Scholarly perspectives on the mixed race experience.
When interviewer-based surveys try to gather data on ethnicity their questions may not always capture what they are aiming for; rather, it is the interviewees’ opinion on what ethnic group (or groups) they think they belong to.
Partly in response to this sort of experience, the idea of ethnicity has now been replaced by today’s ‘gold standard’ democratic definition – self-declared ethnic affiliation. In short, you are who you say you are. This may or may not allow people to nominate a mixed or multiple group membership depending on which form you are filling in. Also, your declaration is not subject to approval from the group(s) you claim to belong to. This is the current New Zealand Standard Ethnicity definition.
It’s official! Jordan Peele’s “Get Out” is now the highest domestic grossing film directed a black filmmaker. With $163.3 million so far domestically ($177 million total worldwide), the film beats the previous highest grossing film by a black director domestically, F. Gary Gray’s “Straight Outta Compton”, which grossed $162.8 million, and another $40.4 million overseas at the end of its theatrical run. But “Get Out” is far from done, as it has yet to open in some of the biggest foreign markets, including European territories like France, Spain and Scandinavia, as well as across South America, so it could eventually do very well and match or even top “Compton’s” overseas numbers…
Films like Ghost in the Shell have fueled debate over whitewashing, while roles are few for Asian Americans – and when they are wanted, it’s often to play offensive stereotypes
Pun Bandhu’s training at the prestigious Yale School of Drama didn’t help much with the skill he needed for so many auditions after graduation – the “Asian accent”.
The Thai American actor – who has appeared in a wide range of TV shows and films over the last 15 years – said he was once told that an accent he used for a Thai character, modeled after his parents, was not working for an “American ear”. Instead, the director went with a Chinese accent.
While much of the recent debate around Asian representation in Hollywood has centered on whitewashing – when white actors are cast to tell Asian stories – working actors said a lack of opportunity was only one part of the problem. Asian American actors said they rarely, if ever, got auditions for leading roles, and when they did get parts, they were frequently secondary to the plot or portrayed offensive tropes…
…“We’re so desperate for opportunities,” said Kanoa Goo, a mixed-race actor who is Chinese, Hawaiian and white. “Often it’s pretty one-dimensional. It’s the tech computer analyst who doesn’t have much to say. His role is really just in service of the leads.”…
Matthew Teutsch, Instructor
Department of English Auburn University, Auburn, Alabama
Recently, I taught Genarao Kỳ Lý Smith’sThe Land Baron’s Sun: The Story of LýLoc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, though, I want to focus on “Fidèle,” a poem that appears later in the book and talks about Pham and her family’s new life in North Louisiana.
“Fidèle” begins by outlining the religious landscape of Ruston. The town does not have any synagogues, pagodas, or temples; rather, it has “only churches whose steeples/ are wooden hands formed in prayer” (84). From the very beginning, we are told to question the Boudreaux family in the poem based on the title, ““Fidèle,” French for faithful. The Boudreauxs, with their children and dog, repeatedly ask Pham, as she works in her family’s garden, to come to church with them someday. Pham declines these invitations as her husband instructs her…
Recently thrust into celebrity, Ona Judge was enslaved by George and Martha Washington. Ona quietly escaped the President’s House in Philadelphia in 1796 and lived as a seamstress in Greenland, New Hampshire. Washington described the runaway in a newspaper as “a light mulatto girl, much freckled.” This illustration by Emily Arnold McCully appears on the cover of her children’s book, “The Escape of Oney Judge,” published by Scholastic Press.
[Courtesy photo]
It’s about time America learned her name. Enslaved by George and Martha Washington, a young Ona Judge fled to Portsmouth in 1796. A skilled seamstress, Ona Judge lived the rest of her long life in the shadows — impoverished, independent and defiant. Her presumed burial site remains obscure and unmarked on private land in nearby Greenland. But the story of a young black woman who resisted a president is finally being told — and told again.
Today you can read about Ona Judge (1773-1848) in The New York Times. You can hear her story on National Public Radio, watch her on a National Geographic special, or find her on popular websites like History.com and CNN. Ona is featured in “Lives Bound Together,” a special exhibit of more than 300 enslaved Africans at Mount Vernon. She is portrayed by re-enactors from New Hampshire to Virginia, and her story is told at the site of the President’s House in Philadelphia, where she made her daring solo escape from the Washingtons at age 20.
Atria (an imprint of Simon and Schuster)
February 2017
272 pages
Hardcover ISBN: 9781501126390
eBook ISBN: 9781501126437
Erica Armstrong Dunbar, Blue and Gold Distinguished Professor of Black Studies and History University of Delaware
A startling and eye-opening look into America’s First Family, Never Caught is the powerful narrative of Ona Judge, George and Martha Washington’s runaway slave who risked everything to escape the nation’s capital and reach freedom.
When George Washington was elected president, he reluctantly left his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation’s capital. In setting up his household he took Tobias Lear, his celebrated secretary and eight slaves, including Ona Judge, about whom little has been written. As he grew accustomed to Northern ways, there was one change he couldn’t get his arms around: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire.
Though Ona Judge lived a life of relative comfort, the few pleasantries she was afforded were nothing compared to freedom, a glimpse of which she encountered first-hand in Philadelphia. So, when the opportunity presented itself, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs.
At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property.
With impeccable research, historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked it all to gain freedom from the famous founding father.
A DNA test appears to have found a woman with 100 per cent Maori DNA.
An analysis of the DNA of Oriini Kaipara, 33, has shown that – despite her having both Maori and Pakeha ancestry – her genes only contain Maori DNA. That makes her, in her own words, a “full-blooded Maori”.
Culturally, people identify as Maori through their whakapapa, while legally a person is defined as Maori if they are of Maori descent, even through one long-distant ancestor.
However, the intermingling of different ethnicities in New Zealand over the past 200 years means all Maori people are thought to have some non-Maori ancestry, so would not be expected to have 100 per cent Maori DNA.
But Kaipara, 33, is different. The Native Affairs newsreader has some Pakeha ancestry, but it seems through a series of genetic flukes her parents passed on only the DNA from her Maori ancestors…
If interracial relationships were widespread prior to the abolition of slavery in 1888, they became a matter of national duty afterward. That didn’t happen “just because we all happened to get along,” said Mirtes Santos, a law student and Coletivo Negrada member. “It was a way to erase black identity.” Brazil’s government launched a full-on propaganda and policy effort to “whiten” Brazil: It closed the country’s borders to African immigrants, denied black Brazilians the rights to lands inhabited by the descendants of runaway slaves, and subsidized the voyage of millions of German and Italian workers, providing them with citizenship, land grants, and stipends when they arrived.
Comments Off on If interracial relationships were widespread prior to the abolition of slavery in 1888, they became a matter of national duty afterward.
Canada, a country that prides itself on its diversity, multiculturalism and acceptance of all. It’s hard to believe that not too long ago, mixed race couples and families were widely seen as unacceptable, taboo even. Though for some, that view has not died down, it is undeniable that more and more interracial couples and families are popping up and with them children who are growing up as members of multiple ethnic groups. This kind of environment supposedly harbours such a unique growing experience and perhaps a new argument in the age-old nature versus nurture argument.
However, just like uni-racial people of colour experience their own struggles against racism and stereotyping and such in our diverse world, mixed race people are dealing with the same issues. Sometimes this even happens within the ethnic groups they identify themselves as members of…
Rachel Dolezal, the former branch president of the National Association for the Advancement of Colored People (NAACP) who gained global notoriety in 2015 after being “outed” as a white woman pretending to be black, is back with a new book on race. Dolezal, who is ethnically German, now claims that she is “transracial”, a condition she compares to transgenderism. By this she means that although she was born white, she identifies with being black, arguing that race is a social construct.
Dolezal complains of further victimisation because “transracialism” is not recognised in the same way as transgenderism. And Dolezal sees herself as triply stigmatised; because of her race, because of her trans status and also because of the perceived illegitimacy of this status.
For someone like me, concerned both with race and with the role of narrative in culture, the narrative spun by Dolezal is both confounding and uniquely fascinating. In an interview with BBC Newsnight, she announced – not incorrectly, in my view – that “race is a lie”. At the same time, she laid claim to the transracialism that she demands to be accepted as a truth…
As generations passed, ideas of “black” and “white” were further complicated by the complex striations of racial coding that were implemented both during and after slavery, across the Americas, as a consequence of voluntary and involuntary coupling between Europeans and Africans.
This led to a dizzying taxonomy of racial mixes, including (but not confined to) so-called mulattoes, quadroons, octoroons, tercerons, quintroons and beyond, depending on how many generations back a person’s African ancestry was traced. A person might be able to pass as white if their direct African ancestry was three or four generations removed – although if their relative “blackness” was discovered, it was a source not only of shame but was a precondition of legal slavery…
In this course, we will read novels that investigate the phenomenon of racial passing in the United States, whereby “black” persons light-skinned enough to appear “white” cross the color line to live as white people. Along the way, we will read a smattering of cultural theory on the social construction of race, gender, sexuality, socioeconomic class, etc., and what it means to “perform” identity.
