Mixed Race Studies

Discovering Early California Afro-Latino Presence

Heyday
November 2010
24 pages
Paperback, 6 x 9
ISBN: 978-1-59714-145-1

Damany M. Fisher, Professor of History and Political Science
Mt. San Antonio College, Walnut, California

California’s Afro-Latino heritage

Although it is not generally apparent from paintings and other depictions of early California, many members of the pioneering Anza expeditions and Spanish California’s most prominent families were of mixed race—Hispanic, Indian, and African. At a time when slavery was still legal in the United States, these Afro-Latinos made major contributions to early California. They were landowners, soldiers, judges, governors, and patriarchs of some of the state’s most influential families. They opened up trails, led rebellions, and established ranchos and pueblos that would become the basis for many of today’s cities.

This pamphlet, produced in conjunction with the Juan Bautista de Anza National Historic Trail, provides an overview of these remarkable families, describes their backgrounds, and investigates the ways in which they reshaped early California. It also provides us with an image of a society in which the relationships between races, and racism itself, were far different, and perhaps less rigidly understood, than they are today.

The Great New Orleans Kidnapping Case: Race, Law, and Justice in the Reconstruction Era

Oxford University Press
2014-10-14
320 Pages
30 half-tones
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199778805

Michael A. Ross, Associate Professor of History
University of Maryland

• Offers a glimpse into the volatile racial world of Reconstruction era New Orleans
• Guides readers through one of the first sensationalized kidnapping trials of the late 19th Century
• Offers fresh insights on the complexities and possibilities of the Reconstruction era

In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month-old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction, and the old racial order had been turned upside down: black men now voted, held office, sat on juries, and served as policemen. Nervous white residents, certain that the end of slavery and resulting “Africanization” of the city would bring chaos, pointed to the Digby abduction as proof that no white child was safe. Louisiana’s twenty-eight-year old Reconstruction governor, Henry Clay Warmoth, hoping to use the investigation of the kidnapping to validate his newly integrated police force to the highly suspicious white population of New Orleans, saw to it that the city’s best Afro-Creole detective, John Baptiste Jourdain, was put on the case, and offered a huge reward for the return of Mollie Digby and the capture of her kidnappers. When the Associated Press sent the story out on the wire, newspaper readers around the country began to follow the New Orleans mystery. Eventually, police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime, and interest in the case exploded as a tense courtroom drama unfolded.

In The Great New Orleans Kidnapping Case, Michael Ross offers the first full account of this event that electrified the South at one of the most critical moments in the history of American race relations. Tracing the crime from the moment it was committed through the highly publicized investigation and sensationalized trial that followed, all the while chronicling the public outcry and escalating hysteria as news and rumors surrounding the crime spread, Ross paints a vivid picture of the Reconstruction-era South and the complexities and possibilities that faced the newly integrated society. Leading readers into smoke-filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, Ross brings this fascinating era back to life.

A stunning work of historical recreation, The Great New Orleans Kidnapping Case is sure to captivate anyone interested in true crime, the Civil War and its aftermath, and the history of New Orleans and the American South.

Table of Contents

• Acknowledgments
• Introduction
• Ch 1 A Kidnapping in the Back of Town
• Ch 2 Detective John Baptiste Jourdain and His World
• Ch 3 A Trace of a Missing Child?
• Ch 4 A Knock at the Digbys’ Door
• Ch 5 The Arrest of the Alleged Accessories
• Ch 6 The Woman in the Seaside Hat
• Ch 7 The Recorder’s Court
• Ch 8 A Highly Unusual Proceeding
• Ch 9 Unveiling the Mystery
• Ch 10 The Case “That Excited All New Orleans”
• Afterword and Acknowledgments
• Notes
• Index

The Indomitable Spirit of Edmonia Lewis. A Narrative Biography

Esquiline Hill Press
2012
567 pages (est.)
mobi ISBN: 978-1-58863-450-4
PDF ISBN: 978-1-58863-451-1
ePub ISBN: 978-1-58863-452-8

Harry Henderson

Albert Henderson

Edmonia Lewis was the first famous “colored sculptor” and the first to idealize her African and American Indian heritages in stone. She flourished from 1864 through 1878, and, as an artist, was a rare instrument for social change in the aftermath of the Civil War. She pressed her case for equality from her studio in Rome, Italy, and with annual tours of the United States.

Our new narrative of Lewis’s life and art updates many “established facts” – well beyond erroneous birth and death dates – with more than 100,000 words, 50 illustrations, 800 references, bibliography, index, and a reference list of more than 100 works with notes on museum holdings. It is based on private letters, public documents, essays, hundreds of news items, reviews of her work, museum collections, and more than two dozen published interviews. It reveals how a world biased against her color, class, gender and religion received her. Of special interest to African-American and American-Indian studies, as well as art, women’s, and American history, the narrative opens an abundance of previously unrecognized sources, reinterprets important relationships, names missing works, and corrects the identification of an important portrait. Students of the nineteenth century will find it a cool counterpoint to the bitter rage of Civil War and Reconstruction.

Readers familiar with her legendary icons of race may be surprised by her many portraits and her untold moves to Paris and London. They will also find answers to long-standing questions: Where, when, and how did she die? Why did her encounter with a bronze Ben Franklin leave her reeling? Why did she idealize a woman with African features only once in her career? Why did she never cite the now-famous Forever Free after her first interviews in Rome? Why did she have to stalk Henry Wadsworth Longfellow through the streets to make his portrait? Where was her studio? How often did she tour America? How did she enter her work in the 1876 Centennial expo, which had barred colored people absolutely? What were her relationships with fans, mentors, and fellow sculptors? Who were her rivals, her best friends, and her worst enemies? Fresh evidence, never before collected and collated, argues a novel motive for her erotic masterwork, the Death of Cleopatra, which sits apart in her œuvre like a hussy in a small town church. Newly realized sources also change our view of her childhood and provide ample support to refute distortions of her personal character, sexuality, and appearance.

From Behind the Counter: Poems From a Rural Jamaican Experience

Ian Randle Publishers
2000-09-05
216 pages
5.5 x 0.5 x 8.5 inches
Paperback ISBN: 978-9768123879

Easton Lee

Photographs by Owen Minott

Easton Lee was born to a Chinese father and a Jamaican mother of mixed racial heritage in the 1930s at Wait-a-bit, Trelawny, Jamaica. The family lived in several villages and towns as his parents ‘moved shop’ in search of a livelihood. Life was different then – no television, no telephones, inadequate road systems, no radio. The life of rural communities revolved and evolved around the church, the school and the village shop. The majority of these shops were owned and operated by Chinese families. Lee recalls that many evenings during his elementary schooldays were spent under the counter of his parents’ shop so he could be near to his mother as she attended to customers and helped him with homework. Customers, unaware of his presence, often discussed the village happenings and their private business in the most intimate details, giving him insight and information not otherwise available. His mother who was born at the turn of the century, fed him with stories and legends she had gleaned from her older relatives. An avid reader and a great storyteller, she often entertained her children and their friends with fascinating tales she had read or had heard in her childhood. His attention later turned to his Chinese heritage with his father and other Chinese relatives providing the link to that source. He found to his amazement that those teachings were not all that different from those of other sources, and in some instances were identical. This lively interest in and knowledge of Jamaican folklore which began in his schooldays was broadened and enhanced when, in adulthood, he went to work with Jamaica Social Welfare Commission, now the Social Development Commission, in a job which took him to every corner of the country.

Race in Contemporary Brazil: From Indifference to Inequality

Pennsylvania State University Press
1999
304 pages
Dimensions: 6 x 9
1 illustration
Hardcover ISBN: 978-0-271-01905-5
Paperback ISBN: 978-0-271-01906-2

Edited by: Rebecca Reichmann

Brazil’s traditionally agrarian economy, based initially on slave labor and later on rural labor and tenancy arrangements, established inequalities that have not diminished even with industrial development and urban growth. While fertility and infant mortality rates have dropped significantly and life expectancy has increased during the past thirty years, the gaps in mortality between rich and poor have remained constant. And among the poor of different races, including the 45 percent of Brazil’s population identified as preto (“black”) or pardo (“brown”) in the official census, persistent inequalities cannot be explained by the shortcomings of national economic development or failure of the “modernization” process.

Reichmann assembles the most important work of Brazilians writing today on contemporary racial dynamics in policy-relevant areas: the construction of race and color classification systems, access to education, employment and health, racial inequalities in the judiciary and politics, and black women’s status and roles. Despite these glaring social inequalities, racial discrimination in Brazil is poorly understood, both within and outside Brazil.

The still-widespread notion of harmonious “racial democracy” in Brazil was first articulated by anthropologist Gilberto Freyre in the 1930s and was subsequently reinforced by the popular media, social observers, and scholars. By giving voice to Brazilians’ own interpretations of race, this volume represents an essential contribution to the increasingly international debates about the African diaspora and comparative constructions of race.

Where the Dead Pause, and the Japanese Say Goodbye: A Journey

W. W. Norton & Company, Inc.
January 2015
336 pages
Hardcover ISBN: 978-0-393-06301-1
6.6 × 9.6 in

Marie Mutsuki Mockett

How does one cope with overwhelming grief?

Marie Mutsuki Mockett’s family owns a Buddhist temple 25 miles from the Fukushima Daiichi nuclear power plant. In March 2011, after the earthquake and tsunami, radiation levels prohibited the burial of her Japanese grandfather’s bones. As Japan mourned thousands of people lost in the disaster, Mockett also grieved for her American father, who had died unexpectedly.

Seeking consolation, Mockett is guided by a colorful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt, and finally uplift her. Her journey leads her into the radiation zone in an intricate white hazmat suit; to Eiheiji, a school for Zen Buddhist monks; on a visit to a Crab Lady and Fuzzy-Headed Priest’s temple on Mount Doom; and into the “thick dark” of the subterranean labyrinth under Kiyomizu temple, among other twists and turns. From the ecstasy of a cherry blossom festival in the radiation zone to the ghosts inhabiting chopsticks, Mockett writes of both the earthly and the sublime with extraordinary sensitivity. Her unpretentious and engaging voice makes her the kind of companion a reader wants to stay with wherever she goes, even into the heart of grief itself.

Overseas American: Growing Up Gringo in the Tropics

University Press of Mississippi
March 2005
240 pages
Cloth ISBN: 978-1-57806-720-6
Ebook ISBN: 978-1-61703-222-6

Gene H. Bell-Villada, Professor of Romance Languages
Williams College, Williamstown, Pennsylvania

Born in 1941 of a Hawaiian mother and a white father, Gene H. Bell-Villada, grew up an overseas American citizen. An outsider wherever he landed, he never had a ready answer to the innocuous question “Where are you from?”

By the time Bell-Villada was a teenager, he had lived in Puerto Rico, Venezuela, and Cuba. Though English was his first language, his claim on U.S. citizenship was a hollow one. All he knew of his purported “homeland” was gleaned from imported comic books and movies. He spoke Spanish fluently, but he never fully fit into the culture of the Latin American countries where he grew up.

In childhood, he attended an American Catholic school for Puerto Ricans in San Juan, longing all the while to convert from Episcopalianism so that he could better fit in. Later at a Cuban military school during the height of the Batista dictatorship, he witnessed fervent political debates among the cadets about Fidel Castro’s nascent revolution and U.S. foreign policy. His times at the American School in Caracas, Venezuela, are tinged with reminiscences of oil booms and fights between U.S. and Venezuelan teen gangs.

When Bell-Villada finally comes to the United States to stay, he finds himself just as rootless as before, moving from New Mexico to Arizona to California to Massachusetts in quick succession. His accounts of life on the campuses of Berkeley and Harvard during the tumultuous 1960s reveal much about the country’s climate during the Cold War era.

Eventually the “Gringo” comes home, finding the stability in his marriage and career that allows him to work through and proudly claim his identity as a “global nomad.”

Oxherding Tale: A Novel

Scribner (an imprint of Simon & Schuster)
1982
208 pages
Paperback ISBN: 9780743264495
eBook ISBN: 9780743277419

Charles Johnson, Pollock Professor of English
University of Washington, Seattle

One night in the antebellum South, a slave owner and his African-American butler stay up to all hours until, too drunk to face their wives, they switch places in each other’s beds. The result is a hilarious imbroglio and an offspring — Andrew Hawkins, whose life becomes Oxherding Tale.

Through sexual escapades, picaresque adventures, and philosophical inquiry, Hawkins navigates white and black worlds and comments wryly on human nature along the way. Told with pure genius, Oxherding Tale is a deliciously funny, bitterly ironic account of slavery, racism, and the human spirit; and it reveals the author as a great talent with even greater humanity.

Slavery before Race: Europeans, Africans, and Indians at Long Island’s Sylvester Manor Plantation, 1651-1884

New York University Press
238 pages
April 2013
Hardback ISBN: 9780814785775
Paperback ISBN: 9781479802227

Katherine Howlett Hayes, Associate Professor of Anthropology
University of Minnesota

The study of slavery in the Americas generally assumes a basic racial hierarchy: Africans or those of African descent are usually the slaves, and white people usually the slaveholders. In this unique interdisciplinary work of historical archaeology, anthropologist Katherine Hayes draws on years of fieldwork on Shelter Island’s Sylvester Manor to demonstrate how racial identity was constructed and lived before plantation slavery was racialized by the legal codification of races.

Using the historic Sylvester Manor Plantation site turned archaeological dig as a case study, Hayes draws on artifacts and extensive archival material to present a rare picture of northern slavery on one of the North’s first plantations. The Manor was built in the mid-17th century by British settler Nathaniel Sylvester, whose family owned Shelter Island until the early 18th century and whose descendants still reside in the Manor House. There, as Hayes demonstrates, white settlers, enslaved Africans, and Native Americans worked side by side. While each group played distinct roles on the Manor and in the larger plantation economy of which Shelter Island was part, their close collaboration and cohabitation was essential for the Sylvester family’s economic and political power in the Atlantic Northeast. Through the lens of social memory and forgetting, this study addresses the significance of Sylvester Manor’s plantation history to American attitudes about diversity, Indian land politics, slavery and Jim Crow, in tension with idealized visions of white colonial community.

Contents

• List of Figures and Table
• Acknowledgments
• Prologue
• 1 Tracing a Racialized History
• 2 Convergence
• 3 Building and Destroying
• 4 Objects of Interaction
• 5 Forgetting to Remember, Remembering to Forget
• 6 Unimagining Communities
• Epilogue
• Notes
• Bibliography
• Index
• About the Author

No Man’s Nightingale: An Inspector Wexford Novel

Scribner (an imprint of Simon & Schuster)
November 2013
288 pages
Hardback ISBN: 9781476744483
Paperback ISBN: 9781476747132

Ruth Rendell

A female vicar named Sarah Hussein is discovered strangled in her Kingsmarkham vicarage. A single mother to a teenage girl, Hussein was working in a male-dominated profession. Moreover, she was of mixed race and wanted to modernize the church. Could racism or sexism have played a factor in her murder?

Maxine, the gossipy cleaning woman who discovered the body, happens to also be in the employ of retired Chief Inspector Wexford and his wife. Wexford is intrigued by the unusual circumstances of the murder, and when he is invited by his old deputy to tag along with the investigators, he leaps at the chance.

As Wexford searches the Vicar’s house, he sees a book on her bedside table. Inside the book is a letter serving as a bookmark. Without thinking much, Wexford puts it into his pocket. Wexford soon realizes he has made a grave error in removing a piece of valuable evidence from the scene without telling anybody. Yet what he finds inside begins to illuminate the murky past of Sarah Hussein. Is there more to her than meets the eye?