Mixed Race Studies

In the Creole Twilight: Poems and Songs from Louisiana Folklore

Louisiana State University Press
September 2015
88 pages
6.00 x 9.00 inches
30 halftones
Hardcover ISBN: 9780807161548

Joshua Clegg Caffery, Visiting Professor in Folklore
Indiana University, Bloomington

Many recurring motifs found in south Louisiana’s culture spring from the state’s rich folklore. Influenced by settlers of European and African heritage, celebrated customs like the Courir de Mardi Gras and fabled creatures like the Loup-Garou are outgrowths of the region’s distinctive oral traditions. Joshua Clegg Caffery’s In the Creole Twilight draws from this vibrant and diverse legacy to create an accessible reimagining of traditional storytelling and song.

A scholar and Grammy-nominated musician, Caffery borrows from the syllabic structures, rhyme schemes, narratives, and settings that characterize Louisiana songs and tales to create new verse that is both well-researched and refreshingly inventive. Paired with original pen-and-ink illustrations as well as notes that clarify the origins of characters and themes, Caffery’s compositions provide a link to the old worlds of southern Louisiana while constructing an entirely new one.

Incognegro, A Graphic Mystery

Vertigo
2008
136 pages
Hardcover ISBN-13: 978-140121097

Mat Johnson, Author

Warren Pleece, Artist

Mat Johnson, winner of the prestigious Hurston-Wright Legacy Award for fiction, constructs a fearless graphic novel that is both a page-turning mystery and a disturbing exploration of race and self-image in America, masterfully illustrated with rich period detail by Warren Pleece (The Invisibles, Hellblazer). In the early 20th century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities. They were African-American men who, due to their light skin color, could pass for white. They called this dangerous assignment going “incognegro.” Zane Pinchback, a reporter for the New York-based New Holland Herald, is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. With a lynch mob already swarming, Zane must stay “incognegro” long enough to uncover the truth behind the murder in order to save his brother — and himself.

The Quadroon; or, A Lover’s Adventures In Louisiana

Robert M. DeWitt
1856
430 pages

Captain Mayne Reid (1818-1883)

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The Old Neighborhood, A Novel

Curbside Splendor Publishing
April 2014
502 pages
Paperback ISBN: 978-1940430003

Bill Hillmann

Bill Hillmann’s debut novel, The Old Neighborhood, is the story of teenager Joe Walsh, the youngest in a large, mixed-race family living in Chicago. After Joe witnesses his older brother commit a gangland murder, his friends and family drag him down into a pit of violence that reaches a bloody impasse when his elder sister begins dating a rival gang member. The Old Neighborhood is both a brutal tale of growing up tough in a mean city, and a beautiful harkening to the heartbreak of youth.

Race, Ethnicity, and Human Appearance

Chapter in Encyclopedia of Body Image and Human Appearance
2012
Pages 707–710
DOI: 10.1016/B978-0-12-384925-0.00111-5

S. McClure
Case Western Reserve University, Cleveland, Ohio

M. Poole
Emery University, Atlanta, Georgia

E.P. Anderson-Fye
Case Western Reserve University, Cleveland, Ohio

This article examines the intersection of race, ethnicity, and the body. Standards of beauty, as they are expressed globally in commodity culture, involve a ‘rhetoric of feminine ugliness’. This rhetoric presents that women’s bodies are always in need of manipulation, alteration, and discipline to attain a beauty ideal. Increasingly, so are men’s. However, racial and, to some extent, ethnic categorizations complicate narratives about the nature of beauty. How do racialized appearance and the rhetoric of ugliness interact in social, economic, and political contexts? Is beauty less a matter of engagement in ‘beauty work’ and more innate and inextricable from race and ethnicity? If beauty is a matter heavily influenced by cultural consensus, are the cultural structures of history and ideology any more mutable with respect to matters of race and ethnicity? This article addresses these questions.

Glossary

• Aesthetics The theory of beauty.
• A priori Derived by reasoning from self-evident propositions; knowing independent of any experience.
• Culture A complex historical and symbol system, constructed by invention and borrowing, that acts to instill long-lasting orientations, conceptions, motivations, and associated practices.
• Morphology The form or structure of an organism or any of its parts.
• Race A social category derived from a folk perception of heredity that corresponds to some degree with genetics, but is not genetically determined.

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Brown: The Last Discovery of America

Penguin Books
2012
256 Pages
Paperback ISBN: 9780142000793
eBook ISBN: 9781101161500

Richard Rodriguez

In his dazzling new memoir, Richard Rodriguez reflects on the color brown and the meaning of Hispanics to the life of America today. Rodriguez argues that America has been brown since its inception-since the moment the African and the European met within the Indian eye. But more than simply a book about race, Brown is about America in the broadest sense—a look at what our country is, full of surprising observations by a writer who is a marvelous stylist as well as a trenchant observer and thinker.

Table of Contents

• Brown – Richard Rodriguez Preface
• One: The Triad of Alexis de Tocqueville
• Two: In the Brown Study
• Three: The Prince and I
• Four: Poor Richard
• Five: Hispanic
• Six: The Third Man
• Seven: Dreams of a Temperate People
• Eight: Gone West
• Nine: Peter’s Avocado
• Acknowledgments

The East-West House: Noguchi’s Childhood in Japan

Lee & Low Books
2012-09-02
28 pages
11.1 x 8.7 x 0.4 inches
Hardcover ISBN: 9781600603631

Christy Hale, Author, Illustrator

Isamu was a boy of the East and the West. Born in the United States to a Japanese father and Scotch-Irish American mother, Isamu grew up in Japan. From his earliest years he felt the tug of his biracial heritage, never quite fitting in or thinking he belonged. Pleasure came, however, from the natural world. Color, light, and shadow. Earth, wood, and stone. Working with these forms of nature, Isamu found a way to blend his cultural divide. It was an exploration that became the cornerstone and spirit of his lifelong creative journey.

With lyrical text and luminous artwork, Christy Hale tells the story of the boy who grew up to be the multifaceted artist Isamu Noguchi. Guided by his desire to enrich everyday life with art while bringing together Eastern and Western influences, Noguchi created a vast array of innovative sculptures, stage sets, furniture, and public spaces. The East-West House is a tribute to the artistic beginnings of this pioneering modern sculptor and designer.

Collective Identity, Oppression, and the Right to Self-Ascription

Lexington Books
May 2012
142 pages
Size: 6 x 9
Hardback ISBN: 978-0-7391-7190-5
Paperback ISBN: 978-0-7391-9057-9
eBook ISBN: 978-0-7391-7191-2

Andrew J. Pierce, Lecturer
Department of Philosophy
Sacred Heart University, Fairfield, Connecticut

Collective Identity, Oppression, and the Right to Self-Ascription argues that groups have an irreducibly collective right to determine the meaning of their shared group identity, and that such a right is especially important for historically oppressed groups. The author specifies this right by way of a modified discourse ethic, demonstrating that it can provide the foundation for a conception of identity politics that avoids many of its usual pitfalls. The focus throughout is on racial identity, which provides a test case for the theory. That is, it investigates what it would mean for racial identities to be self-ascribed rather than imposed, establishing the possible role racial identity might play in a just society. The book thus makes a unique contribution to both the field of critical theory, which has been woefully silent on issues of race, and to race theory, which often either presumes that a just society would be a raceless society, or focuses primarily on understanding existing racial inequalities, in the manner typical of so-called “non-ideal theory.”

Table of Contents

• Introduction
• Chapter 1: Minority Cultures and Oppressed Groups: Competing Explanatory Frameworks
• Chapter 2: Collective Identity, Group Rights, and the Liberal Tradition of Law
• Chapter 3: Identity Politics Within the Limits of Deliberative Democracy
• Chapter 4: The Future of Racial Identity: A Test Case

Transformable Race: Surprising Metamorphoses in the Literature of Early America

Oxford University Press
2014-01-27
336 Pages | 9 halftones
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199313501

Katy L. Chiles, Associate Professor of English
University of Tennessee, Knoxville

• First detailed study of “literary race” in eighteenth-century America
• Brings together the scholarly discourses on American Indian identity, the racial regime of African slavery, and the developing discourse of race in eighteenth-century natural history with convincing literary analysis
• Covers canonical texts by Ben Franklin, Samson Occum, Phillis Wheatley, and J. Hector St. John de Crèvecoeur

As surprising as it might seem now, during the late eighteenth century many early Americans asked themselves, “How could a person of one race come to be another?” Racial thought at the close of the eighteenth century differed radically from that of the nineteenth century, when the concept of race as a fixed biological category would emerge. Instead, many early Americans thought that race was an exterior bodily trait, incrementally produced by environmental factors and continuously subject to change. While historians have documented aspects of eighteenth-century racial thought, Transformable Race is the first scholarly book that identifies how this thinking informs the figurative language in the literature of this crucial period. It argues that the notion of “transformable race” structured how early American texts portrayed the formation of racial identities. Examining figures such as Phillis Wheatley, Benjamin Franklin, Samson Occom, and Charles Brockden Brown, Transformable Race demonstrates how these authors used language emphasizing or questioning the potential malleability of physical features to explore the construction of racial categories.

Measuring Manhood: Race and the Science of Masculinity, 1830–1934

University of Minnesota Press
September 2015
368 pages
32 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7303-2
Cloth ISBN 978-0-8166-7302-5

Melissa N. Stein, Assistant Professor of Gender and Women’s Studies
University of Kentucky

From the “gay gene” to the “female brain” and African American students’ insufficient “hereditary background” for higher education, arguments about a biological basis for human difference have reemerged in the twenty-first century. Measuring Manhood shows where they got their start.

Melissa N. Stein analyzes how race became the purview of science in nineteenth- and early twentieth-century America and how it was constructed as a biological phenomenon with far-reaching social, cultural, and political resonances. She tells of scientific “experts” who advised the nation on its most pressing issues and exposes their use of gender and sex differences to conceptualize or buttress their claims about racial difference. Stein examines the works of scientists and scholars from medicine, biology, ethnology, and other fields to trace how their conclusions about human difference did no less than to legitimize sociopolitical hierarchy in the United States.

Covering a wide range of historical actors from Samuel Morton, the infamous collector and measurer of skulls in the 1830s, to NAACP leader and antilynching activist Walter White in the 1930s, this book reveals the role of gender, sex, and sexuality in the scientific making⎯and unmaking⎯of race.