Mixed Race Studies

The Femme Fatale in American Literature

Cambria Press
2008-09-28
192 pages
5.5 x 8.5 in or 216 x 140 mm
ISBN: 9781604975352

Ghada Suleiman Sasa, Assistant Professor of English Literature
Hashemite University, Zarqa, Jordan

Characters in the literary tradition of American naturalism are usually perceived as passive, lacking in will, weak, and predetermined. They are constantly seen as the victims of heredity and environment, and their lives are shaped according to these strong forces that operate upon them.

This interesting book examines the representation of female characters in American naturalism and argues that women in American naturalism are often represented as femmes fatales. Since heredity and environment are the determining factors in their lives, they are victims who have no control. However, with characters such as Trina Sieppe in Frank Norris’s McTeague, Caroline Meeber in Theodore Dreiser’s Sister Carrie, Edna Pontellier in Kate Chopin’s The Awakening, and Helga Crane in Nella Larsen’s Quicksand, these women victims gradually turn themselves into victimizers in order to conquer both heredity and environment. They consciously and deliberately use the only power they have that can help them overcome the naturalistic world in which they are entrapped––the power of the feminine.

The book explains who exactly the femme fatale that has been born out of American naturalism is, and explores images of women in American realism who precede the femme fatale of American naturalism. This study examines characters like Trina Sieppe, Caroline Meeber, Edna Pontellier, and Helga Crane. It analyzes these women’s backgrounds, their demeanors, their temperaments, their experiences, and their settings, and explains how and when each woman decides to use her sexuality. There is also a brief discussion of other femmes fatales in American naturalism, such as Stephen Crane’s Maggie: A Girl of the Streets.

Although the perception of women in nineteenth-century American literature has always had its place in discussions of literary texts, this book is unique in its argument that women in American naturalism are neither weak nor passive, but rather are strong and daring women who try diligently to find a means of fighting back.

This book is an important addition to collections in literature and Women’s studies.

Table of Contents

• Foreword
• Acknowledgements
• Chapter One: The Femme Fatale in American Naturalism: An Introduction
  • Background and Definitions of the Femme Fatale
  • Background and Definitions of American Naturalism
  • The Femme Fatale and American Naturalism
• Chapter Two: Trina “took her place in the operating chair”: Trina Sieppe as Femme Fatale in Frank Norris’s McTeague
  • The Emergence of the Femme Fatale
  • Trina Wins the Lottery
• Chapter Three: “I am yours truly”: Caroline Meeber as Femme Fatale in Theodore Dreiser’s Sister Carrie
  • The Formulation of the Femme Fatale
  • The Femme Fatale in Full Action
  • The Fall of the Femme Fatale
  • Trina and Carrie
• Chapter Four: “A language which nobody understood”: Edna Pontellier as Femme Fatale in Kate Chopin’s The Awakening
  • The Imprisonment of Edna
  • Edna Breaks Free
  • McTeague, Sister Carrie, The Awakening: Trina, Carrie, and Edna
  • Edna’s suicide
• Chapter Five: “It had begun, a new life for Helga Crane”: Helga Crane as Femme Fatale in Nella Larsen’s Quicksand
  • Twentieth Century American Naturalism
  • The Plight of the Tragic Mulatto Figure
  • Helga Crane’s Liberation
• Chapter Six: Examples of Other Femmes Fatales in American Naturalism
• Primary Bibliography
• Secondary Bibliography
• Index

African Heritage and Memories of Slavery in Brazil and the South Atlantic World

Cambria Press
428 pages
2015-02-06
6 x 9 in or 229 x 152 mm Case Laminate
ISBN: 9781604978926

Edited by:

Ana Lucia Araujo, Professor of History
Howard University, Washington, D.C.

This book explores the history of African tangible and intangible heritages and its links with the public memory of slavery in Brazil and Angola. The two countries are deeply connected, given how most enslaved Africans, forcibly brought to Brazil during the era of the Atlantic slave trade, were from West Central Africa. Brazil imported the largest number of enslaved Africans during the Atlantic slave trade and was the last country in the western hemisphere to abolish slavery in 1888. Today, other than Nigeria, the largest population of African descent is in Brazil. Yet it was only in the last twenty years that Brazil’s African heritage and its slave past have gained greater visibility. Prior to this, Brazil’s African heritage and its slave past were completely neglected.

Even after the abolition of slavery in Brazil, African culture continued to be marginalized. Carnival, religious festivals, as well as Candomblé ceremonies, and capoeira (an Afro-Brazilian martial art) created important spaces of black assertion and insurgency. These cultural traditions were contested by white elites and public authorities, but starting in the 1930s, capoeira became a national symbol and Candomblé temples were gradually officially added to Brazil’s list of heritage sites.

In spite of these developments, the Atlantic slave past has remained absent from the public landscape of Brazilian and Angolan former slave ports, suggesting how difficult it is for these countries to address the painful legacies of slavery. African art and material culture also continued to be excluded from museums and other official institutions. In the rare instances that African artifacts were shown, they would be confined to only certain places dedicated to popular culture and associated with the religious sphere.

Even though public attention on slavery was growing internationally through national and international initiatives (e.g., The Slave Route Project by UNESCO), Brazil and Angola developed very few initiatives for the memorialization of slavery and the Atlantic slave trade. This has started to change slowly in the last decade as Brazil has begun engaging in more initiatives to memorialize slavery and underscore the importance of its African heritage.

Brazil’s slave past and African heritage are emerging gradually in urban and rural areas through different kinds of initiatives led not only by activists but also by scholars in association with black communities. Although in their early stages, most of these projects are permanent programs supported by official agencies. This new configuration suggests that––unlike the case in Angola––in Brazil, slavery and the Atlantic the slave trade are becoming recognized as foundational chapters of the country’s history.

This is the first book in English to focus on African heritage and public memory of slavery in Brazil and Angola. This interdisciplinary study examines visual images, dance, music, oral accounts, museum exhibitions, artifacts, monuments, festivals, and others forms of commemoration to illuminate the social and cultural dynamics that over the last twenty years have propelled––or prevented––the visibility of African heritage (and its Atlantic slave trade legacy) in the South Atlantic region.

The book makes a very important contribution to the understanding of the place of African heritage and slavery in the official history and public memory of Brazil and Angola, topics that remain understudied. The study’s focus on the South Atlantic world, a zone which is sparsely covered in the scholarly corpus on Atlantic history, will further research on other post-slave societies.

African Heritage and Memories of Slavery in Brazil and the South Atlantic World is an important book for African studies and Latin American studies. It is especially valuable for African Diaspora studies, African history, Atlantic history, history of Brazil, history of slavery, and Caribbean history.

Table of Contents

• List of Figures
• Introduction: Wounded Pasts: Memory of Slavery and African Heritage in Brazil (Ana Lucia Araujo)
• Chapter 1: Collectionism and Colonialism: The Africana Collection at Brazil’s National Museum (Rio de Janeiro) (Mariza de Carvalho Soares)
• Chapter 2: Race and Visual Representation: Louis Agassiz and Hermann Burmeister (Maria Helena Machado)
• Chapter 3: Counter-Witnessing the Visual Culture of Brazilian Slavery (Matthew Francis Rarey)
• Chapter 4: Angola in Brazil: The Formation of Angoleiro identity in Bahia (Matthias Röhrig Assunção)
• Chapter 5: Memories of Captivity and Freedom in São José da Serra Jongo Festivals: Cultural Heritage and Black Identity (1888–2011) (Martha Abreu and Hebe Mattos)
• Chapter 6: From Public Amnesia to Public Memory: Re-Discovering Slavery Heritage in Rio de Janeiro (André Cicalo)
• Chapter 7: Uncomfortable Pasts: Talking About Slavery in Angola (Marcia C. Schenck and Mariana P. Candido)
• Chapter 8: “Bahia is a Closer Africa”: Brazilian Slavery and Heritage in African American Roots Tourism (Patricia de Santana Pinho)
• Chapter 9: Preserving African Art, History, and Memory: The AfroBrazil Museum (Kimberly Cleveland)
• Chapter 10: The Legacy of Slavery in Contemporary Brazil (Myrian Sepúlveda dos Santos)
• Bibliography
• Index
• About the Contributors

The Lives of Frederick Douglass

Harvard University Press
February 2016
350 pages
5-1/2 x 8-1/4 inches
9 halftones
Hardcover ISBN: 9780674055810

Robert S. Levine, Professor of English and a Distinguished University Professor
University of Maryland

Frederick Douglass’s fluid, changeable sense of his own life story is reflected in the many conflicting accounts he gave of key events and relationships during his journey from slavery to freedom. Nevertheless, when these differing self-presentations are put side by side and consideration is given individually to their rhetorical strategies and historical moment, what emerges is a fascinating collage of Robert S. Levine’s elusive subject. The Lives of Frederick Douglass is revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer.

Out of print for a hundred years when it was reissued in 1960, The Narrative of the Life of Frederick Douglass (1845) has since become part of the canon of American literature and the primary lens through which scholars see Douglass’s life and work. Levine argues that the disproportionate attention paid to the Narrative has distorted Douglass’s larger autobiographical project. The Lives of Frederick Douglass focuses on a wide range of writings from the 1840s to the 1890s, particularly the neglected Life and Times of Frederick Douglass (1881, 1892), revised and expanded only three years before Douglass’s death. Levine provides fresh insights into Douglass’s relationships with John Brown, Abraham Lincoln, William Lloyd Garrison, and his former slave master Thomas Auld, and highlights Douglass’s evolving positions on race, violence, and nation. Levine’s portrait reveals that Douglass could be every bit as pragmatic as Lincoln—of whom he was sometimes fiercely critical—when it came to promoting his own work and goals.

Table of Contents

• Introduction: Lives after the Narrative
• 1. The Massachusetts Anti-Slavery Society Narrative
• 2. Taking Back the Narrative: The Dublin Editions
• 3. Heroic Slaves: Madison Washington and My Bondage and My Freedom
• 4. Tales of Abraham Lincoln (and John Brown)
• 5. Thomas Auld and the Reunion Narrative
• Epilogue: Posthumous Douglass
• Notes
• Acknowledgments
• Index

Negroland: A Memoir

Pantheon
2015-09-08
256 pages
Hardcover ISBN: 978-0307378453
eBook ISBN:

Margo Jefferson

At once incendiary and icy, mischievous and provocative, celebratory and elegiac—here is a deeply felt meditation on race, sex, and American culture through the prism of the author’s rarefied upbringing and education among a black elite concerned with distancing itself from whites and the black generality while tirelessly measuring itself against both.

Born in upper-crust black Chicago—her father was for years head of pediatrics at Provident, at the time the nation’s oldest black hospital; her mother was a socialite—Margo Jefferson has spent most of her life among (call them what you will) the colored aristocracy, the colored elite, the blue-vein society. Since the nineteenth century they have stood apart, these inhabitants of Negroland, “a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty.”

Reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the fallacy of postracial America—Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions. Aware as it is of heart-wrenching despair and depression, this book is a triumphant paean to the grace of perseverance.

(With 8 pages of black-and-white photographs.)

Double-Consciousness and the Rhetoric of Barack Obama: The Price and Promise of Citizenship

University of South Carolina Press
June 2015
224 pages
6 x 9
Hardcover ISBN: 978-1-61117-531-8
eBook ISBN: 978-1-61117-532-5

Robert E. Terrill, Associate Professor
Department of Communication & Culture
Indiana University, Bloomington

An examination of President Obama’s oratory as a reflection of the African American experience

Robert E. Terrill argues that, to invent a robust manner of addressing one another as citizens, Americans must learn to draw on the delicate indignities of racial exclusion that have stained citizenship since its inception. In Double-Consciousness and the Rhetoric of Barack Obama, Terrill demonstrates how President Barack Obama’s public address models such a discourse.

Terrill contends that Obama’s most effective oratory invites his audiences to experience a form of “double-consciousness,” famously described by W. E. B. Du Bois as a feeling of “two-ness” resulting from the African American experience of “always looking at one’s self through the eyes of others.” It is described as an effect of cruel alienation that can also bring a gift of “second-sight” in the form of perspectives on practices of citizenship not available to those in positions of privilege. When addressing fellow citizens, Obama is asking each to share in the “peculiar sensation” that Du Bois described. The racial history of U.S. citizenship is a resource for inventing contemporary ways of speaking about race.

Through close analyses of selected speeches from Obama’s 2008 campaign and first presidential term, this book argues that Obama does not present double-consciousness merely as a point of view but as an idiom with which we might speak to one another. Of course, as Du Bois’s work reminds us, double-consciousness results from imposition and encumbrance, so that Obama’s oratory presents a mode of address that emphasizes the burdens of citizenship together with the benefits, the price as well as the promise.

The Scholar Denied: W. E. B. Du Bois and the Birth of Modern Sociology

University of California Press
August 2015
320 pages
Hardcover ISBN: 9780520276352
Adobe PDF E-Book ISBN: 9780520960480
ePUB Format ISBN: 9780520960480

Aldon D. Morris, Leon Forrest Professor of Sociology and African American Studies
Northwestern University, Evanston, Illinois

In this groundbreaking book, Aldon D. Morris’s ambition is truly monumental: to help rewrite the history of sociology and to acknowledge the primacy of W. E. B. Du Bois’s work in the founding of the discipline. Calling into question the prevailing narrative of how sociology developed, Morris, a major scholar of social movements, probes the way in which the history of the discipline has traditionally given credit to Robert E. Park at the University of Chicago, who worked with the conservative black leader Booker T. Washington to render Du Bois invisible. Morris uncovers the seminal theoretical work of Du Bois in developing a “scientific” sociology through a variety of methodologies and examines how the leading scholars of the day disparaged and ignored Du Bois’s work.

The Scholar Denied is based on extensive, rigorous primary source research; the book is the result of a decade of research, writing, and revision. In exposing the economic and political factors that marginalized the contributions of Du Bois and enabled Park and his colleagues to be recognized as the “fathers” of the discipline, Morris delivers a wholly new narrative of American intellectual and social history that places one of America’s key intellectuals, W. E. B. Du Bois, at its center.

The Scholar Denied is a must-read for anyone interested in American history, racial inequality, and the academy. In challenging our understanding of the past, the book promises to engender debate and discussion.

Contents

• Preface
• Acknowledgments
• Introduction: Race and the Birth of American Sociology
• 1. The Rise of Scientific Sociology in America
• 2. Du Bois, Scientific Sociology, and Race
• 3. The Du Bois–Atlanta School of Sociology
• 4. The Conservative Alliance of Washington and Park
• 5. The Sociology of Black America: Park versus Du Bois
• 6. Max Weber Meets Du Bois
• 7. Intellectual Schools and the Atlanta School
• 8. Legacies and Conclusions
• Notes
• References
• Illustration Credits
• Index

The Wrongs of the Right: Language, Race, and the Republican Party in the Age of Obama

New York University Press
May 2014
232 pages
Hardcover ISBN: 9780814760543

Matthew W. Hughey, Associate Professor of Sociology
University of Connecticut

Gregory S. Parks, Assistant Professor of Law
Wake Forest University School of Law, Winston-Salem, North Carolina

On November 5, 2008, the nation awoke to a New York Times headline that read triumphantly: “OBAMA. Racial Barrier Falls in Heavy Turnout.” But new events quickly muted the exuberant declarations of a postracial era in America: from claims that Obama was born in Kenya and that he is not a true American, to depictions of Obama as a “Lyin African” and conservative cartoons that showed the new president surrounded by racist stereotypes like watermelons and fried chicken.

Despite the utopian proclamations that we are now live in a color-blind, postracial country, the grim reality is that implicit racial biases are more entrenched than ever. In Wrongs of the Right, Matthew W. Hughey and Gregory S. Parks set postracial claims into relief against a background of pre- and post-election racial animus directed at Obama, his administration, and African Americans. They provide an analysis of the political Right and their opposition to Obama from the vantage point of their rhetoric, a history of the evolution of the two-party system in relation to race, social scientific research on race and political ideology, and how racial fears, coded language, and implicit racism are drawn upon and manipulated by the political Right. Racial meanings are reservoirs rich in political currency, and the Right’s replaying of the race card remains a potent resource for othering the first black president in a context rife with Nativism, xenophobia, white racial fatigue, and serious racial inequality. And as Hughey and Parks show, race trumps politics and policies when it comes to political conservatives’ hostility toward Obama.

Contents

• Acknowledgments
• Introduction
• 1. The Grand Old Party and African Americans: A Brief Historical Overview
• 2. Unsweet Tea and Labor Pains: The Tea Party, Birthers, and Obama
• 3. A Fox in the Idiot Box: Right-Wing Talking Heads
• 4. Political Party, Campaign Strategy, and Racial Messaging
• 5. The Social Science of Political Ideology and Racial Attitudes
• 6. Unconscious Race Bias and the Right: Its Meaning for Law in the Age of Obama
• Conclusion
• Notes
• Index
• About the Authors

The White Girl

Grosset & Dunlap
1929
305 pages

Vera Caspary

An African-American woman who moves north to Chicago where she passes as white.

Read the entire book here.

Does Anybody Else Look Like Me?: A Parent’s Guide to Raising Multiracial Children

Da Capo Press
2003
224 pages
Hardcover ISBN: 9780756793401
Paperback ISBN: 9780738209500

Donna Jackson Nakazawa

“Am I black or white or am I American?” “Why don’t my eyes look like yours?” “Why do people always call attention to my ‘different’ hair?” Helping a child understand his mixed racial background can be daunting, especially when, whether out of honest appreciation or mean-spiritedness, peers and strangers alike perceive their features to be “other.” Drawing on psychological research and input from over fifty multiracial families, Does Anybody Else Look Like Me? addresses the special questions and concerns facing these families, explaining how we can best prepare multiracial children of all ages to make their way confidently in our color-conscious world. From the books and toys to use in play with young children, to advice on guiding older children toward an unflappable sense of self, Does Anybody Else Look Like Me? is the first book to outline for parents how, exactly, to deflect the objectifying attention multiracial children receive. Full of powerful stories and counsel, it is sure to become the book adoptive and birth parents of different races alike will look to for understanding as they strive to raise their children in a changing world.

Read an excerpt here.

The Prism of Race: W.E.B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover

Palgrave Macmillan
December 2014
268 pages
Hardcover ISBN: 9781137484093
Ebook (PDF) ISBN: 9781137484116
Ebook (EPUB) ISBN: 9781137484109

Nico Slate, Associate Professor of History
Carnegie Mellon University, Pittsburgh, Pennsylvania

Born a Eurasian ‘half-caste‘ in Calcutta in 1904, Cedric Dover died in England in 1961 a ‘colored’ man. One of the foremost experts on race in his generation and a leading figure in the movement toward Afro-Asian solidarity, Dover encountered in his own life the central paradox of race in the contemporary world: he knew that race did not exist in blood or bone, even as he knew that the color of a child’s skin determined everything from where he could go to school to how long he would live. Dover strove to be, in his words, ‘both ‘racial’ and antiracial at the same time.’ His life and work stand at the heart of one of the most creative and politically significant redefinitions of racial identity in the twentieth century—the invention of the colored world. This innovative ‘biography of race’ explores the concept of colored solidarity as enacted in Dover’s life as well as the ideas and relationships that connected him and four of his closest African American friends and colleagues: W.E.B. Du Bois, Claude McKay, Langston Hughes, and Paul Robeson. In doing so, it illuminates a fascinating episode in the intellectual histories of race and cosmopolitanism while offering powerful insights into ongoing debates surrounding racial and ethnic identity today.

Table of Contents

• Preface: Of Color
• Introduction: The Prism of Race
• Acknowledgments
• 1. Cedric Dover’s Colored Cosmopolitanism
• 2. W.E.B. Du Bois and Race as Autobiography
• 3. Langston Hughes and Race as Propaganda
• 4. Paul Robeson and Race as Solidarity
• 5. The Black Artist and the Colored World
• 6. The Death and Rebirth of the Colored World
• Epilogue: Barack Obama and Race as Freedom
• Afterward: The Library of the Colored World
• Notes
• Index