Mixed Race Studies

page as bone – ink as blood

Talonbooks
2015
96 pages
6 W x 9 H inches
Paperback ISBN 13: 9780889229235

Jónína Kirton

Death, desire, and divination are the threads running through Jónína Kirton’s debut collection of poems and lyric prose. Delicate and dark, the pieces are like whispers in the night – a haunted, quiet telling of truths the mind has locked away but the body remembers. Loosely autobiographical, these are the weavings of a wagon-goddess who ventures into the double-world existence as a mixed-race woman. In her struggle for footing in this in-between space, she moves from the disco days of trance dance to contemplations in her dream kitchen as a mother and wife.

With this collection, Kirton adds her voice to the call for the kind of fierce honesty referred to by Muriel Rukeyser when she asked, What would happen if one woman told the truth about her life? The world would split open. Kirton tells her truth with gentleness and patience, splitting the world open one line at a time.

Scree: The Collected Earlier Poems, 1962–1991

Talonbooks
2015
640 pages
6 W x 9 H inches
Hardcover ISBN 13: 9780889229471; ISBN 10: 0889229473

Fred Wah

Edited and Introduction by:

Jeff Derksen, Associate Professor of English
Simon Fraser University, Burnaby, British Columbia, Canada

Fred Wah’s career has spanned six decades and a range of formal styles and preoccupations. Scree collects Wah’s concrete and sound poetry of the 1960s, his landscape-centric work of the 1970s, and his ethnicity-oriented poems of the 1980s. Fred was a founding member of the avant-garde TISH group, which helped turn Canadian poetry, in the West in particular, to a focus on language. He has said that his “writing has been sustained, primarily, by two interests: racial hybridity and the local.”

Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains:

Lardeau (1965)
Mountain (1967)
Among (1972)
Tree (1972)
Earth (1974)
Pictograms from the Interior of B.C. (1975)
Loki Is Buried at Smoky Creek (1980)
Owner’s Manual (1981)
Breathin’ My Name with a Sigh (1981)
Grasp the Sparrow’s Tail (1982)
Waiting for Saskatchewan (1985)
Rooftops (1988)
So Far (1991)

The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently “teachable” volume. The book includes full-colour facsimiles of two early books, Earth and Tree, reproduced to show the “hands-on” object-based aspect of chapbook publishing.

Among The Wild Mulattos and Other Tales

Texas Review Press
2015-07-23
192 pages
5.5 x 6.5
Paperback ISBN: 978-1-68003-018-1

Tom Williams, Professor of English
Morehead State University, Morehead, Kentucky

Set in the suburbs and cities of the Midwest, Mid-South, and Texas, these stories explore the lives of characters biracial, black, white, and all sorts of in-between. The intersections and collisions of contemporary life are in full effect here, where the distinctions between fast food and fine art, noble and naked ambitions, reality and reality shows have become impossible to distinguish. Read these stories and understand why Steve Yarbrough said Williams “writes like Paul Auster if he were funnier or like Stanley Elkin might have if he’d ever been able to stop laughing.”

Poitier Revisited: Reconsidering a Black Icon in the Obama Age

Bloomsbury Publishing
2015-01-15
288 pages
25 bw illus
229 x 152 mm
Hardback ISBN: 9781623564919

Edited by:

Ian Gregory Strachan, Associate Professor of English
College of The Bahamas

Mia Mask, Associate Professor of Film
Vassar College, Poughkeepsie, New York

Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier’s iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly ‘post-racial’ moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier’s films explored are every bit as relevant today as when they were first made.

Table of Contents

• List of Figures
• Acknowledgements
• Notes on Contributors
• Introduction
• 1. Walking with Kings: Poitier, King, and Obama / Aram Goudsouzian, University of Memphis, USA
• 2. Historicizing the Shadows and Acts: No Way Out and the Imagining of Black Activist Communities / Ryan De Rosa, Los Angeles Public Schools, USA
• 3. Caribbean All-Stars: Sidney Poitier, Harry Belafonte, and the Rise of the African-American Leading Man / Belinda Edmondson, Professor of English and African-American & African Studies, USA
• 4. “Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night / Emma Hamilton and Troy Saxby, University of Newcastle, Australia
• 5. Whisper Campaign on Catfish Row: Sidney Poitier and Porgy and Bess / Jeff Smith, University of Wisconsin-Madison, USA
• 6. To Sir, With Love: A Black British Perspective / Mark Christian, Lehman College, USA
• 7. Transgression or Legal Union?: The Meaning of Interracial Marriage in 1967 Film and Law / Kim Warren, University of Kansas, USA
• 8. A Blues the Tom: Sidney Poitier’s Filmic Sexual Identities / Ian Gregory Strachan, College of The Bahamas, Bahamas
• 9. Black Masculinity on Horseback: From Duel at Diablo to Buck and the Preacher and beyond / Mia Mask, Vassar College, USA
• 10. Stepping Behind the Camera: Sidney Poitier’s Directorial Career / Keith Corson, Rhodes College and Memphis College of Art, USA
• 11. No Shafts, Super Flys, or Foxy Browns: Sidney Poitier’s Uptown Saturday Night as Alternative to Blaxploitation Cinema” / Novotny Lawrence, Southern Illinois University-Carbondale, USA
• 12. Transcending Paul Poitier: Six Degrees of Separation and the Construction of Will Smith / Willie Tolliver, Jr., Agnes Scott College, USA

The Spirit of London

Matador (an imprint of Troubador)
2015-09-28
198×127 mm
Paperback ISBN: 9781784624057

Rob Keeley

The spirits were at work here, somehow. But why?

On returning to London, Ellie investigates the mystery surrounding 47 Foster Square. Who is the sender of ghostly messages asking her for help? What is the secret of the Meadowes family? And what does Edward know about all this?

With her parents about to divorce, and her Mum acting very strangely, Ellie quickly discovers that a sinister force lies between her and the truth…

The Spirit of London is the second instalment in the thrilling and suspenseful ‘Spirits’ series and follows the success of The People’s Book Prize-nominated Childish Spirits. It focuses on slavery and a mixed-race family in Georgian times. Ellie finds herself facing a very dangerous foe and will need all her courage and humanity to get her through. The Spirit of London also sets up a story arc that will continue into future books in the series. The book will appeal to girls and boys of upper primary and lower secondary age – and to parents and teachers reading the book aloud!

Beyond Windrush: Rethinking Postwar Anglophone Caribbean Literature

University Press of Mississippi
2015-07-10
234 pages
1 b&w illustration, 3 maps, introduction, epilogue, index
6 x 9 inches
Hardcover ISBN:9781628464757

Edited by:

Dillon Brown, Associate Professor of English and African and African American
Washington University, St. Louis, Missouri

Leah Reade Rosenberg, Associate Professor of English
University of Florida

A challenge to the primacy of the Windrush generation as the sole founders of Caribbean literature

Contributors: Edward Baugh, Michael Bucknor, Raphael Dalleo, Alison Donnell, Nadia Ellis, Donette Francis, Glyne Griffith, Kate Houlden, Evelyn O’Callaghan, Lisa Outar, Atreyee Phukan, Kim Robinson-Walcott, Faith Smith, and Michelle Stephens

This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as “the Windrush writers” in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition’s founding fathers. These “founders” have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.

Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean, and white-creole—who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).

Purchasing Whiteness: Pardos, Mulattos, and the Quest for Social Mobility in the Spanish Indies

Stanford University Press
January 2015
552 pages
Cloth ISBN: 9780804750929
Paper ISBN: 9780804750936
Digital ISBN: 9780804793209

Ann Twinam, Professor of History
University of Texas, Austin

• Winner of the 2016 Bryce Wood Book Award, sponsored by the Latin American Studies Association.
• Winner of the 2016 Ligia Parra Jahn Award, sponsored by the Rocky Mountain Council for Latin American Studies (RMCLAS).
• Winner of the 2016 Bandelier/Lavrin Book Prize in Colonial Latin American History, sponsored by the Rocky Mountain Council for Latin American Studies (RMCLAS).

The colonization of Spanish America resulted in the mixing of Natives, Europeans, and Africans and the subsequent creation of a casta system that discriminated against them. Members of mixed races could, however, free themselves from such burdensome restrictions through the purchase of a gracias al sacar—a royal exemption that provided the privileges of Whiteness. For more than a century, the whitening gracias al sacar has fascinated historians. Even while the documents remained elusive, scholars continually mentioned the potential to acquire Whiteness as a provocative marker of the historic differences between Anglo and Latin American treatments of race. Purchasing Whiteness explores the fascinating details of 40 cases of whitening petitions, tracking thousands of pages of ensuing conversations as petitioners, royal officials, and local elites disputed not only whether the state should grant full whiteness to deserving individuals, but whether selective prejudices against the castas should cease.

Purchasing Whiteness contextualizes the history of the gracias al sacar within the broader framework of three centuries of mixed race efforts to end discrimination. It identifies those historic variables that structured the potential for mobility as Africans moved from slavery to freedom, mixed with Natives and Whites, and transformed later generations into vassals worthy of royal favor. By examining this history of pardo and mulatto mobility, the author provides striking insight into those uniquely characteristic and deeply embedded pathways through which the Hispanic world negotiated processes of inclusion and exclusion.

Blacks, Mulattos, and the Dominican Nation

Routledge
2015-05-08 (orginally published in 1969)
122 pages
Paperback ISBN: 9781138785007
Hardback ISBN: 9781138784994

Franklin J. Franco (1936-2013)

Introduction by:

Silvio Torres-Saillant, Dean’s Professor in the Humanities
Syracuse University, Syracuse, New York

Blacks, Mulattos, and the Dominican Nation is the first English translation of the classic text Los negros, los mulatos y la nación dominicana by esteemed Dominican scholar Franklin J. Franco. Published in 1969, this book was the first systematic work on the role of Afro-descendants in Dominican society, the first society of the modern Americas where a Black-Mulatto population majority developed during the 16th century. Franco’s work, a foundational text for Dominican ethnic studies, constituted a paradigm shift, breaking with the distortions of traditional histories that focused on the colonial elite to place Afro-descendants, slavery, and race relations at the center of Dominican history.

This translation includes a new introduction by Silvio Torres-Saillant (Syracuse University) which contextualizes Franco’s work, explaining the milieu in which he was writing, and bringing the historiography of race, slavery, and the Dominican Republic up to the present. Making this pioneering work accessible to an English-speaking audience for the first time, this is a must-have for anyone interested in the lasting effects of African slavery on the Dominican population and Caribbean societies.

Table of Contents

• Series Editor’s Introduction
• Introduction to Franklin Franco’s Blacks, Mulattos, and the Dominican Nation Silvio Torres-Saillant
• Prologue Juan I. Jiménez Grullón
• 1. The Black Population
• 2. The Black Population and the National Consciousness
• 3. The Constitution of 1801
• 4. The Other Face of the Reconquest
• 5. “Foolish Spain” and “Rebellious Africa”
• 6. Complete Unity and National Unity
• Bibliography

Geographies Of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba

University Press of Mississippi
2005-07-10
328 pages
6 x 9 inches, 14 b&w illustrations, 1 map, 3 tables, glossary, bibliography, index
Hardback ISBN: 9781628462395

Rebecca M. Bodenheimer

A study of how notions of place and race inform the identities and performances of musicians in contemporary Cuba

Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities.

This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.

Long Time No See: A memoir of fathers, daughters and games of chance

Periscope
2015-07-24
336 pages
204mm x 138mm
Paperback ISBN: 9781859643969

Hannah Lowe

Hannah Lowe’s father “Chick”, a half-Chinese, half-black Jamaican immigrant, worked long hours at night to support his family – except Chick was no ordinary working man. A legendary gambler, he would vanish into the shadows of East London to win at cards or dice, returning during the daylight hours to greet the daughter whose love and respect he courted.

In this poignant memoir, Lowe calls forth the unstable world of card sharps, confidence men and small-time criminals that eventually took its toll on Chick. She also evokes her father’s Jamaica, where he learned his formidable skills, and her own coming of age in a changing Britain.

Long Time No See speaks eloquently of love and its absence, regret and compassion, and the struggle to know oneself.