Mixed Race Studies

How poet Ariana Brown became the Afro-Latina role model she needed

Poetry
PBS NewsHour
2016-02-08

Corinne Segal, Online Arts Reporter/Producer

Poet Ariana Brown. Photo by Christopher Diaz

Poet Ariana Brown is the role model she needed.

Growing up in San Antonio, Brown said she struggled to find other representations of herself — an Afro-Latina woman from a working class family — both in her community and literature.

“I remember reading books and being so invested in the characters and the story, and then I would get to a certain line in the story where it would describe what the character looked like. And then I would realize, this book is not talking about me,” she said. “Part of my work is to always go back for little girl Ariana and figure out what it is she needed that she didn’t get.”

In high school, Brown picked up the autobiography of Malcolm X. He was “someone who was also working class, from a poor family, a family of color, who didn’t have access to opportunities, who came from a neighborhood where you weren’t expected to excel,” she said.

Reading about the way Malcolm X used language to command attention gave her a road map for her own future, she said…

…Brown’s poem “Inhale: The Ceremony” speaks to her relationship to her ancestors, a history that she said is often unacknowledged or disrespected. “I’m never racialized as Latina. I’m always racialized as black. My whole identity isn’t acknowledged [and] I’m assumed to be an outsider in almost every space I enter. That is a very isolating feeling,” she said…

Read the entire article here.

Our love was colour blind… but our families weren’t

The Daily Mail
London, United Kingdom
2016-02-05

Diana Appleyard and Clare Goldwin

Deeply moving, and exposing tensions that still blight Britain today, mixed-race couples from four generations tell their stories

‘MY FATHER THREW ME OUT OF THE HOUSE’: 1940s MARY AND JAKE JACOBS

Mary, 81, is married to Jake, 86, and lives in Solihull in the West Midlands. They have no children. Mary is a former deputy head teacher, and Jake worked for the post office before retiring. Mary is white and Jake is black, originally from Trinidad.

MARY SAYS: When I told my father I was going to marry Jake he said, ‘If you marry that man you will never set foot in this house again.’

He was horrified that I could contemplate marrying a black man, and I soon learned that most people felt the same way. The first years of our marriage living in Birmingham were hell — I cried every day, and barely ate. No one would speak to us, we couldn’t find anywhere to live because no one would rent to a black man, and we had no money. …

Read the entire article here.

The Psychosis of Whiteness: The Celluloid Hallucinations of Amazing Grace and Belle

Journal of Black Studies
Published online before print 2016-03-21
DOI: 10.1177/0021934716638802

Kehinde Andrews, Associate Professor in Sociology
Birmingham City University, Birmingham, United Kingdom

Critical Whiteness studies has emerged as an academic discipline that has produced a lot of work and garnered attention in the last two decades. Central to this project is the idea that if the processes of Whiteness can be uncovered, then they can be reasoned with and overcome, through rationale dialogue. This article will argue, however, that Whiteness is a process rooted in the social structure, one that induces a form of psychosis framed by its irrationality, which is beyond any rational engagement. Drawing on a critical discourse analysis of the two only British big budget movies about transatlantic slavery, Amazing Grace and Belle, the article argues that such films serve as the celluloid hallucinations that reinforce the psychosis of Whiteness. The features of this discourse that arose from the analysis included the lack of Black agency, distancing Britain from the horrors of slavery, and downplaying the role of racism.

Read or purchase the article here.

About Latino Whiteness…

The NiLP Report on Latino Politics & Policy
The National Institute for Latino Policy
2016-04-10

CONTENTS

• “A Response to Linda Martín Alcoff’s ‘Latinos and the Category of Whiteness'” By Manuel Pastor (April 10, 2016)
• “Reply to Manuel Pastor” by Linda Martín Alcoff (April 10, 2016)

Manuel Pastor, Professor of Sociology and American Studies & Ethnicity
University of Southern California

Linda Martín Alcoff, Professor of Philosophy
City University of New York

Read both essays here.

Perception and the Mulatto Body in Inquisitorial Spain: A Neurohistory*

Past and Present
First published online: 2016-04-16
DOI: 10.1093/pastj/gtw001

Cristian Berco, Associate Professor of History
Bishop’s University, Quebec

On 1 July 1625, their hands issuing from Dominican cloaks as black as night, inquisitors in Madrid voted to arrest Luisa Nuñez on suspicion of practising love magic and divination using a stolen altar stone. It fell to the inquisitorial secretary Gaspar Isidro de Argüello to lead the arrest. Since witnesses had provided no physical description of the suspect, all Argüello had to go by was a name and address. Despite this lack of information, on Luisa’s opening the door Argüello rapidly assessed her and labelled her with a racializing term plucked out of the air: ‘mulatta’. However, this categorization was problematic. Luisa would never refer to herself in this way, either in testimony or in the formal life narrative she would recount before the inquisitors. According to her, she was the American-born daughter of a Spanish notary and a Mexican Indian woman, and was now a citizen of Madrid and wife to a Galician courier.

While the label ‘mulatta’ embodied ambiguous meanings typical of the era (it could refer to either skin colour or category of being), its application was important. Not only did the word conjure up a negative stereotype particularly detrimental to a suspected sorceress, but the label continued to define Luisa as a racialized being long after her death. Even the modern catalogue containing her trial specifically uses the term in its one-line summary. In a way, the increasing tendency of early modern Europeans to connect the phenotype of colonized and enslaved peoples with inherent negative characteristics not only victimized Luisa but also reflected the long-term emergence of race as an ontological category. However, because such identity categories define our world-view today, to the point where we deploy them automatically, we tend to think of the cognitive process behind racialization as…

Read or purchase the article here.

A Telenovela, Slavery, and the Diaspora

African American Intellectual History Society
2016-04-17

Greg Childs

A Escrava Isaura, the 1875 novel by Bernardo Guimarães, was one of a number of late 19th century works of fiction in Brazil that focused on abolitionism. The story revolves around a young enslaved girl named Isaura, her efforts to gain freedom and become married to Alvaro, a wealthy white man who believes fervently in abolition, as well as her trials and tribulations with the plantation overseer who aims to seduce her and make her his concubine. It was quite transparently an anti-slavery propaganda novel. But it was also quite transparently an idealized romance, an effort to portray liberal whiteness as a heroic and saving grace for enslaved peoples. The novel was a huge success in Brazil and catapulted the author to immediate national fame.

Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom…

Read the entire article here.

Mixed-race indigenous people should get benefits extended to those with Indian status, Canadian court rules

The Los Angeles Times
2016-04-14

Christopher Guly

For decades in Canada, people of mixed indigenous and European ancestry didn’t qualify for “Indian” status and were denied a host of benefits granted to other First Nations people, including government funding, free postsecondary education and health benefits, and hunting and fishing rights.

In a landmark ruling Thursday, that changed. The Canadian Supreme Court declared that hundreds of thousands of mixed-race indigenous people, known as Metis in Canada, along with non-status Indians living off reservations, should have access to the same government programs and services as those with Indian status.

“This is something that will impact about 600,000 people across the country who have been denied recognition or access to entitlements that they now have been declared by the court as having,” said Dwight Dorey, national chief of the Ottawa-based Congress of Aboriginal Peoples…

Read the entire article here.

Blackass: a race rewrite of Kafka’s Metamorphosis

The Guardian
2016-04-13

Ainehi Edoro

Ainehi Edoro reflects on Blackass, a novel that subjects Kafka’s classic to African literary conventions – and, in the process, gives an iconic European story ‘an extreme but necessary makeover’

Last year, I received a review copy of A Igoni Barrett’s Blackass from his Nigerian publisher. I knew it was a rewrite of Kafka’s Metamorphosis. I just didn’t know what to expect. To be quite frank, I was a bit worried. Kafka has not always lived a happy life in Africa. When Guinean novelist Camara Laye wrote a Kafka-inspired novel, he was dragged through a gauntlet of scandals. Kind commentators called his work derivative and unoriginal. Others were less kind. They accused him of borderline plagiarism. Some even went as far as suggesting that he couldn’t have written the novel without the help of a ghostwriter of some kind. But Blackass, it turns out, is different. Barrett essentially subjects Kafka’s classic to the pressures African literary conventions, and, in the process, gives an iconic European story an extreme, but much needed makeover…

Read the entire review here.

Race isn’t just black or white

The Beacon: The Student Voice of the University of Portland Since 1935
Portland, Oregon
2016-04-13

Rebekah Markillie, Design Editor

I couldn’t have been more than seven or eight years old, on the way to the park with my dad, when a neighborhood kid asked me if I was adopted. That was the first time someone had brought to my attention the disparity between my complexion and the one of my so-called biological father’s. Another time more recently, when my mother tried introducing me as her daughter to another woman, she paused for a moment, looked at me and laughed, “You’re not her daughter!”

We hear it all the time that race can’t be divided into nice boxes to check. But this is rarely the reality. In many well-meaning discussions about racial inclusion and racial diversity, mixed race identities are completely left out. I’ve been told countless times that I can’t talk about racial discrimination, or Asian racial issues, because I’m not brown or Asian…

Read the entire article here.

Poetry Betrays Whiteness

Harriet: A Poetry Blog
Poetry Foundation
2016-04-12

Lucas de Lima (Introduction by Daniel Borzutzky)

Among the many pointed questions that Lucas de Lima raises in “Poetry Betrays Whiteness” is that of how positions of unitedstatesian privilege can be used “to fight structural inequality and global anti-blackness.” This far-reaching essay touches upon, among other things, conceptions of race in the U.S. and Brazil; afro-Brazilian artists who have offered alternative conceptions; and a fascinating discussion of the ways that Brazilian Portuguese has been shaped by indigenous and African influences.

Lucas concludes by drawing our attention to a racist and sexist post on Harriet in 2008 that I had never seen before, and which sadly seems illustrative of the disgusting racism embedded in U.S. literary institutions that has been exposed in the past few years. Lucas asks, among other things, for the Poetry Foundation to take responsibility for the publication of the racist post it provided a platform for. This is a fair request, and one that I second. We should know why such posts are published. Editorial policies surrounding racist content should be clearly articulated and transparent…

…When I’m in Brazil—the country with the largest Black population in the world outside of Africa—I am not a light-skinned Latino or a person of color. I occupy the position of a white person.

Lately, moving between racial categories has magnified my political feelings. The more time I spend in the country I left as a child, the more I hone the grief and rage that whiteness, as a global logic, provokes in me. For every Black person killed by the police in the U.S., countless more are killed in Brazil. In both places, the rise of police brutality and mass incarceration is one condition of racialized life. Another is the exploding suicide rate in Native communities, particularly among youth.

I think of nation-states as inherently militarized spaces articulated through each other. When Frederick Douglass said Brazil was less racist than the U.S. in its treatment of freed slaves, he anticipated the self-fashioning of a ‘racial democracy’ whose mixture would be defined against U.S.-style segregation. Like the vast majority of Brazilians, I have mixed-race ancestry. Because my nonwhite ancestors survived, I am alive and need to be explicit about the horrors of miscegenation—the rape of African and Indigenous women by Portuguese men. My light skin is the result of policies that whitened the population by incentivizing European immigration at the turn of the century. I think all the time about how the state transmits white supremacy through my body. My phenotype encodes a national fear of being too black and brown. As in other slaveholding societies, the idea that Brazil could one day be Haiti haunted the elite…

Read the entire article here.