Mixed Race Studies

Sanctioning Matrimony: Interethnic Marriage in the Arizona Borderlands

University of Arizona Press
2016-03-31
256 pages
6.00 x 9.00
Cloth ISBN: 978-0-8165-3237-7

Sal Acosta, Assistant Professor of History
Fordham University

A new look at race and ethnicity in the borderlands

Marriage, divorce, birth, baptism, and census records are the essential records of a community. Through them we see who marries, who divorces, and how many children are born. Sal Acosdta has studied a broad base of these vital records to produce the largest quantitative study of intermarriage of any group in the West. Sanctioning Matrimony examines intermarriage in the Tucson area between 1860 and 1930. Unlike previous studies on intermarriage, this book examines not only intermarriages of Mexicans with whites but also their unions with blacks and Chinese.

Following the Treaty of Mesilla (1853), interethnic relationships played a significant part in the Southwest. Acosta provides previously unseen archival research on the scope and tenor of interracial marriages in Arizona. Contending that scholarship on intermarriage has focused on the upper classes, Acosta takes us into the world of the working and lower classes and illuminates how church and state shaped the behavior of participants in interracial unions.

Marriage practices in Tucson reveal that Mexican women were pivotal in shaping family and social life between 1854 and 1930. Virtually all intermarriages before 1900 were, according to Acosta, between Mexican women and white men, or between Mexican women and blacks or Chinese until the 1920s, illustrating the importance of these women during the transformation of Tucson from a Mexican pueblo to an American town.

Acosta’s deep analysis of vital records, census data, and miscegenation laws in Arizona demonstrates how interethnic relationships benefited from and extended the racial fluidity of the Arizona borderlands.

A Contested Art: Modernism and Mestizaje in New Mexico

University of Oklahoma Press
2015
304 pages
6.125″ x 9.25″
Hardcover ISBN: 9780806148649

Stephanie Lewthwaite, Lecturer in American History, Faculty of Arts
University of Nottingham

When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past.

In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange.

A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art.

Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University

Blackass: A Novel

Graywolf Press
2016-03-01
272 pages
5.5 x 8.25
Paperback ISBN: 978-1-55597-733-7

A. Igoni Barrett

Furo Wariboko, a young Nigerian, awakes the morning before a job interview to find that he’s been transformed into a white man. In this condition he plunges into the bustle of Lagos to make his fortune. With his red hair, green eyes, and pale skin, it seems he’s been completely changed. Well, almost. There is the matter of his family, his accent, his name. Oh, and his black ass. Furo must quickly learn to navigate a world made unfamiliar, and deal with those who would use him for their own purposes. Taken in by a young woman called Syreeta and pursued by a writer named Igoni, Furo lands his first-ever job, adopts a new name, and soon finds himself evolving in unanticipated ways.

A. Igoni Barrett’s Blackass is a fierce comic satire that touches on everything from race to social media while at the same time questioning the values society places on us, simply by virtue of the way we look. As he did in Love Is Power, or Something Like That, Barrett brilliantly depicts life in contemporary Nigeria, and details the double-dealing and code-switching that is implicit in everyday business. But it’s Furo’s search for an identity—one deeper than skin—that leads to the final unraveling of his own carefully constructed story.

The Black Calhouns: From Civil War to Civil Rights with One African American Family

Atlantic Monthly Press
February 2016
336 pages
Cloth ISBN: 978-0-8021-2454-8

Gail Lumet Buckley

Gail Lumet Buckley tells the story of her dynamic family during the most crucial century in African American history

In The Black Calhouns, Gail Lumet Buckley—daughter of actress Lena Horne—delves deep into her family history, detailing the experiences of an extraordinary African American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in postwar Atlanta, Buckley follows her family’s two branches: one that stayed in the South, and the other that settled in Brooklyn. Through the lens of her relatives’ momentous lives, Buckley examines major events throughout American history. From Atlanta during Reconstruction and the rise of Jim Crow, from the two World Wars to New York City during the Harlem Renaissance and then the Civil Rights Movement, this ambitious, brilliant family witnessed and participated in the most crucial events of the nineteenth and twentieth centuries. Combining personal and national history, The Black Calhouns is a vibrant portrait of six generations during dynamic times of struggle and triumph.

The Collected Poems of Audre Lorde

W. W. Norton & Company
February 2000
512 pages
6.2 × 9.3 in
Paperback ISBN: 978-0-393-31972-9

Audre Lorde (1934-1992)

A complete collection—over 300 poems—from one of this country’s most influential poets.

Creole Renegades: Rhetoric of Betrayal and Guilt in the Caribbean Diaspora

University Press of Florida
2014-06-17
240 pages
6.125 x 9.256
Hard Cover ISBN 13: 978-0-8130-4979-3

Bénédicte Boisseron, Associate Professor in French and Francophone Studies
University of Montana

In Creole Renegades, Bénédicte Boisseron looks at exiled Caribbean authors—Edwidge Danticat, Jamaica Kincaid, V. S. Naipaul, Maryse Condé, Dany Laferriére, and more—whose works have been well received in their adopted North American countries but who are often viewed by their home islands as sell-outs, opportunists, or traitors.

These expatriate and second-generation authors refuse to be simple bearers of Caribbean culture, often dramatically distancing themselves from the postcolonial archipelago. Their writing is frequently infused with an enticing sense of cultural, sexual, or racial emancipation, but their deviance is not defiant.

Underscoring the typically ignored contentious relationship between modern diaspora authors and the Caribbean, Boisseron ultimately argues that displacement and creative autonomy are often manifest in guilt and betrayal, central themes that emerge again and again in the work of these writers.

Contents

• Acknowledgments
• Note on Translations
• Introduction: The Second-Generation Caribbean Diaspora
• 1. Anatole Broyard: Racial Betrayal and the Art of Being Creole
• 2. Maryse Condé’s Histoire de la femme cannibale: Coming Out in the French Antilles
• 3. Edwidge Danticat and Dany Laferrière: Parasitic and Remittance Diaspora
• 4. V. S. Naipaul and Jamaica Kincaid: Rhetoric of National Dis-Allegiance
• 5. Creole versus Bossale Renegade: “Turfism” in the Black Diaspora of the Americas
• Notes
• Bibliography
• Index

Pao: A Novel

Bloomsbury Publishing
2011-07-12
288 pages
5 1/2″ x 8 1/4″
Paperback ISBN: 9781608195077
EPUB eBook ISBN: 9781608196845

Kerry Young

As a young boy, Pao comes to Jamaica in the wake of the Chinese civil war and rises to become the Godfather of Kingston’s bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small time and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn’t quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tsu’s Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, and the tricky criminal and romantic predicaments Pao must negotiate goes far toward explaining the novel’s great charm.

A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, though tides of change that will bring Rastafarianism and the Back to Africa Movement. Jamaica is transforming: And what is the place of a Chinese man in this new order? Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.

Beyond the Whiteness of Whiteness: Memoir of a White Mother of Black Sons [Twentieth Anniversary Edition]

Duke University Press
2016
184 pages
Cloth ISBN: 978-0-8223-6147-3
Paperback ISBN: 978-0-8223-6166-4

Jane Lazarre

“I am Black,” Jane Lazarre’s son tells her. “I have a Jewish mother, but I am not ‘biracial.’ That term is meaningless to me.” In this moving memoir, Jane Lazarre, the white Jewish mother of now adult Black sons, offers a powerful meditation on motherhood and racism in America as she tells the story of how she came to understand the experiences of her African American husband, their growing sons, and their extended family. Recounting her education, as a wife, mother, and scholar-teacher, into the realities of African American life, Lazarre shows how although racism and white privilege lie at the heart of American history and culture, any of us can comprehend the experience of another through empathy and learning.

This Twentieth Anniversary Edition features a new preface, in which Lazarre’s elegy for Mother Emanuel AME in Charleston, South Carolina, Michael Brown, Eric Garner, and so many others, reminds us of the continued resonance of race in American life. As #BlackLivesMatter gains momentum, Beyond the Whiteness of Whiteness is more urgent and essential than ever.

Rihanna: Barbados World Gurl in Global Popular Culture

University of the West Indies Press
2015
220 pages
6 x 9
Paper ISBN: 978-976-640-502-1

Edited by:

Hilary McD. Beckles, Principal and Pro-Vice Chancellor
University of the West Indies, Cave Hill, Barbados

Heather D. Russell, Associate Professor of English
Florida International University, Miami, Florida

Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belonging. Still, there have been varied responses to Rihanna’s ascendancy, among both Barbadians and the wider Caribbean community. The responses reveal as much about our own national and regional anxieties as they do about the artist herself. The boundary-transgressing, cultural icon Rihanna is subject to anxieties about her body language and latitude from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry.

This collection brings together US- and Caribbean-based scholars to discuss issues of class, gender, sexuality, race, culture and economy. Using the concept of diasporic citizenship as a theoretical frame, the authors intervene in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values and identity. The contributors approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development from different disciplinary and at times radically divergent perspectives. At the same time, they collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

Contents

• Selected Discography and Awards
• INTRODUCTION “Baadest-Bajan, Wickedest World-Gurl” HILARY McD. BECKLES AND HEATHER D. RUSSELL
• CHAPTER 1 Westbury Writes Back: Rihanna Reclaimed HILARY McD. BECKLES
• CHAPTER 2 Rihanna as Global Icon and Caribbean Threshold Figure DON D. MARSHALL
• CHAPTER 3 International Identity: Rihanna and the Barbados Music Industry MIKE ALLEYNE
• CHAPTER 4 “What’s My Name?” Reading Rihanna’s Autobiographical Acts ESTHER L. JONES
• CHAPTER 5 She Dances on the Holodeck CURWEN BEST
• CHAPTER 6 From “F Love” to “He Is the One”? Rihanna, Chris Brown and the Danger of Traumatic Bonding DONNA AZA WEIR-SOLEY
• CHAPTER 7 Rihanna and Bajan Respectability AARON KAMUGISHA
• CHAPTER 8 Rihanna: Diaspora Citizen, Bajan Daughter, Global Superstar HEATHER D. RUSSELL
• Contributors
• Acknowledgements

The ‘R’ Word

Biteback Publishing
2015-11-27
224 pages
Hardback ISBN: 9781849549424
eBook ISBN: 9781785900099

Kurt Barling, Professor of Journalism
Middlesex University, London, United Kingdom

Race and racism remain an inescapable part of the lives of black people. Daily slights, often rooted in fears and misperceptions of the ‘other’, still damage lives. But does race matter as much as it used to? Many argue that the post-racial society is upon us and racism is no longer a block on opportunity – Kurt Barling doubts whether things are really that simple.

Ever since, at the age of four, he wished for ‘blue eyes and blond hair’, skin colour has featured prominently as he, like so many others, navigated through a childhood and adolescence in which ‘blackness’ de­fined and dominated so much of social discourse. But despite the progress that has been made, he argues, the ‘R’ word is stubbornly resilient.

In this powerful polemic, Barling tackles the paradoxes at the heart of anti-racism and asks whether, by adopting the language of the oppressor to liberate the oppressed, we are in fact paralysing ourselves within the false mythologies inherited from raciology, race and racism. Can society escape this socalled ‘race-thinking’ and re-imagine a Britain that is no longer ‘Black’ and ‘White’? Is it yet possible to step out of our skins and leave the colour behind?