Mixed Race Studies

First Martyr of Liberty: Crispus Attucks in American Memory

Oxford University Press
2017-07-19
328 pages
22 hts
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199731619

Mitch Kachun, Professor of History
Western Michigan University

• Most thorough study of what is known about the life of Crispus Attucks.
• First extended analysis of the role of Attucks in American history and memory.
• Figure has been referenced constantly in popular culture throughout the centuries, inc. current series “Luke Cage.”

First Martyr of Liberty explores how Crispus Attucks’s death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans’ struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship.

This book traces Attucks’s career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man’s actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered–variously as either a hero or a villain–and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

Table of Contents

• Acknowledgments
• Introduction
• Chapter 1: Who Was This Man?
• Chapter 2: The Dustbin of History: Crispus Attucks and American Amnesia, 1770s-1840s
• Chapter 3: First Martyr of Liberty: Crispus Attucks and the Struggle for Citizenship in the Civil War Era
• Chapter 4: Crispus Attucks Meets Jim Crow: The Segregation of American Memory, 1870s-1910s
• Chapter 5: Crispus Attucks Meets the New Negro: Black History and Black Heroes between the World Wars
• Chapter 6: Crispus Attucks Meets Dorie Miller: Black Patriotism and Activism in the World War II Era
• Chapter 7: Crispus Attucks and the Black Freedom Struggle, 1950s-1970s
• Chapter 8: Crispus Attucks from the Bicentennial to the Culture Wars, 1970s-1990s
• Chapter 9: Crispus Attucks in Twenty-First Century America
• Conclusion
• Notes
• Index

Do people feel privileged when they are white passing?

Cut
Seattle, Washington
2017-11-15

Do people feel privileged when they are white passing? Check out the post interview to People Guess Who is White In a Group of People.

How my mother’s fanatical views tore us apart

The Daily Mail
2008-05-23

Rebecca Walker

Maternal rift: Rebecca Walker, whose mother was the feminist author of The Color Purple – who thought motherhood a form of servitude, is now proud to be a mother herself

She’s revered as a trail-blazing feminist and author Alice Walker touched the lives of a generation of women. A champion of women’s rights, she has always argued that motherhood is a form of servitude. But one woman didn’t buy in to Alice’s beliefs – her daughter, Rebecca, 38.

Here the writer describes what it was like to grow up as the daughter of a cultural icon, and why she feels so blessed to be the sort of woman 64-year-old Alice despises – a mother.

Read the entire article here.

Measuring the health patterns of the ‘mixed/multiple’ ethnic group in Britain: data quality problems, reporting issues, and implications for policy

International Journal of Social Research Methodology
Published online: 2017-11-25
pages 1-13
DOI: 10.1080/13645579.2017.1399623

Peter J. Aspinall, Emeritus Reader in Population Health
Centre for Health Services Studies
University of Kent, Canterbury, United Kingdom

The ‘mixed’ group, officially recognised in the 2001 Census, is one of the most rapidly growing ethnic groups in Britain. Although ‘mixed’ categorisation was added to ethnic coding in NHS datasets, our knowledge of health patterns for this population is meagre. Data quality problems remain a key obstacle, including poor reproducibility of the data and constraints on reporting due to sparse data bias. The consequent minimal and indicative evidence base has focused mainly on risky health behaviours, mental health and generic measures of self-rated health, as it has in the U.S.A. and Canada. There is negligible information on the main underlying causes of death, such as neoplasms, heart disease and stroke. Consideration should be given to pooling data across multiple years of health and general purpose surveys to enable reporting for the four ‘mixed’ categories and adjustment for mediating factors and relevant confounders, such as measures of socio-economic status.

Read or purchase the article here.

When Meghan weds Harry, Britain’s relationship with race will change for ever

The Guardian
2017-11-27

Afua Hirsch

Don’t underestimate the symbolism of a royal marriage. From now on, it will be impossible to argue that being black is somehow incompatible with being British

Almost two decades ago, during the heady first months of the new millennium, an unruly baroness named Kate Gavron made a shocking suggestion. Prince Charles, she said, should have married someone black. It would be, she imagined, a powerful symbol of the monarchy’s commitment to racial integration and multiculturalism.

Gavron’s comments were not well received at the time. As is so often the case with race and the royals, far more interesting than these remarks themselves, were the media reactions to them. Some suspected this was merely a clandestine attempt at “getting rid” of the monarchy, erasing their heritage through interracial marriages. Not so much revolution, as racial dilution.

Others assumed that for the Prince of Wales to marry a “black girl” – as the hypothetical person was described – would be to return to the loveless, strategic marriages the royals were once so famous for. It was obvious to commentators at the time that marrying a black girl, and marrying someone you actually loved, were both antithetical and mutually exclusive. After all, you couldn’t expect an heir to the throne to actually be attracted to such a person…

Read the entire article here.

Why Do People Pass?: The Complex Journeys of Belonging and Identity in America

Beacon Broadside
2017-11-07

Brando Skyhorse, Associate Professor of English
Indiana University, Bloomington

Lisa Page, Acting Director of Creative Writing
George Washington University, Washington, D.C.

Image credit: Bob Kosturko

America has a long and complicated history of passing. We’re familiar with the stories of African Americans who passed as white in the past in order to improve their social mobility. Nowadays, we are hearing a variety of personal experiences about passing that transcends additional modes of identity—class, religion, gender, sexuality, and more. Writers Brando Skyhorse and Lisa Page have brought together some of these stories in their new essay anthology We Wear the Mask: 15 True Stories of Passing in America. As they point out in the introduction of the book, excerpted below, there have always been many ways in which people pass, and many reasons to do so.

In June 2015 a surprising number of Americans stopped to gawk at a thirty-seven-year-old “African American” woman named Rachel Dolezal who, after an almost decade-long act, was outed by her parents as a white woman who chose to pass as black. The national response, culminating in a Today Show appearance, was extreme. Some were outraged by her deception, while others drew parallels between her right to live her “truth” the same way Caitlyn Jenner embodies hers.

Rachel—or “#BlackRachel” as she trended online—never once “broke character.”

Later that month, the Daily Beast reported on Andrea Smith, an Anglo woman and esteemed professor of Native American studies at the University of California, Riverside, who presented as Cherokee for over twenty years. She had a long history of American Indian activism and published articles and books purporting to speak on Indian issues as an American Indian despite not a trace of Indian ancestry being found after two rounds of genealogical research.

If you’re looking for historical precedent, how about jazz clarinetist Mezz Mezzrow? A middle-class Jewish kid from Chicago, he married a black woman, moved to Harlem, self-identified in the 1940s as a “white Negro” and was listed by his draft board as “Negro.” His understanding of being a black American was an odd brew of sincere cultural musical appreciation and promoting the oversimplified “shuck and jive” stereotypes. Go back further and you’ll find Clarence King, a nineteenth-century blue-eyed white scientist and best-selling author who thrilled in “slumming.” For thirteen years, King passed as a black Pullman porter, complete with a black common-law wife and five mixed-race children.

American history is filled with innumerable examples like these. Why, then, did “#BlackRachel” fascinate and outrage so many of us? The answer lies in the complex phenomenon of passing…

Read the entire article here.

What We Lose: A Striking Novel About Filial Grief

The Atlantic
2017-08-01

Amy Weiss-Meyer, Associate Editor

Zinzi Clemmons (Nina Subin)

Zinzi Clemmons’s debut tangles with familiar questions, using a propulsive experimentalism in lieu of linear narrative.

When Zinzi Clemmons was a graduate student at Columbia, at work on her MFA, her mother was diagnosed with breast cancer. Clemmons had been writing a novel with a more or less linear narrative structure. She moved back home to Philadelphia and kept writing, but differently now, taking notes and collecting fragments of text as she cared for her mother. “The only time and energy I could muster resulted in that very short form,” she said recently. “I just ended up keeping those pieces and stitching them together, and a fictional narrative arose.” The novel she had been working on no longer felt worth her while; she’d been trying to use it, she said, to “avoid what was going on with my mom.”

The new novel that emerged, What We Lose, is a startling, poignant debut, released to no shortage of fanfare (Vogue called it “the debut novel of the year”). It tells a story based loosely on the author’s own. The protagonist is Thandi, who, like Clemmons herself, is the daughter of a “coloured” South African mother and an African American father. Thandi, like Clemmons, was raised in a wealthy, mostly white suburb of Philadelphia. Thandi’s self-proclaimed status as a “strange in-betweener”—she has “light skin and foreign roots,” and feels neither fully black American nor fully African—is a defining preoccupation of her young adulthood. Her relationship with her mother is loving but difficult. And in the wake of her death, as Thandi unexpectedly confronts the possibility of becoming a parent herself, she struggles to come to terms with what her mother’s life was, and what hers should be…

Read the entire article here.

Jordan Peele Says Tiger Woods Is ‘In The Sunken Place’

The Grapevine
The Root
2017-11-25

Angela Helm

Donald Trump greets Tiger Woods after the final round of the World Golf Championships-Cadillac Championship as Eric Trump looks on at the Trump Doral Golf Resort & Spa on March 10, 2013, in Doral, Florida. (Warren Little/Getty Images)

My question is – has Tiger Woods ever not been in the sunken place?

This is the man who was so non-black identified that he made up his own race (including giving Caucasian and American Indian equal footing to black and Asian with an African-American father and mother from Thailand.) Then he turned out to be just nasty with his prolific dick slanging in his now defunct marriage to a nanny. And now, the 41-year-old who has a mug shot floating around with a face and hairline that makes him look like a baby boomer, is going to play golf with Donald Trump, the president who loves to smear black athletes…

Read the entire article here.

What it means to be a mixed-race model in Japan

CNN Style
Cable News Network (CNN)
2017-11-24

Writers:

Stephy Chung, CNN
Junko Ogura, CNN

Contributors:

Momo Moussa, CNN
Tomo Umewaka, CNN

For 18-year-old model Rina Fukushi, Tokyo is home. But growing up as a mixed-race child in Japan wasn’t always easy. With a Japanese-American father and a Filipina mother, Fukushi was one of a growing number of biracial individuals identifying as “hafu” — a phonetic play on the English word “half.”

“I was teased when I was in elementary and junior high school because I looked foreign,” she recalled in an interview with CNN.

The term hafu was first popularized in the 1970s as Japan loosened its approach towards foreign residents, giving them better access to public housing, insurance and job opportunities. An increased number of US soldiers in the country also contributed to an upsurge in mixed-race marriages and biracial children.

Despite increasingly progressive attitudes towards race in Japan, the country’s immigration numbers have remained comparatively low. Foreigners and their hafu children often live as outsiders, a topic explored in the 2011 documentary “Hafu: The Mixed Race Experience in Japan.”…

Read the entire article here.

What We Lose, A Novel

Viking (an imprint of Penguin Random House)
2017-07-11
224 pages
Hardcover ISBN: 978-0735221710
Paperback ISBN: 978-0008245948

Zinzi Clemmons

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.