Mixed Race Studies

Love, Liberation, and Escaping Slavery: William and Ellen Craft in Cultural Memory

University of Georgia Press
2015-05-15
136 pages
8 b&w photos
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-3802-6
Paper ISBN: 978-0-8203-4724-0
Ebook ISBN: 978-0-8203-4832-2

Barbara McCaskill, Associate Professor of English and co-director of the Civil Rights Digital Library
University of Georgia

How William and Ellen Craft’s escape from slavery, their activism, and press accounts figured during the antislavery movement of the mid-1800s and Reconstruction

he spectacular 1848 escape of William and Ellen Craft (1824–1900; 1826–1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his “master’s” devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts’ activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts’ only book, their memoir, Running a Thousand Miles for Freedom, published in 1860.

Yet as this study of key moments in the Crafts’ public lives argues, the early print archive—newspapers, periodicals, pamphlets, legal documents—fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences’ changing reactions to them. By discussing such events as the 1878 court case that placed William’s character and reputation on trial, this book also invites readers to reconsider the Crafts’ triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early American print culture.

A Language of Our Own: The Genesis of Michif, the Mixed Cree-French Language of the Canadian Métis

Oxford University Press
1997-06-05
336 pages
1 linecut, 5 maps
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780195097115
Paperback ISBN: 9780195097122

Peter Bakker, Associate professor
Department of Aesthetics and Communication
Aarhus University, Aarhus, Denmark

The Michif language—spoken by descendants of French Canadian fur traders and Cree Indians in western Canada—is considered an “impossible language” since it uses French for nouns and Cree for verbs, and comprises two different sets of grammatical rules. Bakker uses historical research and fieldwork data to present the first detailed analysis of this language and how it came into being.

Skin, Inc.: Identity Repair Poems

Graywolf Press
2010-08-31
192 pages
Trim Size: 6 x 9
Hardcover ISBN: 978-1-55597-567-8
Paperback ISBN: 978-1-55597-650-7

Thomas Sayers Ellis, co-Founder
The Dark Room Collective, Cambridge, Massachusetts

The ambitious, combative, and spot-on new poetry book by Thomas Sayers Ellis, author of the award-winning The Maverick Room

Skin, Inc. is Thomas Sayers Ellis’s big, ambitious argument in sound and image for an America whose identity is in need of repair. In lyric sequences and with his own photographs, Ellis traverses the African American and American literary landscapes—along the way adding race fearlessness to past and present literary styles and themes, and perform-a-forming tributes for the Godfather of Soul, James Brown; the King of Pop, Michael Jackson; and the election of President Barack Obama. Part manifesto, part identity repair kit, part plea for poetic wholeness, this collection worries and self-defends, eulogizes and casts a vote, raises a fist and, often, an intimidating song. One sequence is written as a sonic/visual diagram of pronouns and vowels; another quotes from editors’ rejections of his own poetry included in the book; another poem, “Race Change Operation,” begins: “When I awake I will be white, the color of law.” Skin, Inc. is the latest work by one of the most audacious and provocative poets now writing.

Praise Song for the Day: A Poem for Barack Obama’s Presidential Inauguration

Graywolf Press
2009-02-06
28 pages
Trim Size: 4 5/8 x 6 1/2
ISBN: 978-1-55597-545-6

Elizabeth Alexander

Available in an elegant chapbook, Elizabeth Alexander’s historic poem, read at the 2009 inauguration of President Barack Obama

On January 20, 2009, Elizabeth Alexander served as the fourth-ever inaugural poet and a central participant in one of the most closely watched inaugurations in American history. Selected by Barack Obama, Alexander composed and delivered her original poem “Praise Song for the Day” to an audience of millions, and now the poem can be read and savored for posterity. Printed on heavy, uncoated stock and bound with French flaps and a silver foil stamp, this collectible chapbook is a cherished reminder of this monumental presidential event.

Machado de Assis: The Brazilian Master and His Novels

University of California Press
1970
270 pages
ISBN: 9780520016088

Helen Caldwell

Machado de Assis is among the most original creative minds in Brazils rich, four-century-long literary tradition. Miss Caldwell’s critical and biographical study explores Machado’s purpose, meaning, and artistic method in each of his nine novels, published between 1872 and 1908. She traces the ideas and recurrent themes, and identifies his affinities with other authors.

In tracing Machado’s experimentation with narrative techniques, Miss Caldwell reveals the increasingly subtle use he made of point of view, sometimes indirect or reflected, sometimes multiple and “nested” like Chinese boxes.

Miss Caldwell shows the increasing sureness with which he individualized his characters, and how. in advance of his time, he developed action, not by realistic detail, but by the boldest use of allusion and symbol. Each novel is shown to be an artistic venture, and not in any sense a regurgitation from a sick soul as some critics have argued.

In searching out the unity of his novels. Miss Caldwell explores the other aspects of Machado’s intellectual life—as poet, journalist, playwright, conversationalist, and academician. Of particular interest is her attention to his shift away from the social criticism of his early novels into the labyrinth of individual psychology in the last five—all of which rank among world literature. But this perceptive account never loses sight of the one element present in every piece of Machado’s fiction, in every one of his personages; that is, superlative comedy, in its whole range: wit, irony, satire, parody, burlesque, humor.

Altogether, Miss Caldwell reveals to us a writer, in essence a poet, who is still the altus prosator of Brazilian letters.

Read the entire book here or here.

Daughters of the Trade: Atlantic Slavers and Interracial Marriage on the Gold Coast

University of Pennsylvania Press
January 2015
288 pages
6 x 9 | 17 illus.
Cloth ISBN: 978-0-8122-4673-5
Ebook ISBN: ISBN 978-0-8122-9058-5

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

Examining five generations of marriages between African women and European men in a Gold Coast slave trading port, Daughters of the Trade uncovers the vital role interracial relationships played in the production of racial discourse and the increasing stratification of the early modern Atlantic world.

Severine Brock’s first language was Ga, yet it was not surprising when, in 1842, she married Edward Carstensen. He was the last governor of Christiansborg, the fort that, in the eighteenth century, had been the center of Danish slave trading in West Africa. She was the descendant of Ga-speaking women who had married Danish merchants and traders. Their marriage would have been familiar to Gold Coast traders going back nearly 150 years. In Daughters of the Trade, Pernille Ipsen follows five generations of marriages between African women and Danish men, revealing how interracial marriage created a Euro-African hybrid culture specifically adapted to the Atlantic slave trade.

Although interracial marriage was prohibited in European colonies throughout the Atlantic world, in Gold Coast slave-trading towns it became a recognized and respected custom. Cassare, or “keeping house,” gave European men the support of African women and their kin, which was essential for their survival and success, while African families made alliances with European traders and secured the legitimacy of their offspring by making the unions official.

For many years, Euro-African families lived in close proximity to the violence of the slave trade. Sheltered by their Danish names and connections, they grew wealthy and influential. But their powerful position on the Gold Coast did not extend to the broader Atlantic world, where the link between blackness and slavery grew stronger, and where Euro-African descent did not guarantee privilege. By the time Severine Brock married Edward Carstensen, their world had changed. Daughters of the Trade uncovers the vital role interracial marriage played in the coastal slave trade, the production of racial difference, and the increasing stratification of the early modern Atlantic world.

Table of Contents

• Maps
• Introduction. Severine’s Ancestors
• Chapter 1. Setting Up
• Chapter 2. A Hybrid Position
• Chapter 3. “What in Guinea You Promised Me”
• Chapter 4. “Danish Christian Mulatresses”
• Chapter 5. Familiar Circles
• Epilogue. Edward Carstensen’s Parenthesis
• Notes
• Note on Sources
• Bibliography
• Index
• Acknowledgments

A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia

Harvard University Press
November 2014
522 pages
6-1/8 x 9-1/4 inches
9 line illustrations, 31 tables
Hardcover ISBN: 9780674735361

Richard S. Dunn, Roy F. and Jeannette P. Nichols Professor Emeritus of American History
University of Pennsylvania

Forty years ago, after publication of his pathbreaking book Sugar and Slaves, Richard Dunn began an intensive investigation of two thousand slaves living on two plantations, one in North America and one in the Caribbean. Digging deeply into the archives, he has reconstructed the individual lives and collective experiences of three generations of slaves on the Mesopotamia sugar estate in Jamaica and the Mount Airy plantation in tidewater Virginia, to understand the starkly different forms slavery could take. Dunn’s stunning achievement is a rich and compelling history of bondage in two very different Atlantic world settings.

From the mid-eighteenth century to emancipation in 1834, life in Mesopotamia was shaped and stunted by deadly work regimens, rampant disease, and dependence on the slave trade for new laborers. At Mount Airy, where the population continually expanded until emancipation in 1865, the “surplus” slaves were sold or moved to distant work sites, and families were routinely broken up. Over two hundred of these Virginia slaves were sent eight hundred miles to the Cotton South.

In the genealogies that Dunn has painstakingly assembled, we can trace a Mesopotamia fieldhand through every stage of her bondage, and contrast her harsh treatment with the fortunes of her rebellious mulatto son and clever quadroon granddaughter. We track a Mount Airy craftworker through a stormy life of interracial sex, escape, and family breakup. The details of individuals’ lives enable us to grasp the full experience of both slave communities as they labored and loved, and ultimately became free.

Visit the interactive website about the enslaved families here.

Of Many Colors: Portraits of Multiracial Families

University of Massachusetts Press
1997-11-21
160 pages
0.5 x 8 x 10.5 inches
ISBN (paper): 978-1-55849-101-4
ISBN (cloth): 978-1-55849-100-7 (out of print)

Gigi Kaeser, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Peggy Gillespie, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Photographs by Gigi Kaeser. Interviews by Peggy Gillespie.

Based on an award-winning photo exhibit, this book documents the feelings and experiences of Americans who live in multiracial families. Of Many Colors tells the stories of thirty-nine families who have bridged the racial divide through interracial marriage or adoption. In these pages, parents and children speak candidly about their lives, their relationships, and the ways in which they have dealt with issues of race.

Although the number of mixed-race families in America is steadily rising, this trend remains controversial. For centuries, America has depended on distinct racial categories for its social, political, and economic organization. The current debate over the inclusion of a “multiracial” category on census forms illustrates the extent to which the deeply embedded construct of race continues to divide our society.

Transracial adoption has also generated fierce controversy and debate. As in the case of racial categories, the discussion of transracial adoption reflects ever-changing social standards. As recently as 1987, thirty-five states had laws prohibiting the adoption of black children by white families. In 1996, however, President Clinton signed a bill making it illegal to prohibit adoptions based on race.

The interviews in this book provide the reader with a clear understanding of how mixed-race families contradict stereotypes, challenge racism, and demonstrate that people of different races can indeed live together in harmony. Family members also have much to say about the most intimate form of integration, familial love, and this love is made visible in the superb photographs by Gigi Kaeser.

Losing My Cool: Love, Literature, and a Black Man’s Escape from the Crowd

Penguin Books
April 2010
240 pages
Paperback ISBN: 9780143119623
ePub ISBN: 9781101404348

Thomas Chatterton Williams

Growing up, Thomas Chatterton Williams knew he loved three things in life: his parents, literature, and the intoxicating hip-hop culture that surrounded him. For years, he managed to juggle two disparate lifestyles, “keeping it real” in his friends’ eyes and studying for the SATs under his father’s strict tutelage-until it all threatened to spin out of control. Written with remarkable candor and emotional depth, Losing My Cool portrays the allure and danger of hip-hop culture with the authority of a true fan who’s lived through it all, while demonstrating the saving grace of literature and the power of the bond between father and son.

The Birth of A Nation: How a Legendary Filmmaker and a Crusading Editor Reignited America’s Civil War

PublicAffairs
2014-11-04
368 pages
6.300 x 9.500
Hardcover ISBN: 9781586489878
eBook ISBN: 9781586489885

Dick Lehr, Professor of Journalism
Boston University, Boston, Massachusetts

In 1915, two men—one a journalist agitator, the other a technically brilliant filmmaker—incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights.

Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Almost fifty years earlier, Monroe’s father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry—including Roaring Jack Griffith, D. W.’s father—fled for their lives. Griffith’s film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln’s assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country.

Monroe Trotter’s titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.