was edible,” said Daisey.

Families back then passed on what are called lifeway traditions, curing illnesses with old remedies and using Native American ways to gather more food than just that year’s harvest. From the time he could walk, Chief Daisey was learning…

Read or listen to the story here. Download the story here.

Do White-Passing People of Color Have Privilege?

Everyday Feminism
2015-09-07

Marina Watanabe

Today I’m going to be answering a question from one of my Patreon patrons (which sounds really redundant) about being a person of color who happens to be white-passing.

Before I start this, I want to explain the concept of white-passing. It basically means what it sounds like. It’s when you’re a person of color, whether that be Asian, Native American, black or mixed raced and other people perceive you, either some of the time or all of the time as white.

The question I received is from a person named Susie. She actually has a channel on YouTube which I’m going to link below. She titled her question “Passing Privilege” and she said,

“I am half Native Alaskan and half white but since I look mostly white, I am constantly told by strangers, specifically non-Natives, that I am not Native. It’s a weird concept. I know you’ve talked about it before in a video but is it the same with Asian culture? With Native culture you can be extremely cultural but if you don’t have dark skin, you aren’t really ‘Native.’”

As someone who is half Asian and half white, I totally feel you on this. One of the weirdest things I’ve noticed about being on YouTube is that typically in my everyday life, a lot of people read me as Asian or Japanese but then on the internet when I make videos, they assume that I’m white much more often…

Read the entire article here.