Nella Larsen’s Etiquette Lesson: Small Talk, Racial Passing, and the Novel of Manners

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, United States on 2019-02-04 15:19Z by Steven

Nella Larsen’s Etiquette Lesson: Small Talk, Racial Passing, and the Novel of Manners

Novel: A Forum on Fiction
Volume 51, Issue 1 (2018-05-01)
pages 1-16
DOI: 10.1215/00295132-4357365

Matthew Krumholtz
Department of English
Princeton University, Princeton, New Jersey

Issue Cover

This essay explores how novelists of the Harlem Renaissance deploy small talk to disrupt racial identification. Nella Larsen’s Passing (1929) serves as a case study showing that small talk magnifies a strange intimacy between passing narratives and etiquette manuals in the early twentieth century. While critics have tended to view small talk under the rubric of gossip, writers of the Harlem Renaissance call attention to the way that small talk enables racial passing by keeping dialogue on neutral and impersonal grounds. Nella Larsen makes peculiarly pronounced use of small talk, which emerges in her fiction as a self-accenting style of racial embodiment and a bold revision to the American novel of manners and to early twentieth-century etiquette manuals. Drawing on sociolinguistics and microsociology, this essay argues that Larsen unsettles the cultural tendency to equate passing with self-denial, converting small talk to an equivocal medium for passing that, paradoxically, makes audible a protest against racial segregation and social regulation.

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The first question that arises is as to who is a “White” within the meaning of the statute.

Posted in Excerpts/Quotes on 2019-02-04 01:46Z by Steven

The first question that arises is as to who is a “White” within the meaning of the statute. Even those states which have formulated statutory definitions are not in agreement. Georgia with its very extensive definition provision sets out that a “White” includes only those persons who have no ascertainable trace of the prohibited intermixture in their blood line.22 The Arizona statute prohibits anyone with “Caucasian blood” from marrying the other races enumerated.23 Virginia states that a “White” is a person with no admixture except 1/16 or less of American Indian.24 Many other states in their statues treat as “White” anyone with 1/8 or less of any of the other prohibited races;25 Oregon sets it at ¼.26

William E. Foster, “A Study of the Wyoming Miscegenation Statutes,” Wyoming Law Journal, Volume 10, Number 2 (1956). 133-134. https://repository.uwyo.edu/wlj/vol10/iss2/5/.

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A Study of the Wyoming Miscegenation Statutes

Posted in Articles, Law, Media Archive, United States on 2019-02-04 01:33Z by Steven

A Study of the Wyoming Miscegenation Statutes

Wyoming Law Journal
Volume 10, Number 2 (1956)
pages 131-138

William E. Foster

The first ban on interracial marriage was passed in Maryland in 1661.1 Since that time, forty states have followed with statutory bans on interracial marriages.2 Twenty-nine states still have such prohibitions.3 Six of these states have constitutional bans as well as statutory provisions prohibiting such marriages.4 However, Iowa, Kansas, Maine, Massachusetts, Michigan, New Mexico, Ohio, Pennsylvania, Rhode Island, and Washington have repealed the miscegenation statutes which were once in effect in those states;5 and the Supreme Court of California has held its statute unconstitutional.6 While all twenty-nine states which have miscegenation statutes have provisions barring marriage of a White to a Negro,7 twelve states also have provisions which would bar marriage of Whites to various classifications of Asiatics.8 Three states in their statutes bar marriages of Whites to “Africans,” and have no explicit mention of Negroes;9 this type of statute would technically apply to the Dutch Afrikanders as well as to the Negro.10

…The Wyoming miscegenation law is composed of two sections.18 The first, section 50-108, will be referred to as the prohibition section, and the second, section 50-109, will be referred to as the enforcement section. These statutes are both derived from one Act, chapter 57 of the Wyoming Session Laws of 1913, which was originally introduced as House Bill 153 of that year and was passed February 22, 1913, to take effect immediately upon its passage.19 The present statutes are unchanged from their original form. The Wyoming prohibition section reads: All marriages of white persons with Negroes, Mulattoes, Mongolians or Malays hereafter contracted in the state of Wyoming are and shall be illegal and void.20

And the Wyoming enforcement section is:

Whosoever shall knowingly contract marriage in fact contrary to the prohibitions in the preceding section, and whosoever shall knowingly solemnize any such marriage shall be deemed guilty of a misdemeanor, and upon being convicted thereof, shall lie punished by a fine of not less than one hundred dollars, nor more than one thousand dollars, or imprisonment of not less than one year nor more than five years, or both, at the discretion of the court which shall try the cause.21

The Wyoming prohibition provision is characterized by its brevity; evidently the legislature did not see fit to define further any of the classifications set forth. Nor have there been any Wyoming cases dealing with racial intermarriages or interpreting this statute. However, when the Wyoming courts first deal with this problem, they will be faced with the formidable question of interpreting the prohibition provision. The very brevity of the statute gives rise to the largest problem-who comes within the prohibition of the statute?…

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‘I am who I am’: Kamala Harris, daughter of Indian and Jamaican immigrants, defines herself simply as ‘American’

Posted in Articles, Media Archive, Politics/Public Policy, United States, Women on 2019-02-03 04:47Z by Steven

‘I am who I am’: Kamala Harris, daughter of Indian and Jamaican immigrants, defines herself simply as ‘American’

The Washington Post
2019-02-02

Kevin Sullivan, Senior Correspondent


Sen. Kamala D. Harris (D-Calif.), center, sings the Alpha Kappa Alpha hymn at the sorority’s annual “Pink Ice Gala” on Jan. 25 in Columbia, S.C. (Elijah Nouvelage/Bloomberg News)

SAN FRANCISCO — In early 2010, an Indian American couple hosted a fundraiser in their elegant Pacific Heights home for Kamala Harris, then a Democratic candidate for California attorney general.

Harris had been San Francisco’s high-profile district attorney for more than six years, but Deepak Puri and Shareen Punian had only recently learned that Harris was, as Punian said, “one of our peeps,” a woman whose mother was an Indian immigrant.

They had always assumed Harris was African American, and so did most of the 60 or 70 Indian American community leaders at the event, many of whom asked Puri and Punian why they had been invited.

“At least half of them didn’t know she was Indian,” said Punian, a business executive and political activist.

Harris, 54, now a U.S. senator and 2020 Democratic presidential candidate, would be several firsts in the White House: the first woman, the first African American woman, the first Indian American and the first Asian American. The daughter of two immigrants — her father came from Jamaica — she would also be the second biracial president, after Barack Obama.

Obama’s soul-searching quest to explore his identity, as the son of a white mother from Kansas and a Kenyan father who was largely absent from his life, was well-documented in his autobiography.

But when asked, in an interview, if she had wrestled with similar introspection about race, ethnicity and identity, Harris didn’t hesitate:

“No,” she said flatly…

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Two Sisters Bought DNA Kits. The Results Blew Apart Their Family.

Posted in Articles, Family/Parenting, Health/Medicine/Genetics, Media Archive, United States on 2019-02-03 02:43Z by Steven

Two Sisters Bought DNA Kits. The Results Blew Apart Their Family.

The Wall Street Journal
2019-02-01

Amy Dockser Marcus

a group of people posing for a photo
©Hurwitz and Dolvin family

In an age of ubiquitous direct-to-consumer genetic testing, family secrets are almost impossible to keep.

Sonny and Brina Hurwitz raised a family in Boston. They both died with secrets.

In 2016, their oldest daughter, Julie Lawson, took a home DNA test. Later, she persuaded her sister, Fredda Hurwitz, to take one too.

In May, the sisters sat down at the dinner table in Ms. Hurwitz’s Falls Church, Va., home to share their results. A man’s name popped up as a close genetic match for Ms. Hurwitz. Neither had ever heard of him.

Ms. Lawson searched for the man on Facebook . When she saw his photos, she knew. He looked like their late father. Based on his age and the close physical resemblance, Ms. Lawson immediately told her sister, “He’s got to be our brother.” This was their father’s secret. He had a child they never knew about.

Then came a second shock. Ms. Lawson’s test showed she didn’t appear to have any genetic connection to this new man. This was their mother’s secret: Ms. Lawson was the product of a brief extramarital affair. The man who raised her wasn’t her biological father.

The revelations ricocheted through the family. They created new bonds with people who were once strangers. They caused tension with family they had known all their lives. And they sparked a fight between the sisters about the bonds of loyalty—and how much their parents should have told them.

Ms. Lawson, 65 years old, said she is still grappling with “the pain of knowing my life was a lie and having all these questions that can’t be fully answered because both my parents are gone.”

The hardest part, she said, came the moment she and Ms. Hurwitz, 52, realized they were half, not full, sisters.

“We held each other,” Ms. Lawson said, “and we sobbed.”…

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A promise kept

Posted in Articles, Asian Diaspora, Biography, History, Literary/Artistic Criticism, Media Archive, United States on 2019-02-03 02:17Z by Steven

A promise kept

The Korea Times
2019-02-02

Kang Hyun-kyung


The late Park Geun-sik (1954-2009) is captured in this photo taken in December 1992 in front of Korean-Amerasians Association in Seoul. He was one of the first batch of biracial Koreans born to a Korean mother and a U.S. soldier. / Noonbit Publishing

Photographer chronicles biracial Koreans living as strangers in homeland

Park Geun-sik, a biracial farmer and human rights activist who died of stomach cancer in 2009, had a dream that remained unfulfilled until his death.

Park, who was called Peter during his childhood for his half-Korean, half-Caucasian appearance, wanted his home country to remember people like him who were born to Korean mothers and American soldiers during and after the 1950-53 Korean War.

They were called “GI babies” when they were young and later “Korean-Amerasians” after they became adults. They were depicted by opinion leaders here as the “tragic outcome” of the war.

GI babies were the first batch of biracial Koreans who lived in this country, decades before the nation saw a surge of biracial children born to Korean fathers and foreign brides from Central and Southeast Asian countries who have been migrating to Korea since the 1990s.

Unlike now, when biracial children are entitled to various types of policy support and protection from the government, back then the GI babies were treated like unwanted children. Without policy support, they were bullied and discriminated against by their classmates in school and racial bias continued even after graduation.

Park’s humble dream ― the nation recognizing GI babies as part of Korea’s traumatic modern history and admitting the country’s mistreatment of them ― came true after his death.

Documentary photographer Lee Jae-gab, 53, chronicled the tragic lives of half-Koreans born during or after the Korean War and published four photo books based on the images he captured over the past 26 years…

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By drawing on their Hapa identity while situating themselves within historically Black and Brown musical and cultural aesthetics these artists are contributing to what ethnomusicologist, T. Carlis Roberts calls the “new Black” movement in music, a trend that embraces broader definitions of what it means to be Black and Brown.

Posted in Excerpts/Quotes on 2019-02-02 04:44Z by Steven

By drawing on their Hapa identity while situating themselves within historically Black and Brown musical and cultural aesthetics these artists are contributing to what ethnomusicologist, T. Carlis Roberts calls the “new Black” movement in music, a trend that embraces broader definitions of what it means to be Black and Brown. According to Roberts, “Not only has this process resulted in more visible diversity in media and other social realms, it has productively worked to unseat the Black–white dichotomy as the paradigm of racial conversation.”3 Musicians like [Jhené] Aiko are unseating several racial dichotomies.

Sonia C. Gomez, “Jhené Aiko and the Problem of Multiracial Self-Representation,” Discover Nikkei, January 29, 2019. http://www.discovernikkei.org/en/journal/2019/1/29/jhene-aiko/.

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Instead of enforcing segregation policies to sanction white superiority, Argentine authorities sought to eliminate blackness through European immigration and miscegenation.

Posted in Excerpts/Quotes on 2019-02-02 04:09Z by Steven

Instead of enforcing segregation policies to sanction white superiority, Argentine authorities sought to eliminate blackness through European immigration and miscegenation. The constant arrival of European males through immigration made this goal attainable. For example, [Domingo] Sarmiento often touted mulatos as proof of progress because they “had the brute force of the African and the intellect of the European.”5 By the turn of the twentieth century, it seemed that the whitening project had achieved success. In 1905 Juan José Soiza Reilly wrote in the magazine Caras y Caretas, “The [black] race is losing in the mixture its primitive color. It becomes gray. It dissolves. It lightens. An African tree is producing white flowers.”6

Erika Denise Edwards, “A Tale of Two Cities: Buenos Aires, Córdoba and the Disappearance of the Black Population in Argentina,” The Metropole: The Official Blog of the Urban History Association, May 31, 2018. https://themetropole.blog/2018/05/31/a-tale-of-two-cities-buenos-aires-cordoba-and-the-disappearance-of-the-black-population-in-argentina/.

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Jhené Aiko and the Problem of Multiracial Self-Representation

Posted in Anthropology, Articles, Arts, Asian Diaspora, Latino Studies, Literary/Artistic Criticism, Media Archive, United States, Women on 2019-02-02 03:53Z by Steven

Jhené Aiko and the Problem of Multiracial Self-Representation

Hapa Music is Black and Brown
Discover Nikkei
2019-01-29

Sonia C. Gomez, Postdoctoral Fellow
Mahindra Humanities Center
Harvard University


Jhené Aiko. Photo courtesy of The come Up Show.

At the 2018 VH1 Mother’s Day music tribute concert titled, Dear Mama: A Love Letter to Moms, Grammy nominated singer and songwriter Jhené Aiko recited this poem she wrote for her mother, Christina Yamamoto, a woman of African American and Japanese ancestry:

“I found another grey hair today but I was not bothered at all. I feel like I earned it. I’m better, I’m wiser, I’m leveling up overall. I am becoming my mother, my beautiful mother, who taught me with age, comes might. I’m becoming my mother, my beautiful mother, she is love in the flesh, what a sight.”

Afterwards, Aiko and her young daughter, Namiko Love, serenaded the audience with an original song Aiko wrote titled, Sing to Me. The performance was a touching display of affection between three generations of women, and as such, offers an opportunity to reflect on the role Aiko’s mother’s racial heritage has played in Aiko’s musical career. After all, she is her mother’s daughter.

Jhené Aiko Chilombo was born in 1988 in Los Angeles to Christina Yamamoto, a woman who is African American and Japanese, and Karamo Chilombo, a man of mixed-Black and Native American ancestry. Aiko is one of five siblings who grew up in a multiracial and tight-knit family from Ladera Heights, a Black middle-class enclave in south Los Angeles. Aiko’s sister, Mila J, is a singer, songwriter, and dancer herself…

Read the entire article here.

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Is Naomi Osaka Japanese enough for Japan?

Posted in Anthropology, Articles, Asian Diaspora, Media Archive, United States on 2019-02-02 03:19Z by Steven

Is Naomi Osaka Japanese enough for Japan?

Nikkei View: Perspectives on Asian-American culture through the lens of identity, history, and experience
2019-02-01

Gil Asakawa

Naomi Osaka photo by Peter Menzel
Naomi Osaka at the 2018 Nottingham Open qualifiers, photo by Peter Menzel, Creative Commons/flickr

I love following the exciting young career of Naomi Osaka, the world’s first Japanese tennis star who has been ranked number-one by the Women’s Tennis Association, after her recent win in the Australian Open.

I love her passion and skill and determination to win. And most of all, I love that she is mixed-race, with a Japanese mom and Haitian dad. And, that she’s culturally as American as she is Japanese or Haitian.

She was born in Japan, and her family came to the U.S. when she was just three years old. They first lived with her father’s family in Long Island, New York, and by the time she was 10, the family (which includes an older sister who also competes in tennis) moved to Florida, where they still live.

Osaka claims both American and Japanese citizenship. She’s 21 now, and the media have begun pointing out Japan’s citizenship law: At 22, Japan doesn’t allow dual citizenship. Naomi will soon have to choose her nationality…

Read the entire article here.

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