Mixed Race Studies

Disparate Diasporas: Identity and Politics in an African-Nicaraguan Community

University of Texas Press
August 1998
320 pages
ISBN-10: 0292728190; ISBN-13: 978-0292728196

Edmund Gordon, Associate Professor of Anthropology
University of Texas, Austin

This book is out of print.

Based on a decade the author spent among the African-Caribbean “Creole” people on Nicaragua’s southern Caribbean coast, Disparate Diasporas is a study of identity formation and politics in that community. Edmund Gordon lived in Bluefields, Nicaragua, during most of the 1980s, a turbulent period during which he participated in the community’s search for solutions to problems ranging from a crumbling economic base to the mutual mistrust and animosity between most Creole people and the Sandinista revolutionary government.

Disparate Diasporas is not a conventional ethnography. Rather than being just an observer, Gordon actively participated in the life of the community, intent on contributing to its political processes. A basic premise of his book is that engagement and activity can enhance ethnographic insights and sharpen theoretical understanding.

Disparate Diasporas shows how a particular “Black” community can evolve distinct types of diasporic consciousness, and, depending on the historical moment, how different types of memories, consciousness, and politics come to predominate. The author uses the Gramscian notion of “common sense” to understand the Creole community’s history of shifting politics and ideologies, focusing on the period of the 1970s and 1980s. His work explains the inability of the Sandinistas to come to terms with the racial and cultural challenge to the Nicaraguan nation posed by the Creole community.

Passing and the Problematic of Multiracial Pride (or, Why One Mixed Girl Still Answers to Black)

by Danzy Senna

Chapter in: Black Cultural Traffic: Crossroads in Global Performance and Popular Culture
University of Michigan Press
2005
416 pages
Cloth ISBN: 978-0-472-09840-8
Paper ISBN: 978-0-472-06840-1
Ebook ISBN: 978-0-472-02545-9

Edited By:

Harry J. Elam, Jr., Olive H. Palmer Professor in Humanities and Professor of Drama
Stanford University

Kennell Jackson (1941-2005), Associate Professor of History
Stanford University

I have never had the comfort zone of a given racial identity. My mother is a Bostonian white woman of WASP heritage. My father is a Louisiana black man of mixed African and Mexican heritage. Unlike people who are automatically classified as black or white, I have always been up for debate. I am forever having to explain to people why it is that I look so white for a black girl, why it is that my features don’t reveal my heritage. It’s not something I should have to explain, but in America, at least, people are obsessed with this dissonance between my face and my race. White Americans in particular have a difficult time understanding why somebody of my background would choose blackness. With Tiger Woods proclaiming himself a Cablinasian, multiracial activists demanding new categories, and Newsweek declaring it hip to be mixed, it strikes most people as odd that I would call myself a black girl.

But my racial identity developed when I was growing up in Boston in the 1970s, where there were only two choices for me: black and white. For my sister, a year older than me, with curly hair and more African features, there weren’t even these choices. There was only black. And my parents, smitten with the black power politics of the time, taught my siblings and me, in no uncertain terms, that we were all black. They saw this identity as armor against the racism beyond our front door. They also knew that my sister didn’t have a choice, and to define us differently would be damaging to us as a family unit. The tact that the world saw each of us as different (my sister as light-skinned black, my brother as Puerto Rican, and me as Italian) raised complications, but didn’t change the fact that we were all one tribe…

Read the entire chapter here. (pages 83-87)

James Douglas: Father of British Columbia

Dundurn Press
October 2009
240 pages
5.5 in x 8.5 in
Paperback ISBN: 978-1-55488-409-4
eBook ISBN: 978-1-77070-564-7

Julia H. Ferguson

James Douglas’s story is one of high adventure in pre-Confederation Canada. It weaves through the heart of Canadian and Pacific Northwest history when British Columbia was a wild land, Vancouver didn’t exist, and Victoria was a muddy village. Part black and illegitimate, Douglas was born in British Guiana (now Guyana) in 1803 to a Scottish plantation owner and a mixed-race woman. After schooling in Scotland, the fifteen-year-old Douglas sailed to Canada in 1819 to join the fur trade. With roads non-existent, he travelled thousands of miles each year, using the rivers and lakes as his highways. He paddled canoes, drove dogsleds, and snowshoed to his destinations. Douglas became a hard-nosed fur trader, married a part-Cree wife, and nearly provoked a war between Britain and the United States over the San Juan Islands on the West Coast. When he was in his prime, he established Victoria and secured the western region of British North America from the Russian Empire and the expansionist Americans. Eventually, Douglas became the controversial governor of the Colonies of Vancouver Island and British Columbia and oversaw the frenzied Fraser and Cariboo gold rushes.

Family Secrets: Crossing the Colour Line

Dundurn Publishing
February 2003
264 pages
6 x 9 in
Paperback ISBN: 978-1-89621-982-0
eBook (PDF) ISBN: 978-1-55488-161-1
eBook (EPUB) ISBN: 978-1-45971-478-6

Catherine Slaney

Foreword by:

Daniel G. Hill, III (1923-2003)

Catherine Slaney grew into womanhood unaware of her celebrated Black ancestors. An unanticipated meeting was to change her life. Her great-grandfather was Dr. Anderson Abbott, the first Canadian-born Black to graduate from medical school in Toronto in 1861. In Family Secrets Catherine Slaney narrates her journey along the trail of her family tree, back through the era of slavery and the plight of fugitive slaves, the Civil War, the Elgin settlement near Chatham, Ontario, and the Chicago years. Why did some of her family identify with the Black Community while others did not? What role did “passing” play? Personal anecdotes and excerpts from archival Abbott family papers enliven the historical context of this compelling account of a family dealing with an unknown past. A welcome addition to African-Canadian history, this moving and uplifting story demonstrates that understanding one’s identity requires first the embracing of the past.

Why did some of her family identify with the Black Community while others did not? What role did “passing” play? Personal anecdotes and excerpts from archival Abbott family papers enliven the historical context of this compelling account of a family dealing with an unknown past. A welcome addition to African-Canadian history, this moving and uplifting story demonstrates that understanding one’s identity requires first the embracing of the past.

Muddied Waters: Race, Region, and Local History in Colombia, 1846–1948

Duke University Press
2003
320 pages
Illustrations: 9 b&w photos, 5 maps
Paperback ISBN: 978-0-8223-3092-9
Cloth ISBN: 978-0-8223-3080-6

Nancy P. Appelbaum, Associate Professor of History
Binghamton University, State University of New York

Colombia’s western Coffee Region is renowned for the whiteness of its inhabitants, who are often described as respectable pioneer families who domesticated a wild frontier and planted coffee on the forested slopes of the Andes. Some local inhabitants, however, tell a different tale—of white migrants rapaciously usurping the lands of indigenous and black communities. Muddied Waters examines both of these legends, showing how local communities, settlers, speculators, and politicians struggled over jurisdictional boundaries and the privatization of communal lands in the creation of the Coffee Region. Viewing the emergence of this region from the perspective of Riosucio, a multiracial town within it, Nancy P. Appelbaum reveals the contingent and contested nature of Colombia’s racialized regional identities.

Nineteenth- and twentieth-century Colombian elite intellectuals, Appelbaum contends, mapped race onto their mountainous topography by defining regions in racial terms. They privileged certain places and inhabitants as white and modern and denigrated others as racially inferior and backward. Inhabitants of Riosucio, however, elaborated local narratives about their mestizo and indigenous identities that contested the white mystique of the Coffee Region. Ongoing violent conflicts over land and politics, Appelbaum finds, continue to shape local debates over history and identity. Drawing on archival and published sources complemented by oral history, Muddied Waters vividly illustrates the relationship of mythmaking and racial inequality to regionalism and frontier colonization in postcolonial Latin America.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: Riosucio: Race, Colonization, Region, and Community
• Part 1. Country of Regions, 1946-1886
  • 1. Beauty and the Beast: Antioquia and Cauca
  • 2. Accompanied by Progress: Cauca Intermediaries and Antioqueno Migration
  • 3. By Consent of the Indigenas: Riosucios Indigenous Communities
• Part 2. The White Republic, 1886-1930
  • 4. Regenerating Riosucio: Regeneration and the Transition to Conservative Rule
  • 5. Regenerating Conflict: Riosucios Indigenas in the White Republic
  • 6. Riosucio on the Margins of the Model Department
• Part 3. Remembering Race, Region, and Community
  • 7. Remembering Riosucio: Imagining a Mestizo Community
  • 8. Remembering San Lorenzo: Imagining an Indigenous Community
• Conclusion: Reimagining Region and Nation
• Notes
• Bibliography
• Index

The Evolution and Genetics of Latin American Populations

Cambridge University Press
December 2001
528 pages
12 b/w illus. 128 tables
228 x 152 mm
Hardback ISBN: 9780521652759
Paperback ISBN: ISBN:9780521022392
eBook ISBN: 9780511837128

Francisco M. Salzano
Departamento de Genética, Instituto de Biociências
Universidade Federal do Rio Grande do Sul, Brazil

Maria C. Bortolini
Universidade Federal do Rio Grande do Sul, Brazil

The human genetic make-up of Latin America is a reflection of successive waves of colonization and immigration. There have been few works dealing with the biology of human populations at a continental scale, and while much data is available on the genetics of Latin American populations, most information remains scattered throughout the literature. This volume examines Latin American human populations in relation to their origins, environment, history, demography and genetics, drawing on aspects of nutrition, physiology, and morphology for an integrated and multidisciplinary approach. The result is a fascinating account of a people characterized by a turbulent history, marked heterogeneity, and unique genetic traits.

Table of Contents

• Preface
• 1. Origins
• 2. Environment and history
• 3. Socioeconomic indices, demography, and population structure
• 4. Ecology, nutrition, and physiological adaptation
• 5. Morphology
• 6. Health and disease
• 7. Haemoglobin types and haemoglobinopathies
• 8. Normal genetic variation at the protein, glycoconjugate, and DNA levels
• 9. Gene dynamics
• 10. Synthesis.

Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937

New York University Press
October 2011
228 pages
Hardcover ISBN: 9780814752555
Paper ISBN: 9780814752562

Julia H. Lee, Assistant Professor of English and Asian American Studies
University of Texas, Austin

2013 Honorable Mention, Asian American Studies Association’s prize in Literary Studies

Why do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity.

In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.

Contents

• Acknowledgments
• 1. Introduction
• 2. The “Negro Problem” and the “Yellow Peril”: Early Twentieth-Century America’s Views on Blacks and Asians
• 3. Estrangement on a Train: Race and Narratives of American Identity in The Marrow of Tradition and America through the Spectacles of an Oriental Diplomat
• 4. The Eaton Sisters Go to Jamaica
• 5. Quicksand and the Racial Aesthetics of Chinoiserie
• 6. Nation, Narration, and the Afro-Asian Encounter in W. E. B. Du Bois’s Dark Princess and Younghill Kang’s East Goes West
• 7. Coda
• Notes
• Bibliography
• Index
• About the Author

Notorious in the Neighborhood: Sex and Families across the Color Line in Virginia, 1787-1861

University of North Carolina Press
March 2003
360 pages
6.125 x 9.25, 1 genealogical chart, 4 maps, notes, bibl., index
Paper ISBN  978-0-8078-5440-2

Joshua D. Rothman, Associate Professor of History
University of Alabama, Tuscaloosa

Winner of the 2004 Outstanding Book Award, Organization for the Study of Communication, Language, and Gender.

Laws and cultural norms militated against interracial sex in Virginia before the Civil War, and yet it was ubiquitous in cities, towns, and plantation communities throughout the state. In Notorious in the Neighborhood, Joshua Rothman examines the full spectrum of interracial sexual relationships under slavery—from Thomas Jefferson, Sally Hemings, and the intertwined interracial families of Monticello and Charlottesville to commercial sex in Richmond, the routinized sexual exploitation of enslaved women, and adultery across the color line. He explores the complex considerations of legal and judicial authorities who handled cases involving illicit sex and describes how the customary toleration of sex across the color line both supported and undermined racism and slavery in the early national and antebellum South.

White Virginians allowed for an astonishing degree of flexibility and fluidity within a seemingly rigid system of race and interracial relations, Rothman argues, and the relationship between law and custom regarding racial intermixture was always shifting. As a consequence, even as whites never questioned their own racial supremacy, the meaning and significance of racial boundaries, racial hierarchy, and ultimately of race itself always stood on unstable ground—a reality that whites understood and about which they demonstrated increasing anxiety as the nation’s sectional crisis intensified.

Africa in Europe: Studies in Transnational Practice in the Long Twentieth Century

Liverpool University Press
January 2013
304 pages
Illustrations: 8 colour plates, 12 black and white illustrations
234 x 156 mm
Hardback ISBN: 9781846318474

Edited by:

Eve Rosenhaft, Professor of German Historical Studies
University of Liverpool, United Kingdom

Robbie Aitken, Senior Lecturer in History
Sheffield Hallam University, United Kingdom

This volume explores the lives and activities of people of African descent in Europe between the 1880s and the beginning of the twenty-first century. It goes beyond the still-dominant Anglo-American or transatlantic focus of diaspora studies to examine the experiences of black and white Africans, Afro-Caribbeans and African Americans who settled or travelled in Germany, France, Portugal, Italy and the Soviet Union, as well as in Britain. At the same time, while studies of Africans in Europe have tended to focus on the relationship between colonial (or former colonial) subjects and their respective metropolitan nation states, the essays in this volume widen the lens to consider the skills, practices and negotiations called for by other kinds of border-crossing: The subjects of these essays include people moving between European states and state jurisdictions or from the former colony of one state to another place in Europe, African-born colonial settlers returning to the metropolis, migrants conversing across ethnic and cultural boundaries among ‘Africans’, and visitors for whom the face-to-face encounter with European society involves working across the ‘colour line’ and testing the limits of solidarity. Case studies of family life, community-building and politics and cultural production, drawing on original research, illuminate the transformative impact of those journeys and encounters and the forms of ‘transnational practice’ that they have generated. The contributors include specialist scholars in social history, art history, anthropology, cultural studies and literature, as well as a novelist and a filmmaker who reflect on their own experiences of these complex histories and the challenges of narrating them.

Contents

• Acknowledgements
• List of Illustrations
• List of Abbreviations
• List of Contributors
• 1. Introduction / Eve Rosenhaft and Robbie Aitken
• I. Enacting Identity: Individuals, Families and Communities
  • 2. Prince Dido of Didotown and ‘Human Zoos’ in Wilhelmine Germany: Strategies for Self-Representation under the Othering Gaze / Albert Gouaffo
  • 3. Schwarze Schmach and métissages contemporains: The Politics and Poetics of Mixed Marriage in a Refugee Family / Eve Rosenhaft
  • 4. ‘Among them Complicit’? Life and Politics in France’s Black Communities, 1919–1939 / Jennifer Anne Boittin
  • 5. ‘In this Metropolis of the World We Must Have a Building Worthy of Our Great People’: Race, Empire and Hospitality in Imperial London, 1931–1948 / Daniel Whittall
• II. Authenticity and Influence: Contexts for Black Cultural Production
  • 6. Féral Benga’s Body / James Smalls
  • 7. ‘Like Another Planet to the Darker Americans’: Black Cultural Work in 1930s Moscow / S. Ani Mukherji
  • 8. ‘Coulibaly’ Cosmopolitanism in Moscow: Mamadou Somé Coulibaly and the Surikov Academy Paintings, 1960s–1970s / Paul R. Davis
  • 9. Afro-Italian Literature: From Productive Collaborations to Individual Affirmations / Christopher Hogarth
• III. Post-colonial Belonging
  • 10. Of Homecomings and Homesickness: The Question of White Angolans in Post-Colonial Portugal / Cecilie Øien
  • 11. Blackness over Europe: Meditations on Culture and Belonging / Donald Martin Carter
• IV. Narratives/Histories
  • 12. Middle Passage Blackness and its Diasporic Discontents: The Case for a Post-War Epistemology / Michelle M. Wright
  • 13. Black and German: Filming Black History and Experience / John Sealey
  • 14. Excavating Diaspora: An Interview Discussing Elleke Boehmer’s Novel Nile Baby / John Masterson with Elleke Boehmer
  • 15. Afterword / Susan Dabney Pennybacker
• Bibliography
• Index

Of One Blood: Or, The Hidden Self

Washington Square Press (an imprint of Simon & Schuster)
February 2004 (Originally Published in 1903)
224 pages
Paperback ISBN-10: 0743467698; ISBN-13: 9780743467698
eBook ISBN-10: 1451604351; ISBN-13: 9781451604351

Pauline Hopkins (1859-1930)

Introduction by:

Deborah E. McDowell, Alice Griffin Professor of English
University of Virginia

Of One Blood is the last of four novels written by Pauline Hopkins. She is considered by some to be “the most prolific African-American woman writer and the most influential literary editor of the first decade of the twentieth century, though she is one of the lesser known literary figures of the much lauded Harlem Renaissance. Of One Blood first appeared in serial form in Colored American Magazine in the November and December 1902 and the January 1903 issues of the publication, during the four-year period that Hopkins served as its editor.

Hopkins tells the story of Reuel Briggs, a medical student who couldn’t care less about being black and appreciating African history, but finds himself in Ethiopia on an archeological trip. His motive is to raid the country of lost treasures—which he does find in the ancient land. However, he discovers much more than he bargained for: the painful truth about blood, race, and the half of his history that was never told. Hopkins wrote the novel intending, in her own words, to “raise the stigma of degradation from [the Black] race.” The title, Of One Blood, refers to the biological kinship of all human beings.