Mixed Race Studies

Christmas without Ramadan

Mixed Roots Stories
2015-01-09

Zena F. Itani

I’ve never really liked Christmas. It was the most forced family event of the year, defined by spectacular displays of anxiety from my mother and bad temper served up by my father, always in time for guests. While that doesn’t sound much different from others’ fun family holidays, there was another layer of dysfunction in it for me. My Dad is Muslim, a fact that we ignored for the entire year, not just on big Christian holidays. December 25th highlighted particularly well the lack of Muslim traditions in my immediate family, despite the fact that Lebanese Muslims outnumbered my English mother’s kin and me and my American siblings.

Let me walk you through a typical Itani Christmas (you Arabic speakers know how ridiculous the pairing of a large Lebanese Muslim family name and the word “Christmas” is). In the morning, my siblings and I woke up way too early and tore into our presents like obnoxious kids the world over. The gifts broke along gender and culture lines. As the one with the Arabic name and the insatiable curiosity for all things Middle Eastern, I would get the “cultural” gift (a subscription to Foreign Affairs was popular). “You’re so…Oriental,” my mother would often say, perplexed, in her British accent. Um, yeah Mom, did you see the Lebanese guy you married? Just saying…

Read the entire article here.

Young Artists: Saya Woolfalk

W
November 2008

Timothy McCahill

For the last two years Saya Woolfalk has practically lived in No Place, the futuristic work she is creating through painting, sculpture and video. So it’s not surprising that when she talks about it, the line between fact and fiction seems a little fuzzy. More than just a plain old multimedia installation, No Place has its own inhabitants and culture. The bubbly 29-year-old delights in describing every nook and cranny. “I talk about it as if it could be real,” admits Woolfalk, who is completing a yearlong stint as an artist-in-residence at the Studio Museum in Harlem, where No Place was recently shown. “But I never forget that it’s another place.”

Woolfalk’s world is inhabited by half-human, half-plant figures called No Placeans, who in her paintings are portrayed roaming a psychedelic landscape reminiscent of Yellow Submarine. In one piece, they appear in front of a blue and yellow building surrounded by pink phalluses. As part of the project, Woolfalk filmed the No Placeans—played by the artist, her friends and colleagues—in the style of a documentary…

…Though the piece grew partly out of Woolfalk’s reflections on utopia, her influences also originate closer to home. Born in Japan to a Japanese mother and an African-American and white father, Woolfalk draws on Japanese anime and traditional African garments for many of her characters and costumes, blending cultures so that her work feels at once foreign and familiar. “Because I’m mixed race, I have this idea that to leave the conversation ambiguous is interesting,” she says…

Read the entire interview here.

Al Madrigal’s New Special ‘Half Like Me’ Is What Latinos Have Been Waiting For

The Huffington Post
2015-01-13

Ana Maria Benedetti

Al Madrigal goes on a journey of self-discovery… starting with how to pronounce his own name.

In his new one-hour special “Half Like Me,” premiering on Fusion on January 22, The Daily Show’s senior Latino correspondent travels across the U.S. to discover what it means to be half Mexican and half white.

“Being half has always been confusing,” Madrigal says in the preview for the special. “White people think you’re Mexican and Latinos give me shit about not being Latino enough.”…

Read the entire article here.

Machado de Assis: The Brazilian Master and His Novels

University of California Press
1970
270 pages
ISBN: 9780520016088

Helen Caldwell

Machado de Assis is among the most original creative minds in Brazils rich, four-century-long literary tradition. Miss Caldwell’s critical and biographical study explores Machado’s purpose, meaning, and artistic method in each of his nine novels, published between 1872 and 1908. She traces the ideas and recurrent themes, and identifies his affinities with other authors.

In tracing Machado’s experimentation with narrative techniques, Miss Caldwell reveals the increasingly subtle use he made of point of view, sometimes indirect or reflected, sometimes multiple and “nested” like Chinese boxes.

Miss Caldwell shows the increasing sureness with which he individualized his characters, and how. in advance of his time, he developed action, not by realistic detail, but by the boldest use of allusion and symbol. Each novel is shown to be an artistic venture, and not in any sense a regurgitation from a sick soul as some critics have argued.

In searching out the unity of his novels. Miss Caldwell explores the other aspects of Machado’s intellectual life—as poet, journalist, playwright, conversationalist, and academician. Of particular interest is her attention to his shift away from the social criticism of his early novels into the labyrinth of individual psychology in the last five—all of which rank among world literature. But this perceptive account never loses sight of the one element present in every piece of Machado’s fiction, in every one of his personages; that is, superlative comedy, in its whole range: wit, irony, satire, parody, burlesque, humor.

Altogether, Miss Caldwell reveals to us a writer, in essence a poet, who is still the altus prosator of Brazilian letters.

Read the entire book here or here.

Don’t put race in a box

The Eastern Echo
Ypsilanti, Michigan
2015-01-11

C.A. Joseph Peters

One ought to talk about race like one talks about their mother’s age: very rarely and very discreetly. Given the Census Bureau’s outdated categories, I say it’s time for one of those rare and discreet conversations.

In January 2013, Haya El Nasser of USA Today reported that “many [Hispanics] feel boxed in by the current race categories . . . 95 percent of those who selected ‘some other race’ are Hispanic.” Last July, Fox News Latino reported that Detroit’s Mexico town not only withstood the brunt of Detroit’s most recent downturns but was spearheading Detroit’s economic recovery. But Detroit’s growing Hispanic community gets whitewashed by the Census.

By attempting to define race with neat little boxes, the Census Bureau is forcing an increasing number of Americans to check “other,” doing a disservice to Detroit’s growing Hispanic community and to Dearborn’s already sizable Middle Eastern community. In 2010, the Census categorized Dearborn, a city where one third of the residents speak Arabic, as over 89 percent white. But with a term nebulous enough to include everyone from Morocco to Murmansk and from Riyadh to Reykjavik, it should be no great surprise that the Census categorizes Dearborn as whiter than Montana. Race is difficult enough without the government trying to define it too…

Read the entire article here.

Critical Mixed-Race In Transnational Perspective: The US, China, And Hong Kong, 1842-1943

Center for East Asian Studies
Lathrop East Asia Library, Room 224
Stanford University
518 Memorial Way, Stanford, California
Thursday, 2015-01-15, 16:15-17:30 PST (Local Time)

Emma Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations
Massachusetts Institute of Technology

This paper will examine the intersection of Sinophone Studies and Critical Mixed-Race Studies (CMRS) – two new and critical paradigms of inquiry – as productive forces in reshaping Chinese Studies beyond the old Area Studies model. My work analyzes the evolving discourses on mixed-race as well as the lived experiences of Eurasians in China, Hong Kong, and the US during the era between 1842 and 1943, and thus lies at the intersection of these two emergent and dynamic fields. Through my research on transnational Chinese-Western mixed families I aim to expand the horizons of Critical Mixed-Race Studies, which has been dominated by the study of black-white interracialism. I ask how a transpacific comparative approach might shift the theoretical frameworks for critical race and ethnic studies by challenging the presumed universality of US-centric models. At the same time, I aim to expand the horizons of “Chinese” studies, asking how mixed-race or transracial hybrid identities contest racially bounded, Han Chinese-centric definitions of Chineseness.

For more information and to RSVP, click here.

California Attorney General Announces Run for Senate

The New York Times
2015-01-13

Adam Nagourney, Los Angeles Bureau Chief

Kamala Harris Makes Bid for Barbara Boxer’s Old Seat

LOS ANGELES — No exploratory committees here: Kamala D. Harris, the California attorney general, announced on Tuesday she was running for the Senate seat that is opening up with Barbara Boxer’s retirement at the end of the year.

Ms. Harris’ announcement, posted on a new campaign website, came a day after the California lieutenant governor, Gavin Newsom, who was widely viewed here as the other major contender for the seat, announced that he was not going to run. Friends say that Mr. Newsom is more interested in running for governor when Jerry Brown retires in four years.

Democrats here have long suggested that Ms. Harris and Mr. Newsom would avoid running against each other, because they are both such strong candidates, with their own fund-raising bases and they both come from Northern California.

Ms. Harris, who is 50, is the daughter of a Jamaican-American father and an Indian-American mother.

She was re-elected to a second term as attorney general last year…

Read the entire article here.

Caught In-between

Mixed Humans ~ Reflections on occupying a space of inbetweenness. Persistently grappling with identity.
2015-01-13

Brian Kamanzi
Cape Town, South Africa

Caught In-between.

So for the longest time. I had grown up thinking of myself as an “almost” Indian. A half-Indian. Half caste. Whatever the hell sort of awful approximation of an authentic identity I desired. Loathed. Loved. And pursued.

I had dealt with a lot of people who felt at complete ease telling me what it “is” that I am.

My Dad is black you see. And many attempts I’ve made to connect with my mother’s heritage sending me packing. As if somehow invoking the dominance of the influence of “the father” is going to resolve the annoyance of having to decide which “box” I’m allowed to be in. It was always a tricky thing to even communicate to my own mother, who was not a cultural woman herself and could not understand what I was looking for. She could not understand why their rejection of me mattered to me – and I couldn’t understand why it was I was being denied my authenticity…

Read the entire article here.

“The Christened Mulatresses”: Euro-African Families in a Slave-Trading Town

The William and Mary Quarterly
Volume 70, Number 2, April 2013
pages 371-398
DOI: 10.5309/willmaryquar.70.2.0371

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

“MULATRESSE Lene”—or Lene Kühberg, as she is also called in the Danish sources—grew up and lived in a social world created by the Atlantic slave trade. Her name suggests that she was a daughter of slave traders—a Ga woman and a Danish man—and in the 1760s she was cassaret (married) to Danish interim governor and slave trader Frantz Joachim Kühberg. She lived in a European-style stone house in Osu (today a neighborhood in Accra) on the Gold Coast, and she was both racially and culturally Euro-African. The color of her skin and her name alone would have made it clear to everyone who met her that she was related to Europeans, but her clothes would also have marked her difference, and she may even have worn little bells and ornamental keys to show her heritage and connections. European travel writers described how Euro-African women on the Gold Coast who wore such little bells jingled so much that they could be heard at a great distance. Through their Euro-African heritage and marriages to European men, Euro-African women such as Lene Kühberg occupied a particular and important position as intermediaries in the West African slave trade.

CMRS Mixed-Race Irish Film Keynote Links

Mixed Roots Stories
2015-01-11

Zélie Asava, Lecturer and Joint-Programme Director of Video and Film
Dundalk Institute of Technology, Louth, Ireland

Following my keynote on mixed representations in contemporary Irish cinema and television at the 2014 Critical Mixed Race Studies Conference, here are some links to the films discussed…

View all of the keynote links here.