Mixed Race Studies

One Drop of Blood: The American Misadventure of Race

Farrar, Straus and Giroux
2000-10-01
544 Pages
Hardcover ISBN-13: 978-0374240790

Scott Malcomson

Why has a nation founded upon precepts of freedom and universal humanity continually produced, through its preoccupation with race, a divided and constrained populace? Scott Malcomson’s search for an answer took him across the country—to the Cherokee Nation, an all-black town, and a white supremacist enclave in Oklahoma—back though the tangled red-white-and-black history of America from colonial times onward, and to his own childhood in racially fractured Oakland, California. By not only recounting our shared tragicomedy of race but helping us to own it—even to embrace it—this important book offers us a way at last to move beyond it.

Anglo-Indians and Minority Politics in South Asia: Race, Boundary Making and Communal Nationalism

Routledge
2018
322 pages
4 B/W Illustrations
Hardback ISBN: 9781138847224

Uther Charlton-Stevens, Associate Professor
Institute of World Economy and Finance
Volgograd State University, Russia

Anglo-Indians are a mixed-race, Christian and Anglophone minority community which arose in India during the long period of European colonialism. An often neglected part of the British ‘Raj’, their presence complicates the traditional binary through which British imperialism in South Asia is viewed – of ruler and ruled, coloniser and colonised. This book looks at how Anglo-Indians illuminate the history of minority politics in the transition from British colonial rule in South Asia to independence.

The book analyses how the provisions in the Indian Constitution relating to Anglo-Indian cultural, linguistic and religious autonomy were implemented in the years following 1950. It discusses how effective the measures designed to protect Anglo-Indian employment by the state and Anglo-Indian educational institutions under the pressures of Indian national politics were. Presenting an in-depth account of this minority community in South Asia, this book will be of interest to those studying South Asian History, Colonial History and South Asian Politics.

Table of Contents

• Introduction
• 1. East Indians
• 2. The ‘Eurasian Problem’
• 3. Becoming Anglo-Indians
• 4. Making a Minority
• 5. Escapisms of Empire
• 6. Constituting the Nation
• 7. Conclusion

Blasian Invasion: Racial Mixing in the Celebrity Industrial Complex

University Press of Mississippi
2017-10-26
192 pages (approx.)
6 x 9 inches, index
Hardcover ISBN: 978-1-4968-1422-7
Paperback ISBN: 978-1-4968-2346-5

Myra S. Washington, Assistant Professor
Department of Communication and Journalism
University of New Mexico

An exposition of a dynamic, multiracial-racial identity

Myra S. Washington probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. She looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Today Blasian has emerged as not just an identity Black/Asian mixedrace people can claim, but also a popular brand within the industry and a signifier in the culture at large. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status applied to other Blasian figures in media.

Blasians have been neglected as a meaningful category of people in research, despite an extensive history of Black and Asian interactions within the United States and abroad. Washington explains that even though Americans have mixed in every way possible, racial mixing is framed in certain ways, which almost always seem to involve Whiteness. Unsurprisingly, media discourses about Blasians mostly conform to usual scripts already created, reproduced, and familiar to audiences about monoracial Blacks and Asians.

In the first book on this subject, Washington regards Blasians as belonging to more than one community, given their multiple histories and experiences. Moving beyond dominant rhetoric, she does not harp on defining or categorizing mixed race, but instead recognizes the multiplicities of Blasians and the process by which they obtain meaning. Washington uses celebrities, including Kimora Lee, Dwayne Johnson, Hines Ward, and Tiger Woods, to highlight how they challenge and destabilize current racial debate, create spaces for themselves, and change the narratives that frame multiracial people. Finally, Washington asserts Blasians as not only evidence for the fluidity of identities, but also for the limitations of reductive racial binaries.

Contents

• Acknowledgments
• CHAPTER ONE: Theorizing Blasians
• CHAPTER TWO: Birth of a Blasian
• CHAPTER THREE: Modeling Race: Refashioning Blasianness
• CHAPTER FOUR: “Because I’m Blasian” Tiger Woods, Scandal, and Protecting the Blasian Brand
• CHAPTER FIVE: Sporting the Blasian Body
• CONCLUSION: En-Blasianing the Future
• Notes
• Index

Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical

Basic Books
2017-12-05
480 pages
6.5 x 1.5 x 9.5 inches
Hardcover ISBN 13: 9780201510355
eBook ISBN 13: 9780201626636

Jacqueline Jones, Mastin Gentry White Professor of Southern History
University of Texas, Austin

From a prize-winning historian, a new portrait of an extraordinary activist and the turbulent age in which she lived

Goddess of Anarchy recounts the formidable life of the militant writer, orator, and agitator Lucy Parsons. Born to an enslaved woman in Virginia in 1851 and raised in Texas-where she met her husband, the Haymarket “martyr” Albert Parsons-Lucy was a fearless advocate of First Amendment rights, a champion of the working classes, and one of the most prominent figures of African descent of her era. And yet, her life was riddled with contradictions-she advocated violence without apology, concocted a Hispanic-Indian identity for herself, and ignored the plight of African Americans.

Drawing on a wealth of new sources, Jacqueline Jones presents not only the exceptional life of the famous American-born anarchist but also an authoritative account of her times-from slavery through the Great Depression.

Colouring the Caribbean: Race and the art of Agostino Brunias

Manchester University Press
December 2017
272 pages
Hardcover ISBN: 978-1-5261-2045-8
eBook ISBN: 978-1-5261-2047-2

Mia L. Bagneris, Jesse Poesch Junior Professor of Art History
Tulane University, New Orleans, Louisiana

Colouring the Caribbean offers the first comprehensive study of Agostino Brunias’s intriguing pictures of colonial West Indians of colour – so called ‘Red’ and ‘Black’ Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race – made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias’s paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias’s work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.

Contents

• Introduction
• 1. Brunias’s tarred brush, or painting Indians black: race-ing the Carib divide
• 2. Merry and contented slaves and other island myths: representing Africans and Afro-Creoles in the Anglxexo-American world
• 3. Brown-skinned booty, or colonising Diana: mixed-race Venuses and Vixens as the fruits of imperial enterprise
• 4. Can you find the white woman in this picture? Agostino Brunias’s ‘ladies’ of ambiguous race
• Coda – Pushing Brunias’s buttons, or re-branding the plantocracy’s painter: the afterlife of Brunias’s imagery
• Index

To Sweeten Bitter

Out-Spoken Press
2017-04-10
49 pages
8.5 x 0.4 x 5.5 inches
ISBN-13: 978-0993103872

Raymond Antrobus

Consider the name of Raymond Antrobus’ extraordinary collection of poems for a moment: To Sweeten Bitter. It’s a phrase of infinite possibility and tender worry, open and searching, wanting and volatile. And in this sense, it serves as a kind of secret refrain for us, a haunted current that charges after each line and image, each heart-fraught question (“you think you’re going / to go free?”) and tentative hope (“there is always enough time / in our lives to see / what we must see”). Here, a father laughs “you cannot love sugar and hate your sweetness” and a son reckons with all that might mean “in the scratched light” of history and the “turning / and the losing of myself.” Derek Walcott once reflected that “I have never separated the writing of poetry from prayer;” these poems— in all their urgent beauty—affirm that faith, embody it. —R.A. Villanueva

Obama: An Intimate Portrait: The Historic Presidency in Photographs

Little, Brown and Company
2017-11-07
352 pages
Hardcover ISBN-13: 9780316512572

Pete Souza

Foreword by: Barack Obama

Relive the extraordinary Presidency of Barack Obama through White House photographer Pete Souza’s behind-the-scenes images and stories in this #1 New York Times bestseller–with a foreword from the President himself.

During Barack Obama’s two terms, Pete Souza was with the President during more crucial moments than anyone else–and he photographed them all. Souza captured nearly two million photographs of President Obama, in moments highly classified and disarmingly candid.

Obama: An Intimate Portrait reproduces more than 300 of Souza’s most iconic photographs with fine-art print quality in an oversize collectible format. Together they document the most consequential hours of the Presidency–including the historic image of President Obama and his advisors in the Situation Room during the bin Laden mission–alongside unguarded moments with the President’s family, his encounters with children, interactions with world leaders and cultural figures, and more.

Souza’s photographs, with the behind-the-scenes captions and stories that accompany them, communicate the pace and power of our nation’s highest office. They also reveal the spirit of the extraordinary man who became our President. We see President Obama lead our nation through monumental challenges, comfort us in calamity and loss, share in hard-won victories, and set a singular example to “be kind and be useful,” as he would instruct his daughters.

This book puts you in the White House with President Obama, and will be a treasured record of a landmark era in American history.

Dream Big Dreams: Photographs from Barack Obama’s Inspiring and Historic Presidency (Young Readers)

Little, Brown and Company Young Readers (an imprint of Hachette Book Group)
2017-11-21
96 pages
Hardcover ISBN-13: 9780316514392
E-Book: ISBN-13: 9780316514118

Pete Souza

From former Chief Official White House Photographer Pete Souza comes a book for young readers that highlights Barack Obama’s historic presidency and the qualities and actions that make him so beloved.

Pete Souza served as Chief Official White House Photographer for President Obama’s full two terms. He was with the President during more crucial moments than anyone else – and he photographed them all, capturing scenes both classified and candid. Throughout his historic presidency, Obama engaged with young people as often as he could, encouraging them to be their best and do their best and to always “dream big dreams.” In this timeless and timely keepsake volume that features over seventy-five full-color photographs, Souza shows the qualities of President Obama that make him both a great leader and an extraordinary man. With behind-the-scenes anecdotes of some iconic photos alongside photos with his family, colleagues, and other world leaders, Souza tells the story of a president who made history and still made time to engage with even the youngest citizens of the country he served. By the author of Obama: An Intimate Portrait, the definitive visual biography of Barack Obama’s presidency, Dream Big Dreams was created especially for young readers and not only provides a beautiful portrait of a president but shows the true spirit of the man.

The Marriage Battle: A Family Tradition, A Memoir by Susan C. Green and Robin J. Phillips

Mill City Press
2017-12-05
222 pages
5.25″ x 8″
Softcover ISBN 13: 9781545613429
ePub ISBN 13: 9781545616307
MOBI ISBN 13: 9781545616307

Susan C. Green and Robin J. Phillips

Golddigger, nigger lover… Those are some of the insults hurled at Iris in 1961 by the military brass when they grilled her about the relationship with Sue’s father. And when her dad Ray, a Black GI stationed in England, asked his superiors for permission to marry Sue’s mum, a white single mom from Liverpool, they asked him why he wanted to marry a whore with a bastard child. But they remained steadfast and married even though their interracial union wouldn’t be fully recognized until 1967 when Richard and Mildred Loving would prevail and anti-miscegenation laws were abolished. Like the Lovings, her parents, Iris and Ray Green fought the courts and culture to stay together and raise a family.

Their story of love and perseverance became Sue’s story and provided the inspiration for this book. She is an out and proud lesbian and it is her parent’s battle to marry and have their interracial union recognized by the law that has led Sue to her own moment to take a stand for love. She too fought for the right to marry her wife Robin. And almost 50 years to the day of the Loving decision, the Defense of Marriage Act was repealed and same sex marriages were legal.

This book is a memoir and a love and a life story about Sue’s life with Robin and her parents’ life. It spans decades from the late 1950s when our country was rocked by civil unrest, to the present nearly 60 years later. It is a story of growing up biracial and dealing with racism and living as an outsider both at home and during her family’s military postings abroad. It reveals the parallel lives of Sue and her parents who experienced traumatic events that impacted their early days and and later years, yet fought for the same shared goal. Despite the hurdles, they held on to the belief that they deserved to find someone to love, and marry that person no matter what their color or gender.

And ultimately it’s about four people falling in love with someone society said you shouldn’t love, breaking the marriage laws at the time, and being willing to deal with the consequences of those decisions. It is a love story – and is as simple, yet complicated as that.

mxd kd mixtape

Glass Poetry Press
2017
Chapbook ISBN: 978-0-9975805-6-3

Malcolm Friend, Poet, Performer, Educator

Cover by Raychelle Duazo

In his debut chapbook mxd kd mix tape, Malcolm Friend offers us a speaker on the fringe of becoming. If he were a superhero this would be his origin story. The musicality & rhythm that is promised in the title more than delivers, but what Friend also delivers on are poems forged within the many rooms of his identity. & these rooms are decorated with poetic craft & a keen knowledge of the songs that have shaped him. This collection, & Friend are a valuable addition to America’s poetic landscape. I look forward to many more work from this fresh new voice.

— Yesenia Montilla, author of The Pink Box

In mxd kd mixtape, Malcolm Friend gracefully blends personal and public history, crafting a dynamic archive in verse. As Friend sets voices of remembrance against the forces of oppression, violence, and neglect, we hear how the richest points of identification — in poetry, in music, in life — occur as intersections: musicality and masculinity, Puerto Rican and Jamaican heritage, safety and threat, question and answer. The result is a chapbook filled with necessary poems that “echo of insistent survival.” I’m so grateful for this talented and convicted poet, who has risked reminding us, because we need reminding, especially when staring down the many faces of erasure, “this is why we turn to song.”

— Geffrey Davis, author of Revising the Storm

mxd kd mixtape hits all the right young poet notes: identity, awareness, inquiry, a politically charged imagination with the right doses of social value. Friend alludes to our heroes, our irony, our singers, as he sifts through the nuances of diaspora, untold stories, and lyrical re-interpretations of Black Caribbean complexes. This debut asks us to confront our biases, our mask-wearing tendencies, our ability to stay silent; it resists the violence of definitions until we have no choice but to sing. Friends’ poetry does what all good albums of their time seek to do: set the record straight.

— Willie Perdomo, The Essential Hits of Shorty Bon Bon