Mixed Race Studies

On the First Asian-American President

Vogue
2016-12-21

Eric Chang

Given the poise with which Barack Obama has taken on his role as president (measured here at minimum by the absence of personal scandal, gaffes, or brushes with death via pretzel), it’s easy to forget how difficult it was to imagine a figure even approximately like him, prior to 2004. The concept of a black president was once a rhetorical construct used to highlight unlikelihood, if not outright impossibility, up there with winged pigs and a frozen inferno. So entrenched was the hegemony of white male leadership in America that in 1998, Toni Morrison wrote the following of then-President Bill Clinton in The New Yorker (to no terrific protest): “Years ago . . . one heard the first murmurs: white skin notwithstanding, this is our first black president. Blacker than any actual black person who could ever be elected in our children’s lifetime.”

Much has been made of this designation. It’s been frequently misattributed to Morrison alone, when by her own account she was reporting a thesis aggregated from several different conversations (those “murmurs,” collected from her community). It’s also been decontextualized to insidious effect, often in attempts to bolster Bill Clinton’s bona fides as a champion of black Americans…

…The visceral recognition I and Asian-Americans like me see in President Obama rests on a similar foundation, and so I frame my argument as an intentional parallel to Morrison’s: Black skin notwithstanding, this is our first Asian-American president…

Read the entire article here.

The biggest mistake in the history of science

The Conversation
Walking on two feet: Reflections on science and human origins
2016-12-19

Darren Curnoe, Chief Investigator and Co-Leader of Education and Engagement Program ARC Centre of Excellence for Australian Biodiversity and Heritage, and Director, Palaeontology, Geobiology and Earth Archives Research Centre, UNSW Australia

The human faces of Asia. First published in the first edition (1876–1899) of Nordisk familjebok. Wikimedia Commons, CC BY-SA

Science is one of the most remarkable inventions of humankind. It has been a source of inspiration and understanding, lifted the veil of ignorance and superstition, been a catalyst for social change and economic growth, and saved countless lives.

Yet, history also shows us that its been a mixed blessing. Some discoveries have done far more harm than good. And there’s one mistake you will never read about in those internet lists of the all-time biggest blunders of science.

The worst error in the history of science was undoubtedly classifying humans into the different races…

Read the entire article here.

Fatherless and Abandoned, Vietnamese-Americans Search for Their Families

Voice of America
Learning English
2016-12-21

Hai Do
VOANews.com

Moki, Tan and Jannies were babies at the close of the American war in Vietnam in the 1970s. Their mothers were Vietnamese. Their fathers were American soldiers. In one way or another, they were all abandoned.

Now, the search for their birth families has brought them together. Here are their stories…

Read the entire article here.

Misty Copeland on Seeing So Many Brown Ballerinas in Cuba: “That Will Forever Stick With Me”

Remezcla
2016-12-22

Yara Simón, Trending Editor

Photo: Emily Jan/NPR

In the world of American ballet, Misty Copeland is the exception. As the first black woman to become a principal dancer for the American Ballet Theatre, Copeland knows what it’s like to be one of the few women of color to break through. That’s why when President Barack Obama asked her to visit Cuba as part of a sports envoy program designed to further strengthen relations between the United States and the Caribbean nation, Misty felt struck by the number of brown bodies she saw at the prestigious Ballet Nacional de Cuba.

“Just the imagery of seeing a room full of Cuban women and men with brown skin, doing classical ballet, and it’s not even a question for them,” she told The Undefeated. “It’s like, ‘No, this is what we do and this is what we look like.’ That’s something that will forever stick with me.”…

Read the entire article here.

Miss France ‘whitened’ for Paris Match

The Times of London
2016-12-23

Charles Bremner, Europe Editor

A row over racism has tainted this year’s Miss France contest after the winner was pictured in a magazine with apparently lightened features and her hair straightened.

Alicia Aylies, an 18-year-old student who earlier won the Miss French Guiana contest, was chosen as Miss France last weekend, prompting criticism from far-right commentators on social media that she hails from the south American French département…

Read the entire article here.

BEST OF 2016: Fractionalized — Stories of Biracial Joy, Pain, Struggle and Triumph

Madison 365
Madison, Wisconsin
2016-12-26

Mia Sato
University of Wisconsin, Madison

Mixed.

Multi.

One-half-this and one-quarter-that. Biracial, mixed-race, “two or more races.” In a world obsessed with labels, the pressure to claim oneself as part of a racial group is an inescapable reality for a small but growing population. We are confronted by it with questions like, “What are you?” which we can instantly recognize as a question pointing to heritage. Census forms or surveys ask us to check a box identifying our ethnicity; on rare occasions we’re offered “Multiracial” but we frequently settle for “Other.” People identifying as mixed race may feel connected to all of their backgrounds, only one or some of them, or to none; race is complex enough as it is, but once two or more categories come into play, even more questions are raised.

What is clear is that people who carry a mixed race identity do not experience their race in the same way, even if they share the same racial mix. Location, social interaction, family attitudes about race and environments all inform how they think, feel and speak about being mixed race. Even more, an individual’s own interpretation of their multicultural background may shift and change with time; it is a process of discovery, affirmation, questioning and rejection.

Below, five individuals share their own journey of a mixed-race identity. No story is the same, but all lead to one reality that is obvious: they are hardly a fraction of a race. They are full, whole, complete, and here are their stories, in all their diverse glory…

Read the entire article here.

Patricia Park talks about her Korean American spin on Jane Eyre

The Los Angeles Times
2015-05-12

Steph Cha

Patricia Park, author of “Re Jane” (Allana Taranto/Viking)

What if Jane Eyre was a Korean American girl and Rochester was a English professor? Patricia Park on ‘Re Jane‘

Patricia Park’s debut novel, “Re Jane” (Pamela Dorman/Viking: 340 pp., $27.95), is a retelling of everyone’s favorite Gothic Victorian Brontë romance, “Jane Eyre,” transferred to New York and South Korea in the early 2000s. Her heroine, Jane Re, is a half-Korean orphan raised by her uncle’s family in Flushing, Queens, a neighborhood that feels “all Korean, all the time.” When a prestigious post-college job offer falls through thanks to the dot-com crash, Jane takes a job as an au pair in Brooklyn in order to escape Queens and her uncle’s grocery store.

Her employers are Ed Farley and Beth Mazer, two Brooklyn English professors with an adopted Chinese daughter. Ed, as you may have guessed, is brooding and manly, with a strong jawline and a Brooklyn accent—pure Kryptonite for our wide-eyed, 22-year-old Jane. He lives in the shadow of his older, more accomplished wife, an eccentric feminist scholar with an attic office, who takes it upon herself to educate their sheltered au pair.

With her mixed blood and her torn loyalties, Jane embodies the confusion of both young adulthood and the hyphenated American experience. Impressionable and accommodating at the start of the novel, she struggles to find her own identity as the places and people in her life try to claim her. Her journey is a pleasure to follow, immensely rewarding and speckled with humor and romance…

Read the entire interview here.

Misty Copeland En Pointe

The Undefeated
2016-12-14

Kelley L. Carter, Senior Culture Writer

Photographs by Brent Lewis
Videos by Lois Nam, Senior Digital Producer

America’s most famous prima ballerina heads to Cuba to represent female athleticism. (Yes, athleticism.)

HAVANA, Cuba

Misty Copeland is at the barre.

She’s demonstrating a battement tendu to a group of ballerinas at a dance magnet school.

The dancers — all girls ages 15 to 17, all in black leotards, white tights and pointe shoes, and all with their hair pulled up into impeccable topknots — listen intently.

All eyes are focused on her. Copeland is speaking in English. The teen dancers only understand Spanish.

There is a language translator — Maria Luz Pereya, a former dancer herself, originally from Buenos Aires, Argentina — and she offers at one point to bring a corded microphone toward Copeland and translate. Copeland quickly shakes her head, declining her assistance in this moment. This is, after all, Havana, the capital of Cuba, an island in the northern Caribbean where, as they say, the three languages spoken and understood by all are: Spanish, baseball and dance.

And Copeland, a groundbreaking ballerina — as well as author, and newlywed — who made history last year when she became the first African-American woman to be promoted to principal dancer in the American Ballet Theatre’s 75-year history, happens to be fluent in the art of motion. “Sport and art and dance unify people,” Copeland said later, sitting on the rooftop of Havana’s The Saratoga — the same place Beyoncé and Jay Z spent their 2013 wedding anniversary. “It’s a language and a culture that people from everywhere, all over the world, can relate to, and understand, and come together for.”…

Misty Danielle Copeland got her start in ballet on the basketball court…

Read the entire article here.

The Photograph That Helped Misty Copeland Realize Her Responsibility as a Black Woman in Ballet

Vanity Fair
2016-10-11

Misty Copeland

Ahead of her new book, the first African-American female principal dancer of the American Ballet Theatre reveals the power of seeing a portrait of Raven Wilkinson, who broke color barriers in ballet more than 50 years ago.

“I saw this image of dancer Raven Wilkinson for the first time in Ballets Russes, the 2005 documentary. I cried upon hearing a history I didn’t know much about. As a black woman in the classical-ballet world, I realized then that, although things have evolved in the 50 years since Raven faced severe racism while performing with the Ballet Russe de Monte Carlo, black women still face an uphill battle finding their place as professionals in classical ballet…

Read the entire article here.

Escaping slavery, one family’s story

Free Press Newspapers
Illinois
2016-12-14

Sandy Vasko, Executive Director
Will County Historical Society

Black history in Braidwood starts during the coal strikes of the 1870s. Before that time the only black people this area knew were passing through on the Underground Railroad. Or did they? As I have learned, not all of them kept going. Some decided to stay in one place not to very far from here despite all the troubles and complications that meant.

Let’s start at the beginning with Eliza Wilson. She was born a slave in South Carolina in 1825 and is described as a mullato, in other words she was partly white, and probably her father was her owner. But in those days, one drop of black blood meant you were black. In 1845 we find her in a census as a free woman. How she earned her freedom is unknown, but soon we find her listed in South Carolina register as a slave owner. Blacks owning slaves!?!?! Yes, it seems that it was not uncommon. What is interesting is that the three slaves she owned were 1, 3, and 5 years of age…

Read the entire article here.