Erasing the Color Line: The Racial Formation of Creoles of Color and the Public School Integration Movement in New Orleans, 1867-1880

Posted in Dissertations, History, Louisiana, Media Archive, United States on 2015-01-20 02:00Z by Steven

Erasing the Color Line: The Racial Formation of Creoles of Color and the Public School Integration Movement in New Orleans, 1867-1880

University of North Carolina at Chapel Hill
2013

Mishio Yamanaka

A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the master’s degree of History in the Department of History

This thesis examines the public school racial integration movement of Creoles of color, a francophone interracial group in New Orleans, from 1867 to 1880. During Reconstruction, Creoles of color succeeded in desegregating about one-third of the city public schools. This thesis argues that the integration campaign of Creoles of color was an attempt to maintain their in-between identity – being neither fully whites nor fully blacks and being both Creoles and Americans – and an effort to erase the color line by improving the social status of black Americans to equal that of white Americans. Creoles of color forged desegregation by manipulating their ambiguous ethno-racial heritage and by negotiating with white radical Republicans, white New Orleanians and Anglophone blacks. Focusing on the political, legal and grass-root struggles of Creoles of color, this thesis reveals that they challenged segregation as it symbolized the emergence of biracial hierarchy in post-Civil War New Orleans.

Read the entire thesis here.

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Do You See Your Family?: An Examination of Racially Mixed Characters & Families in Children’s Picture Books Available in School Media Centers

Posted in Literary/Artistic Criticism, Media Archive, Papers/Presentations, United States on 2011-07-07 21:48Z by Steven

Do You See Your Family?: An Examination of Racially Mixed Characters & Families in Children’s Picture Books Available in School Media Centers

University of North Carolina, Chapel Hill
2002
37 pages

Susan S. Lovett

A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science.

This study describes a survey of public elementary schools in Wake County, North Carolina determining what picture books that include mixed-race characters or mixed-race families are available and which are most commonly collected in public school media centers. Fifty-two of the seventy-nine elementary school media centers in the Wake County Public School System responded. Thirty-four titles that included a mixed-race character or a mixed-race family, where the family was not multiracial due to adoption, are identified. Nine titles prove to be highly collected, eleven titles are somewhat collected, and fourteen titles are rarely collected. Half of the highly collected titles are award winners, whereas the mid and rarely collected category books have not won any awards. The parental racial combinations vary, but the prevalent pairing is African American/Caucasian. Titles appear to be collected more because they are award-winning than because they represent a non-Caucasian population. The majority of elementary school media specialists have never been asked to find materials that include mixed-race characters or families. Overall, few of these books exist, and fewer still are collected in school media centers.

TABLE OF CONTENTS

  • Table of Tables
  • Introduction
  • Literature Review
  • Research Questions
  • Methodology
    • Locating Mixed Race Materials
    • Instrument
    • Procedure
  • Findings & Discussion
  • Conclusions
  • Future Research
  • References
  • Appendices
    • Appendix A – School Media Collection Survey Instrument
    • Appendix B – Survey Data Arranged by Quantity Owned
    • Appendix C – Annotated Picture Books

TABLE OF TABLES

  • Table 1 – Identified Picture Books with Racially Mixed Characters or Families
  • Table 2 – Highly Collected Titles
  • Table 3 – Mid Collected Titles
  • Table 4 – Rarely Collected Titles
  • Table 5 – Total Racially Mixed Picture Book Collection per Media Center
  • Table 6 – Titles Suggested by Surveyed Media Specialists
  • Table 7 – Racial Pairings per Title

Read the entire paper here.

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White Skin, White Masks: The Creole Woman and the Narrative of Racial Passing in Martinique and Louisiana

Posted in Caribbean/Latin America, Dissertations, Literary/Artistic Criticism, Louisiana, Media Archive, Passing, United Kingdom, Women on 2011-07-07 21:33Z by Steven

White Skin, White Masks: The Creole Woman and the Narrative of Racial Passing in Martinique and Louisiana

University of North Carolina, Chapel Hill
2006
83 pages

Michael James Rulon

A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature

Through an examination of two Creole passing subjects from literary passing narratives of the twentieth century, this thesis simultaneously treats two problems that have been largely overlooked by contemporary scholarship: the role of the Creole racial identity in the genre of the passing narrative, as well as the possibility of racial passing within the context of a Creole society. In Walter White’s 1926 novel, Flight, and Mayotte Capécia’s 1950 novel, La négresse blanche, the protagonists’ difficulties in negotiating a stable racial identity reveal the inherent weakness of the racial binary that is essential to the very notion of racial passing, and they also show that Creoleness has failed to establish itself as a stable racial identity in the societies represented in both novels.

Table of Contents

  • 1. Pawòl Douvan/Some Opening Words
  • 2. Nwè, Blan èk Kréyòl/Black, White, and Creole
  • 3. Mimi èk Isaure/Mimi and Isaur
  • 4. Pasé pou Blan, Pasé pou Nwè/Passing for White, Passing for Black
  • 5. Ovwè tè kréyòl/Goodbye, Creole Land
  • 6. Conclusion: Èk alòs… /And so
  • WORKS CITED

Read the entire dissertation here.

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