Mixed Race Studies

Walking Toward the Sunset: The Melungeons of Appalachia

Mercer University Press
2005-04-08
314 pages
6 x 1 x 8.8 inches
Paperback ISBN: 9780865548695

Wayne Winkler, Director WETS-FM
East Tennessee State University, Johnson City, Tennessee

Walking toward the Sunset is a historical examination of the Melungeons, a mixed-race group predominantly in southern Appalachia. Author Wayne Winkler reviews theories about the Melungeons, compares the Melungeons with other mixed-race groups, and incorporates the latest scientific research to present a comprehensive portrait. In his telling portrait, Winkler examines the history of the Melungeons and the ongoing controversy surrounding their mysterious origins. Employing historical records, news reports over almost two centuries, and personal interviews, Winkler tells the fascinating story of a people who did not fit the rigid racial categories of American society. Along the way, Winkler recounts the legal and social restrictions suffered by Melungeons and other mixed-race groups, particularly Virginia’s 1924 Racial Integrity Act, and he reviews the negative effects of nineteenth- and twentieth-century magazine and journal articles on these reclusive people. Walking toward the Sunset documents the changes in public and private attitudes toward the Melungeons, the current debates over “Melungeon” identity, and the recent genetic studies that have attempted to shed light on the subject. But most importantly, Winkler relates the lives of families who were outsiders in their own communities, who were shunned and shamed, but who created a better life for their children, descendants who are now reclaiming the heritage that was hidden from them for generations.

Shape Shifters: Journeys across Terrains of Race and Identity

University of Nebraska Press
January 2020
432 pages
8 photos, index
Hardcover ISBN: 978-1-4962-0663-3
eBook (EPUB) ISBN: 978-1-4962-1698-4
eBook (PDF) ISBN: 978-1-4962-1700-4

Edited by:

Lily Anne Y. Welty Tamai, Curator of History
Japanese American National Museum, Los Angeles, California

Ingrid Dineen-Wimberly, Professor of History
University of La Verne, Point Mugu, California

Paul Spickard, Distinguished Professor of History
University of California, Santa Barbara

Shape Shifters presents a wide-ranging array of essays that examine peoples of mixed racial identity. Moving beyond the static “either/or” categories of racial identification found within typical insular conversations about mixed-race peoples, Shape Shifters explores these mixed-race identities as fluid, ambiguous, contingent, multiple, and malleable. This volume expands our understandings of how individuals and ethnic groups identify themselves within their own sociohistorical contexts.

The essays in Shape Shifters explore different historical eras and reach across of the globe, from the Roman and Chinese borderlands of classical antiquity to Medieval Eurasian shape-shifters, the Native peoples of the missions of Spanish California, and racial shape-shifting among African Americans in the post–civil rights era. At different times in their lives or over generations in their families, racial shape-shifters have moved from one social context to another. And as new social contexts were imposed on them, identities have even changed from one group to another. This is not racial, ethnic, or religious imposture. It is simply the way that people’s lives unfold in fluid sociohistorical circumstances.

With contributions by Ryan Abrecht, George J. Sanchez, Laura Moore, and Margaret Hunter, among others, Shape Shifters explores the forces of migration, borderlands, trade, warfare, occupation, colonial imposition, and the creation and dissolution of states and empires to highlight the historically contingent basis of identification among mixed-race peoples across time and space.

Beneath the Surface: A Transnational History of Skin Lighteners

Duke University Press
January 2020
368 pages
85 illustrations (incl. 39 in color)
Paper ISBN: 978-1-4780-0642-8
Cloth ISBN: 978-1-4780-0538-4

Lynn M. Thomas, Professor of History
University of Washington

For more than a century, skin lighteners have been an ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Distorted Descent: White Claims to Indigenous Identity

University of Manitoba Press
September 2019
296 pages
6 × 9
Paper ISBN: 978-0-88755-846-7

Darryl Leroux, Associate Professor
Department of Social Justice and Community Studies
Saint Mary’s University, Kjipuktuk (Halifax, Nova Scotia)

Distorted Descent examines a social phenomenon that has taken off in the twenty-first century: otherwise white, French descendant settlers in Canada shifting into a self-defined “Indigenous” identity. This study is not about individuals who have been dispossessed by colonial policies, or the multi-generational efforts to reconnect that occur in response. Rather, it is about white, French-descendant people discovering an Indigenous ancestor born 300 to 375 years ago through genealogy and using that ancestor as the sole basis for an eventual shift into an “Indigenous” identity today.

After setting out the most common genealogical practices that facilitate race shifting, Leroux examines two of the most prominent self-identified “Indigenous” organizations currently operating in Quebec. Both organizations have their origins in committed opposition to Indigenous land and territorial negotiations, and both encourage the use of suspect genealogical practices. Distorted Descent brings to light to how these claims to an “Indigenous” identity are then used politically to oppose actual, living Indigenous peoples, exposing along the way the shifting politics of whiteness, white settler colonialism, and white supremacy.

For more information on the rise of the so-called ‘Eastern Metis’ in the eastern provinces and in New England, including a storymap, court documents, and research materials, visit the Raceshifting website, created by Unwritten Histories Digital Consulting.

Table of Contents

• Introduction—Self-Indigenization in the Twenty-First Century
• Part One: The Mechanics of Descent
  • Chapter One—Lineal Descent and the Political Use of Indigenous Women Ancestors
  • Chapter Two—Aspirational Descent: Creating Indigenous Women Ancestors
  • Chapter Three—Lateral Descent: Remaking Family in the Past
• Part Two: Race Shifting as Anti-Indigenous Politics
  • Chapter Four—After Powley: Anti-Indigenous Activism and Becoming “Métis” in Two Regions of Quebec
  • Chapter Five—The Largest Self-Identified “Métis” Organization in Quebec: The Métis Nation Of The Rising Sun
• Conclusion—White Claims to Indigenous Identity
• Acknowledgements
• Appendix
• Notes
• Bibliography
• Index

The Revisioners, A Novel

Counterpoint Press
2019-11-05
288 pages
5.5 x 8.25
Hardcover ISBN: 9781640092587

Margaret Wilkerson Sexton

Following her National Book Award– nominated debut novel, A Kind of Freedom, Margaret Wilkerson Sexton returns with this equally elegant and historically inspired story of survivors and healers, of black women and their black sons, set in the American South

In 1924, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine’s family.

Nearly one hundred years later, Josephine’s descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays Ava to be her companion. But Martha’s behavior soon becomes erratic, then threatening, and Ava must escape before her story and Josephine’s converge.

The Revisioners explores the depths of women’s relationships—powerful women and marginalized women, healers and survivors. It is a novel about the bonds between mothers and their children, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom.

Possessing Polynesians: The Science of Settler Colonial Whiteness in Hawai`i and Oceania

Duke University Press
November 2019
320 pages
Illustrations: 19 illustrations
Paper ISBN: 978-1-4780-0633-6
Cloth ISBN: 978-1-4780-0502-5

Maile Arvin, Assistant Professor of History and Gender Studies
University of Utah

From their earliest encounters with indigenous Pacific Islanders, white Europeans and Americans asserted an identification with the racial origins of Polynesians, declaring them to be, racially, almost white and speculating that they were of Mediterranean or Aryan descent. In Possessing Polynesians Maile Arvin analyzes this racializing history within the context of settler colonialism across Polynesia, especially in Hawai‘i. Arvin argues that a logic of possession through whiteness animates settler colonialism, through which both Polynesia (the place) and Polynesians (the people) become exotic, feminized belongings of whiteness. Seeing whiteness as indigenous to Polynesia provided white settlers with the justification needed to claim Polynesian lands and resources. Understood as possessions, Polynesians were and continue to be denied the privileges of whiteness. Yet Polynesians have long contested these classifications, claims, and cultural representations, and Arvin shows how their resistance to and refusal of white settler logic have regenerated Indigenous forms of recognition.

Table of Contents

• Acknowledgments
• Introduction: Polynesia Is a Project, Not a Place
• Part I. The Polynesian Problem: Scientific Production of the “Almost White” Polynesian Race
  • 1. Heirlooms of the Aryan Race: Nineteenth-Century Studies of Polynesian Origins
  • 2. Conditionally Caucasian: Polynesian Racial Classification in Early Twentieth-Century Eugenics and Physical Anthropology
  • 3. hating Hawaiians, Celebrating Hybrid Hawaiian Girls: Sociology and the Fictions of Racial Mixture
• Part II. Regenerative Refusals: Confronting Contemporary Legacies of the Polynesian Problem in Hawai’i and Oceania
  • 4. Still in the Blood: Blood Quantum and Self-Determination in Day v. Apoliona and Federal Recognition
  • 5. The Value of Polynesian DNA: Genomic Solutions to the Polynesian Problems
  • 6. Regenerating Indigeneity: Challenging Possessive Whiteness in Contemporary Pacific Art
• Conclusion. Regenerating an Oceanic Future in Indigenous Space-Time
• Notes
• Bibliography
• Index

Mixed-Race in the US and UK: Comparing the Past, Present, and Future

Emerald Publishing Limited
2019-11-23
193 pages
152 x 229mm
Hardback ISBN: 9781787695542
Ebook ISBN: 9781787695559

Jennifer Patrice Sims, Assistant Professor of Sociology
University of Alabama, Huntsville

Chinelo L. Njaka, Independent Social Researcher
Peckham Rights! United Kingdom

Contributing to an emerging literature on mixed-race people in the United States and United Kingdom, this book draws on racial formation theory and the performativity (i.e. “doing”) of race to explore the social construction of mixedness on both sides of the Atlantic Ocean.

In addition to macro- and micro-level theoretical frameworks, the authors use comparative and relational analytical approaches to reveal similarities and differences between the two nations, explaining them in terms of both common historical roots as well as ongoing contemporary interrelationships.

Focusing on the census, racial identity, civil society, and everyday experiences at the intersection of race, gender, class, and sexuality, Mixed-Race in the US and UK: Comparing the Past, Present, and Future offers academics and students an intriguing look into how mixed-race is constructed and experienced within these two nations. A final in-depth discussion on the authors’ research methodologies makes the book a useful resource on the processes, challenges, and benefits of conducting qualitative research in two nations.

Contents

• List of Tables and Figures
• Acknowledgements
• Chapter 1. Introduction: The Past, Present, and Future of Mixed-Race People in the United States and United Kingdom
• Chapter 2. Creating Mixed-Race: The Census in the US and the UK
• Chapter 3. Black, British Asian, Mixed-Race, or Jedi: Mixed-Race Identity in the US and UK
• Chapter 4. Mixed-Race Civil Society: Racial Paradigms and Mixed-Race (Re)production in the US and UK
• Chapter 5. “Sometimes it’s the first thing people ask:” Daily Experiences of Mixedness in the US and UK
• Chapter 6. “Yes, girl, yes. I want to have babies:” Mixed-Race Families Generation after Generation
• Chapter 7. Queering Critical Mixed Race Studies
• Chapter 8. Conclusion: Creating and Comparing a Mixed-Race Future
• Methodological Appendix: Conducting Qualitative Research on Both Sides of the Atlantic
• References
• Index

The Color of Love: A Story of a Mixed-Race Jewish Girl

Agate Bolden (an imprint of Agate Publishing)
2019-11-12
256 pages
5.25 x 0.5 x 8 inches
Paperback ISBN-13: 9781572842755

Marra B. Gad, Inde­pen­dent Film and Tele­vi­sion Producer
Los Angeles, California

An unforgettable memoir about a mixed-race Jewish woman who, after fifteen years of estrangement from her racist great-aunt, helps bring her home when Alzheimer’s strikes

In 1970, three-day-old Marra B. Gad was adopted by a white Jewish family in Chicago. For her parents, it was love at first sight—but they quickly realized the world wasn’t ready for a family like theirs.

Marra’s biological mother was unwed, white, and Jewish, and her biological father was black. While still a child, Marra came to realize that she was “a mixed-race, Jewish unicorn.” In black spaces, she was not “black enough” or told that it was OK to be Christian or Muslim, but not Jewish. In Jewish spaces, she was mistaken for the help, asked to leave, or worse. Even in her own extended family, racism bubbled to the surface.

Marra’s family cut out those relatives who could not tolerate the color of her skin—including her once beloved, glamorous, worldly Great-Aunt Nette. After they had been estranged for fifteen years, Marra discovers that Nette has Alzheimer’s, and that only she is in a position to get Nette back to the only family she has left. Instead of revenge, Marra chooses love, and watches as the disease erases her aunt’s racism, making space for a relationship that was never possible before.

The Color of Love explores the idea of yerusha, which means “inheritance” in Yiddish. At turns heart-wrenching and heartwarming, this is a story about what you inherit from your family—identity, disease, melanin, hate, and most powerful of all, love. With honesty, insight, and warmth, Marra B. Gad has written an inspirational, moving chronicle proving that when all else is stripped away, love is where we return, and love is always our greatest inheritance.

All at Sea

4th Estate (an imprint of HarperCollins)
2016-04-07
240 pages
Paperback ISBN: 978-0008142162

Decca Aitkenhead

In May 2014, on a hot still morning on a beautiful beach in Jamaica, Decca Aikenhead’s life changed irrevocably. First her four year old son Jake, pootling by the water’s edge in his pyjamas, was dragged out to sea on a riptide. Then Tony, her partner and Jake’s father, dived in to save him, but drowned in the process.

Tony – a Northern, mixed race former prisoner, drug dealer and crack addict – “Black” and “Decca” – a prize-winning Guardian journalist from the West Country – had always made an improbable couple. For years they tried to find a way to come together from very different starting places. Tony reformed himself, got an education, and then a job. Decca bore him two sons and they bought a medieval farmhouse in Kent and set about transforming it. A decade on, lying in the sand in their favourite place in the world, young, strong, fit and with their children playing at their feet, they were congratulating themselves on their achievements when everything was ripped away.

Bookended by the deaths of her mother in childhood, and Tony this year, All at Sea looks at class, race, privilege and prejudice through the prism of Decca’s life and these deaths. It stares into the dark chasm of our worst nightmare – a random accidental tragedy – and somehow finds the light on the other side.

Black Judas: William Hannibal Thomas and “The American Negro”

University of Georgia Press
2019-11-15
416 pages
Paperback ISBN: 9-780-8203-5626-6

John David Smith, Charles H. Stone Distinguished Professor of American History
University of North Carolina, Charlotte

The classic biography of the infamous black Negrophobe William Hannibal Thomas, with a new preface by the author

William Hannibal Thomas (1843-1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act.

Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary “Negro problem” and argued that the race required radical redemption based on improved “character,” not changed “color.” Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas.

Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on self-hatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.