Mixed Race Studies

How Emma Dabiri is changing the conversation around afro hair

Vogue (Australia)
2020-03-05

Eni Subair

Author Emma Dabiri of Don’t Touch My Hair. Image credits: Matthew Stone

The author of Don’t Touch My Hair — which illustrates the oppressive hair journey that black people have been on — wants to put an end to the discriminatory behaviour surrounding afro hair. Here, she unpicks her own experience and delves into the stigmatisation still held within society.

In February, 18-year-old Ruby Williams was awarded a sum of £8,500 (AU$16,634) after embarking on a three-year legal battle with her school in east London, having been singled out and sent home numerous times because her afro didn’t adhere to school regulations. Shockingly, the issue is ongoing in the UK, with the frequency of school exclusions for afro hair rapidly rising.

Emma Dabiri, author of 2019’s powerful Don’t Touch My Hair and a lecturer at SOAS University of London, is campaigning against the UK ruling currently in place around hair by asking members of the public to sign a petition to amend the Equality Act 2010. Currently, the act protects colour, nationality, and ethnic or national origins, but hair — specifically afro hair — is not a named “protected characteristic”. It’s a grey area that leaves students and employees open to being pulled up about their hair. Dabiri, who is of Nigerian and Irish descent, wants the law changed, not least because the mother of two fears her own children may one day face the same prejudice. “I have a seven-year-old who has had hairstyles other kids have been excluded for having,” she tells Vogue. “I want that to change before he goes to secondary school.”

She hopes her book, which illustrates the oppressive hair journey black people have been on, will help change the rhetoric and discriminatory behaviour around afro hair.

Here, Emma Dabiri tells Vogue why she’s rallying the masses to sign the petition, and why warped perceptions around black afro hair need to stop…

Read the entire interview here.

BBC One to adapt Kit de Waal’s My Name is Leon into film

The Book Seller: At the Heart of Publishing since 1858
2020-02-25

Florence Leslie

Kit de Waal

BBC One will adapt Kit de Waal’s novel My Name is Leon (Simon & Schuster) into a film.

My Name is Leon will be adapted by Shola Amoo, writing his first screenplay for television and directed by Kibwe Tavares. It will be produced by Douglas Road Productions for BBC One.

Set in 1980s Britain, My Name is Leon tells the “uplifting and incredibly moving story of nine year old Leon, a mixed-race boy whose desire is to keep his family together, as his single-parent mother suffers a devastating breakdown” according to its synopsis.

Amoo said: “I’m very excited to be a part of this ground-breaking project for the BBC. It was a real honour and privilege to adapt Kit De Waal’s touching and thought-provoking book for the screen and I can’t wait to share it with the world.”…

Read the entire article here.

My Daughter Passes for White

The New York Times
2020-02-29

Seema Jilani, Pediatrician and Humanitarian Aid Worker
Washington, D.C.

Sally Deng

She belongs in a way I never could. I’m comforted — and worried.

I stand in the aisle of the school bus while the other seventh graders snicker and block me from sitting next to them, as they have for the entire school year. Taking my seat next to the bus driver, I look out to the road with resignation. My great-aunt, adorned in a colorful sari, waves goodbye to me while the entire school bus looks on. I want to disappear into the dingy brown vinyl bus seats. With the newfound cruelty of adolescence, I scoff and loudly tell my classmates, “That crazy lady is just my maid.”

I am still ashamed of how I treated my great-aunt. I also know it was a form of preteen self-preservation. I desperately wanted what so many other children that age do: to be as bland and vanilla as possible, just so that I could get through the day without being ostracized.

I now find myself in a mixed marriage, mother to a 3-year-old mixed-race girl who easily passes for white. Her fair skin, auburn hair and light brown eyes do not even hint at her Pakistani background. When I tell people at gatherings that I speak Urdu at home, some are very concerned about whether my daughter will be confused. Yet some are the same families clamoring for their children to get accepted into French-immersion kindergartens. Strangers have asked me whether I am her real mother or have assumed that I’m her nanny. It’s not their belief about my profession that’s disturbing — it’s their certainty that my daughter and I can’t be related because of the colors of our skin…

Read the entire article here.

Soledad O’Brien Isn’t Holding Back Anymore

Rolling Stone
2020-03-03

EJ Dickson, Reporter

After leaving CNN, the veteran journalist started Soledad O’Brien Productions. Leeor Wild for Rolling Stone

After a new executive pushed her out at CNN, the veteran journalist became one of mainstream media’s most fiery critics

Soledad O’Brien likes to tell a story: Eleven years ago, a senior employee at CNN — “my boss’s boss’s boss” — called her into his office to upbraid her about a comment she had made while promoting her multipart series Black in America. At a panel, O’Brien had said she had interviewed black parents from various socioeconomic backgrounds, all of whom said they had conversations with their sons about how to navigate interactions with police. The superior, who was white, told her this experience was not specific to people of color, and that white parents had this discussion with their sons too. He requested that she stop publicly speaking about young black men and police brutality.

O’Brien was stunned. “I’d spent 18 months working on that doc,” the veteran journalist recalls in the office of her company, Soledad O’Brien Productions. “But the idea that I would come back with something that challenged his belief was just not acceptable.” Nonetheless, she wanted to keep her job, and she knew that speaking out would be career suicide. “I didn’t tell that story,” she says. “Until I was telling it on Twitter.” And once she started telling stories, she found she couldn’t stop.

Read the entire article here.

The Gospel according to Meghan

The Christian Recorder: The Official Organ of the African Methodist Episcopal Church
2020-02-28

Jennifer P. Sims, Ph.D., Columnist; Assistant Professor of Sociology
University of Alabama, Huntsville

Jennifer P. Sims, Ph.D.

A few weeks ago, Meghan Markle and Prince Harry shocked their family and the world by announcing that they would step back from their roles as senior members of the British Royal Family. Contributing to their decision was the intense media attention and its accompanying salacious criticism of their family. Meghan, who is mixed-race (Black/White) and American, has been receiving the brunt of the media abuse. From newspaper stories disdaining her every behavior, despite having lauded some of the same actions when White British Royals like Kate Middleton did them, to a reporter literally comparing her newborn son to a monkey, the British media has been unconscionable toward the Duchess of Sussex.

Social media dubbed the family’s departure from the UK “Megxit,” a word play on “Brexit” which refers to Britain’s recent exit from the European Union, and leading news sources reached out to social scientists for comments. In an interview with The Washington Post, for example, I discussed the role of anti-black racism and classism in the Sussex family’s experiences. My colleague, who is a psychologist, explained to PBS News Hour how the experiences of mixed-race Blacks such as Meghan and [Barack] Obama reiterate that a few minorities gaining positions of power does not signal the end of prejudiced thinking. A historian penned an essay that situated Megxit within the Black feminist tradition of resilience…

Read the entire article here.

City of Alexandria unveils marker to Louisiana’s first African-American governor

KALB-TV News Channel 5
Alexandria, Louisiana
2020-02-25

ALEXANDRIA, La. (City of Alexandria) – Alexandria Mayor Jeffrey W. Hall joined local historic preservation supporters Tuesday afternoon in the Alexander Fulton Mini Park downtown to unveil a historical marker in honor of P.B.S. Pinchback, Louisiana’s first African-American governor.

“It is fitting that we honor P.B.S. Pinchback, the first African-American Governor of Louisiana, during Black History Month,” Hall said. “Gov. Pinchback was a significant force in Louisiana politics during Reconstruction following the Civil War. And he traveled to Alexandria for meetings during his brief time as governor.”

Alexandria Mayor Jeffrey W. Hall (left) and local historian Michael Wynne unveil a historical marker in honor of P.B.S. Pinchback, Louisiana’s first African-American governor Tuesday afternoon. The marker, located in the Alexander Fulton Mini Park in downtown Alexandria, is the first one erected as part of the City of Alexandria’s new historical marker program designed to recognize historical events and people associated with Alexandria.

Pinckney Benton Stewart Pinchback was born in 1837 in Georgia to a white father, who was a planter, and a black mother who was a former slave. While he could have tried to pass for white, Pinchback embraced his African-American roots. During the Civil War and after the fall of New Orleans, Pinchback recruited the first set of African-American volunteer soldiers for the Union Army in Louisiana known as the 1st Louisiana Native Guards, and he served as its first Captain…

Read the entire story here.

The changing categories the U.S. census has used to measure race

Fact Tank: News in the Number
Pew Research Center
2020-02-25

Anna Brown, Research Associate

The varying ways in which the U.S. government has counted Americans over time offer a glimpse into the country’s past, from the days of slavery to recent waves of immigration. Racial categories, which have been included on every U.S. census since the first one in 1790, have changed from decade to decade, reflecting the politics and science of the times.

It was not until 1960 that people could select their own race. Prior to that, an individual’s race was determined by census takers, known as enumerators. And it was not until 2000 that Americans could choose more than one race to describe themselves, allowing for an estimate of the nation’s multiracial population. In 2020, for the first time, the form asks respondents who choose white or black for their race to give more information about their origins – for example, German, Lebanese, African American or Somali…

Read the entire article here.

I’m 100% black and 100% Japanese and I found my true self at Howard University

The Undefeated
2020-02-25

Arthur Cribbs, ESPN Rhoden Fellow
Los Angeles, California

Arthur Cribbs (center) with father and mother at his high school graduation in Los Angeles in 2017. Arthur Cribbs

Arthur Cribbs is a junior at Howard University and one of six Rhoden Fellows from historically black colleges and universities participating in a yearlong internship with The Undefeated.

I wouldn’t have it any other way

All I had been searching for in a college was a place that I could call home. So when my junior year of high school came around and my guidance counselors began asking me which schools I was considering, my mind was set on one place: Occidental College.

At that point in my life, it checked all the boxes. It was a four-year college with proven success; even President Barack Obama attended the school. It was also close to my home in Los Angeles, about a mile away from my family. I was familiar with the campus and since my two sisters attended the school, I’d spent many nights at the college already. Occidental looked like a place, outside of my home, where I could be comfortable.

Growing up, comfort was something I had constantly been searching for. Whenever I was away from my family, I often felt out of place.

For starters, I am black and Japanese. While my parents raised me to embrace both parts of my heritage, there were not many people with my combination…

Read the entire article here.

Black/white mixed-race experiences of race and racism in Poland

Ethnic and Racial Studies
Published online 2020-02-25
DOI: 10.1080/01419870.2020.1729390

Bolaji Balogun
School of Sociology and Social Policy
University of Leeds, Leeds, United Kingdom

Remi Joseph-Salisbury, Presidential Fellow in Ethinicty and Inequalities
University of Manchester, Manchester, United Kingdom

Whilst literature on race and ethnicity in Poland is growing, it has yet to fully grapple with the diverse range of racial identities in Poland. Simultaneously, despite calls for Critical Mixed Race Studies (CMRS) to develop into a more global field, there remains a paucity of literature focusing on racial mixedness in Central and Eastern Europe (CEE), and no substantive consideration of the lived experiences of mixed-race people in Poland. Taking these absences as our entry point, we bring Critical Mixed Race Studies into conversation with pieces of literature on race and ethnicity in Poland in order to extend the theoretical and empirical terrain of both fields. Drawing upon data from interviews conducted with black/white mixed-race people in Poland, this article casts light on the lives of this nascent group, and specifically on their experiences of racism and exclusion in a society imagined as homogenously white.

Read or purchase the entire article here.

Katherine Johnson Dies at 101; Mathematician Broke Barriers at NASA

The New York Times
2020-02-24

Margalit Fox

Katherine Johnson, part of a small group of African-American women mathematicians who did crucial work at NASA, in 1966. NASA/Donaldson Collection, via Getty Images

She was one of a group of black women mathematicians at NASA and its predecessor who were celebrated in the 2016 movie “Hidden Figures.”

They asked Katherine Johnson for the moon, and she gave it to them.

Wielding little more than a pencil, a slide rule and one of the finest mathematical minds in the country, Mrs. Johnson, whose death at 101 was announced on Monday by NASA, calculated the precise trajectories that would let Apollo 11 land on the moon in 1969 and, after Neil Armstrong’s history-making moonwalk, let it return to Earth.

A single error, she well knew, could have dire consequences for craft and crew. Her impeccable calculations had already helped plot the successful flight of Alan B. Shepard Jr., who became the first American in space when his Mercury spacecraft went aloft in 1961.

The next year, she likewise helped make it possible for John Glenn, in the Mercury vessel Friendship 7, to become the first American to orbit the Earth.

Yet throughout Mrs. Johnson’s 33 years in NASA’s Flight Research Division — the office from which the American space program sprang — and for decades afterward, almost no one knew her name…

Read the entire obituary here.